Objektiivid

HOYA Variable Density II is a density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400). The difference with the previous HOYA Variable Density filter is the newly designed rotatable frame with convenient knob, allowing for better operation.Variable density filters are widely used because they can replace a set of solid ND filters by providing a range density that can be adjusted according to the desired exposure settings. In still shooting, variable density filters lower the shutter speed according to the photographer’s intentions when the shutter speed cannot be lowed due to camera limits. Variable density filters can also increase the amount of boke when shooting in the over-lit conditions, thus, preventing the image from overexposure.In video shooting, it is fundamental to keep the shutter speed fitting the frame rate setting. That is, to keep it equal to double the frame rate for optimal results. This is because, unlike still photography, an excessively fast shutter speed may create a jarring effect and produce afterimages that will not look good in the final video.By using variable density filters, the shutter speed can be adjusted to the proper value to get that natural and smooth looking motion requested in video footages.Be aware that when the filter is attached to the lens, the lens cap size becomes one size bigger. So if your lens has a filter thread size of 77mm, you will require an 82mm lens cap. The widened front filter frame has been designed on purpose to avoid vignetting.

HOYA Variable Density II is a density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400). The difference with the previous HOYA Variable Density filter is the newly designed rotatable frame with convenient knob, allowing for better operation.Variable density filters are widely used because they can replace a set of solid ND filters by providing a range density that can be adjusted according to the desired exposure settings. In still shooting, variable density filters lower the shutter speed according to the photographer’s intentions when the shutter speed cannot be lowed due to camera limits. Variable density filters can also increase the amount of boke when shooting in the over-lit conditions, thus, preventing the image from overexposure.In video shooting, it is fundamental to keep the shutter speed fitting the frame rate setting. That is, to keep it equal to double the frame rate for optimal results. This is because, unlike still photography, an excessively fast shutter speed may create a jarring effect and produce afterimages that will not look good in the final video.By using variable density filters, the shutter speed can be adjusted to the proper value to get that natural and smooth looking motion requested in video footages.Be aware that when the filter is attached to the lens, the lens cap size becomes one size bigger. So if your lens has a filter thread size of 77mm, you will require an 82mm lens cap. The widened front filter frame has been designed on purpose to avoid vignetting.

24–60 mm normaalsuumobjektiiv; Valgusjõuline – läbiva f/2.8 avaga; Kiire ja täpne teravustamismootor; Tolmu-, pritsme- ja külmakindel disain; L-bajonetiga täiskaader kaameratele

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filter means precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters helps much to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Among the varieties of ND filters from ND2 to ND1000 even ND100000, we can generally categorize ND filters into 3 basic groups: Light density filters (ND2 – ND8) Middle density filters (ND16 – ND200) Deep density filters (ND500 – ND1000 / ND100000) Light density filters will lower the shutter speed in the bright sunny day to allow you to reduce depth of field in very bright light or to use a wider aperture to stay below the diffraction limit. For example, these filters are necessary to shoot with your fast lenses like F1.4 or F1.2 with aperture wide open for softer and more beautiful bokeh.Middle density filters will help you to add motion blur to the object in the conditions that generally will not allow camera shutter speed to do so.If you are for more creative shots that are based on extremely slow shutter speeds - deep density filters are to be suggested. ND filters like ND500 or ND1000 will help to capture dramatic unreal fantasy world that cannot be seen by the human eye.Color shift issue solutionHOYA offers its own exclusive and wide lineup of ND filters that are branded into PROND EX series for both photographers and filmmakers. PROND EX filters adopt HOYA's clear optical glass that is mounted into a lightweight, precisely crafted aluminum frame. The frame has front filter threads so you can attach additional filters or a lens cap.Thanks to ACCU-ND technology that puts HOYA ND filters far ahead from other brands the image undergoes no negative affect from color shift that may occur due to low-quality materials, poor manufacturing QC, or issues with leaking of the Infrared band of the light spectrum. The last problem is the most important nowadays in photography and videography.HOYA's exclusive ACCU-ND technology achieves equal reduction of the light in visible and IR spectrums. As a result the photographer may not fear any issue with color shift when using HOYA ND filters in different shooting conditions.PROND filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinations of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.

In landscape photography, where the scenery and horizon tend to have complex or uneven structures, graduated ND filters become absolutely essential, as they allow the photographer to balance the luminosity of bright areas with the dark areas in the image. With HOYA's Sq100 IRND8 (0.9) GRAD-S filter, the photographer has new options in using a GRAD filter which they do not have with round-type filters.TechnologyMade from toughened glass, the HD Sq100 GRAD-S series is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Using ND GRAD filters with HOYA SQ100 Square filter systemWith HOYA's Square filter system, photographers will have several ways to make use of the HOYA's Sq100 IRND8 GRAD-S filter in order to achieve the desired effect in the image. The frame of the filter system can be rotated, allowing for the ankle of the gradation border to be adjusted in any position.In addition, the vertical position of the border can be further adjusted with moving the filter up or down inside the frame. To give the user here all the possible options for positioning, the height of the filter has been lengthened to 150 mm.

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND1000 filter is a deep density IRND filter, which is recommended for more creative shots that are based on extremely slow shutter speeds. It allows the photographer to capture dramatic unreal fantasy worlds that cannot be seen by the naked eye.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND1000 will give the effect equal to ND8000, that allows to capture the surface of the sun without overexposure and with solid color and visibility of the black spots.

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND64 filter is a middle density IRND filter. It is especially used to add motion blur to the object in shooting conditions that usually would not allow the camera shutter speed to do so.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.

