HOYA engineers have developed a new ANTISTATIC coating that acts like a force field around the filter to repel dust. Perfect for environments where dust is common, these filters require less frequent cleaning and maintenance than traditional filters. Additionally, the hardened, antistatic top-layer is water repellent and stain resistant, and cleans easily when smudges or fingerprints are introduced to the surface.The new FUSION ANTISTATIC NEXT professional filters are made in Japan using hand selected silicates that are carefully smelted and blended to yield high performance optical glass. HOYA uses extreme care and precision to apply the improved 18-Layer Super Multi-Coating (both sides) formula which greatly reduces or eliminates reflections on the surface of the glass and yields a ultra clear high transmission rate. This means the filter has virtually no effect on the color balance, contrast, or clarity of the final image.The filters features a lightweight, one-piece, low-profile aluminum frame to house the glass. This one-piece design allows the filter to maintain perfect parallel alignment to the sensor plane for maximum sharpness, while the low-profile form eliminates vignetting when used on ultra-wide-angle lenses. Antistatic coating repels dust Ultra Clear High Transmission Stain resistant - Protects against exposure to ink, markers etc. Water repellent – Water beads up and wipes away easily Fingerprints and smudges wipe away cleanly HOYA's Professional-grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter threads
HOYA Variable Density II is a density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400). The difference with the previous HOYA Variable Density filter is the newly designed rotatable frame with convenient knob, allowing for better operation.Variable density filters are widely used because they can replace a set of solid ND filters by providing a range density that can be adjusted according to the desired exposure settings. In still shooting, variable density filters lower the shutter speed according to the photographer’s intentions when the shutter speed cannot be lowed due to camera limits. Variable density filters can also increase the amount of boke when shooting in the over-lit conditions, thus, preventing the image from overexposure.In video shooting, it is fundamental to keep the shutter speed fitting the frame rate setting. That is, to keep it equal to double the frame rate for optimal results. This is because, unlike still photography, an excessively fast shutter speed may create a jarring effect and produce afterimages that will not look good in the final video.By using variable density filters, the shutter speed can be adjusted to the proper value to get that natural and smooth looking motion requested in video footages.Be aware that when the filter is attached to the lens, the lens cap size becomes one size bigger. So if your lens has a filter thread size of 77mm, you will require an 82mm lens cap. The widened front filter frame has been designed on purpose to avoid vignetting.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filter means precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters helps much to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Among the varieties of ND filters from ND2 to ND1000 even ND100000, we can generally categorize ND filters into 3 basic groups: Light density filters (ND2 – ND8) Middle density filters (ND16 – ND200) Deep density filters (ND500 – ND1000 / ND100000) Light density filters will lower the shutter speed in the bright sunny day to allow you to reduce depth of field in very bright light or to use a wider aperture to stay below the diffraction limit. For example, these filters are necessary to shoot with your fast lenses like F1.4 or F1.2 with aperture wide open for softer and more beautiful bokeh.Middle density filters will help you to add motion blur to the object in the conditions that generally will not allow camera shutter speed to do so.If you are for more creative shots that are based on extremely slow shutter speeds - deep density filters are to be suggested. ND filters like ND500 or ND1000 will help to capture dramatic unreal fantasy world that cannot be seen by the human eye.Color shift issue solutionHOYA offers its own exclusive and wide lineup of ND filters that are branded into PROND EX series for both photographers and filmmakers. PROND EX filters adopt HOYA's clear optical glass that is mounted into a lightweight, precisely crafted aluminum frame. The frame has front filter threads so you can attach additional filters or a lens cap.Thanks to ACCU-ND technology that puts HOYA ND filters far ahead from other brands the image undergoes no negative affect from color shift that may occur due to low-quality materials, poor manufacturing QC, or issues with leaking of the Infrared band of the light spectrum. The last problem is the most important nowadays in photography and videography.HOYA's exclusive ACCU-ND technology achieves equal reduction of the light in visible and IR spectrums. As a result the photographer may not fear any issue with color shift when using HOYA ND filters in different shooting conditions.PROND filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinations of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.
