Objektiivid

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND64 filter is a middle density IRND filter. It is especially used to add motion blur to the object in shooting conditions that usually would not allow the camera shutter speed to do so.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.

Kaamera bränd:NIKON; Objektiivi tüüp:Standard; Fookuskaugus:33; Kinnitus:Nikon Z; Garantii füüsilistele isikutele:2 aastat

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND8 filter is a light density IRND filter. It is generally used to lower the shutter speed during photo shoots on a bright sunny day for a motion effect. The filter also allows the photographer to reduce the depth of field in very bright light settings or to use a wider aperture to stay below the diffraction limit – especially when using fast lenses like F1.4 or F1.2 for a soft and beautiful bokeh.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 6X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 6-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Based on Leica Camera AG's strict quality standards 200-800mm ultra-telephoto zoom lens with a compact, lightweight design (35 mm equivalent) Excellent close-up performance with a closest focusing distance of 1.3m and a maximum magnification 0.5× (35mm equivalent) POWER O.I.S. stabilization Splash, dust, and freezeproof design LEICA DG Lens — ultimate opticsOpt for a LEICA DG lens and get the ultimate in optical quality and performance. They naturally meet the strict quality standards set by Leica Camera AG. Thanks to the sophisticated design of these lenses, you will enjoy brilliant clarity all the way to the edges of your photos. At the same time, distortions of all kind are prevented to enable precise, sharp picture rendering. This means you have the ideal tool for pro-level images in the palm of your hand.Get closer to your subjectWhether zooming in, shooting close-up or shooting on the move, this lens gives you the freedom to capture even challenging subjects. The 100-400m ultra-telephoto zoom (35mm camera equivalent: 200-800mm) captures faraway action like it’s right in front of you, while the compact, lightweight design provides optimal mobility. In addition, a zoom lock ring, the capability to switch from vertical to horizontal composition, and other features offer superb flexibility for everything from sports to nature photography.Teleconverter readyThe maximum focal length can be extended up to 800mm (35mm camera equivalent: 1,600mm) with the optional DMW-TC20 teleconverter.Superb close-up performanceWith a closest focusing distance of 1.3m and maximum magnification of 0.5×, this lens is a powerful instrument for nature photography, allowing you to zoom in on small, sensitive subjects like birds and butterflies. With the DMW-TC20 attached, 1× life-size macro photography is also possible.Lens constructionThe optimized configuration has 20 elements in 13 groups, including 1 ASPH/ED, 1 UED and 2 ED lenses to minimize aberrations and ensure superb resolution.O.I.S. for ultra-sharp photosCapture what you see on the spur of the moment. Optical image stabilization (O.I.S.) technology built directly into the lens ensures your photos will look great, with sharp, blur-free contours across the entire image.Dust, splash and freeze-resistant designThis lens is designed to keep shooting in the toughest conditions thanks to its dust- and splash-resistant construction and allowing you to shoot in temperatures as low as -10 °C.Ideal for video recordingThe lens offers fast, accurate autofocus and smooth aperture changes, critical for the modern content creator, allowing you to record beautiful 4K video and stills without disturbing your subject.

Viltrox AF 135mm f/1.8 Nikon Z on professionaalne täiskaadriline objektiiv, mis on loodud nõudlikele fotograafidele, pakkudes erakordset teravust ja detailirohkust. Suur f/1.8 ava võimaldab suurepärast pildiplaneerimist, muutes selle ideaalseks portreefotograafiaks ja kunstiliseks pildistamiseks, luues pehme ja loomuliku taustahägu. Objektiivil on 11-labaline diafragma, mis tagab kauni bokeh-efekti ilma "sibulamustri" nähtuseta. Täiustatud autofookussüsteem, mis põhineb HyperVCM-tehnoloogial, tagab kiire ja täpse teravustamise, pakkudes suurt täpsust ja vaikset tööd. Spetsifikatsioonid: Fookuskaugus: 135mm Minimaalne teravustamiskaugus: 0,72m Vaateväli: 19,04° Diafragma labade arv: 11 Ava väärtused: f/1.8 - f/16 Autofookusmootor: VCM Optiline konstruktsioon: 14 elementi 9 grupis Filtri läbimõõt: 82mm Mõõtmed: 147,6 × 93mm Kaal: 1265g

