About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Manuaal fookusega eeskujulikku pildikvaliteeti pakkuv fiksobjektiiv Samyangilt. Valgusjõuline ava f/1.4 teevad sellest hinnatud portreeobjektiivi. Lisatud H-ASP asfääriline element minimiseerib värvimoonutusi ja tagab kõrge ...
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 62 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
In landscape photography, where the scenery and horizon tend to have complex or uneven structures, gradated ND filters become absolutely essential, as they allow the photographer to balance the luminosity of bright areas with the dark areas in the image. With HOYA's Sq100 IRND16 (1.2) GRAD-S filter, the photographer has new options in using a GRAD filter which they do not have with round-type filters.TechnologyMade from toughened glass, the HD Sq100 GRAD-S series is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Using ND GRAD filters with HOYA SQ100 Square filter systemWith HOYA's Square filter system, photographers will have several ways to make use of the HOYA's Sq100 IRND16 GRAD-S filter in order to achieve the desired effect in the image. The frame of the filter system can be rotated, allowing for the ankle of the gradation border to be adjusted in any position.In addition, the vertical position of the border can be further adjusted with moving the filter up or down inside the frame. To give the user here all the possible options for positioning, the height of the filter has been lengthened to 150mm.
TTArtisan 7.5mm f/2.0 Nikon Z DX Kalasilmobjektiiv | 180° APS-C Diagonaalfisheye | Ringfisheye täiskaadril | f/2.0 | 54×58mm | 12.5cm | 11/8 | Stepless | Manuaalfookus APS-C Nikon Z jaoks projekteeritud kalasilm – kahekordne kasutus TTArtisan 7.5mm f/2.0 Nikon Z DX on kompaktne kalasilmobjektiiv, mis on disainitud spetsiaalselt APS-C Nikon Z kaameratele (Nikon Zfc, Z50, Z30). 54mm läbimõõt ja 58mm pikkus teevad sellest ühe kompaktsemaid täisfunktsionaalseid kalasilmobjektiive Nikon Z süsteemis. Nagu ka teised TTArtisani 7.5mm f/2.0 variandid, töötab see objektiiv kahes erinevas režiimis: Kaamera sensor Kasutusrežiim Kujutise kuju APS-C (Nikon Zfc, Z50, Z30) Diagonaalfisheye Pilt täidab APS-C ristküliku täielikult Täiskaader (Z6 III, Z7 II, Z8, Zf jne) Ringfisheye Ümmargune kujutis musta nurgatühjusega Mis on “Nikon Z DX”? DX on Nikoni termin APS-C sensori formaadi tähistamiseks – sama tähendus kui “APS-C”. Nikon Z DX kaamerad kasutavad Nikon Z bajonetti, kuid väiksemat sensorit: Nikon Z kaamera Sensor Ühilduvus Nikon Zfc APS-C (DX) ✓ Diagonaalfisheye – pilt täidab kaadri Nikon Z50 II APS-C (DX) ✓ Diagonaalfisheye – pilt täidab kaadri Nikon Z30 APS-C (DX) ✓ Diagonaalfisheye – pilt täidab kaadri Nikon Z6 III Täiskaadri (FX) Ringfisheye – ümmargune kujutis mustade nurkadega Nikon Z7 II Täiskaadri (FX) Ringfisheye – ümmargune kujutis mustade nurkadega Nikon Z8 / Z9 Täiskaadri (FX) Ringfisheye – ümmargune kujutis mustade nurkadega Füüsiline Nikon Z bajonet on täiskaadri ja DX kaameratel identne – objektiiv sobib mõlemasse, kuid visuaalne tulemus erineb. APS-C: 180° diagonaalfisheye – kaader täis APS-C Nikon Z kaameraga