Uus Sigma 35mm f/1.4 objektiiv on valgusjõuline objektiiv, mis on disainitud küll täiskaadersensoriga kasutamiseks, kuid sobib ka poolkaaderkaamera ette. Objektiiv on varustatud kiire ning täpse HSM (Hyper Sonic Motor) teravustamismootoriga, mis ei jäta sind ka kiirelt mööduvatel hetkedel hätta. Objektiiv kasutab sisemist teravustamismehhanismi ning parima pildikvaliteedi tagamiseks on kasutusel nii SLD kui FLD elemendid. Sigma AF 35mm f/1.4 DG HSM A on ühilduv Sigma USB dokiga, võimaldades kasutajal endal uuendada nii objektiivi püsivara kui ka seadistada teravustamist. The Sigma 35mm f/1.4 DG HSM is a state of the art lens designed for full frame cameras but can also be used with APS-C sensors as well. The first addition to the Art category in Sigma’s Global Vision, the 35mm f/1.4 DG HSM includes new features based around a unique lens concept and design. The 35mm is a staple focal length in the world of photography, and paired with Sigma technology, this lens can take artistic expression to the next level. The lens is equipped with technology including a Hyper Sonic Motor (HSM), floating internal focusing system, SLD and FLD Glass elements. The HSM ensures quiet, high speed, accurate autofocusing while the floating focusing system allows for superior optical performance with subjects at a closer shooting distance. The SLD glass elements along with the FLD glass elements, which are equal to fluorite, help correct both axial and chromatic aberration. The large f/1.4 aperture make it ideal in low light and the lens is compatible with the Sigma USB dock and Optimization Pro software to adjust and fine tune focusing parameters. The Sigma 35mm f/1.4 DG HSM is a must have for any camera bag.
Sigma 85mm f/1.4 Art objektiiv on valgusjõuline premium-klassi objektiiv, mis on disainitud küll täiskaadersensoriga kasutamiseks, kuid sobib ka poolkaaderkaamera ette. Ideaalne vahend portreetööks ja hämaras pildistamiseks. Selles objektiivis on kasutusel uus HSM (Hyper Sonic Motor) mootor mis tagab ülikiire ja täpse teravustamise. Optiliselt on kasutuses FLD ning SLD (eriti madala dispersiooniga) elemendid, mis tagavad suurepärase teravuse. FLD klaaselemendid on ülihea valguse ülekandega ning võrdväärsed fluoriidelementidega. 9 labaline diafragma tagab kauni bokeh. Lisaks on objektiiv ühilduv Sigma USB dokiga, võimaldades kasutajal peenhäälestada teravustamist kui ka püsivara uuendada.
28–70 mm normaalsuumobjektiiv; Valgusjõuline – läbiva f/2.0 avaga; Kiire ning vaikse USM teravustamismootoriga; Canon L-seeria – parim nõudlikule professionaalile; Canon täiskaarder hübriidkaameratele; Ilmastiku- ja tolmukindel
35 mm lainurk-fiksobjektiiv; Valgusjõuline - f/1.8 maksimaalne ava; Kiire ning täpne teravustamismootor; Ilmastikukindla disainiga; L bajonetiga täiskaader kaameratele
12 mm lainurkobjektiiv; Ülimalt valgusjõuline - f/2.0 maksimaalne ava; Perfektne maastiku ja arhitektuuri pildistamiseks; Vaikne ning kiire teravustamismootor; Sony E bajonetiga poolkaader hübriidkaameratele
24 mm lainurk-fiksobjektiiv; Valgusjõuline - suure f/1.8 avaga; Kiire ning täpne teravustamismootor; Ideaalne igapäevaseks kasutuseks; Sony α pool- ja täiskaader hübriidkaameratele
85 mm kvaliteetne lühike telefiks; Valgusjõuline - f/1.4 maksimaalne ava; Käsitsi teravustamine; Lummav bokeh, perfektne porteefotograafiaks; Sony α pool- ja täiskaader hübriidkaameratele
70–300 mm telesuumobjektiiv; Sony G seeria tippkvaliteediga; Optical SteadyShot pildistabilisaatoriga; Kiire ning vaikse lineaarse teravustamismootoriga; Sony α ja NEX pool- ja täiskaader hübriidkaameratele; Tolmu- ja ...