Kaamera bränd:SONY; Objektiivi tüüp:Standard; Fookuskaugus:33; Kinnitus:Sony E; Garantii füüsilistele isikutele:2 aastat

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND8 filter is a light density IRND filter. It is generally used to lower the shutter speed during photo shoots on a bright sunny day for a motion effect. The filter also allows the photographer to reduce the depth of field in very bright light settings or to use a wider aperture to stay below the diffraction limit – especially when using fast lenses like F1.4 or F1.2 for a soft and beautiful bokeh.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.

The HOYA's Sq100 square filter system aims to give photographers the means and freedom to fully express their creativity and to realize their artistic goals to the fullest. The Sq100 square filter system comes with many advantages: Adapter rings for various sizes allow the photographer to use the system with a wide range of lenses with all kinds of thread sizes. This makes the square filter system a great long-term investment, as it is not necessary to buy the same filter multiple times for different sizes. As square filters are usually larger than the front glass element of the lens, the chance for vignetting is reduced to a minimum, even when stacking filters. Stacking filters is more effective with a square filter system as it can carry up to three square filters in addition to the polarizer. Switching filters is faster and easier than with stacked round filters. Filter holders can be rotated, giving the photographer the option to reposition the line of graduated ND filters. The line can also be adjusted vertically with a filter holder. The HOYA Sq100 square filter system features a sophisticated filter holder kit and a line of high-quality filters, making it a recommendation especially for advanced and professional photographers in the field of landscape and cityscape photography. HOYA SQ100 holder kitThe Sq100 holder kit includes a holder, a polarizer and two geared adapters that fix the polarizer inside the holder and attach it to the lens. The holder's precise slot system can carry two square filters in addition to the polarizer with an optional slot for a third square filter (included in the kit). The body is made of aluminum for optimal durability while being still light-weight. A black gasket on the edge of the inside holder ring as well as a gapless design of the slots minimize light leak. The holder with the attached filters can be rotated, giving the photographer more creative opportunities, such as adjusting the border angle of a graduated ND filter.The circular polarizer can be rotated inside the frame for perfect reflection and saturation control. With its large diameter of 86mm, the polarizer filter won't cause any vignetting with most lenses. HOYA's special water repellent multi-coating is applied to the polarizer's optical glass, making cleaning easy and stress-free.The polarizer adopts a high transparency polarizing film for fast shutter speed. This translates to no less than nearly 1/2 stop more light entering the lens while yielding the same polarization effect. An absolute must for shooting in low light conditionsHow to attachFor using the polarizer, screw it into the geared adapter and attach the geared adapter to the lens. When attaching the Sq100 holder to a lens with an 86mm filter size, use the 86mm-86mm geared adapter. When using the system with an 82mm filter size lens, use the 86mm-82mm geared adapter. For other lens sizes, use the adapter rings which are available in all common sizes.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 6X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 6-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

Kaamera bränd:CANON; Objektiivi tüüp:Tavaline Zoom; Fookuskaugus:20; Kinnitus:Canon EF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LAOWA; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:24; Kinnitus:Arri PL; Garantii füüsilistele isikutele:2 aastat

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Kaamera bränd:LAOWA; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:14; Kinnitus:Arri PL; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:CANON; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:28 - 75; Kinnitus:Arri PL, Canon EF; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:LAOWA; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:12; Kinnitus:Arri PL; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:NIKON; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:15; Kinnitus:Nikon Z; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LAOWA; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:10; Kinnitus:L-Mount; Garantii füüsilistele isikutele:2 aastat

LAOWA 200mm f/2 AF FF (Nikon Z) – valgusjõuline teleobjektiiv täiskaadrile LAOWA 200mm f/2 AF FF Nikon Z toob sinuni tipptasemel lähima klassi fiks-teleobjektiivi, mis ühendab massiivse f/2 ava, täpsuse ja kompaktsuse. See objektiiv pakub vapustavat taustahägusust (bokeh) ja taustasurvet, mis muudab selle ideaalseks portreefotograafide, kunstilise pildistamise ja vähese valguse tingimuste jaoks. Miks valida see objektiiv? Sobivad kasutusvaldkonnad

