About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread
35mm fiksobjektiiv f/1.2 avaga Sony E-Mount kinnitus, sobib täiskaader hübriidkaameratele HyperVCM automaatse teravustamise mootor kiireks ja vaikseks tööks Sisseehitatud LCD-ekraan seadete ja teravustamiskauguse kuvamiseks Täppisoptikaga ehitus: 15 elementi 10 rühmas, sh ED-, HR- ja asfäärilised elemendid Tolmu- ja niiskuskindel korpus HD Nano mitmekihilise vetthülgava kattega Kaks kohandatavat funktsiooninuppu edasijõudnud juhtimiseks Viltrox AF 35mm f/1.2 FE LAB on kõrgekvaliteediline fiksobjektiiv, mis on loodud täiskaadersensoriga Sony hübriidkaameratele, millel on E-bajonett. Tänu erakordselt suurele maksimaalsele f/1.2 avale pakub see objektiiv suurepärast valgusjõulisust, olles ideaalne pildistamiseks kehvades valgustingimustes ning võimaldades saavutada kaunist ja sujuvat bokeh-efekti. Objektiivil on HyperVCM automaatse teravustamise mootor, mis tagab kiire ja vaikse töö – sobides nii fotograafiaks kui ka videovõteteks. Üks silmapaistev uuendus on sisseehitatud LCD-ekraan, mis kuvab reaalajas teavet, nagu teravustamiskaugus ja aktiivsed seaded, parandades kasutuskogemust ja töökindlust. Optiline konstruktsioon koosneb 15 elemendist 10 rühmas, sealhulgas 5 ED (väga madala dispersiooniga) elementi, 3 kõrge refraktsiooninäitajaga (HR) elementi ja 2 asfäärilist elementi, mis minimeerivad kromaatilisi moonutusi ning tagavad teravad ja detailirikkad pildid. HD Nano mitmekihiline kate parandab valguse läbilaskvust ja muudab esiläätse pindmise mustuse- ja veekindlaks. Objektiiv on tolmu- ja niiskuskindla konstruktsiooniga, sobides kasutamiseks eri ilmastikutingimustes. Lisaks on sellel kaks kohandatavat funktsiooninuppu, millega saab objektiivi töö vastavalt oma vajadustele seadistada. Kuuludes Viltrox LAB professionaalsesse seeriasse, pakub see objektiiv tipptasemel jõudlust konkurentsivõimelise hinnaga. Kaal: 0,910 kg Filtri läbimõõt: 77mm
Maailmas esimene E-mount Carl Zeissi täiskaader-suumobjektiiv avab edasijõudnud fotograafidele ja entusiastidele loominguliste võimaluste rikkaliku maailma., Portreede, maastike ja igapäevase pildistamise jaoks ideaalne SEL2470Z ...
Esimene G-seeria klassi kuuluv E-bajonetiga objektiiv, Maksimaalne ava 4, mis jääb suumimisel muutmatuks, Koostöös OSS pildistabilisaatori ning suumi elektroonikaga on 18-105 tehtud ahvatlevaks eriti videosõpradele. Objektiivi ...
