Objektiivid

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND8 filter is a light density IRND filter. It is generally used to lower the shutter speed during photo shoots on a bright sunny day for a motion effect. The filter also allows the photographer to reduce the depth of field in very bright light settings or to use a wider aperture to stay below the diffraction limit – especially when using fast lenses like F1.4 or F1.2 for a soft and beautiful bokeh.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 6X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 6-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:FUJIFILM; Objektiivi tüüp:Teleobjektiiv Zoom; Fookuskaugus:16 - 55; Kinnitus:Fujifilm X Mount; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:CANON; Objektiivi tüüp:Teleobjektiiv; Fookuskaugus:600; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:CANON; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:28 - 75; Kinnitus:Arri PL, Canon EF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:NIKON; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:15; Kinnitus:Nikon Z; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:NIKON; Objektiivi tüüp:Standard; Fookuskaugus:20; Kinnitus:Nikon Z; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:SONY; Objektiivi tüüp:Tavaline Zoom; Fookuskaugus:25 - 200; Kinnitus:Sony E; Garantii füüsilistele isikutele:2 aastat

Canon RF 50mm f/1.4 L VCM

The Zeiss Otus ML 50mm f/1.4 is a meticulously crafted manual-focus prime lens designed for full-frame mirrorless cameras, offering unparalleled sharpness, minimal aberrations, and exceptional low-light performance. Renowned for its signature ZEISS 3D pop, the lens delivers stunning subject separation, remarkable micro-contrast, and a lifelike sense of depth that brings images to life. With an all-metal, weather-sealed construction and a precise 260° focus throw, it’s a premium choice for photographers and videographers seeking the highest optical quality. A 50mm lens is one of the most versatile focal lengths, often referred to as a "standard" lens because it closely mimics the natural perspective of the human eye. It’s ideal for a wide range of photography, including portraits, street photography, documentary work, and even landscapes. With a fast f/1.4 aperture it excels in low-light conditions and produces beautiful background bokeh for subject isolation. Its balanced field of view makes it a great choice for capturing both environmental context and intimate details. Key Features: Apochromatic Design: Minimizes chromatic aberrations and color fringing, ensuring true-to-life color reproduction and outstanding clarity. Distagon Optical Design: Incorporates 14 elements in 11 groups, including aspherical elements, to achieve superior sharpness and contrast across the entire image field. Fast f/1.4 Aperture: Excels in low-light conditions and offers exquisite control over depth of field, allowing for creative expression with beautiful background blur. ZEISS T Anti-Reflective Coating:* Reduces flare and ghosting, enhancing contrast and color fidelity even in challenging lighting situations. Precision Manual Focus: Features a smooth, 260° focus throw for meticulous focusing, complemented by a de-clickable aperture ring ideal for both stills and video applications. Legendary ZEISS 3D Pop: Delivers a striking sense of dimensionality, separating subjects from their background with an almost tangible presence. Thanks to its high micro-contrast and exceptional control of spherical aberrations, the Otus ML 50mm f/1.4 creates an image depth that feels both natural and cinematic. Robust All-Metal Construction: Built to withstand professional use, with weather sealing to protect against dust and moisture, ensuring reliability in diverse environments. With a minimum focusing distance of 0.5 meters and a maximum magnification ratio of 1:7.3, the Otus ML 50mm f/1.4 is versatile for various shooting scenarios, from intimate portraits to expansive landscapes. Its compact form factor—approximately 100mm in length and weighing between 677 to 718 grams depending on the mount—ensures a balanced and comfortаble handling experience. Filtri mõõt: 67mm Min teravustamiskaugus: 50

