Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers drastically minimize ghosts and flares Ultra-smooth frame rotation Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive two-piece, low-profile filter frame with front filter thread
50 mm laiapertuuriga standardne objektiiv kvaliteetse optika ja Nikoni eksklusiivse funktsiooniga Silent Wave Motor (SWM) ülivaikseks töötamiseks. Sisaldab f/1,4 maksimaalselt suurt apertuuri, mis tagab ereda pildiotsija pildi ja on ideaalne ...
Kompaktne ja kerge, kõrgekvaliteedilise optikaga DX-formaadis lähivõtte-objektiiv. Nikoni teise põlvkonna vibratsiooni vähendamise süsteemiga varustatud kaamera edastab selgeid kujutisi nii andurile kui ka pildiotsijale, võimaldades aparaati käes ...
Uus suumobjektiiv võimaldab kaugel asuvad objektid lähemale tuua. Kinnitatuna APS-C sensoriga digikaamera ette on objektiivi fookuskauguse ekvivalent kuni 760 mm.
Tasakaal suumi ulatuse, pildi kvaliteedi ning hinna vahel - Sony FE 28-70mm F3.5-5.6 OSS objektiiv pakub kasutajale kõike seda, mida igapäevaselt vajame. Alates lainurkobjektiivist, lõpetades portreeobjektiiviga.
FX-formaadis 300 mm objektiiviga pole kaugus probleem. See on esimene F-kinnitusega NIKKORi objektiiv, mis on varustatud elemendiga Phase Fresnel. Objektiiv pakub ülimat tasakaalu kompaktse kujunduse, telefoto ulatuse ja kõrge ...
Uued kõrge lahutusvõimega sensoritega kaamerad seavad ka objektiivile kõrgemad nõudmised - veel parem optiline jõudlus, suurem lahutusvõime, veel väiksemad moonutused. Just seetõttu on eriti oluline, et uue põlvkonna objektiivid vastaks nende kaamerate jõudlusele.Valgusjõuline fiksobjektiivEsmaklassilise disainiga insenerikunsti meistriteos - Tamroni SP 35mm f/1.8 objektiiv pakub endas esmaklassilist optikat, pildistabilisaatorit ning suurt f/1.8 ava.Minimaalse optilise moonutusega normaalfiks pakub kasutajale kõike seda, mida tal vaja on - terav pilt, olematud aberratsioonid ning sisepeegeldused.Mine veel lähemaleTamroni MOD tehnoloogiaga objektiivid võimaldavad veel lähemalt pildistada, avades veel suurema vabaduse kadreerides.SP (Super Performance) seeriaTamroni SP seeria objektiivid on optiline tippklass, kus ei ole tehtud kompromisse pildikvaliteedi osas. Objektiivid on disainitud sedasi, et need kataks ka nõudlikuma proffesionaali vajadused.eBAND ning BBAR vääristusKasutades uue põlvkonna eBAND nind BBAR vääristust objektiivi elementidel vähendatakse oluliselt sisepeegeldust ning varikujutist. Niimoodi saab pildistada ka ülilainurkasendis vastu päikest ilma, et sisepeegeldused pilti rikuks.Pakkudes tippklassi pildikvaliteetiSelle objektiivi optilises disainis on kasutatud esmaklassilisi elemente. XLD (eriti madala dispersiooniga) element, mis on valmistatud spetsiaalsest klaasist ning on üliväikese refraktiivsuse indeksiga. See omakorda tähendab, et pildid on teravad ning kontrastsemad, kuna kromaatiline aberratsioon on viidud miinimumini. USD mootorTamroni USD (Ultrasonic Silent Drive) teravustamismootor tagab ülikiire, peaaegu hääletu opereerimise. Sedasi saad pildistada ka sellised loomi ning linde, kes väikseimagi heli peale kaadrist plehku panevad.VC (Vibration Compensation) pildistabilisaatorUnusta ära udused pildid, kuna ei ole võimalik kasutada piisavalt lühikest säriaega või statiivi. Tamroni VC (Vibration Compensation) silub need väikesed liikumised, mis tuleva
Tamroni uus SP 70-200mm f/2.8 Di VC USD G2 teleobjektiiv on edasiarendus vanast 70-200mm objektiivist. Uuel objektiivil on võetud kasutusele uus autofookuse mootor ning parendatud stabilisaatorit; loomulikult ka uuendatud optilist disaini. Lisaks on uus A025 mudel ühilduv Tamroni telekonverteritega, mis suudavad fookuskaugust pikendada kuni 400mm.Tamron VC pildistabilisaator on saanud mitmeid hädavajalikke uuendusi ning pakub kuni 5-stopist stabilisatsiooni. Sel on lausa kolm töörežiimi, andes kasutajatel paindlikkuse objektiivi kasutades. Esimene neist režiimidest on standardrežiim – tasakaal stabiliseeritud foto ning pildiotsija pildi vahel. Režiim kaks on spetsiaalselt liikuvate subjektide pildistamiseks nn panning tehnikaga – sisuliselt pakkudes ainult vertikaalset stabilisatsiooni. Režiim kolm seab lõppfoto esikohale ning sisuliselt pildiotsija eelvaadet ei stabiliseeritagi.