Kompaktse ja kerge disainiga ülilainurgaga EF-S suumobjektiiv on täiuslik reisimiseks. See mahutab rohkem kaadrisse, et teha dramaatilisi maastikufotosid ning väljendusrikkaid pilte arhitektuurist.Mahutage selle ülilainurk-suumobjektiiviga igasse kaadrisse rohkemTänu kergele ja kompaktsele disainile on seda lihtne kaasas kandaNautige sujuvat ja peaaegu vaikset automaatteravustamist videoid filmidesStabiilsed fotod ja videod tänu 4-astmelisele pildistabilisaatorileMinge oma subjektidele lähemale 0,22 fookuskaugusegaKompaktne ja kerge ülilainurk-suumobjektiivKompaktse disainiga ja kerge (240 g) ülilainurgaga 10–18 mm suumobjektiiv on täiuslik reisimiseks. See mahutab rohkem kaadrisse isegi siis, kui olete oma subjektile lähedal – seega saate jäädvustada tagasi astumata igasse kaadrisse rohkem. See on disainitud APS-C-formaadis sensoritega EOS-digipeegelkaamerate jaoks, lisades efektsust maastikele, linnaruumidele ja taevale ning võimaldades teil hõlpsasti jäädvustada suurejoonelisi interjööre ja arhitektuuri. Sujuv ja peaaegu vaikne STM-teravustamine videotesKvaliteetsete ja alati hästi teravustatud videote salvestamine on samm-mootori tehnoloogia (STM, Stepping Motor Technology) abil lihtne. Sellega saavutate stabiilse ja peaaegu vaikse pideva teravustamise, seega on teie videod sujuvad ning taustamuusikana jäädvustatakse vaid ümbritsevad helid, mitte teravustamismootori müra. Pildistabilisaator vähendab kaamera liikumist, filmides videoid kaamerat käes hoides. Teravad pildid 4-astmelise pildistabilisaatorigaEF-S 10-18mm f/4.5-5.6 IS STM saavutab stabiilsemad võtted mis tahes olukorras, isegi nõrgas valguses käest pildistades. Objektiiv sisaldab 4-astmelist optilist pildistabilisaatorit, et jäädvustada suurepäraseid fotosid nõrgas valguses ning stabiilsemat videomaterjali. Suurepärane pildikvaliteetObjektiiv on disainitud spetsiaalselt digifotograafia jaoks. See sisaldab asfäärilisi ja UD-läätseelemente, korrigeerides sfäärilisi ja kromaatilisi kõrvalekaldeid, mis võ
Sony FE PZ 28-135 mm F4 G OSS. Lens type: Standard zoom, Aperture range (F-F): 4 - 22, Focal length range (f-f): 28 - 135 mm. Maximum magnification: 0.15x. Colour of product: Black. Diameter: 10.5 cm, Filter size: 9.5 cm, Length: ...
Sony Vario-Tessar T* FE 16-35 mm F4 ZA OSS. Aperture range (F-F): 4 - 22, Focal length range (f-f): 16 - 35 mm. Maximum magnification: 0.19x. Filter size: 7.2 cm. Lens system: Vario-Tessar T* FE 16-35 mm F4 ZA OSS
Uued kõrge lahutusvõimega sensoritega kaamerad seavad ka objektiivile kõrgemad nõudmised - veel parem optiline jõudlus, suurem lahutusvõime, veel väiksemad moonutused. Just seetõttu on eriti oluline, et uue põlvkonna objektiivid vastaks nende kaamerate jõudlusele.Valgusjõuline fiksobjektiivEsmaklassilise disainiga insenerikunsti meistriteos - Tamroni SP 35mm f/1.8 objektiiv pakub endas esmaklassilist optikat, pildistabilisaatorit ning suurt f/1.8 ava.Minimaalse optilise moonutusega normaalfiks pakub kasutajale kõike seda, mida tal vaja on - terav pilt, olematud aberratsioonid ning sisepeegeldused.Mine veel lähemaleTamroni MOD tehnoloogiaga objektiivid võimaldavad veel lähemalt pildistada, avades veel suurema vabaduse kadreerides.SP (Super Performance) seeriaTamroni SP seeria objektiivid on optiline tippklass, kus ei ole tehtud kompromisse pildikvaliteedi osas. Objektiivid on disainitud sedasi, et need kataks ka nõudlikuma proffesionaali vajadused.eBAND ning BBAR vääristusKasutades uue põlvkonna eBAND nind BBAR vääristust objektiivi elementidel vähendatakse oluliselt sisepeegeldust ning varikujutist. Niimoodi saab pildistada ka ülilainurkasendis vastu päikest ilma, et sisepeegeldused pilti rikuks.Pakkudes tippklassi pildikvaliteetiSelle objektiivi optilises disainis on kasutatud esmaklassilisi elemente. XLD (eriti madala dispersiooniga) element, mis on valmistatud spetsiaalsest klaasist ning on üliväikese refraktiivsuse indeksiga. See omakorda tähendab, et pildid on teravad ning kontrastsemad, kuna kromaatiline aberratsioon on viidud miinimumini. USD mootorTamroni USD (Ultrasonic Silent Drive) teravustamismootor tagab ülikiire, peaaegu hääletu opereerimise. Sedasi saad pildistada ka sellised loomi ning linde, kes väikseimagi heli peale kaadrist plehku panevad.VC (Vibration Compensation) pildistabilisaatorUnusta ära udused pildid, kuna ei ole võimalik kasutada piisavalt lühikest säriaega või statiivi. Tamroni VC (Vibration Compensation) silub need väikesed liikumised, mis tuleva
Samyang100mm is a close up true Macro lens offering 1:1 reproduction ratio for stunning close up and macro and creative photography., Featuring vivid colour reproduction and soft out of focus highlights (bokeh) is an ideal lens ...