Canon RF 70-200mm f/2.8 L IS USM Z

Voigtländer Nokton 40mm F1.2 Aspherical | Nikon Z | manuaalfookus | 8/6 optika | 10-lõikelised | 351g F1.2 kompaktselt – Voigtländer Nokton 40mm Nikon Z-mounti jaoks Voigtländer Nokton 40mm F1.2 Aspherical on täiskaadri käsifookuse objektiiv Nikon Z-mounti jaoks, mis ühendab erandlikult suure F1.2 ava, kompaktse metalkere (53,9 mm pikkus, 351g) ja kahesuunaliste asfeersete elementidega optilise konstruktsiooni. 40mm fookuskaugus on universaalne klassika – natuke laiem kui “normaalne” 50mm, kuid loomulikuma perspektiiviga kui lainurk. Elektrooniline kontakt edastab Exif-andmeid, aktiveerib kaamera IBIS (3-telje sisemine pildistabilisatsioon) ja toetab kolme fookusabifunktsiooni – käsifookus modernse digitaalkaamera abivahenditega. F1.2 ava – mida see annab praktiliselt? Ava Valguse suhe F2-ga Tähendus F1.2 2,8× rohkem valgust kui F2 Portreede sügavusteravus, hämaras töötamine F1.4 1,7× rohkem valgust kui F2 Võrdluseks – Nokton on üks aste võimsam F2.0 Baas Nt Nikon Z 40mm f/2 SE F1.2 on Nikon Z täiskaadri kaameratega töötava fotografile üks suurimaid avadest, mis on kompaktses paketis saadaval. See tähendab: Optiline konstruktsioon – 8 elementi 6 grupis, 2 kahepoolset asfeerset elementi Optika parameeter Andmed Elementide arv 8 elementi 6 grupis Asfeersed elemendid 2 × kahepoolne asfeerne element Vaatenurk 54,8° Käsifookus – modernse kaamera abivahenditega Voigtländer Nokton 40mm F1.2 on käsifookuse objektiiv – automaatfookust ei ole. Nikon Z kehade elektrooniliste kontaktide kaudu toetab objektiiv kolme fookusabifunktsiooni: Fookusabi funktsioon Selgitus (1) Fookuspunkti värvimuutus Fookuspunkti raami värvus muutub, kui fookus on täpne – visuaalne kinnitus (2) Fokuseerimise tipp (peaking) Teravad servad esiletõstetud värviga – reaalajas näha, mis on teravas fookuses (3) Suurenduse nupp (magnification) Kaamera kuvab osa kaadrist suurendatult – fookuse täpne kontrollimine Lisaks edastab elektrooniline kontakt: 10-lõikelist ava – ümmargune bokeh igas asendis 10-lõikelist ava (10 avalamelli) on bokehi kvaliteedi jaoks oluline: Metallist kere – töökindel ja kerge Täismetallist kere on Voigtländeri eristav omadus: 351g on F1.2 täiskaadri objektiivi jaoks erandlikult kerge – Nikoni Nikkor Z 50mm f/1.2 S kaalub 1090g, mis on kolm korda rohkem. Voigtländer Nokton 40mm F1.2 vs alternatiivid Nikon Z-mountil Nikon Z 40mm F2 SE Voigtländer Nokton 40mm F1.2 Maksimaalne ava F2.0 F1.2 Fookus Automaatfookus Manuaalfookus Optika – 8/6, 2× asfeerne Ava lõiked 9 10 Kaal ~170g 351g Pikkus ~45mm 53,9mm Filtrisuurus Ø52mm Ø58mm IBIS tugi Jah Jah (elektroniliste kontaktide kaudu) Sobib Kiire, kerge, AF Maksimaalne ava, käsifookuse kogemus, bokeh Kellele on Voigtländer Nokton 40mm F1.2 mõeldud? Portreefotograafid käsifookusega Käsifookus F1.2 juures annab täieliku kontrolli teravsusplaani üle – otsustad täpselt, mis on terav, mitte automaatika. Portreedes, kus silm peab täpselt teravas fookuses olema, on see kogenud käsifookuse fotograafidele eelistatum tööriist. Hämaras- ja kesköötingimuste fotograafid F1.2 on 2,8 korda heledam kui F2 – see tähendab 1,5 stoppi väiksemat ISO-d sama ekspositsiooniga. Kontserdid, teatrid, tänavastseen hämaras – kus F2 objektiiv juba müra piirideni jõuab, F1.2 annab veel ruumi. Käsifookuse entusiastid Nikon Z peal Voigtländeri populaarsus seisneb osaliselt käsifookuse puhtas kogemuses täinapäevase kaamera abivahenditega. Fokuseerimise tipp (peaking), suurendusnupp ja fookuspunkti värvimuutus teevad Nikon Z-ga käsifookuse mugavaks. Fotograafid, kes hindavad F1.2 renderduskarakterit F1.2 optika on erinev renderduskarakteriga kui F1.4 või F1.8 – eriti lähiportreedes, kus sügavusteravus on äärmine. Voigtländeri Nokton seeria on tuntud oma ainulaadse valgusrenderduse poolest, mis eristub modernsetest ultrakiirete avade auto-objektiividest. Komplektis sisaldub