LAOWA 180mm f/4.5 1.5x Ultra Macro APO (Auto Focus) – Nikon Z Laowa 180mm f/4.5 1.5x Ultra Macro APO on professionaalne makroobjektiiv Nikon Z täiskaader hübriidkaameratele, mis pakub erakordset detailsust ja suurt tööulatust. 180 mm fookuskaugus võimaldab pildistada putukaid, tooteid ja peeneid detaile mugavalt kaugemalt, häirimata subjekti. Tänu kergele ja kompaktsele korpusele (vaid u 522 g Nikon Z versioonil) on see ideaalne kaaslane välitingimustes töötavatele fotograafidele. Objektiivi 1,5× suurendus annab võimaluse jäädvustada detaile, mida tavalised 1:1 makroobjektiivid ei näita. APO optiline disain vähendab kromaatilist aberratsiooni nii fookuses kui ka fookusest väljas, tagades terava ja puhta tulemuse servast servani. Peamised omadused 1,5× makrosuurendus – rohkem detaile kui tavalisel 1:1 makrolMinimaalne teravustamiskaugus 30 cm, tööulatus 147,6 mm – mugav valgustuse ja kadreerimise jaoksAPO-disain – minimaalne värvinihe, kristallselged värvid9 elementi 12 grupis – ühtlane teravus kogu kaadrisAutofookuse tugi Nikon Z kaameratel vahemikus 1,5 m kuni lõpmatuseniKerge ja kompaktne – vaid 522 g, sobib suurepäraselt reisiks ja välipildistamiseksTäiskaadri katvus ja kitsas 13,7° vaatenurk – tugev perspektiivikompressioon9-labaline diafragma ja Ø62 mm filtrikeere Komplektis Laowa 180mm f/4.5 1.5x Ultra Macro APO objektiivEsi- ja tagakork Laowa 180mm f/4.5 1.5x Ultra Macro APO on parim valik fotograafile, kes soovib pildistada makrot, loodust, tooteid ja detaile, säilitades samal ajal mugava töövahemaa ja kvaliteetse pildi. Tänu autofookusele ja elektroonilistele kontaktidele sobib see ideaalselt Nikon Z hübriidkaameratega kasutamiseks.
Kergem. Kiirem. Täpsem. Uue põlvkonna professionaalne telesuum sinu Nikon Z süsteemile. NIKKOR Z 70-200mm f/2.8 VR S II on Nikon Z-seeria teise põlvkonna S-Line tippklassi suumobjektiiv, mis on loodud fotograafidele ja videograafidele, kes ei tee kompromisse. See on oma klassi kergeim 70–200mm f/2.8 objektiiv (998 g), pakkudes erakordset tasakaalu, kiirust ja optilist täpsust nii pulma-, spordi-, loodus- kui ka portreefotograafias. Miks see objektiiv on sinu järgmine tööriist? 70–200mm f/2.8 on iga professionaali põhivarustuse osa. See fookuskauguste vahemik võimaldab pildistada: Püsiv valgusjõud f/2.8 annab sulle loovvabaduse hämaras ning võimaldab subjekt taustast eraldada loomuliku ja pehme bokeh’ga. Olulisemad eelised professionaalile Klassi kergeim – ainult 998 gObjektiiv on 362 g kergem ja 12 mm lühem kui eelmine põlvkond. Pikad võttepäevad muutuvad märgatavalt vähem koormavaks ning käsitsi pildistamine on stabiilsem ja mugavam. 6-astmeline VR stabilisaatorSisseehitatud vibratsioonivähendus kuni 6 stoppi aitab saavutada teravaid tulemusi ka käest pildistades. Ühilduvate Nikon Z kaameratega töötab Synchro VR, mis stabiliseerib maksimaalselt nii kaadri keskosa kui servad. Uue põlvkonna autofookus – Silky Swift Voice Coil MotorAF-süsteem on kuni 3,5x kiirem, oluliselt vaiksem ja täpsem kui eelmisel mudelil. Fookuse jälgimine suumimisel on parandatud ning teravus lukustub kindlalt ka kiire liikumise puhul. See on kriitilise tähtsusega spordi- ja loodusfotograafias ning dünaamilises reportaažitöös. Täiustatud S-Line optikaUus optiline skeem kasutab vähem elemente, kuid suurema efektiivsusega. Sisaldab kahepoolseid asfäärilisi elemente, Super ED ja SR klaasi ning Meso Amorphous ja ARNEO vääristusi. Tulemuseks on: 11-labaline