The Zeiss Otus ML 50mm f/1.4 is a meticulously crafted manual-focus prime lens designed for full-frame mirrorless cameras, offering unparalleled sharpness, minimal aberrations, and exceptional low-light performance. Renowned for its signature ZEISS 3D pop, the lens delivers stunning subject separation, remarkable micro-contrast, and a lifelike sense of depth that brings images to life. With an all-metal, weather-sealed construction and a precise 260° focus throw, it’s a premium choice for photographers and videographers seeking the highest optical quality. A 50mm lens is one of the most versatile focal lengths, often referred to as a "standard" lens because it closely mimics the natural perspective of the human eye. It’s ideal for a wide range of photography, including portraits, street photography, documentary work, and even landscapes. With a fast f/1.4 aperture it excels in low-light conditions and produces beautiful background bokeh for subject isolation. Its balanced field of view makes it a great choice for capturing both environmental context and intimate details. Key Features: Apochromatic Design: Minimizes chromatic aberrations and color fringing, ensuring true-to-life color reproduction and outstanding clarity. Distagon Optical Design: Incorporates 14 elements in 11 groups, including aspherical elements, to achieve superior sharpness and contrast across the entire image field. Fast f/1.4 Aperture: Excels in low-light conditions and offers exquisite control over depth of field, allowing for creative expression with beautiful background blur. ZEISS T Anti-Reflective Coating:* Reduces flare and ghosting, enhancing contrast and color fidelity even in challenging lighting situations. Precision Manual Focus: Features a smooth, 260° focus throw for meticulous focusing, complemented by a de-clickable aperture ring ideal for both stills and video applications. Legendary ZEISS 3D Pop: Delivers a striking sense of dimensionality, separating subjects from their background with an almost tangible presence. Thanks to its high micro-contrast and exceptional control of spherical aberrations, the Otus ML 50mm f/1.4 creates an image depth that feels both natural and cinematic. Robust All-Metal Construction: Built to withstand professional use, with weather sealing to protect against dust and moisture, ensuring reliability in diverse environments. With a minimum focusing distance of 0.5 meters and a maximum magnification ratio of 1:7.3, the Otus ML 50mm f/1.4 is versatile for various shooting scenarios, from intimate portraits to expansive landscapes. Its compact form factor—approximately 100mm in length and weighing between 677 to 718 grams depending on the mount—ensures a balanced and comfortаble handling experience. Filtri mõõt: 67mm Min teravustamiskaugus: 50

The Zeiss Otus ML 50mm f/1.4 is a meticulously crafted manual-focus prime lens designed for full-frame mirrorless cameras, offering unparalleled sharpness, minimal aberrations, and exceptional low-light performance. Renowned for its signature ZEISS 3D pop, the lens delivers stunning subject separation, remarkable micro-contrast, and a lifelike sense of depth that brings images to life. With an all-metal, weather-sealed construction and a precise 260° focus throw, it’s a premium choice for photographers and videographers seeking the highest optical quality. A 50mm lens is one of the most versatile focal lengths, often referred to as a "standard" lens because it closely mimics the natural perspective of the human eye. It’s ideal for a wide range of photography, including portraits, street photography, documentary work, and even landscapes. With a fast f/1.4 aperture it excels in low-light conditions and produces beautiful background bokeh for subject isolation. Its balanced field of view makes it a great choice for capturing both environmental context and intimate details. Key Features: Apochromatic Design: Minimizes chromatic aberrations and color fringing, ensuring true-to-life color reproduction and outstanding clarity. Distagon Optical Design: Incorporates 14 elements in 11 groups, including aspherical elements, to achieve superior sharpness and contrast across the entire image field. Fast f/1.4 Aperture: Excels in low-light conditions and offers exquisite control over depth of field, allowing for creative expression with beautiful background blur. ZEISS T Anti-Reflective Coating:* Reduces flare and ghosting, enhancing contrast and color fidelity even in challenging lighting situations. Precision Manual Focus: Features a smooth, 260° focus throw for meticulous focusing, complemented by a de-clickable aperture ring ideal for both stills and video applications. Legendary ZEISS 3D Pop: Delivers a striking sense of dimensionality, separating subjects from their background with an almost tangible presence. Thanks to its high micro-contrast and exceptional control of spherical aberrations, the Otus ML 50mm f/1.4 creates an image depth that feels both natural and cinematic. Robust All-Metal Construction: Built to withstand professional use, with weather sealing to protect against dust and moisture, ensuring reliability in diverse environments. With a minimum focusing distance of 0.5 meters and a maximum magnification ratio of 1:7.3, the Otus ML 50mm f/1.4 is versatile for various shooting scenarios, from intimate portraits to expansive landscapes. Its compact form factor—approximately 100mm in length and weighing between 677 to 718 grams depending on the mount—ensures a balanced and comfortаble handling experience. Filtri mõõt: 67mm Min teravustamiskaugus: 50