TTArtisan 7.5mm f/2.0 Nikon Z DX Kalasilmobjektiiv | 180° APS-C Diagonaalfisheye | Ringfisheye täiskaadril | f/2.0 | 54×58mm | 12.5cm | 11/8 | Stepless | Manuaalfookus APS-C Nikon Z jaoks projekteeritud kalasilm – kahekordne kasutus TTArtisan 7.5mm f/2.0 Nikon Z DX on kompaktne kalasilmobjektiiv, mis on disainitud spetsiaalselt APS-C Nikon Z kaameratele (Nikon Zfc, Z50, Z30). 54mm läbimõõt ja 58mm pikkus teevad sellest ühe kompaktsemaid täisfunktsionaalseid kalasilmobjektiive Nikon Z süsteemis. Nagu ka teised TTArtisani 7.5mm f/2.0 variandid, töötab see objektiiv kahes erinevas režiimis: Kaamera sensor Kasutusrežiim Kujutise kuju APS-C (Nikon Zfc, Z50, Z30) Diagonaalfisheye Pilt täidab APS-C ristküliku täielikult Täiskaader (Z6 III, Z7 II, Z8, Zf jne) Ringfisheye Ümmargune kujutis musta nurgatühjusega Mis on “Nikon Z DX”? DX on Nikoni termin APS-C sensori formaadi tähistamiseks – sama tähendus kui “APS-C”. Nikon Z DX kaamerad kasutavad Nikon Z bajonetti, kuid väiksemat sensorit: Nikon Z kaamera Sensor Ühilduvus Nikon Zfc APS-C (DX) ✓ Diagonaalfisheye – pilt täidab kaadri Nikon Z50 II APS-C (DX) ✓ Diagonaalfisheye – pilt täidab kaadri Nikon Z30 APS-C (DX) ✓ Diagonaalfisheye – pilt täidab kaadri Nikon Z6 III Täiskaadri (FX) Ringfisheye – ümmargune kujutis mustade nurkadega Nikon Z7 II Täiskaadri (FX) Ringfisheye – ümmargune kujutis mustade nurkadega Nikon Z8 / Z9 Täiskaadri (FX) Ringfisheye – ümmargune kujutis mustade nurkadega Füüsiline Nikon Z bajonet on täiskaadri ja DX kaameratel identne – objektiiv sobib mõlemasse, kuid visuaalne tulemus erineb. APS-C: 180° diagonaalfisheye – kaader täis APS-C Nikon Z kaameraga kasutamisel on TTArtisan 7.5mm täielik diagonaalfisheye: Kasutusala APS-C peal: maastikufoto, tänavafoto, arhitektuur dramatiseeritult, astrofoto, tegevusfoto, video B-roll. Täiskaadri: ringfisheye – ümmargune kujutis f/2.0 – kiire ava hämaraks ja öiseks pildistamiseks f/2.0 on kalasilmobjektiivi jaoks erakordne valgustundlikkus: Ava Suhteline valguse kogumine f/2.0 (TTArtisan 7.5mm) 100% (baas) f/2.8 (TTArtisan 11mm) ~51% (peaaegu poole vähem) f/4.0 ~25% Praktikas tähendab f/2.0: 12.5cm lähifookus – subjekt peaaegu vastu läätse 12.5cm minimaalne fookuskaugus võimaldab pildistada objekte väga lähedalt – kombineerituna fisheye moonutusega tekib efekt, kus lähisubjekt “paisub” kaadris, taust kumerdub ümber: Kasutus Efekt 12.5cm juures Lillefoto Õis täidab kaadriesiosa, mets/taust kumerdub taha Portree Nägu moonutatult lähiplaanile, keskkond ümber Produktifoto Ese esiplaanile, laud/sein sfääriliselt taustaks Dokumentaal Käe ulatuses subjekt + 180° keskkond korraga Optiline ehitus ja manuaalsed juhikud Parameeter Andmed Optilised elemendid 11 Grupid 8 Maksimaalne ava f/2.0 Minimaalne ava f/11 Ava lamellid 7 Avarõngas Stepless (astmeta, videoks sobilik) Fookus Käsifookus Filtrikere Ei ole Stepless avarõngas tähendab, et ava muutub sujuvalt ilma klõpsupeatusteta – see on video jaoks oluline, kuna võimaldab ekspositsioonmuutusi kaadri sees ilma nähtavate hüpeteta. Käsifookus koos f/2.0 ja 180° AoV kombinatsiooniga: APS-C sensoril annab 7.5mm juba f/4–f/5.6 juures väga sügava sügavusteravuse (peaaegu hüperfokaalse käitumise) – praktikas ei pea fookust sageli muutma. Kellele on TTArtisan 7.5mm f/2.0 Nikon Z DX mõeldud? Nikon Zfc, Z50 II ja Z30 kasutajad See on APS-C Nikon Z spetsiifiline valik – 7.5mm on disainitud just selleks, et APS-C kaadrit täielikult täita. Täiskaadri kasutajatele on TTArtisan 11mm f/2.8 Nikon Z sobivam. Astrofotograafid APS-C Nikon Z süsteemis f/2.0 + 180° APS-C vaateväli = Linnutee kaadristamiseks tugevaim kombinatsioon APS-C Nikon Z süsteemis. Tähtede triipumise vältimiseks lühike säri on f/2.0 juures võimalik. Loov- ja kontseptsioonifotograafid Ringfisheye täiskaadril (ümmargune kujutis mustade nurkadega) on kunstiliseks kasutuseks huvitav lisavõimalus neil, kes omavad ka täiskaadri Nikon Z kaamerat. Komplektis sisaldub