35mm fiksobjektiiv f/1.2 avaga Sony E-Mount kinnitus, sobib täiskaader hübriidkaameratele HyperVCM automaatse teravustamise mootor kiireks ja vaikseks tööks Sisseehitatud LCD-ekraan seadete ja teravustamiskauguse kuvamiseks Täppisoptikaga ehitus: 15 elementi 10 rühmas, sh ED-, HR- ja asfäärilised elemendid Tolmu- ja niiskuskindel korpus HD Nano mitmekihilise vetthülgava kattega Kaks kohandatavat funktsiooninuppu edasijõudnud juhtimiseks Viltrox AF 35mm f/1.2 FE LAB on kõrgekvaliteediline fiksobjektiiv, mis on loodud täiskaadersensoriga Sony hübriidkaameratele, millel on E-bajonett. Tänu erakordselt suurele maksimaalsele f/1.2 avale pakub see objektiiv suurepärast valgusjõulisust, olles ideaalne pildistamiseks kehvades valgustingimustes ning võimaldades saavutada kaunist ja sujuvat bokeh-efekti. Objektiivil on HyperVCM automaatse teravustamise mootor, mis tagab kiire ja vaikse töö – sobides nii fotograafiaks kui ka videovõteteks. Üks silmapaistev uuendus on sisseehitatud LCD-ekraan, mis kuvab reaalajas teavet, nagu teravustamiskaugus ja aktiivsed seaded, parandades kasutuskogemust ja töökindlust. Optiline konstruktsioon koosneb 15 elemendist 10 rühmas, sealhulgas 5 ED (väga madala dispersiooniga) elementi, 3 kõrge refraktsiooninäitajaga (HR) elementi ja 2 asfäärilist elementi, mis minimeerivad kromaatilisi moonutusi ning tagavad teravad ja detailirikkad pildid. HD Nano mitmekihiline kate parandab valguse läbilaskvust ja muudab esiläätse pindmise mustuse- ja veekindlaks. Objektiiv on tolmu- ja niiskuskindla konstruktsiooniga, sobides kasutamiseks eri ilmastikutingimustes. Lisaks on sellel kaks kohandatavat funktsiooninuppu, millega saab objektiivi töö vastavalt oma vajadustele seadistada. Kuuludes Viltrox LAB professionaalsesse seeriasse, pakub see objektiiv tipptasemel jõudlust konkurentsivõimelise hinnaga. Kaal: 0,910 kg Filtri läbimõõt: 77mm