kasutamisel on TTArtisan 7.5mm täielik diagonaalfisheye: Kasutusala APS-C peal: maastikufoto, tänavafoto, arhitektuur dramatiseeritult, astrofoto, tegevusfoto, video B-roll. Täiskaadri: ringfisheye – ümmargune kujutis f/2.0 – kiire ava hämaraks ja öiseks pildistamiseks f/2.0 on kalasilmobjektiivi jaoks erakordne valgustundlikkus: Ava Suhteline valguse kogumine f/2.0 (TTArtisan 7.5mm) 100% (baas) f/2.8 (TTArtisan 11mm) ~51% (peaaegu poole vähem) f/4.0 ~25% Praktikas tähendab f/2.0: 12.5cm lähifookus – subjekt peaaegu vastu läätse 12.5cm minimaalne fookuskaugus võimaldab pildistada objekte väga lähedalt – kombineerituna fisheye moonutusega tekib efekt, kus lähisubjekt “paisub” kaadris, taust kumerdub ümber: Kasutus Efekt 12.5cm juures Lillefoto Õis täidab kaadriesiosa, mets/taust kumerdub taha Portree Nägu moonutatult lähiplaanile, keskkond ümber Produktifoto Ese esiplaanile, laud/sein sfääriliselt taustaks Dokumentaal Käe ulatuses subjekt + 180° keskkond korraga Optiline ehitus ja manuaalsed juhikud Parameeter Andmed Optilised elemendid 11 Grupid 8 Maksimaalne ava f/2.0 Minimaalne ava f/11 Ava lamellid 7 Avarõngas Stepless (astmeta, videoks sobilik) Fookus Käsifookus Filtrikere Ei ole Stepless avarõngas tähendab, et ava muutub sujuvalt ilma klõpsupeatusteta – see on video jaoks oluline, kuna võimaldab ekspositsioonmuutusi kaadri sees ilma nähtavate hüpeteta. Käsifookus koos f/2.0 ja 180° AoV kombinatsiooniga: APS-C sensoril annab 7.5mm juba f/4–f/5.6 juures väga sügava sügavusteravuse (peaaegu hüperfokaalse käitumise) – praktikas ei pea fookust sageli muutma. Kellele on TTArtisan 7.5mm f/2.0 Nikon Z DX mõeldud? Nikon Zfc, Z50 II ja Z30 kasutajad See on APS-C Nikon Z spetsiifiline valik – 7.5mm on disainitud just selleks, et APS-C kaadrit täielikult täita. Täiskaadri kasutajatele on TTArtisan 11mm f/2.8 Nikon Z sobivam. Astrofotograafid APS-C Nikon Z süsteemis f/2.0 + 180° APS-C vaateväli = Linnutee kaadristamiseks tugevaim kombinatsioon APS-C Nikon Z süsteemis. Tähtede triipumise vältimiseks lühike säri on f/2.0 juures võimalik. Loov- ja kontseptsioonifotograafid Ringfisheye täiskaadril (ümmargune kujutis mustade nurkadega) on kunstiliseks kasutuseks huvitav lisavõimalus neil, kes omavad ka täiskaadri Nikon Z kaamerat. Komplektis sisaldub
E-Mount Lens/Full-Frame Format; Aperture Range: f/2.8 to f/22; Two Extra-Low Dispersion Elements; Three Aspherical and Two XA Elements; Nano AR and Fluorine Coatings; Two Direct Drive SSM AF Groups; Focus Hold Button, AF/MF ...
Päiksevarjuki peamine eesmärk on hoida objektiivi esiläätsest eemal pildikvaliteeti vähendav külgvalgus. Samuti kaitseb varjuk esiläätse mingil määral ka kahjustuste eest (näiteks kukkumisel või löögi korral), Sobivus: Olympus ...
50 mm normaal-fiksobjektiiv; Valgusjõuline - suure f/1.8 avaga; Parim kooslus mitmekülgsusest ja pildikvaliteedist; DV teravustamismootoriga; Sony α pool- ja täiskaader hübriidkaameratele
Uue 9 labaga ja F1.8 valgusjõuga ava teevad sellest objektiivist ideaalse kaaslase portreefotode tegemiseks; Objektiivi sisse on paigaldatud ülivaikne lineaarne teravustamismootor mis eemaldab kaameraga filmides teravustamisest ...