TTArtisan 11mm f/2.8 Fisheye Objektiiv Nikon Z | 180° vaateväli | Täiskaadri | f/2.8 | Manuaalfookus | 17cm | Stepless Ava | 11/7 optiline ehitus | 491g Kogu maailm ühes kaadris TTArtisan 11mm f/2.8 on täiskaadri Nikon Z bajoneti fisheye objektiiv, mille 180° vaateväli hõlmab korraga täieliku poolsfääri ees seisvast maailmast. 11mm fookuspikkus ja f/2.8 maksimaalne ava kombineerituna teeb sellest ühe võimsamaid objekte, millega kaamera ees paindutada: Linnutee galaktika, ekstreemsed arhitektuurikaadrid, loova B-roll, või subjekt 17cm kaugusel läätse nina ees – kõik kuuluvad TTArtisani 11mm’i kasutusvaldkonda. Käsifookus, stepless avarõngas ja alumiiniumkest positsioneerivad selle objektiivi teadlikule fotograafiale, kes soovib täielikku kontrolli iga kaadri üle – ilma autofookuse kompromissideta. Fisheye vs rektilineaarne lainurk – mis vahe on? Kõik lainurk-objektiivid ei ole ühesugused. TTArtisan 11mm f/2.8 on fisheye (kalasilm) – see erineb fundamentaalselt rektilineaarsest lainurgast: Omadus Rektilineaarne lainurk Fisheye (TTArtisan 11mm) Sirged jooned Sirged ka kaadri servades Kõverjad – tünnmoonutus Perspektiiv Loomulik, sirge horisont Sfääriline, kumeraefekti Vaateväli (täiskaadril) 12–16mm: 90–110° 180° Kasutus Arhitektuur ilma moonutuseta Loovfoto, astro, tegevus, sport Iseloom Neutraalne lainurk Dramatiseeriv, immersive efekt Fisheye tünnmoonutus ei ole viga – see on omadus. Sirge horisondi asemel kumer horisondi lõim on TTArtisan 11mm’i visuaalne allkiri, mida otsitakse spetsiifiliselt selle efekti jaoks. 180° vaateväli – mida see praktikas tähendab? 180° on optilise perspektiivi absoluutne piir: selle läätse kaudu näed korraga kogu poolsfääri ees seisvast ruumist. Vaateväli Fookuspikkus (täiskaadril) Kasutusala ~115° 14mm (rektilineaarne) Loovarhitektuur, maastik ~94° 21mm Lai klassikaline lainurk ~75° 28mm Tänavafoto lainurk ~47° 50mm “Inimsilm” perspektiiv 180° 11mm fisheye Astrofoto, loovfoto, extreme sport 180° vaateväljaga on võimalik: f/2.8 – mida see ava tähendab lainurk-fisheye puhul? f/2.8 on selles formaadis väga hea valgusläbilaskvus. Fisheye objektiivid on traditsiooniliselt tavaliselt aeglasemad (f/3.5–f/5.6) just laia vaatevälja optikaehituse keerukuse tõttu. Kasutus f/2.8 tähendus Astrofotograafia Piisab Linnutee kaadristamiseks ISO 1600–6400 juures lühikese säriajaga Hämar siseruumis Töötab pidudel, kontsertidel, tänavaüritustel ilma välklambita Päevavalgus f/8–f/11 suletuna – maksimaalne teravus üle vaatevälja Video f/2.8 stepless avaga – siledad üleminekud ilma klõpsudeta Kombinatsioon 11mm + f/2.8 + 180° teeb TTArtisani üheks soodsaimaks astrofotograafia objektiiviks täiskaadri Nikon Z süsteemis. 17cm lähifookus – lainurga-makro efekt 17cm on erakordne lähifookuskaugus fisheye objektiivis. Võrdluseks: Objektiiv Lähifookus Tüüpiline 50mm portreeobjektiiv 40–50cm Tüüpiline 28mm lainurk 25–30cm TTArtisan 11mm f/2.8 17cm 17cm lähifookus tähendab, et subjekt (lill, putukas, ese, inimese käsi) saab asetada peaaegu vastu läätse – ja fisheye moonutus dramatiseerib selle perspektiivi veelgi. Lähisplaan koos kumerefektiga on eriti efektiivne loodusfotol, makrofotol ja kontseptsioonifotol. Käsifookus ja stepless avarõngas – miks see on eelis? TTArtisan 11mm f/2.8 on täielikult manuaalne: nii fookus kui ava seatakse käsitsi. Käsifookus Kasutusala Käsifookuse eelis Astrofotograafia AF ei suuda öisel taevasel fookusesse tõmmata – käsifookus lõpmatusele on kindel Loovfoto Täpne fookuspunkt vastavalt kunstilisele visioonile, mitte AF-algoritmi otsusele Video Sujuv “focus pull” ilma AF-i otsimishüpeteta Fisheye kasutus f/8 juures on peaaegu kogu 180° ulatus terav – fookust harva vaja muuta Stepless (astmeta) avarõngas Stepless avarõngas tähendab, et ava muutub sujuvalt ilma klõpsvahepeatusteta (nagu “klikiga” objektiividel). See on video jaoks oluline: kaadri sees sujuv päevavalgusega kokkusobimine on võimalik ilma nähtavate hüpeteta eksponeerimisel. Fotograafidele, kes soovivad ekspositsiooni EXIF-andmetes täpset ava väärtust – manuaalne täpsus sõltub rõnga asendist, kaameral ava väärtus võib kuvada ligikaudsena. 11 elementi 7 grupis – optiline ehitus 11 elementi 7 grupis on fisheye objektiivi jaoks hästi optimeeritud konstruktsioon: Parameeter Andmed Optilised elemendid 11 Grupid 7 Ava lamellid 7 (bokeh efekti jaoks) Ava vahemik f/2.8 – f/16 7 avarõnga lamellt annavad bokeh mullide iseloomu – 7-lamelliline ava annab ligikaudu ringikujulise (mitte seitsmenurkse) bokeh. Fisheye objektiividel ei ole bokeh tavaliselt prioriteet (sügav sügavusteravus f/5.6+ juures), kuid f/2.8 juures on eraldatust siiski näha. Alumiiniumkest – mida see tähendab ehituskvaliteedi seisukohast? Alumiiniumkest on metallipõhine ehitus, mis erineb plastkerest: Ehitus Alumiinium (TTArtisan) Kaal Raskem kui plastikust, kergem kui roostevabast terasest Temperatuuritaluvus Stabiilne külmas (oluline talvises astrofotograafias) Mehaaniline vastupidavus Vastupidavam löökidele kui plastikust kerest Tunne Premium metalline tunne käes 491g on käsitletav kaal – kergem kui paljud täiskaadri teleobjektiivid. 86 × 67mm (pikkus × läbimõõt) on kompaktne fisheye profiiliga. Nikon Z ühilduvus Nikon Z bajonet on Nikoni hübriidfoto kaamerasüsteemi liides. TTArtisan 11mm f/2.8 Nikon Z versioon ühildub kõikide Nikon Z kaamerate kehaga: Kaamera Sensor TTArtisan 11mm (ekv. FOV) Nikon Z6 III Täiskaadri 180° (nagu kirjeldatud) Nikon Z7 II Täiskaadri 180° Nikon Z8 Täiskaadri 180° Nikon Z9 Täiskaadri 180° Nikon Zf Täiskaadri 180° Nikon Zfc APS-C (1.5×) ~120° ekv. (11mm × 1.5 = ~16.5mm ekv.) Nikon Z50 / Z30 APS-C (1.5×) ~120° ekv. Märkus: APS-C Nikon Z kaameratel (Zfc, Z50, Z30) annab 1.5× crop-faktor 11mm’ist ligikaudu 16.5mm täiskaadri ekvivalendi – see on laialainurk, kuid enam mitte 180° fisheye efektiga. Täielik 180° kasutus eeldab täiskaadri Nikon Z kaamerat. Autofookus ei toimi – EXIF andmeid (objektiivi ID, ava väärtus kaamera kuvamisel) edastamine sõltub kaamera mudelit ja objektiivi elektroonilisest ühilduvusest. Soovitame kontrollida TTArtisani tooteleheküljelt täpse Nikon Z ühilduvuse osas. Kellele on TTArtisan 11mm f/2.8 Nikon Z mõeldud? Astrofotograafid 180° vaateväli + f/2.8 on astrofotograafia jaoks optimaalne kombinatsioon: Linnutee kaar, meteorisajud ja Aurora Borealis mahuvad ühte kaadri. Käsifookus lõpmatusele on öötaevapildistuse standard. Metallist kest talub talviseid temperatuure. Loov- ja kontseptsioonifotograafid Fisheye moonutus on kunstiline tööriist: kumer perspektiiv, 17cm lähedal subjekt koos laienevat taustaga, arhitektuursed sfäärilised vaated. Need, kes soovivad visuaalselt ebatavalisi tulemusi, leiavad 11mm fisheye’is lõputult materjali. Tegevus- ja ekstreemspordi videograafid 180° vaateväli ühildub “GoPro stiilis” kaadrilaadi – kuid täiskaadri sensori pildikvaliteediga. Skate, surf, snowboard, BMX – subjekt ja keskkond korraga. Arhitektuuri- ja interjöörifotograafid (loomingulistel eesmärkidel) Dokumendi-täpsuse asemel efekti jaoks: kumerduv ruum, sfääriline laeplaan, kogu koridor ühes kaadris. Mitte rektillineaarne täpsus, vaid immersive kogemus. Manuaalse pildistamise entusiastid TTArtisan kui bränd on suunatud fotograafidele, kes eelistavad täielikku käsitsi kontrolli autofookuse asemel. Alumiiniumkest ja stepless avarõngas on osa “käsitöö fotograafia” kogemusest.