Viltrox AF 15mm F/1.7 objektiiv Nikon Z bajonetile – valgusjõuline ja kompaktne lainurk. Viltrox AF 15mm F/1.7 on kerge ja valgusjõuline lainurkobjektiiv, mis sobib ideaalselt nii fotograafidele kui ka sisuloojatele, kes vajavad teravaid ja loomulikke kaadreid ka keerulises valguses. Tänu suurele F1.7 avale saad nautida pehmet bokeh-efekti ja suurepärast eraldusvõimet ka hämaras. Sisseehitatud STM vaikne autofookusmootor tagab kiire ja täpse teravustamise, muutes selle ideaalseks valikuks vlogimiseks, reisifotodeks ja dünaamilisteks stseenideks. Peamised omadused 15 mm fookuskaugus & suur F1.7 ava – lai vaatenurk (84,9°) ja suurepärane hämaras pildistamiseks. STM teravustamismootor – kiire, vaikne ja sujuv autofookus nii foto kui ka video jaoks. Lähedane teravustamine – minimaalne teravustamiskaugus umbes 0,23 m, sobib lähivõteteks ja detailide jäädvustamiseks. Optiline ehitus: 12 elementi 10 grupis (sh ED-, asfäärilised ja kõrge refraktiivsusega klaasid) – loomulik ja selge pildikvaliteet. Kompaktne ja kerge: kõigest 195 g ja ⌀68 × 58,5 mm – ideaalne reisil ja igapäevaseks kasutamiseks. 58 mm filtri keerme abil saad kasutada populaarseid filtreid (ND, pola, UV). Tolmu- ja pritsmekindel korpus – töökindel ka välitingimustes. USB-C pordi kaudu uuendatav püsivara – lihtne hoida objektiiv ajakohasena. Tehnilised andmed Bajonett: Nikon Z Fookuskaugus: 15 mm Maksimaalne ava: F1.7 Minimaalne ava: F16 Läätseelemendid: 12 elementi 10 grupis Diafragma labasid: 9 Teravustamismehhanism: sisemine, STM mootor Min. teravustamiskaugus: 0,23 m Maks. suurendus: 0,1× Filtri läbimõõt: 58 mm Mõõtmed: ⌀68 × 58,5 mm Kaal: 195 g Korpus: tolmu- ja pritsmekindel Garantii: 2 aastat Miks valida Viltrox AF 15mm F/1.7 Nikon Z? Ideaalne vlogijatele ja reisifotograafidele – kerge, kiire ja vaikne. Suurepärane hämaras – F1.7 ava annab vabaduse pildistada ilma statiivita. Loodud loovuseks – lai vaatenurk ja kaunis bokeh loovad muljetavaldava visuaali. Taskusõbralik – kompaktne ja kerge disain, sobib hästi väikese Nikon Z kaameraga. Komplektis Viltrox AF 15mm F/1.7 objektiiv Eesmine ja tagumine kaitsekork Varjuk Kott Mõeldud APS-C sensoriga kaaemrale (DX).

Viltrox AF 14mm F/4.0 Air Nikon Z – kompaktsus, lai nurk ja loov võimekus Avasta uued visioonid oma kaameraga – Viltrox AF 14mm F/4.0 Air Nikon Z on ultra­lai fiksobjektiiv täiskaader Nikon Z-sarja hübriidkaameratele, mis ühendab kompaktse kerge korpuse ja professionaalse optika, et täiustada maastiku-, arhitektuuri- ja reisifotograafiat. Põhijooned 112,6° diagonaalne vaatenurk — võimaldab jäädvustada laiu maastikke, kitsaid interjööre või grupifotosid. Väga lühike minimaalne teravustamiskaugus 0,13 m — loovad lähivõtted ja dramaatilised perspektiivid. Kiire ja täpne autofookus STM-mootoriga ning sisseehitatud silma/­­näo jälgimise võimed — sobib nii foto kui ka video tegemiseks. 12 elementi 9-grupis (sh 2 asfäärilist, 4 ED, 2 HR) tagavad teravuse servast servani ja kontrollitud kromaatilise aberratsiooni. Kerge ja kompaktselt kujundatud objektiiv — ideaalseks reisikaaslaseks ja tänavavõteteks. 58 mm filtrikeere — võimaldab lisafiltreid kasutada ka ultra­laias vaates. USB-C port püsivara uuendusteks ja ilmastikukindel konstruktsioon väljavõteteks. Miks valida see objektiiv? Kui soovid objektiivi, mis katab laia vaatenurga, on piisavalt kompaktne, et kaasas kanda igal matkal või linnaekspeditsioonil, ning samas kvaliteetne pilditulemuste osas — Viltrox 14 mm F4.0 Air tegutseb igas situatsioonis. See sobib ideaalselt neile, kes fotokaameraga reisivad, loovad tänavafotot või tahavad salvestada suuremahulisi stseene. Sobib kasutamiseks Maastikufotograafia ja reisifotod — lihtne kaasas kanda, jäädvusta lai vaade, detailid ja atmosfäär. Arhitektuur ja interjöör — lai nurk aitab mahutada konstruktsioone ja ruume, mis muidu välja ei mahu. Tänava- ja dokumentaalfotograafia — kompaktne, kiire fookus, loov lähivõte ja teisaldatavus. Vlogging ja video — sisemine teravustamine, minimaliseeritud „focus breathing”, kerge objektiiv transportimiseks. Viltrox AF 14mm F/4.0 Air Nikon Z on ideaalne valik neile, kes otsivad ultra­lait objektiivi, mis ei tee järeleandmisi kaasaskantavuses ega pildikvaliteedis — avasta täiesti uus visuaalne universum oma kaamera kaudu.