70–350 mm telesuumobjektiiv; Sony G seeria tippkvaliteediga; Optical SteadyShot pildistabilisaatoriga; Kiire ning vaikse lineaarse teravustamismootoriga; Sony E bajonetiga poolkaader hübriidkaameratele
Z-kinnitusega DX-formaadis objektiivid on optimeeritud laia Nikoni Z-bajoneti suurepärase valguse kogumise võime jaoks. Need suumobjektiivid teravustavad kiiresti, vaikselt ja ühtlaselt, mistõttu need sobivad ühtviisi hästi nii video kui fotode jaoks. Mugavalt kaasaskantav NIKKOR Z DX 16-50mm f/3.5-6.3 VR on „pannkook-suumobjektiiv”, mis katab kaunilt vahemiku lainurgast portreevaateni.
Z-kinnitusega DX-formaadis objektiivid on optimeeritud laia Nikoni Z-bajoneti suurepärase valguse kogumise võime jaoks. Need suumobjektiivid teravustavad kiiresti, vaikselt ja ühtlaselt, mistõttu need sobivad ühtviisi hästi nii video kui fotode jaoks. Mugavalt kaasaskantav NIKKOR Z DX 16-50mm f/3.5-6.3 VR on „pannkook-suumobjektiiv”, mis katab kaunilt vahemiku lainurgast portreevaateni.
Ideaalseks reisikaaslaseks on täiustatud DX-objektiiv, millel on suurepärane optika nii kaugelt pildistamisel kui ka lähivõtete tegemisel, mis tähendab, et seda saab kasutada igas fotograafiastsenaariumis – alates ulatuslikest maastikest kuni keerukate portreedeni. Ideaalne neile, kes nutitelefoniga pildistamisest edasi liiguvad, hõlpsasti kasutatav objektiiv ei vaja suurt kotti. See kaalub vaid 315 g ja selle 18–140 mm fookuskauguse vahemik tagab optimaalse tasakaalu suurepärase teisaldatavuse jaoks vajaliku kerge kaalu ja tüüpiliste reisistseenide jäädvustamise vahel. NIKKOR Z DX 18–140 mm f/3.5-6.3 VR toetab lisaks ülivõimsale objektiivile ka teravat ja sujuvat videosalvestust. Selle automaatne teravustamine on kiire ja toimib suurepäraselt koos Z-kaamera silmatuvastusega automaatteravustamisega, et hoida fookust täpselt seal, kus seda on vaja. Selle tulemuseks on ilusad kaadrid reisidest ja seiklustest.
