Objektiivid

Kaamera bränd:CANON; Objektiivi tüüp:Teleobjektiiv; Fookuskaugus:56; Kinnitus:Canon RF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:CANON; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:16; Kinnitus:Canon RF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:CANON; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:23; Kinnitus:Canon RF; Garantii füüsilistele isikutele:2 aastat

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 6X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 6-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread

50 mm laiapertuuriga standardne objektiiv kvaliteetse optika ja Nikoni eksklusiivse funktsiooniga Silent Wave Motor (SWM) ülivaikseks töötamiseks. Sisaldab f/1,4 maksimaalselt suurt apertuuri, mis tagab ereda pildiotsija pildi ja on ideaalne ...

Kompaktne ja kerge, kõrgekvaliteedilise optikaga DX-formaadis lähivõtte-objektiiv. Nikoni teise põlvkonna vibratsiooni vähendamise süsteemiga varustatud kaamera edastab selgeid kujutisi nii andurile kui ka pildiotsijale, võimaldades aparaati käes ...

Selle preemiumobjektiivi tööomadusi hindab iga portreevõtteid tegev või siseruumides pildistav kasutaja. Seda objektiivi iseloomustab kõrge kontrastsus, servast servani ulatuv teravus, kõrgresolutsioon ja madal aberratsioon ning see tagab kompromissitu pildikvaliteedi isegi kasutades ülisuurt 1:1.8 ava. Lisaks on see 75mm (150mm*) preemiumobjektiiv ülitäpne - alates montaaži- ja poleerimistehnoloogiatest kuni optiliste omaduste ja piltide ning videote detailideni.

E35mm, F2.8 pancake Zeiss lens

See ülikompaktne objektiiv sobib sinu Lumix G seeria kaamera ette nagu kinnas kätte. Tänu kompaktsusele on seda ülimugav kaasas kanda. Samas katab objektiiv kõige vajalikuma vahemiku, 24-64mm (35mm ekvivalendina), alates ...

FX-formaadis 300 mm objektiiviga pole kaugus probleem. See on esimene F-kinnitusega NIKKORi objektiiv, mis on varustatud elemendiga Phase Fresnel. Objektiiv pakub ülimat tasakaalu kompaktse kujunduse, telefoto ulatuse ja kõrge ...

Full frame compatible, the Samyang100mm is a close up true Macro lens offering 1:1 reproduction ratio for stunning close up and macro and creative photography., Featuring vivid colour reproduction and soft out of focus highlights ...

APS-C sensoriga varustatud Canoni peegelkaameratele mõeldud 180-kraadine lainurkobjektiiv.

E-Mount Lens/Full-Frame Format, Aperture Range: f/2.8 to f/22, Distagon Optical Design, Four Aspherical Elements, Seven Special Glass Elements, Floating Elements System, Zeiss T* Anti-Reflective Coating, OLED Display for Focus ...

Valgusjõuline teleobjektiiv igapäevasteks pildistamisteks. Tänu kiirele püsiavala f/2 saab sellega pildistada ka vähestes valgusoludes. Lamellid tagavad ka eeskujuliku bokehi.

50 mm normaal-fiksobjektiiv Valgusjõuline - f/2 maksimaalse avaga Tipptasemel Fujinon optika Ilmastikukindla konstruktsiooniga Fujifilm X-seeria hübriidkaameratele Objektiivi optiline konstruktsioon koosneb 9 elemendist 7 grupis, luues terava ning suure detailsusega kujutise. Lisaks, tänu f/2.0 maksimaalsele avale on kasutajal suur kontroll teravussügavuse üle ning lihtsustab hämaras pildistamist. Kiire ja vaikne teravustamine sobib nii piltide kui videote tegemiseks.Ilmastikukindel disainLisaks viimase peal optilisele ehitusele, on XF-50mm f/2 objektiiv ka ilmastikukindel. Objektiivi konstruktsioonis on tihendid, mis kaitsevad sisemust niiskuse ja tolmu eest ning lubavad objektiivi kasutada ka kuni -10°C juures.

SALE OUT. Sony SEL-70200 E70-200mm, F2.8 GM OSS zoom lens Sony FE 70-200mm F2.8 GM OSS DEMO

Kaamera bränd: FUJIFILM; Objektiivi tüüp: Standard; Fookuskaugus: 50 mm; Optiline suum: 0.08x; Pildistabilisaator: Ei; Diafragma: F/ 1.0; Kinnitus: Fujifilm X Mount; Makro režiim: Ei; Garantii füüsilistele isikutele: 2 aastat; Garantii...