ümar diafragma loob sujuva ja esteetiliselt puhta bokeh’ga pildi, mis konkureerib parimate fikseeritud fookuskaugusega objektiividega. Loodud ka videograafile Sisemine suumObjektiivi pikkus ja raskuskese ei muutu suumimisel. See tähendab, et gimbalil või matte box’iga töötades ei pea tasakaalu ümber seadistama. Minimeeritud focus breathingFookuse muutused näevad videos loomulikud välja, ilma häiriva vaatenurga muutuseta. De-click funktsiooniga juhtrõngasVõimalus kasutada astmelist või sujuvat (clickless) seadistust – ideaalne ava ja ISO muutmiseks filmimisel. Ilmastikukindel tööloom Professionaalse taseme tihendid kaitsevad tolmu ja niiskuse eest. Esiläätsel on fluorine-kate, mis tõrjub vett ja mustust. Eemaldatav statiivikinnitus koos ARCA-SWISS jalaga võimaldab kiiret ja turvalist kinnitamist. Lähim teravustamiskaugus Kellele see objektiiv on mõeldud? Kui sinu töö nõuab kiirust, täpsust ja töökindlust igas olukorras, on NIKKOR Z 70-200mm f/2.8 VR S II investeering, mis tõstab kogu sinu Z-süsteemi järgmisele tasemele. Hoiatus Ära kasuta toodet, kui sul on südamestimulaator või muu meditsiiniline implantaat. Objektiivis olevad magnetid võivad mõjutada meditsiiniseadmete tööd.
Fujinon XF 50-140mm f/2.8 R LM OIS WR on telesuumobjektiiv, mis pakub enimkasutatud suumivahemikku (76-213mm), suurt ava ning suurepärast optilist kvaliteeti ühes korpuses. Selles objektiivis on kasutusel Fujifilm viimased tehnoloogiad optika loomisel, kaas arvatud esmaklassiline ilmastikukindlus (tolmu, niiskuse ning külmakindel), kolmekordne lineaarne mootor ning kvaliteetne pildistabilisaator. Esmaklassiline pildikvaliteet teeb antud objektiivi perfektseks kaaslaseks nii portreefotograafile, spordifotgraafile kui loodusfotograafile.Optiline disain, mis on lipulaevale kohaneSaavutamaks parimat optilist kvaliteeti omas klassis, koosneb see objektiiv 23 klaaselemendist 16 grupis, millest viis on ED ning üks Super ED element (võrdväärne fluoriitklaasist elemendiga). Niimoodi on saavutatud maksimaalne kromaatilise aberratsiooni vähendus ning ülikõrge lahutusvõime.Kasutades Fujifilmi unikaalset HT-EBC (High Transmittance Electron Beam Coating) vääristust kõikide elementide pindadel on minimiseeritud sisepeegeldus ning varikujutiste teke. Lisaks, äsja välja töödatud Nano-GI vääristustehnoloogia muudab refraktiivsusindeksit ning varikujutiste ning sisepeegelduse hulk on vähendatud ka diagonaalse valguse puhul.Nagu ka teised XF seeria objektiivid, on ka XF 50-140mm f/2.8 R LM OIS WR objektiiv varustatud 7 labalise diafragmaga, mis loob sujuva ümara bokeh efekti. Kasutusel olev optiline disain loob meeldiva bokeh nii eespool kui tagapool subjekti.Tänu sisemisele suumimehhanismile ei muutu objektiivi välimised mõõtmed suumimse ega teravustamise ajal. Samamoodi ei muutu suumimise ajal ka objektiivi raskuskese, mistõttu on seda äärmiselt mugav kasutada.Kombineerides kõike eelnevat Fujifilm X seeria kerega, mis on varustatud LMO (Lens Modulation Optimizer) tehnoloogiaga, saab objektiivi võimekust viia veel kõrgemale. LMO korrigeerib difraktsiooni ning teravust äärealadel, mis võimaldab saavutada paremat pildikvaliteeti ka üliväiksetel avadel.Ülikiire ning vaikne teravustamine tänu Tri
Micro Four Thirds System Lens, 60mm (35mm Equivalent), Aperture Range: f/3.5 to f/22, Two Aspherical Elements, One EDA Element, Maximum Magnification: 1.25x, Minimum Focusing Distance: 3.7", Minimum Working Distance: ...