200–600 mm telesuumobjektiiv; Sony G seeria tippkvaliteet; Sony OSS pildistabilisaator; Kiire ning vaikse DDSSM teravustamismootoriga; Sony E bajonetiga hübriidkaameratele
16 mm lainurk-fiksobjektiiv; Valgusjõuline – f/2.8 maksimaalne ava; Perfektne maastiku ja arhitektuuri pildistamiseks; Sujuv ning vaikne STM teravustamismootor; Canoni täiskaader hübriidkaameratele
Uus valgusjõuline AF 135 mm F1.8 FE teleobjektiiv on optimeeritud portreede, ööfotografia ja videovõtete vajadusi silmas pidades. Objektiivil on juba varasemast tuttavad fookuse lukustamise, teravustamisulatuse piiraja ning muudetava funktsiooniga nupp. Kõik see on ühendatud eeskujulike optiliste näitajatega ning pakitud kompaktsesse ning kergesse korpusesse. Optiliselt koosneb uus 135 mm fookuskaugusega objektiiv 13 läätsest (neist üks U-ASP, kaks HR ja kolm ED), mis on jagatud 11 gruppi. Koostööna Sony täiskaadri mõõdus sensoriga saavutatakse eeskujulik kontrastsus ja kujutise teravus kogu pildivälja ulatuses. Objektiivis kasutatav UA (Ultra-precision Aspherical) lääts aitab luua teie fotodele loomuliku uduse tausta ning eraldada portree- ning lähivõtetel fookuses oleva objekti selgelt taustast. AF 135 mm F1.8 FE disainiti kerge ning kompaktsena ja see kaalub vaid 772 grammi. Mikrotekstuuriga kaetud kummeeritud teravustamisrõngas ning tihendid kaitseks ilmastikumõjude eest võimaldavad selle objektiivi kasutamist ka keerulistes ilmastikuoludes. Objektiivilt leiame teravustamispunkti lukustamise nupu, muudetava funktsiooniga lüliti ja teravustamisvahemiku valiku lüliti. Muudetava funktsiooniga lüliti võimaldab teil näiteks muuta teravustamisrõnga keeramisel hoopis vaikselt avaarvu. Samyang Lens Station´i abiga saate objektiivi kohandada enda vajadustele ning tulevikus lisatakse tarkvarauuendustega ka täiendavaid võimalusi funktsioonilülitile. Focus Hold nupu vajutamisel hoitakse fookust valitud kaugusel. Kaamerast on sellele nupule võimalik omistada ka teisi seadistusi – näiteks silmale teravustamist (Eye AF). Objektiivis Samyang AF 135 mm F1.8 FE on teravustamiseks kasutusel Samyang´i linear STM (samm-mootor), mille vaikne töö võimaldab objektiivi kasutada nii video- kui fotovõteteks. Lähimaks teravustamiskauguseks on eeskujulik 0,69 meetrit, mis annab lähipildistamiseks suurenduse 0,243x – eriti sobilik detailide esile toomiseks pehmest udustatud taustast. Olulisimad omadused Suurepärane pildikvaliteet. Eeskujulik tausta hägustamine. Tihendid kaitseks ilmastikumõjude eest. Kiire, täpne ja vaikne automaatteravustamine. Muudetava funktsiooniga nupud. Minimaalne teravustamiskaugus vaid 0,69 meetrit. Kaalub vaid 772 grammi. Filtrikeerme läbimõõt 82 mm.
Megapikslite arv:60; Maksimaalne resolutsioon:11008 X 5504; Diafragma:F2.4; Pildistabilisaator (pildistamine):Optiline; Video maksimaalne resolutsioon:5760 x 2880; Aku:DB-110
12–60 mm normaalsuumobjektiiv; 35 mm ekvivalendina 24–120 mm; Integreeritud Power O.I.S. stabilisaator; Pritsme- ja tolmukindel disain; Micro Four Thirds hübriidkaameratele
18 mm ülilainurk fikseeritud objektiiv; Kiire – maksimaalne ava f/1,8; Kiire ja täpne autofookus; Tolmu- ja pritsmekindel konstruktsioon; L-kinnitusega täiskaaderkaameratele
70–200 mm klassikaline telesuumobjektiiv; Valgusjõuline - läbiva f/2.8 avaga; Võimekas pildistabilisaator; Kiire ning vaikse teravustamismootoriga; Leica L bajonetiga kaameratele