Viltrox AF 35mm F/1.2 objektiiv Nikon Z kaameratele Viltrox AF 35mm F/1.2 on suure valgusjõuga fikseeritud fookuskaugusega objektiiv Nikon Z bajonetiga kaameratele. See on loodud fotograafidele ja videograafidele, kes vajavad väga head jõudlust nii väheses valguses kui ka kõrge eraldusvõimega pildistamisel. F/1.2 maksimaalne ava võimaldab pildistada hämaras ning saavutada madala teravussügavuse ja sujuva taustahägususe (bokeh). Tänu topeltujuvale sisemisele teravustamissüsteemile säilib teravus kogu fookusvahemikus, alates minimaalsest teravustamiskaugusest 0,34 m kuni lõpmatuseni. Objektiivi optiline ehitus koosneb 15 elemendist 10 grupis, sealhulgas ED-, HR- ja UA-elementidest, mis vähendavad kromaatilisi aberratsioone ning tagavad hea kontrasti ja loomutruud värvid. Kiire ja vaikne Quad Viltrox HyperVCM automaatteravustamismootor sobib nii foto- kui ka videokasutuseks. Metallist, ilmastikukindel korpus ning professionaalsed juhtnupud koos LCD-infokuvariga muudavad objektiivi sobivaks nõudlikuks tööks nii stuudios kui ka välitingimustes. Peamised omadused Tehnilised andmed Komplektis

Valgusjõuline fikseeritud fookuskaugusega objektiiv, mille kvaliteetne ehitus tagab suurepärase tulemuse.

Kompaktne ja suure jõudlusega 100–400 mm suumobjektiiv, mis on täiuslik sporti, tegevust ja metsikut loodust jäädvustavatele fotograafidele. 4-astmeline pildistabilisaator ja kvaliteetne optika tagavad suurepärase teravuse. ...

Kiire FX-formaadis põhiobjektiiv ülilaia fookuskaugusega 20 mm ja ereda suurima avaga f/1,8. See on põnev aparaat loomingulistele fotograafidele, kes soovivad perspektiivi võimendada., Tipptasemel optika ja kompaktse kerge ...

Sony FE PZ 28-135 mm F4 G OSS. Lens type: Standard zoom, Aperture range (F-F): 4 - 22, Focal length range (f-f): 28 - 135 mm. Maximum magnification: 0.15x. Colour of product: Black. Diameter: 10.5 cm, Filter size: 9.5 cm, Length: ...

Uued kõrge lahutusvõimega sensoritega kaamerad seavad ka objektiivile kõrgemad nõudmised - veel parem optiline jõudlus, suurem lahutusvõime, veel väiksemad moonutused. Just seetõttu on eriti oluline, et uue põlvkonna objektiivid vastaks nende kaamerate jõudlusele.Valgusjõuline fiksobjektiivEsmaklassilise disainiga insenerikunsti meistriteos - Tamroni SP 35mm f/1.8 objektiiv pakub endas esmaklassilist optikat, pildistabilisaatorit ning suurt f/1.8 ava.Minimaalse optilise moonutusega normaalfiks pakub kasutajale kõike seda, mida tal vaja on - terav pilt, olematud aberratsioonid ning sisepeegeldused.Mine veel lähemaleTamroni MOD tehnoloogiaga objektiivid võimaldavad veel lähemalt pildistada, avades veel suurema vabaduse kadreerides.SP (Super Performance) seeriaTamroni SP seeria objektiivid on optiline tippklass, kus ei ole tehtud kompromisse pildikvaliteedi osas. Objektiivid on disainitud sedasi, et need kataks ka nõudlikuma proffesionaali vajadused.eBAND ning BBAR vääristusKasutades uue põlvkonna eBAND nind BBAR vääristust objektiivi elementidel vähendatakse oluliselt sisepeegeldust ning varikujutist. Niimoodi saab pildistada ka ülilainurkasendis vastu päikest ilma, et sisepeegeldused pilti rikuks.Pakkudes tippklassi pildikvaliteetiSelle objektiivi optilises disainis on kasutatud esmaklassilisi elemente. XLD (eriti madala dispersiooniga) element, mis on valmistatud spetsiaalsest klaasist ning on üliväikese refraktiivsuse indeksiga. See omakorda tähendab, et pildid on teravad ning kontrastsemad, kuna kromaatiline aberratsioon on viidud miinimumini. USD mootorTamroni USD (Ultrasonic Silent Drive) teravustamismootor tagab ülikiire, peaaegu hääletu opereerimise. Sedasi saad pildistada ka sellised loomi ning linde, kes väikseimagi heli peale kaadrist plehku panevad.VC (Vibration Compensation) pildistabilisaatorUnusta ära udused pildid, kuna ei ole võimalik kasutada piisavalt lühikest säriaega või statiivi. Tamroni VC (Vibration Compensation) silub need väikesed liikumised, mis tuleva