Viltrox AF 85mm F/2.0 EVO Nikon Z | 360g | 9-lamellne bokeh | F2.0 | STM lead screw AF | 10 elementi 8 rühmas | USB-C | HD Nano kate | Täiskaader 85mm täiskaaderobjektiiv – miks see pikkus on portree jaoks eripärane 85mm fookuskaugus on täiskaadritel laialt tunnustatud portreepikkus. See ei ole juhus – 85mm pakub kolme eelist korraga: 1. Perspektiivikompressioon lamendab näojooni meeldivalt Lainurgaga (nt 26mm) pildistades moonutatakse lähedal olevad objekte – nina paistab suurem, proportsioonid nihkuvad. 85mm-ga on perspektiivimoonutus minimaalne: näojooned näivad loomuliku ja ühtlased. 2. Mugav töödistants subjektile 85mm-ga on fotograaf subjektist tüüpiliselt 2–3 meetri kaugusel – see on inimestevaheliseks suhtluseks loomulik distants. Subjekt ei tunne end “pildistaja nina ees”, mis muudab portree­sessiooni sujuvamaks. 3. Kitsa vaatenurgaga (29,09°) soe taustaeraldumine Kitsas vaatenurk tähendab, et objektiiv toob taustaelemente “optiliselt lähemale” ja tihendab neid – taust näib ühtlasem ja sulanud, mis rõhutab subjekti eristumist. F/2.0 ava – bokeh ja hämardustöö F/2.0 on üks ava avaus laiem kui F/2.8 (kaks korda rohkem valgust, ca 1 EV): Ava Valguse läbilaskvus Tüüpiline kasutus F/1.4 Väga lai Eriti madal valgus, maksimaalne bokeh F/2.0 (Viltrox 85mm EVO) Lai Portree, hämar keskkond, bokeh F/2.8 Keskmiselt lai Portree, grupi­pildid, toode F/4.0 Mõõdukas Maastik, arhitektuur F/2.0 juures on sügavusteravus hästi pealiskaudne – taustaelemendid sulavad sujuvalt hägusaks, samal ajal kui subjekti nägu jääb täpselt fookuses. See on “dreamy bokeh”, mida kirjelduses mainitakse: fotogeeniline pehmuse ja teravuse kontrast. Hämardustöö: F/2.0 võimaldab pildistada keskkondades, kus F/2.8 juba värvab ISO tasemed probleemseks – tänaval õhtuvalguses, küünlavalgel interjööris, stagede ja kontsertide valguses. 9-lamelset ava – miks see bokeh jaoks loeb Apertuuri lamellidel on otsene mõju bokeh-pillidele (bokeh balls – hägustunud valguspunktid taustal): Lamelite arv Iris-vormi kuju Bokeh-pillid 5–6 lamellit Selgelt mitme­nurgeline Pliiats- või tähtikujulised bokeh-pillid 7 lamellit Ligikaudu ümarlik Kerge 7-nurk nähtav 9 lamellit Peaaegu täiuslik ring Ümarad, sujuva piirjoonega bokeh-pillid Viltrox AF 85mm F/2.0 EVO 9-lamellne ava F/2.0 juures: 360g – Viltrox kergeim täiskaader-85mm siiani Mõõt Viltrox 85mm F2.0 EVO Kaal 360g Pikkus 78mm Läbimõõt Ø69mm Filtri suurus Ø58mm Võrdluseks teiste 85mm täiskaadreobjektiividega: Objektiiv Kaal Pikkus Max ava Viltrox AF 85mm F2.0 EVO (Z) 360g 78mm F2.0 Nikon NIKKOR Z 85mm f/1.8 S 470g 99mm F1.8 Samyang AF 85mm F1.4 (FE) 568g 84mm F1.4 360g ei ole “piisavalt kerge” kompromiss – see on Viltrox kõigi täiskaader-85mm mudelite kergeim versioon, mis teeb koos Nikon Z kaameraga kompaktse ja kergelt kantava portree­seadistuse. Optiline skeem – 10 elementi 8 rühmas Viltrox AF 85mm F/2.0 EVO sisaldab 10 optilist elementi 8 rühmas – märkimisväärselt keerukam skeem kui sama EVO seeria 26mm mudelil (8 elementi 6 rühmas). Lisaelementide põhjus 85mm portreeobjektiivis: STM + Lead Screw – sujuv ja täpne AF Fookuse mootorisüsteem: STM (Stepper Motor) + Lead Screw (täppiskeerme­vardas): Võrdluseks: Viltrox 26mm F/2.8 EVO kasutas Gear Type (hammas­lüli) – mõlemad on STM-põhised ja videoks sobivad, kuid lead screw on 85mm mahus kasutatud tänu sisemise fookuse täppis­nõuetele. HD Nano kate + USB-C – kaitse ja tuleviku­kinnitus HD Nano mitme­kihiline kate Alumiinium­bajonett (kõvakstöödeldud) Objektivihaare bajonett on kõvaks­töödeldud alumiinium­sulam – mehaaniline tugevus kaamerale kinnitamisel, samal ajal kerge. Kaamera küljest lahti- ja kinnikieeramise vastupidavus on olulisem, kui paljud arvavad. USB-C püsivara uuendus Objektiivil on USB-C port – võimaldab Viltrox tarkvara kaudu: Mis on komplektis Toode Kogus Viltrox AF 85mm F/2.0 EVO Nikon Z objektiiv 1× Objektiivi korged (esi + taga) 2× Kandekott 1× Kellele on Viltrox AF 85mm F/2.0 EVO mõeldud? Portreefotograafid, kes otsivad kerget täiskaader-85mm 360g Nikon Z süsteemis on konkurentsivõimeline kaal. Nikon NIKKOR Z 85mm f/1.8 S kaalub 470g ja läheb märkimisväärselt kallimaks – Viltrox EVO pakub F/2.0 ava 360g sees, mis on veenev kompromiss. Fotograafid, kellele 9-lamellne bokeh on argument 9 ümarlamelliga ava F/2.0 juures on kombinatsioon, mis tulemeb ümardate bokeh-pillidega – see on esteetiline eelis linnavaate öistel piltidel ja portreesessioones. Hämardustöö fotograafid F/2.0 + Nikon Z süsteemi in-body stabilisatsioon (nt Z8, Z6 III, Zf) = hämardustöö kombinatsioon, mis võimaldab pildistada ilma välguta teatrietenduste, kontsertide ja sündmuste juures. Nikon Z kasutajad, kes tahavad taskukohast täiskaader-portreeprime’i Viltrox EVO seeria on positsioneeritud “hea optikat taskukohasema hinnaga” – USB-C püsivara tugi tagab AF-jõudluse paranemise aja jooksul uute Nikon Z kaameramudeli ilmumisel.