FIRST UNITS EXPECTED IN MAY 2024 (in TALLINN). TIPA WORLD AWARDS 2024 BEST ULTRA WIDE ANGLE PRIME LENS - Laowa 10mm f/2.8 Zero-D FF This lens is a game-changer in its class, featuring a remarkable ultra-wide angle of view of 130.4° while maintaining a weight of only 420g. The auto-focus performance of this lens is nothing short of superb, rivaling some of the best in the market. With features like our signature Zero-D feature, an ultra-short 12cm close focusing distance, and versatility for ultra-wide portrait, landscape, and astrophotography, the 10mm f/2.8 is set to redefine your photographic experience. First Rectilinear 10mm Full-Frame Lens with f/2.8 Aperture Breaking new ground in our product line, this lens introduces auto-focus capabilities, making it the world’s first ultra-wide 10mm lens with f/2.8 large aperture. Ultra-Wide Angle of View Immerse yourself in a wider perspective with a 130.4° ultra-wide angle of view. From breathtaking landscapes to dynamic architecture, this lens opens up new dimensions in visual storytelling. Compact and Lightweight Designed with mobility in mind, this lens remains compact and weighs just 0.93 lb / 420g , ensuring that you can effortlessly carry it wherever your creative journey takes you. Experience the freedom to capture stunning images without being weighed down by heavy gear. Close-to-Zero Distortion The Zero-D feature embedded in this lens guarantees minimal distortion, allowing you to capture scenes with absolute clarity and ensuring your images remain true to life. A lens in 10mm is usually a fisheye or heavily distorted. With an ingenious optical design, Laowa is able to produce an ultra wide-angle lens with superior control of distortion, both horizontal and vertical straight lines can be maintained on the image from corner to corner. This full-frame 10mm optically suppresses distortion to a close-to-zero level. Giving you a true 10mm experience even without any in-camera lens correction. Close Focusing Capability Achieves a close focus as near as 12cm, allowing you to effortlessly capture stunning images from a short distance, which also unlocks a possibility to shoot wide-angle macro photographs. Excellent Performance for Panorama and Astrophotography. This lens is truly a versatile tool that consistently delivers outstanding results in a variety of shooting scenarios. Its exceptionally wide field of view makes it particularly adept at capturing expansive panoramas, allowing you to tell stories on a grand scale. For the astrophotography enthusiasts among us, this lens proudly stands out as an exceptional choice. Thanks to its f/2.8 aperture, it embraces the challenge of capturing the beauty of the night sky with enhanced light-gathering capabilities. Outstanding Optics The Laowa 10mm f/2.8 Zero-D FF is engineered with exceptional optics, featuring 15 elements in 9 groups, including 2 aspherical glasses and 3 ED glasses. This results in outstanding image quality, ensuring that every detail is captured with precision and clarity. Laowa 10mm f/2.8 lens was engineered with excellence in both corner and center sharpness, setting a new standard in wide-angle photography. Our comparison images with the beloved Laowa 12mm f/2.8 Zero-D lens highlight the significant leap in sharpness achieved with the 10mm focal length. Format: Full-frame Focal Distance: 10mm Aperture Range: F2.8 Angle of View: 130.4° Lens Structure: 15 elements/9 groups (2 Aspherical Glasses, 3 ED Glasses) Aperture Blades: 5 blades Min. Shooting Distance: 12cm Max. Magnification: 0.24x Focusing: AF Filter Thread: ø77mm Dimensions: Ø82 x 70.8mm
Must, ülilainurkobjektiiv, MFT-kinnitus, asfääriline, filter Ø 46 mm, lähivõtte fookuskaugus 0,25 m, 9 elementi 6 grupis, vaatenurk 65°, maksimaalne pildi suurendus: 0,08x (Micro Four Thirds) / 0,16x (35 mm formaat), sh ...
Supertelefoto suumobjektiiv, MFT-kinnitus, kuni 7 astmega Sync IS, minimaalne teravustamiskaugus 1,3 m, vaatenurk: 12°–3,1°, ekvivalendina 35 mm: 200–800 mm, kuni 0,09x suurendus (f: 100 mm), ühildub telekonverteritega, 72 mm ...
Sony täiskaader FE 400-800mm f/6.3-8 G OSS supertelesuumobjektiiv on Sony esimene α-seeria objektiiv, mis katab 400 mm kuni 800 mm supertelefoto vahemiku. Selle sisemine suumimismehhanism hoiab objektiivi pikkuse muutumatuna, säilitades tasakaalu ja stabiilsuse. Kiire ja täpne automaatteravustamine muudab selle ideaalseks valikuks looduse ja linnuvaatlusfotograafia jaoks. Lisaks saab objektiivi kasutada koos valikulise 2x telekonverteriga, mis pikendab fookuskauguse kuni 1600 mm-ni.
For the past several years slow shutter photography is becoming an extremely popular genre because it provides ample opportunities to express the world around in an artistic and unusual way. For this purpose ND filter appears to be a necessary tool.But which ND filter is better to start with? This question might raise in mind of many amateur photographers who decided to challenge themselves in slow shutter photography. Keeping this question in mind we created an essential ND kit to help photographers quickly start this challenge.HOYA PROND EX FILTER KIT is an essential filter kit designed for amateur or professional photographers and video content creators. The kit consists of 3 ND filters - PROND EX 8, PROND EX 64 and PROND EX 1000, that allow photographer to capture the world in different expressions.The choice of ND filters depends on intentions of the photographer to control the shutter speed or aperture. The content of the HOYA PROND EX FILTER KIT is based on our sales data and experience of selling millions of ND filters all over the world. PROND EX 8, PROND EX 64 and PROND EX 1000 are the most essential ND filters that will help to realize three expressions that we consider to be commonly used among the photographers.HOYA PROND EX FILTER is a high technological product that is designed for still and HDSLR videography. The PROND EX filters use HOYA's exclusive clear optical glass that incorporates a metallic coating on front and back side to equally reduce almost all range of the light spectrum even in IR area. The ACCU-ND technology used in the coating process yields a truly neutral color balance that will not add any noticeable color cast to your images. HOYA PROND EX filters incorporates precisely developed thick aluminum frame to prevent light leakage, thus obtain correct exposure and color balance.PROND EX 8 (3-stops)HOYA PROND EX 8 is essential for shooting with fast lenses at wide open aperture during the daytime, which is perfect for portraiture at shallow depth of field. The subject appears crisp and clear on the soft blurred background. Other recommended scenes are night trails, fireworks and lightnings.PROND EX 64 (6-stops)HOYA PROND EX 64 is essential for expressing the object in blurred motion during the daytime, which cannot be realized only with camera settings. Recommended for landscape, city snapshot, video and other photographic genres.PROND EX 1000 (10-stops)HOYA PROND EX 1000 is essential for expressing an unreal fantasy world thanks to its 10 stops reduction of the light amount. Widely used in seascape to blur the waves, street snap to apply clouds motion and architecture to erase moving people.PROND EX filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinatsions of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