Full frame compatible, the Samyang100mm is a close up true Macro lens offering 1:1 reproduction ratio for stunning close up and macro and creative photography., Featuring vivid colour reproduction and soft out of focus highlights ...
E-Mount Lens/Full-Frame Format, Aperture Range: f/2 to f/22, Distagon Optical Design, Four Double-Sided Aspherical Elements, Floating Elements System, Zeiss T* Anti-Reflective Coating, OLED Display for Focus Distance and DoF, ...
50–230 mm telesuumobjektiiv, Suurepärane kaaslane igapäevaseks kasutuseks, Kiire ja täpne samm-mootor, Võimekas pildistabilisaator, kuni 3,5 stoppi, Fujifilm X-seeria hübriidkaameratele
Sony G seeria tippkvaliteetSee Sony G seeria objektiiv katab laia 100–400 mm fookusvahemiku mis on täiuslik sporti, tegevust ja metsikut loodust jäädvustavatele fotograafidele. Objektiiv pakub silmapaistvat pildi kvaliteeti ja kiiret autofookust mis teevad pingelistes olukordades pildistamise lihtsamaks.DDSSM teravustamineObjektiiv on varutatud DDSSM (Direct Drive SSM) süsteemiga, mis tagab kiire, vaikse ning täpse teravustamise. Tänu olematule mürale on see objektiiv eriti sobiv videograafiliste rakenduste jaoks.Kõrge kvaliteet igal fookuskauguselTäpne optiline disain tagab terava pildi terve kaadri ja fookusvahemiku ulatuses. Sony uus FE 100-400mm f/4.5-5.6 GM OSS objektiiv teeb teravad pildid nii kaugel asuvatest objektidest kui ka lähedal asuvatest.Selged, värinate vabad pildid ilma statiivitaTänu sisseehitatud Sony OSS pildistabilisaatorile on lihtsam jäädvustada värinate vabasid pilte. Eriti kasuks tuleb see pikemal fookuskaugusel kus varem oleks vaja olnud kasutada statiivi. Samuti on kasutusel kaks erinevat stabiliseerimis režiimi. 5-teljelist stabilisatsiooni on võimalik kasutada Sony α seeria kaameratega koos keresisese stabilisaatoriga.Kompaktne, kerge ja mobiilneMagneesiumsulamist komponendid ja teised täiustused loovad sellest objektiivist ülimalt vastupidava ja oma klassi ühe kompaktseima objektiivi. See ei tähenda vaid mugavamat kaasaskandmist vaid stabiilsemat pildistamist väikse Sony a seeria hübriidkaameraga.Vastupidav ka ekstreemsemates keskkondadesLisaks tavapärasele tolmu- ja ilmastikukindlusele on objektiivi bajonett saanud lisatihendi, kaitstes kaamera kere ning objektiivi vahelist ühendust. See omakorda tähendab seda, et kerges vihmas või suure tuule käes pildistamine ei ole kaamera jaoks probleem.
12–60 mm normaalsuumobjektiiv 35 mm ekvivalendina 24–120 mm Integreeritud Power O.I.S. stabilisaator Pritsme- ja tolmukindel disain Micro Four Thirds hübriidkaameratele Panasonic Lumix G Vario 12-60mm f/3.5-5.6 objektiiviga suumid hingematvatest maastikest võimsate portreedeni. See mitmekülgne objektiiv hõlmab endas nii 12 mm lainurga kui 60 mm objektiivi võimekust (24–120mm 35 mm ekvivalendina) ning pakub mitmekülgseid pildistamisvõimalusi erisugustes keskkondades. Lisaks ei jäta see Sind hätta ka kristallselgeid makrovõtteid püüdes.