Jagades tiitlit kõige suurema avaga objektiivile, on EF 50 mm f/1.2 L USM tõsine tööriist hämaras pildistamisel, teravussügavuse kontrolli all hoidmisel, ning pildistamisel siseruumides ilma välklambita.

50 mm laiapertuuriga standardne objektiiv kvaliteetse optika ja Nikoni eksklusiivse funktsiooniga Silent Wave Motor (SWM) ülivaikseks töötamiseks. Sisaldab f/1,4 maksimaalselt suurt apertuuri, mis tagab ereda pildiotsija pildi ja on ideaalne ...

EF 24mm F1.4 L II USM on uus fikseeritud fookuskaugusega lainurkobjektiiv, mis mõeldud spetsiaalselt kõige nõudlikumal professionaalile. Objektiivis on 13 elementi 10-s grupis, 2 GMo asfäärilist läätse ning kaks UD-läätseelementi.

Selle objektiivi tähtsaimad omadused on tema väike kaal ja mõõtmed. Tagumine fokusseerimissüsteem tagab terava, selge pildi ka maksimaalse ava juures. Kiiret, vaikset ja täpset teravustamist võimaldab USM mootor. Ringikujulise USM mootori kasutamine ...

Kompaktne ja taskukohase hinnaga objektiiv, mis on ideaalne igapäevaseks kasutuseks standard-zoomobjektiivina. 4-astme pildistabilisaator võimaldab mugavalt pildistada ka kehvades valgusoludes.

Nikon AF-S DX Micro NIKKOR 40mm f/2.8G ED

See zoomobjektiiv sobib suurepäraselt kõikjal kaasas kandmiseks. See on väike, kerge ja mitmekülgne. See sobib nii portreede jäädvustamiseks kui ka kaugemate objektide pildistamiseks, ning kasutamiseks nii siseruumides kui ka välitingimustes. See ...