70–350 mm telesuumobjektiiv; Sony G seeria tippkvaliteediga; Optical SteadyShot pildistabilisaatoriga; Kiire ning vaikse lineaarse teravustamismootoriga; Sony E bajonetiga poolkaader hübriidkaameratele
28–75 mm normaalsuumobjektiiv; Valgusjõuline – läbiva f/2.8 avaga; Kiire ja vaikne VXD teravustamismootor; Tolmu- ja niiskuskindel disain; Sony E bajonetiga hübriidkaameratele
800 mm teleobjektiiv; Võimekas pildistabilisaator, kuni 4 stoppi; Sujuv, kiire ja vaikne STM teravustamismootor; Ideaalne loodus- ja reisifotograafiaks; Canoni täiskaader hübriidkaameratele
Continuing FUJIFILM's series of compact, portable primes, the black XF 16mm f/2.8 R WR is a 24mm-equivalent wide-angle lens, well-suited to landscape, nature, and architectural shooting. Its f/2.8 maximum aperture balances size and speed, and is suitable for working in available lighting conditions while also limiting the overall size and weight of the lens for everyday use. The optical design features two aspherical elements to reduce distortion and spherical aberrations in order to produce greater sharpness and accurate rendering. A Super EBC coating is also used to control flare and ghosting for improved contrast and color fidelity when working in bright and backlit conditions. Complementing the optics is a stepping motor, along with an internal focusing design, which provides quick and especially quiet focusing performance. Additionally, the lens is weather-sealed to suit working in inclement conditions.
The Fujinon XF-90mm f/2 R LM WR is a fast-aperture prime lens with a focal length equivalent to 137mm and a maximum aperture of f/2.0, that delivers ultra-sharp images with rich bokeh even at the maximum aperture setting.The optical construction of 11 elements in 8 groups (including three ED glass elements) minimizes vignetting and creates beautiful bokeh thanks to the rounded diaphragm, which makes it perfect for portraiture as well as other applications.Ultra-sharp images even at the maximum apertureThe optical construction comprises 11 elements in 8 groups, including three ED (extra low-dispersion) elements, which reduces chromatic aberrations to deliver sharp, rich images even at the widest aperture of f/2.0.Beautyful bokehThe rounded aperture blades combined with an optical construction designed to minimize vignetting creates beautiful circular bokeh right to the edge of the image. In addition, stunning depth is possible in images thanks to the differentiation between the razor-sharp subject and the bokeh in front and behind it.High-speed autofocus as fast as 0.14sec thanks to a newly-developed Quad Linear MotorA linear motor is fast, quiet and accurate, but here four magnets are used for higher torque. The high-speed autofocus provides a more versatile shooting experience, allowing users to quickly react to subtle changes in a subject's facial expression.Close focusing to 60cm and 0.3× magnification (35mm format equivalent)The close focusing capabilities of the Fujinon XF-90mm f/2 R LM WR allow you to isolate key parts of a subject so you can shoot dramatic portraits or close-ups of flowers and insects.Weather, Dust, and Freeze ResistanceThe lens features a weather- and dust-resistant structure with seven seals on the lens barrel. It can also work in temperatures as low as -10°C. This keeps the lens protected from rain, dust and splashes of water when shooting outdoors.Lightweight and compactThe lens weighs approx 540g, and is compact too, with a filter thread measuring just 62mm. The combined weight with the XF-56mm f/1.2 R is less than 1kg – great news for portrait photographers who want to travel light and still shoot with prime lenses for sharp images and strong bokeh.