Camera brands compatibility: Sony Producer product name: SEL-90M28G FE 90mm F2.8 Macro G OSS Warranty: 12 month(s) Gross weight: 0.98 kg Net weight: 0.6 kg WEEE tax: Yes WEE classification: CL109:5:2017-04-01 Gross depth (mm): 205 mm Gross width (mm): 120 mm Gross height (mm): 120 mm Packing quantity: 1 pc(s) Volume (m3): 0.002952 m³ Tare weight (kg): 0.38 kg Plastic (No PET): 20 g
Tänu täiustatud optikale ja põhjalikule ilmastikukindlusele on see valgusjõuline 20 mm täiskaadriline peeglita süsteemi objektiiv valmis igaks vaateks. Servast servani üliterav ja vähese valgusega oludes suurepäraselt toimiv objektiiv jäädvustab täiustatud optika abil kõik stseeni osad erakordselt selge joonisega.
Z-kinnitusega DX-formaadis objektiivid on optimeeritud laia Nikoni Z-bajoneti suurepärase valguse kogumise võime jaoks. Need suumobjektiivid teravustavad kiiresti, vaikselt ja ühtlaselt, mistõttu need sobivad ühtviisi hästi nii video kui fotode jaoks. Mugavalt kaasaskantav NIKKOR Z DX 16-50mm f/3.5-6.3 VR on „pannkook-suumobjektiiv”, mis katab kaunilt vahemiku lainurgast portreevaateni.
Erstklassiges Ultraweitwinkel-Zoomobjektiv der L-Serie, RF-Mount für EOS R System, 5-Stufen Bildstabilisator, Nano USM Motor, asphärische und UD-Linsen, Filter-Ø 77 mm, inkl. EW-83P Gegenlichtblende und LP1219 Objektivtasche.
Kvaliteetsete Hoya filtrite komplekt; Komplektis kolm filtrit ja filtrivutlar; UV, ND8 ja ringpolarisatsiooni filter; Sobib 72 mm filtrikeermega objektiividele
The Fujinon XF-90mm f/2 R LM WR is a fast-aperture prime lens with a focal length equivalent to 137mm and a maximum aperture of f/2.0, that delivers ultra-sharp images with rich bokeh even at the maximum aperture setting.The optical construction of 11 elements in 8 groups (including three ED glass elements) minimizes vignetting and creates beautiful bokeh thanks to the rounded diaphragm, which makes it perfect for portraiture as well as other applications.Ultra-sharp images even at the maximum apertureThe optical construction comprises 11 elements in 8 groups, including three ED (extra low-dispersion) elements, which reduces chromatic aberrations to deliver sharp, rich images even at the widest aperture of f/2.0.Beautyful bokehThe rounded aperture blades combined with an optical construction designed to minimize vignetting creates beautiful circular bokeh right to the edge of the image. In addition, stunning depth is possible in images thanks to the differentiation between the razor-sharp subject and the bokeh in front and behind it.High-speed autofocus as fast as 0.14sec thanks to a newly-developed Quad Linear MotorA linear motor is fast, quiet and accurate, but here four magnets are used for higher torque. The high-speed autofocus provides a more versatile shooting experience, allowing users to quickly react to subtle changes in a subject's facial expression.Close focusing to 60cm and 0.3× magnification (35mm format equivalent)The close focusing capabilities of the Fujinon XF-90mm f/2 R LM WR allow you to isolate key parts of a subject so you can shoot dramatic portraits or close-ups of flowers and insects.Weather, Dust, and Freeze ResistanceThe lens features a weather- and dust-resistant structure with seven seals on the lens barrel. It can also work in temperatures as low as -10°C. This keeps the lens protected from rain, dust and splashes of water when shooting outdoors.Lightweight and compactThe lens weighs approx 540g, and is compact too, with a filter thread measuring just 62mm. The combined weight with the XF-56mm f/1.2 R is less than 1kg – great news for portrait photographers who want to travel light and still shoot with prime lenses for sharp images and strong bokeh.