Kõrgetasemeline telefoto suumobjektiiv FX-formaadis ühe objektiiviga peegelkaameratega kasutamiseks.Tänu laiale 80–400 mm fookuskaugusele ja kõrgetasemelisele optilisele disainile on see objektiiv täiuslik mitmete objektide, sealhulgas eluslooduse, maastike ja spordiürituste pildistamiseks.Nikoni stabiliseerimissüsteem laseb pildistada kuni neli sammu väiksemate säriaegadega, võimaldades käest pildistamisel stabiilseid pilte mis tahes fookuskaugusel. Neli ED-klaasist (eriti madala dispersiooniga klaasist) ja üks Super ED-klaasist (ülimadala dispersiooniga klaasist) elementi korrigeerivad kromaatilist aberratsiooni ja selliseid optilisi värvidefekte, mis tekivad suurema fookuskaugusega pildistamisel.

Micro Four Thirds System Lens, 50mm (35mm Equivalent), Aperture Range: f/1.7 to f/22, One Ultra-High Refractive Index Element, Two Aspherical Elements, Stepping AF Motor, Rounded 7-Blade Diaphragm

50–230 mm telesuumobjektiiv, Suurepärane kaaslane igapäevaseks kasutuseks, Kiire ja täpne samm-mootor, Võimekas pildistabilisaator, kuni 3,5 stoppi, Fujifilm X-seeria hübriidkaameratele

Sony FE 12-24mm f/4 G Lens Sony

Kaamera bränd: FUJIFILM; Objektiivi tüüp: Teleobjektiiv; Fookuskaugus: 90 mm; Diafragma: F/ 2; Kinnitus: Fujifilm X Mount; Garantii füüsilistele isikutele: 2 aastat

Kaamera bränd: PENTAX; Objektiivi tüüp: Standardne Zoom; Fookuskaugus: 16 - 85 mm; Optiline suum: 5.3x; Pildistabilisaator: Ei; Diafragma: F/ 3.5 - 5.6; Kinnitus: Pentax K; Makro režiim: Ei; Garantii füüsilistele isikutele: 2 aastat

Kaamera bränd: PENTAX; Objektiivi tüüp: Lainurkobjektiiv; Fookuskaugus: 31 mm; Pildistabilisaator: Ei; Diafragma: F/ 1.8; Kinnitus: Pentax KA/ KAF/ KAF2; Makro režiim: Ei; Garantii füüsilistele isikutele: 2 aastat

Kaamera bränd: PENTAX; Objektiivi tüüp: Standardne Zoom; Fookuskaugus: 18 - 135 mm; Optiline suum: 7.5x; Pildistabilisaator: Ei; Diafragma: F/ 3.5 - 5.6; Kinnitus: Pentax K; Makro režiim: Ei; Garantii füüsilistele isikutele: 2 aastat