Zeiss Otus ML 85mm f/1.4 Lens is a masterpiece of optical precision crafted for full-frame mirrorless cameras. Available in Sony E, Canon RF, and Nikon Z mounts, this manual-focus prime lens is tailored for professionals and enthusiasts who demand exceptional image quality and meticulous attention to detail. The Zeiss Otus ML 85mm f/1.4 is a premium manual-focus prime lens designed for full-frame mirrorless cameras, available in Sony E, Canon RF, and Nikon Z mounts. Featuring an apochromatic Sonnar optical design, a fast f/1.4 aperture, and ZEISS T* coating, it delivers exceptional sharpness, contrast, and the signature ZEISS 3D pop. Built with an all-metal, weather-sealed construction, it ensures durability and precision for professional use. Zeiss Otus ML 85mm f/1.4 is ideal for portrait photography, offering flattering compression, a natural perspective, and beautifully blurred backgrounds. It’s also well-suited for detail-rich lifestyle, fashion, and event photography, where subject isolation and depth create striking images. Key Features: Apochromatic Design: Engineered to minimize chromatic aberrations and color fringing, delivering true-to-life color reproduction and outstanding clarity. Sonnar Optical Design: Comprising 11 elements in 9 groups, including aspherical elements, this design ensures superior sharpness and contrast across the entire image field. Fast f/1.4 Aperture: Ideal for low-light conditions, it offers exquisite control over depth of field, enabling creative expression with beautiful background blur. ZEISS T Anti-Reflective Coating:* Reduces flare and ghosting, enhancing contrast and color fidelity even in challenging lighting situations. Precision Manual Focus: Features a smooth, long rotational focus throw for meticulous focusing, complemented by a de-clickable aperture ring, making it ideal for both stills and video applications. Legendary ZEISS 3D Pop: Delivers a striking sense of dimensionality, separating subjects from their background with an almost tangible presence. High micro-contrast and exceptional control of spherical aberrations create an image depth that feels both natural and cinematic. Robust All-Metal Construction: Built to withstand professional use, with weather sealing to protect against dust and moisture, ensuring reliability in diverse environments. With a minimum focusing distance of 0.8 meters and a maximum magnification ratio of 1:7.7, the Otus ML 85mm f/1.4 excels in portraiture and medium telephoto applications. Its compact form factor—approximately 113mm in length and weighing around 1,040 grams—ensures a balanced and comfortаble handling experience. Filtri läbimõõt: 77mm

Zeiss Otus ML 85mm f/1.4 Lens is a masterpiece of optical precision crafted for full-frame mirrorless cameras. Available in Sony E, Canon RF, and Nikon Z mounts, this manual-focus prime lens is tailored for professionals and enthusiasts who demand exceptional image quality and meticulous attention to detail. The Zeiss Otus ML 85mm f/1.4 is a premium manual-focus prime lens designed for full-frame mirrorless cameras, available in Sony E, Canon RF, and Nikon Z mounts. Featuring an apochromatic Sonnar optical design, a fast f/1.4 aperture, and ZEISS T* coating, it delivers exceptional sharpness, contrast, and the signature ZEISS 3D pop. Built with an all-metal, weather-sealed construction, it ensures durability and precision for professional use. Zeiss Otus ML 85mm f/1.4 is ideal for portrait photography, offering flattering compression, a natural perspective, and beautifully blurred backgrounds. It’s also well-suited for detail-rich lifestyle, fashion, and event photography, where subject isolation and depth create striking images. Key Features: Apochromatic Design: Engineered to minimize chromatic aberrations and color fringing, delivering true-to-life color reproduction and outstanding clarity. Sonnar Optical Design: Comprising 11 elements in 9 groups, including aspherical elements, this design ensures superior sharpness and contrast across the entire image field. Fast f/1.4 Aperture: Ideal for low-light conditions, it offers exquisite control over depth of field, enabling creative expression with beautiful background blur. ZEISS T Anti-Reflective Coating:* Reduces flare and ghosting, enhancing contrast and color fidelity even in challenging lighting situations. Precision Manual Focus: Features a smooth, long rotational focus throw for meticulous focusing, complemented by a de-clickable aperture ring, making it ideal for both stills and video applications. Legendary ZEISS 3D Pop: Delivers a striking sense of dimensionality, separating subjects from their background with an almost tangible presence. High micro-contrast and exceptional control of spherical aberrations create an image depth that feels both natural and cinematic. Robust All-Metal Construction: Built to withstand professional use, with weather sealing to protect against dust and moisture, ensuring reliability in diverse environments. With a minimum focusing distance of 0.8 meters and a maximum magnification ratio of 1:7.7, the Otus ML 85mm f/1.4 excels in portraiture and medium telephoto applications. Its compact form factor—approximately 113mm in length and weighing around 1,040 grams—ensures a balanced and comfortаble handling experience. Filtri läbimõõt: 77mm