A telephoto zoom offering the most frequently used telephoto focal lengths, equivalent to 76mm to 213mm, and a maximum aperture of f/2.8. It features the latest technology, including dust / water and low temperature resistance, a triple linear motor, and the world's top image stabilization technology in its class, so that users do not miss a shot in any conditions. Its advanced performance makes it a perfect choice, not only for portraiture and snapshots, but also to capture fast-moving subjects in sports or wildlife photography, and for general outdoor nature photography.Optical design for flagship telephoto zoom image qualityTo deliver the best image quality in its class, this luxurious telephoto zoom uses an optical construction comprising 23 glass elements in 16 groups, with five ED lens elements and one Super ED lens element comparable to a fluorite lens. This maximizes the reduction of chromatic aberrations and delivers high resolving power.Applying Fujifilm's unique HT-EBC (High Transmittance Electron Beam Coating) to the entire area of the lens surface ensures ghosting and flare are controlled for sharp, clear images. Also, using the newly developed Nano-GI (Gradient Index) coating technology, which alters the refractive index between glass and air, ghosting and flare are effectively reduced for diagonal incident light.Like other XF lenses, seven rounded aperture blades create a smooth, circular bokeh. An optical design has been used to produce beautiful bokeh at both front and back.An inner zooming mechanism means the lens does not change length so the lens' balance remains the same throughout the zoom range.By combining this lens with an X Series camera body with Lens Modulation Optimizer (LMO) technology, the performance from the lens is improved even further. LMO corrects for diffraction to produce images with edge-to-edge sharpness and create a realistic three-dimensional effect, even at small apertures.High-speed, quiet autofocus thanks to the world's first Triple Linear MotorAn Inner Focusing System is used for high-speed AF. By reducing the weight of the focus lens and mounting the Triple Linear Motor at intervals of 120°, high-speed, quiet AF is possible.Faster AF is possible when by combining this lens with an X Series camera body offering Phase Detection AF. Combined with the near-silent shutter sound, photos can be taken unnoticed in quiet locations.As AF operates using a signal from the imaging sensor, extremely high-precision focusing is possible.With a minimum working distance of 1m for the entire zoom range, this lens is also great for close ups.The best image stabilization performance in its classThanks to a high-performance gyro sensor and unique algorithm that cancels drift, the Fujinon XF 50-140mm f/2.8 R LM OIS WR delivers the best image stabilization performance in its class. Combined with a bright F2.8 aperture, handholding is now possible in new areas for a telephoto zoom.Weather resistant, dust-resistant and -10°C low-temperature operationBy applying seals to each portion of the barrel, the lens is weather-resistant, dust-resistant and -10°C low-temperature operation, making it the perfect companion for the FUJIFILM X-T1, which has the same levels of protection.High build quality and comfortable operationBoth the focus and aperture rings are metal, plus metal is also used on the exterior of the lens body for a high-quality finish. Thanks to long-term experience and broaden know-how for other top-end professional lens fields such as Broadcasting and CinemaScope, the texture and torque on the rings makes for comfortable shooting. The lens mount is made from brass for improved strength.Combined with a camera body, the lens is approximately 60% of the weight of a full-size system, considerably reducing the burden on the photographer.The AF+MF function enables seamless manual focusing. After pressing the shutter to autofocus on the subject, fine adjustments can then be made using the manual focus ring.
14–140 mm super zoom lens 10× optical zoom Fast and quiet stepper motor Integrated Power O.I.S. image stabilization For Micro Four Thirds mirrorless cameras
The NIKKOR Z 17-28mm f/2.8 is an essential lens for travel, events, and creative storytelling, this fast ultra-wide-angle zoom is built to let photographers and video shooters widen their creative palette—and carry less weight. From epic views to frame-filling close-ups, the NIKKOR Z 17-28mm f/2.8 is the perfect lens with which to tell diverse visual stories from a unique point of view. Landscapes to cityscapes. Expansive skies to street scenes. Architecture to interiors. The 17-28mm focal length range lets photographers nail detailed, all-encompassing wide-angle shots—or play with a sense of scale and exaggerate perspectives. Video shooters can draw viewers into a scene with wide establishing shots, or create a sense of space when shooting in tight quarters. Designed to enable confident and creative wide-angle photography, the NIKKOR Z 17-28mm f/2.8 is both versatile and easy to use. The f/2.8 constant aperture is great for shooting in available light or working creatively with shutter speeds—and the lens renders big, beautiful bokeh when shooting wide open. Users who want to go for dramatic ultra-wide-angle close-ups will benefit greatly from the minimum focusing distance of just 0.19 m, which allows sharp, clear results when shooting at close range. In addition, the lens’ wide zoom ring enables comfortаble handling and steady framing. And Nikon’s responsive AF focuses quickly on subjects whether they’re positioned in the foreground or the background.