Camera brands compatibility: Sony Producer product name: SEL-90M28G FE 90mm F2.8 Macro G OSS Warranty: 12 month(s) Gross weight: 0.98 kg Net weight: 0.6 kg WEEE tax: Yes WEE classification: CL109:5:2017-04-01 Gross depth (mm): 205 mm Gross width (mm): 120 mm Gross height (mm): 120 mm Packing quantity: 1 pc(s) Volume (m3): 0.002952 m³ Tare weight (kg): 0.38 kg Plastic (No PET): 20 g

walimex makrolääts Set 52 mm

walimex makrolääts Set 62 mm

walimex makrolääts Set 67 mm

NIKKOR Z ülilainurk-suumobjektiiv. Sisenege kaadrisse täiskaadrilise ülilainurk-suumiga, mis annab teile loomingulise eelise. NIKKOR Z 14–30mm f/4 S-seeria objektiivil on kompaktne ehitus ja lame eesmine element. See võimaldab kasutada 82 mm filtreid ja mahub kergesti väiksema komplekti kottidesse. Jäädvustage kõikjal lummavaid fotosid ja videoid.

20 mm ülilainurkobjektiiv; Valgusjõuline - f/1.8 maksimaalne ava; Perfektne maastiku ja arhitektuuri pildistamiseks; Vaikne ning kiire Dual XD teravustamismootor; Sony α pool- ja täiskaader hübriidkaameratele

Tänu täiustatud optikale ja põhjalikule ilmastikukindlusele on see valgusjõuline 20 mm täiskaadriline peeglita süsteemi objektiiv valmis igaks vaateks. Servast servani üliterav ja vähese valgusega oludes suurepäraselt toimiv objektiiv jäädvustab täiustatud optika abil kõik stseeni osad erakordselt selge joonisega.

NIKKOR Z 70-200mm f/2.8 VR S - professionaalne f/2,8 keskmine telefoto suumobjektiiv. Alati valmis. See valgusjõuline, täiskaadriline peeglita süsteemi objektiiv sobib oma 70-200 mm fookuskauguse, täiustatud optika ja põhjaliku ilmastikukindlusega kõigiks kasutusotstarveteks. Olgu tegemist spordi, sündmuste või reportaaži pildistamisega, annab erakordselt kompaktne ehitus teile vabaduse minna kaugele. Missiooniks valmis. Ükskõik, kas jäädvustate tegevust fotode või videona, NIKKOR Z 70-200mm f/2.8 VR S tagab suurepärased tulemused. Teravustamine on sujuv, kiire ja hääletu ning kõik stseeni osad on erakordselt selge joonisega. Pildistamisparameetreid saate juhtida otse objektiivilt ja konstruktsioon on piisavalt vastupidav igapäevase professionaalse kasutamise rasketeks oludeks. Ilus bokeh-efekt. Lai Z-kinnitus ja pidev f/2,8 9 labaga ümar objektiiviava annavad põnevaid tulemusi igas valguses. See telefoto-suumobjektiiv annab ka loomuliku bokeh-efekti, mis sulandub sujuvalt kaadri servadesse. Rohkem kui terav. Teravus on kogu kaadri ulatuses silmapaistev – isegi suurima ava või lähivõtete korral. Väikseim teravustamiskaugus on vaid 0,5 m suumivahemiku telefoto otsas ja 1 m lainurga otsas. Unustage objektiivi helklus. ARNEO- ja nanokristallkatted võitlevad varikujutiste ja helklusega. Nikoni ED- ja SR-klaas vähendavad kromaatilist aberratsiooni ning SR-klaas kompenseerib raskesti juhitavat sinist valgust. tulemuseks on teravamad pildid ja parem kontrast. Videoks valmis. Kui lugu nõuab videosalvestust, saate võtteid objektiivilt sujuvalt ja täpselt juhtida. Objektiivi teabepaneelil on teravussügavuse skaala, nii et saate hõlpsalt kindlaks määrata minimaalse ja maksimaalse kauguse iga f-astme juures. Fookuskaugus teravustamisel peaaegu ei muutu ja stabiilne ava juhtimine tagab loomulikud särituse muutused kogu stseenis. Talub kõike. See objektiiv on täielikult ilmastikukindel ning valmis kasutamiseks kõige raskemates oludes. Fluorkate tõrjub vett, tolmu ja mustust pildi kvaliteeti rikkumata.