Megadap Sony E to Nikon Z Autofocus Adapter PRO Plus – professionaalne autofookusega adapter Nikon Z hübriidkaameratele Megadap ETZ21 Pro+ adapter võimaldab sul kasutada Sony E-bajonetiga objektiive Nikon Z kaameratel, säilitades täiuslikult kõik olulised funktsioonid – autofookuse, ava juhtimise, pildistabilisaatori ja isegi objektiivi programmeeritavad funktsiooninupud. See on ideaalne lahendus fotograafidele, kes soovivad oma Sony objektiive kasutada Nikon Z süsteemis ilma kompromissideta. Täielik funktsionaalsus ja lai ühilduvus Megadap ETZ21 Pro+ töötab nii Sony originaalobjektiivide kui ka kolmandate tootjate (Sigma, Tamron, Zeiss, Voigtländer, Samyang) E-bajonetiga objektiividega. Adapter on ühilduv kõigi Nikon Z seeria hübriidkaameratega – sh ZR, Z5, Z5II, Z6, Z6 II, Z 6III, Z7, Z7 II, Z8, Z9, Z50, Zfc – ning isegi RED kaameratega, millel on Z-kinnitus. Adapter toetab järgmisi funktsioone: Uuendused versioonis Pro+ Uus Megadap ETZ21 Pro+ on tehnoloogiline hüpe varasemate põlvkondade ees – mehaaniliselt tugevam, elektrooniliselt stabiilsem ja vastupidavam. Tehnilised andmed Komplektis Miks valida Megadap ETZ21 Pro+? Kui soovid kasutada Sony E objektiive Nikon Z hübriidkaameral ilma funktsionaalsuse kaota, on Megadap ETZ21 Pro+ kõige täiuslikum lahendus. See adapter pakub professionaalset autofookuse jõudlust, täpset elektroonilist juhtimist ja kvaliteetset ilmastikukindlat disaini, mis sobib nii stuudiosse kui ka välistingimustesse. Megadap ETZ21 Pro+ – ühenda Sony optika ja Nikon loomingulisus.

Viltrox AF Air 9mm F/2.8 XF – ülikompaktne ja valgusjõuline ülilainurkobjektiiv Fuji X kaameratele Viltrox AF Air 9mm F/2.8 XF on erakordselt kerge ja kaasaskantav ülilainurkobjektiiv, mis pakub muljetavaldavat 113,8° vaatenurka. See on suurepärane valik maastiku-, arhitektuuri- ja interjöörifotograafiale, samuti vlogijatele, reisijatele ja sisuloojatele, kes soovivad saavutada visuaalselt haaravaid ülilainurkpilte ilma raskete varustusteta. F/2.8 maksimaalne ava võimaldab pildistada ka nõrgas valguses, pakkudes samal ajal loomingulisi võimalusi hämarates oludes ja sisekaadrites. Ülilainurk 113,8° – rohkem stseeni ühes kaadris Ülilainurk 113,8° – rohkem stseeni ühes kaadris: Valgusjõuline f/2.8 ava Kiire ja täpne autofookus STM-staapelmootor tagab: Minimaalne focus breathing – ideaalne videoks Fookuse muutmisel säilib loomulik vaatenurk, mis tagab: Silmapaistev teravus servast servani 13 elementi 11 grupis, sh: Need tagavad: Lähim teravustamine vaid 0,13 m Lõbusad ja loomingulised lähikaadrid: Kerge, kompaktne ja reisisõbralik Viltrox Air seeria on loodud maksimaalse kaasaskantavuse jaoks: Vastupidav ja praktiline disain Tehnilised andmed Komplektis