Explore the M.Zuiko Digital ED 150-600mm F5.0-6.3 IS, our super telephoto zoom lens delivering a unique shooting experience for high quality large photos.
FIRST UNITS EXPECTED IN MAY 2024 (in TALLINN). TIPA WORLD AWARDS 2024 BEST ULTRA WIDE ANGLE PRIME LENS - Laowa 10mm f/2.8 Zero-D FF This lens is a game-changer in its class, featuring a remarkable ultra-wide angle of view of 130.4° while maintaining a weight of only 420g. The auto-focus performance of this lens is nothing short of superb, rivaling some of the best in the market. With features like our signature Zero-D feature, an ultra-short 12cm close focusing distance, and versatility for ultra-wide portrait, landscape, and astrophotography, the 10mm f/2.8 is set to redefine your photographic experience. First Rectilinear 10mm Full-Frame Lens with f/2.8 Aperture Breaking new ground in our product line, this lens introduces auto-focus capabilities, making it the world’s first ultra-wide 10mm lens with f/2.8 large aperture. Ultra-Wide Angle of View Immerse yourself in a wider perspective with a 130.4° ultra-wide angle of view. From breathtaking landscapes to dynamic architecture, this lens opens up new dimensions in visual storytelling. Compact and Lightweight Designed with mobility in mind, this lens remains compact and weighs just 0.93 lb / 420g , ensuring that you can effortlessly carry it wherever your creative journey takes you. Experience the freedom to capture stunning images without being weighed down by heavy gear. Close-to-Zero Distortion The Zero-D feature embedded in this lens guarantees minimal distortion, allowing you to capture scenes with absolute clarity and ensuring your images remain true to life. A lens in 10mm is usually a fisheye or heavily distorted. With an ingenious optical design, Laowa is able to produce an ultra wide-angle lens with superior control of distortion, both horizontal and vertical straight lines can be maintained on the image from corner to corner. This full-frame 10mm optically suppresses distortion to a close-to-zero level. Giving you a true 10mm experience even without any in-camera lens correction. Close Focusing Capability Achieves a close focus as near as 12cm, allowing you to effortlessly capture stunning images from a short distance, which also unlocks a possibility to shoot wide-angle macro photographs. Excellent Performance for Panorama and Astrophotography. This lens is truly a versatile tool that consistently delivers outstanding results in a variety of shooting scenarios. Its exceptionally wide field of view makes it particularly adept at capturing expansive panoramas, allowing you to tell stories on a grand scale. For the astrophotography enthusiasts among us, this lens proudly stands out as an exceptional choice. Thanks to its f/2.8 aperture, it embraces the challenge of capturing the beauty of the night sky with enhanced light-gathering capabilities. Outstanding Optics The Laowa 10mm f/2.8 Zero-D FF is engineered with exceptional optics, featuring 15 elements in 9 groups, including 2 aspherical glasses and 3 ED glasses. This results in outstanding image quality, ensuring that every detail is captured with precision and clarity. Laowa 10mm f/2.8 lens was engineered with excellence in both corner and center sharpness, setting a new standard in wide-angle photography. Our comparison images with the beloved Laowa 12mm f/2.8 Zero-D lens highlight the significant leap in sharpness achieved with the 10mm focal length. Format: Full-frame Focal Distance: 10mm Aperture Range: F2.8 Angle of View: 130.4° Lens Structure: 15 elements/9 groups (2 Aspherical Glasses, 3 ED Glasses) Aperture Blades: 5 blades Min. Shooting Distance: 12cm Max. Magnification: 0.24x Focusing: AF Filter Thread: ø77mm Dimensions: Ø82 x 70.8mm