The NIKKOR Z 28-75mm f/2.8 boasts a versatile wide-angle to telephoto zoom range, a fast constant aperture, and sharp focusing. Street scenes to landscapes to portraits, it’s a great walkaround lens for Nikon Z users who want to up their creative game. With its lightweight build and sharp optics, the NIKKOR Z 28-75mm f/2.8 lets people capture superb images of everything that inspires them. The versatile zoom range covers a number of classic focal lengths, while the f/2.8 constant aperture allows more freedom to try out new ideas: users can easily capture the mood of dimly lit situations or explore the creative potential of shallow depth of field. They can also shoot with faster shutter speeds in available light and freeze motion without sacrificing brightness. The NIKKOR Z 28-75mm f/2.8 focuses quickly and sharply, even when shooting up close to a subject, and it renders beautiful bokeh that lets users take their portraiture to the next level. This full-frame Z lens is also wellsuited to video: the zoom range can cover wide establishing shots and medium shots, and focus breathing is suppressed. Summary of key features: NIKKOR Z 28-75mm f/2.8 Standard zoom range: fit in more of the scene at 28 mm. Nail compelling portraits at 75 mm. f/2.8 maximum aperture: the fast, constant aperture allows consistent exposure across the zoom range and clear shots in low light. Users can also shoot with faster shutter speeds in natural light. Beautiful bokeh: the large Z mount and f/2.8 rounded 9-blade aperture enable incredibly soft, natural-looking bokeh. Superb up close: minimum focus distance is just 0.19 m at 28 mm, and 0.39 m at 75 mm. Fast, confident focus: focusing is smooth, silent, and tack sharp—even when shooting at close range. Great-looking video: focus breathing is suppressed so focus can be adjusted without affecting the shot’s angle of view. Smooth aperture control enables beautifully natural-looking shifts in brightness. Intuitive control: the smooth click-less control ring can be used for precise manual focusing or to adjust aperture, ISO, or exposure compensation. Dust and drip resistant: the NIKKOR Z 28-75mm f/2.8 is dust- and drip-resistant1, with a coating that makes the lens easy to clean.
Irix Cine 21mm T1.5 Canon EF Metric [ IL-C21-EF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 Canon R Metric [ IL-C21-RF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 L-mount Metric [ IL-C21-L-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
55–200 mm telesuumobjektiiv; Suurepärane kaaslane igapäevaseks kasutuseks; Sujuv ning vaikne STM teravustamismootor; Võimekas pildistabilisaator, kuni 3,5 stoppi; Canon EOS M hübriidkaameratele
Irix Cine 21mm T1.5 MFT Metric [ IL-C21-MFT-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 Sony E Metric [ IL-C21-SE-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 PL-mount Metric [ IL-C21-PL-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
The Fujinon XF-90mm f/2 R LM WR is a fast-aperture prime lens with a focal length equivalent to 137mm and a maximum aperture of f/2.0, that delivers ultra-sharp images with rich bokeh even at the maximum aperture setting.The optical construction of 11 elements in 8 groups (including three ED glass elements) minimizes vignetting and creates beautiful bokeh thanks to the rounded diaphragm, which makes it perfect for portraiture as well as other applications.Ultra-sharp images even at the maximum apertureThe optical construction comprises 11 elements in 8 groups, including three ED (extra low-dispersion) elements, which reduces chromatic aberrations to deliver sharp, rich images even at the widest aperture of f/2.0.Beautyful bokehThe rounded aperture blades combined with an optical construction designed to minimize vignetting creates beautiful circular bokeh right to the edge of the image. In addition, stunning depth is possible in images thanks to the differentiation between the razor-sharp subject and the bokeh in front and behind it.High-speed autofocus as fast as 0.14sec thanks to a newly-developed Quad Linear MotorA linear motor is fast, quiet and accurate, but here four magnets are used for higher torque. The high-speed autofocus provides a more versatile shooting experience, allowing users to quickly react to subtle changes in a subject's facial expression.Close focusing to 60cm and 0.3× magnification (35mm format equivalent)The close focusing capabilities of the Fujinon XF-90mm f/2 R LM WR allow you to isolate key parts of a subject so you can shoot dramatic portraits or close-ups of flowers and insects.Weather, Dust, and Freeze ResistanceThe lens features a weather- and dust-resistant structure with seven seals on the lens barrel. It can also work in temperatures as low as -10°C. This keeps the lens protected from rain, dust and splashes of water when shooting outdoors.Lightweight and compactThe lens weighs approx 540g, and is compact too, with a filter thread measuring just 62mm. The combined weight with the XF-56mm f/1.2 R is less than 1kg – great news for portrait photographers who want to travel light and still shoot with prime lenses for sharp images and strong bokeh.