Viltrox AF 85mm F/1.4 Pro Nikon Z – portreefotograafi tõeline meistritööriist Viltrox AF 85mm F/1.4 Pro Nikon Z bajonetile on professionaalne portreeobjektiiv, mis ühendab silmapaistva teravuse, lummava bokeh’i ja täiusliku värvitäpsuse. See valgusjõuline f/1.4 ava võimaldab luua filmilikke portreid, tuua subjekt kaunilt esile ning pildistada enesekindlalt ka keerulistes valgusoludes. See Pro-seeria objektiiv on loodud nõudlikule fotograafile – olgu see stuudio, välivõte või intiimne portreeseanss, Viltrox 85mm pakub alati tippklassi tulemusi nii foto- kui ka videomaailmas. Portreefotograafi ideaalne fookuskaugus – 85 mm Klassikaline 85 mm pakub loomulikku perspektiivi ja kaunist tausta eraldust, muutes selle huvitavaks tööriistaks professionaalsetele portreefotograafidele. F1.4 suur ava – maagiline bokeh ja valgusjõud F1.4 ava lisab portreedele sügavust, atmosfääri ja emotsiooni. HyperVCM kahe mootoriga autofookus Viltroxi uus HyperVCM AF-mootor: Näo- ja silmatuvastus tagab stabiilse jälgimise ka liikuva subjekti puhul. Tipptasemel optika Optiline ehitus: 15 elementi 11 grupis, sh: Need kontrollivad: Tulemuseks on erakordselt selge, loomulike värvide ja kõrge kontrastsusega pilt. Professionaalne vastupidavus Video sõbralik – siidiselt sujuv juhtimine Objektiivi juhtimine Viltrox Lens rakendusega Tehnilised andmed Komplektis

Viltrox AF 50mm F/1.4 Sony FE on valgusjõuline ja tehnoloogiliselt arenenud standard-fiksobjektiiv, mis on loodud nõudlikele Sony täiskaader kaamerate kasutajatele. See objektiiv ühendab suure ava, erakordse teravuse ja kiire autofookuse, pakkudes professionaalset pildikvaliteeti nii foto- kui ka videoloomeks. 50 mm fookuskaugus on fotograafias klassika, sest see annab loomuliku perspektiivi ja sobib väga erinevateks olukordadeks. Viltrox AF 50mm F/1.4 on ideaalne portreefotodeks, tänavafotograafiaks, pulmadeks, reisipiltideks ja loominguliseks sisuloomeks. Suur F1.4 ava võimaldab pildistada ka hämaras ning luua kauni bokeh-efekti, mis eraldab subjekti taustast pehme ja professionaalse hägususega. Objektiivi optiline ehitus on muljetavaldav. Konstruktsioon koosneb 15 elemendist 11 grupis, sealhulgas 3 ED-elementi, 8 kõrge murdumisnäitajaga elementi ja täpne asfääriline lääts. See tagab väga terava kujutise üle kogu kaadri ning vähendab efektiivselt moonutusi, kromaatilisi aberratsioone ja kontrastikadu. Tulemuseks on kõrge detailsus ja loomulik värviedastus ka keerukates valgusoludes. HD Nano Multi-Layer Coating kate aitab vähendada helke ja peegeldusi, muutes objektiivi sobivaks ka vastupäikese või tugeva valgusallika suunas pildistamisel. Lisaks on objektiivi viimistlus vett ja mustust hülgav, mis teeb selle usaldusväärseks kaaslaseks ka välitingimustes ja reisidel. Autofookuse eest vastutab vaikne ja kiire VCM mootor, mis sobib suurepäraselt nii portreede kui ka video salvestamise jaoks. Teravustamine toimub sujuvalt ja täpselt, võimaldades püüda ka liikuvaid hetki ilma häiriva mürata. Sisemine fokuseerimissüsteem hoiab objektiivi pikkuse muutumatuna, mis on eriti kasulik gimbalil filmides või kitsastes töötingimustes. Objektiivil on elektrooniline ava juhtimine, 11 ava lamelli, mis loovad ümmarguse ja meeldiva taustahägustuse, ning 77 mm filtrikeere, mis sobib levinud professionaalsete filtritega. USB-C ühendus võimaldab objektiivi püsivara uuendamist, tagades tulevikukindla kasutuse koos uute kaameramudelite ja funktsioonidega. Kellele Viltrox AF 50mm F/1.4 Sony FE sobib? See objektiiv on mõeldud Sony E-mount täiskaader kaamerate kasutajatele, kes soovivad valgusjõulist ja teravat standardobjektiivi. Ideaalne portreefotograafidele, pulma- ja sündmusfotograafidele, sisuloojatele ning videograafidele, kes hindavad professionaalset bokeh’it ja usaldusväärset autofookust. Olulisemad omadused: Viltrox AF 50mm F/1.4 Sony FE on ideaalne valik, kui soovid klassikalist fookuskaugust, erakordset teravust ja loomingulist valgusjõudu ühes töökindlas ja tulevikukindlas objektiivis.