Kiire keskmine telefoto objektiiv kasutamiseks FX- ja DX-formaadis ühe objektiiviga peegelkaameratega. Ideaalne kaamera portreede jäädvustamiseks, mis ühendab endas klassikalise fookuskauguse ja ava kiiruse. 85 mm fookuskaugus võimaldab teha ...

Makroobjektiiv Sony NEX kaameratele. 1:1 suurendusega objektiiv lubab sul jäädvustada kauneid fotosid ja videot väikestest objektidest.• konstruktsioon: 7 elementi 6 grupis (kolm asfäärilist pinda)• lähim teravustamiskaugus: 9,5 cm• minimaalne ava: f/22• diafragma labade arv: 7• filtrikeere: 49 mm• autofookus videorežiimis• manuaalne otseteravustamine• fookuskaugus: 45 mm (35mm kaamera ekvivalendina)• komplektis objektiivikorgid ja varjuk ALC-SH113• mõõdud: 62 × 55,5 mm• kaal: 138 g.

Suurepärane sooritusvõime ning kompaktne disain teeb sellest objektiivist ideaalse kaaslase igapäevaseks kasutamiseks. See objektiiv sobib erinevateks otstarveteks - portreepiltidest kuni öövõteteni tänu suurele avale. Optika on disainitud vähendamaks kromaatilist ning sfäärilist aberratsiooni ka täisavaga pildistades. Lõpptulemuseks on selged ning teravad pildid ning videod, mida aitab veel selgemaks siluda integreeritud pildistabilisaator.Komplektis objektiivikorgid ning päikesevarjuk ALC-SH112.

M.ZUIKO DIGITAL 17mm 1:1.8 (34mm*) objektiiv tagab, vaatamata oma kergele kaalule ja kompaktsetele mõõtmetele, silmapaistvalt hea pildikvaliteedi. Objektiivi 1:1.8 suur ava võimaldab jäädvustada kaunilt hägustatud taustaga võtteid ning pildistada ilma statiivi kasutamata ka hämaras valguses – seejuures on abiks uusimates Olympus Micro Four Thirds System kaamerates kasutusel olev pildistabilisaator. Lisaks suurele 1:1.8 avale, on sellel esmaklassilisel Micro Four Thirds süsteemi lainurk-objektiivil unikaalne mehhanism hetkvõtete fokuseerimiseks, nii videote kui ka piltide jäädvustamisel (MSC) toimiv autofookus, ning spetsiaalne ZERO vääristus, mis tagab kõrgkvaliteetsed tulemused.

Mitmekülgne kalasilm-suumobjektiiv võimaldab jäädvustada täiskaadrilisi või ümmargusi pilte. Canoni võimsate L-seeria objektiivide hulka kuuluv EF 8-15mm f/4L Fisheye USM tagab fantastilise pildikvaliteedi isegi nii suure ulatusega lainurga puhul. Ümmargune või täiskaadriline kalasilm-suumobjektiiv Kuulub Canoni paljukiidetud L-seeriasse Vastupidav ja tugev Vaikne ja kiire automaatteravustamine Pidev käsitsiteravustamise võimalus Lihtsamalt puhastatav objektiiv Ümmargune või täiskaadriline kalasilm-suumobjektiiv Ei ole vaja osta kahte spetsiaalset objektiivi, kuna EF 8-15mm f/4L Fisheye USM võimaldab kaameratega, millel on 24 x 36 mm (täiskaadriline) sensor, teha täiskaadrilisi või ümmargusi ülilaia vaatenurgaga pilte. Fotograafid, kes kasutavad väiksema sensoriga digipeegelkaamerat, saavad samuti jäädvustada täiskaadrilisi, ülilaia vaatenurgaga pilte. Tänu 180-kraadisele diagonaalsele vaateväljale on kogu vaate jäädvustamine ühele pildile nüüd veelgi lihtsam. L-seeria kvaliteet L-seeriasse kuuluvad Canoni kõige esinduslikumad professionaalsed objektiivid, mis on täppistoodetud EF-optika parimaks näiteks. L-seeria objektiivid ühendavad endas suurepärase jõudluse ja käsitsetavuse ning on väga tolmu- ja niiskusekindlad. Kiire ja vaikne automaatteravustamine Rõngastüüpi USM (Ultrasonic Motor) kasutab ülikiireks ja vaikseks automaatteravustamiseks ultrahelisagedusega võnkeid. Automaatteravustamisele lisavad kiirust ka kiire protsessor ja optimeeritud automaatse teravustamise algoritmid. Teravust saab autofookust välja lülitamata igal hetkel ka käsitsi korrigeerida. Parem pildikvaliteet tänu SWC-vääristusele Digifotograafia jaoks loodud Canoni patenteeritud vääristus Subwavelength Structure Coating (SWC) aitab vähendada väliste peegelduste põhjustatud parasiitkujutisi ja helki. Kate vähendab peegeldusi ning tagab detailsed ja selged pildid. Lihtsamalt puhastatav objektiiv Eesmise ja tagumise läätse pinnad on kaetud fluorkattega, mis teeb läätse puhastamise

Olympus M.ZUIKO DIGITAL ED 14-42mm 1:3.5-5.6 EZ on kõige õhukesem pannkook-tüüpi suumobjektiiv maailmas ja see tagab erakordselt terava kvaliteedi servast servani. Kinnita see objektiiv oma Olympus OM-D/PEN kaamera kerele ja naudi ...