50 mm laiapertuuriga standardne objektiiv kvaliteetse optika ja Nikoni eksklusiivse funktsiooniga Silent Wave Motor (SWM) ülivaikseks töötamiseks. Sisaldab f/1,4 maksimaalselt suurt apertuuri, mis tagab ereda pildiotsija pildi ja on ideaalne ...

Professionaalne tolmu- ja niiskuskindel optilise pildistabilisaatoriga makroobjektiiv Canoni filmi- ja digipeegelkaameratele.

Ekstreem-lainurk, suure avaga objektiiv revolutsioonilise optilise lahendusega. See tähelepanuväärne professionaalne objektiiv sisaldab nanokristallkatet varikujutise ja peegeldusefektide vähendamiseks ning pakub ühtlast teravuskvaliteeti, mis võib ...

Kompaktne ja universaalne 5-kordse suumiga objektiiv, mis on mõeldud kasutamiseks Nikoni FX-formaadis ühe objektiiviga peegelkaamerates. Täiustatud kõrge optilise jõudluse, pideva f/4 ava ja universaalse 24−120 mm fookuskaugusega. Nikoni teise ...

M.ZUIKO DIGITAL 17mm 1:1.8 (34mm*) objektiiv tagab, vaatamata oma kergele kaalule ja kompaktsetele mõõtmetele, silmapaistvalt hea pildikvaliteedi. Objektiivi 1:1.8 suur ava võimaldab jäädvustada kaunilt hägustatud taustaga võtteid ning pildistada ilma statiivi kasutamata ka hämaras valguses – seejuures on abiks uusimates Olympus Micro Four Thirds System kaamerates kasutusel olev pildistabilisaator. Lisaks suurele 1:1.8 avale, on sellel esmaklassilisel Micro Four Thirds süsteemi lainurk-objektiivil unikaalne mehhanism hetkvõtete fokuseerimiseks, nii videote kui ka piltide jäädvustamisel (MSC) toimiv autofookus, ning spetsiaalne ZERO vääristus, mis tagab kõrgkvaliteetsed tulemused.

Kiire FX-formaadis põhiobjektiiv ülilaia fookuskaugusega 20 mm ja ereda suurima avaga f/1,8. See on põnev aparaat loomingulistele fotograafidele, kes soovivad perspektiivi võimendada., Tipptasemel optika ja kompaktse kerge ...

Parim pildikvaliteet, Mugavalt kaasaskantav, ZERO (Zuiko Extra-low Reflection Optical) vääristus peegelduste vähendamiseks, Telesuum, mis tagab kõrgeima pildikvaliteedi, Supersonic Wave Drive autofookuse mootor, ...

Sony Vario-Tessar T* FE 16-35 mm F4 ZA OSS. Aperture range (F-F): 4 - 22, Focal length range (f-f): 16 - 35 mm. Maximum magnification: 0.19x. Filter size: 7.2 cm. Lens system: Vario-Tessar T* FE 16-35 mm F4 ZA OSS

Uued kõrge lahutusvõimega sensoritega kaamerad seavad ka objektiivile kõrgemad nõudmised - veel parem optiline jõudlus, suurem lahutusvõime, veel väiksemad moonutused. Just seetõttu on eriti oluline, et uue põlvkonna objektiivid vastaks nende kaamerate jõudlusele.Valgusjõuline fiksobjektiivEsmaklassilise disainiga insenerikunsti meistriteos - Tamroni SP 35mm f/1.8 objektiiv pakub endas esmaklassilist optikat, pildistabilisaatorit ning suurt f/1.8 ava.Minimaalse optilise moonutusega normaalfiks pakub kasutajale kõike seda, mida tal vaja on - terav pilt, olematud aberratsioonid ning sisepeegeldused.Mine veel lähemaleTamroni MOD tehnoloogiaga objektiivid võimaldavad veel lähemalt pildistada, avades veel suurema vabaduse kadreerides.SP (Super Performance) seeriaTamroni SP seeria objektiivid on optiline tippklass, kus ei ole tehtud kompromisse pildikvaliteedi osas. Objektiivid on disainitud sedasi, et need kataks ka nõudlikuma proffesionaali vajadused.eBAND ning BBAR vääristusKasutades uue põlvkonna eBAND nind BBAR vääristust objektiivi elementidel vähendatakse oluliselt sisepeegeldust ning varikujutist. Niimoodi saab pildistada ka ülilainurkasendis vastu päikest ilma, et sisepeegeldused pilti rikuks.Pakkudes tippklassi pildikvaliteetiSelle objektiivi optilises disainis on kasutatud esmaklassilisi elemente. XLD (eriti madala dispersiooniga) element, mis on valmistatud spetsiaalsest klaasist ning on üliväikese refraktiivsuse indeksiga. See omakorda tähendab, et pildid on teravad ning kontrastsemad, kuna kromaatiline aberratsioon on viidud miinimumini. USD mootorTamroni USD (Ultrasonic Silent Drive) teravustamismootor tagab ülikiire, peaaegu hääletu opereerimise. Sedasi saad pildistada ka sellised loomi ning linde, kes väikseimagi heli peale kaadrist plehku panevad.VC (Vibration Compensation) pildistabilisaatorUnusta ära udused pildid, kuna ei ole võimalik kasutada piisavalt lühikest säriaega või statiivi. Tamroni VC (Vibration Compensation) silub need väikesed liikumised, mis tuleva

Ilmastikukindlate tihenditega korpus, Vaatenurgad: horisontaalne: 54°, vertikaalne: 38°, diagonaalne: 63°, Konstruktsioon: 14 elementi 11 grupis (sh 2 asfäärilist ja 1 Blue Spectrum Refractive), Diafragmalabade arv: 9, Minimaalne ...

85mm kvaliteetne lühike telefiks; Valgusjõuline - f/1.4 maksimaalne ava; Vaikne ning kiire SSM teravustamismootor; Lummav bokeh, perfektne porteefotograafiaks; Sony α ja NEX pool- ja täiskaader hübriidkaameratele; Tolmukindel ja ...

Üritused, pulmad, portreed, linnamaastikud või maastikud – AF-S NIKKOR 28mm f/1.4E ED on suurepärane valik olukorras, kus vajate paindlikkust olemasoleva valgusega töötamiseks.Objektid renderdatakse teravalt, isegi kui pildistate kõige suurema avaga f/1,4. Kaugetest objektidest või vähese valgusega stseenidest saab suure kontrastsusega pildid, ilma et peaksite ava vähendama. Väikseim teravustamiskaugus, milleks on vaid 0,28 m, muudab objektiivi veelgi mitmekülgsemaks.Suurim ava: f/1,4Väikseim ava: f/16Objektiivi ehitus: 14 elementi 11 rühmas (sh 2 ED objektiivielementi, 3 asfäärilist objektiivielementi ja nanokristallkatte või fluorkattega objektiivielemendid) Mõõtmed: Umbes 83,0 mm suurim läbimõõt × 100,5 mm (kaugus kaamera objektiivi kinnitusäärikust) Kaal: Umbes 645 gAutomaatne teravustamine: JahKaasasolevad tarvikud: LC-77 77 mm klõpskinnitusega eesmine objektiivi kaas, LF-4 objektiivi tagakork, HB-83 bajonettpäikesekaitse, CL-1118 pehme objektiivikott

Sony E 18-135mm f/3.5-5.6 OSS

Uus objektiiv tuleb tänasel päeval väga vajaliku optilise stabilisaatoriga ning loomulikult L seeriale omase disainiga.

Camera brands compatibility: Sony Producer product name: FE 16-35mm F/2.8 GM zoom lens Warranty: 12 month(s) Gross weight: 1.18 kg Net weight: 0.8 kg Plastic (No PET): 13 g WEEE tax: Yes WEE classification: CL109:5:2017-04-01 Packing quantity: 1 pc(s) Volume (m3): 0.003822 m³ Tare weight (kg): 0.38 kg Gross depth (mm): 210 mm Gross width (mm): 130 mm Gross height (mm): 140 mm

Sony FE 12-24mm f/4 G Lens Sony