Kaamera bränd: NIKON; Objektiivi tüüp: Lainurkobjektiiv; Fookuskaugus: 10 mm; Optiline suum: 0.07x; Pildistabilisaator: Ei; Diafragma: F/ 3.5; Kinnitus: Nikon F; Makro režiim: Ei; Garantii füüsilistele isikutele: 2 aastat; Garantii juriidilistele...

Kaamera bränd: SONY; Objektiivi tüüp: Tavaline Zoom; Fookuskaugus: 28 - 60 mm; Optiline suum: 0.16x; Pildistabilisaator: On; Diafragma: F/ 4 - 5.6; Kinnitus: Sony E; Makro režiim: On; Garantii füüsilistele isikutele: 2 aastat; Garantii...

Canon RF 85mm f/1.2L USM

UV-filter Kenko Smart Filter (37 mm)

The Fujinon XF-90mm f/2 R LM WR is a fast-aperture prime lens with a focal length equivalent to 137mm and a maximum aperture of f/2.0, that delivers ultra-sharp images with rich bokeh even at the maximum aperture setting.The optical construction of 11 elements in 8 groups (including three ED glass elements) minimizes vignetting and creates beautiful bokeh thanks to the rounded diaphragm, which makes it perfect for portraiture as well as other applications.Ultra-sharp images even at the maximum apertureThe optical construction comprises 11 elements in 8 groups, including three ED (extra low-dispersion) elements, which reduces chromatic aberrations to deliver sharp, rich images even at the widest aperture of f/2.0.Beautyful bokehThe rounded aperture blades combined with an optical construction designed to minimize vignetting creates beautiful circular bokeh right to the edge of the image. In addition, stunning depth is possible in images thanks to the differentiation between the razor-sharp subject and the bokeh in front and behind it.High-speed autofocus as fast as 0.14sec thanks to a newly-developed Quad Linear MotorA linear motor is fast, quiet and accurate, but here four magnets are used for higher torque. The high-speed autofocus provides a more versatile shooting experience, allowing users to quickly react to subtle changes in a subject's facial expression.Close focusing to 60cm and 0.3× magnification (35mm format equivalent)The close focusing capabilities of the Fujinon XF-90mm f/2 R LM WR allow you to isolate key parts of a subject so you can shoot dramatic portraits or close-ups of flowers and insects.Weather, Dust, and Freeze ResistanceThe lens features a weather- and dust-resistant structure with seven seals on the lens barrel. It can also work in temperatures as low as -10°C. This keeps the lens protected from rain, dust and splashes of water when shooting outdoors.Lightweight and compactThe lens weighs approx 540g, and is compact too, with a filter thread measuring just 62mm. The combined weight with the XF-56mm f/1.2 R is less than 1kg – great news for portrait photographers who want to travel light and still shoot with prime lenses for sharp images and strong bokeh.

Kaamera bränd:NIKON; Objektiivi tüüp:Standard; Fookuskaugus:35; Kinnitus:Nikon Z; Garantii füüsilistele isikutele:2 aastat

Kaiser 6837

Olympus M.Zuiko Digital 45mm f/1.8 (Zwart)

Fujifilm XF 18mm f/1.4 R LM WR ülilainurkobjektiiv on valmistatud spetsiaalselt Fujifilm X-seeria hübriidkaameratele. Selle optiline ehitus koosneb 15 elemendist 9 grupis, mis tagavad piltidele vähima moonutuse. Lisaks on elementide vahel kasutatud Super EBC vääristust, mis vähendavad võimalike varikujutiste teket. XF 18mm on ideaalne objektiiv maastikupildistamiseks ja reisikotti kaasa pakkimiseks ning lisaks on selle vähim fokusseerimiskaugus on üliväike – umbes 20 cm.Ilmastikukindel disainLisaks viimase peal optilisele ehitusele, on XF 18mm ka ilmastikukindel. Sellel on 9 tihendit kaheksas erinevas kohas, mis kaitsevad objektiivi niiskuse ja tolmu eest ning lubavad objektiivi kasutada ka kuni -10°C juures.

The NIKKOR Z 17-28mm f/2.8 is an essential lens for travel, events, and creative storytelling, this fast ultra-wide-angle zoom is built to let photographers and video shooters widen their creative palette—and carry less weight. From epic views to frame-filling close-ups, the NIKKOR Z 17-28mm f/2.8 is the perfect lens with which to tell diverse visual stories from a unique point of view. Landscapes to cityscapes. Expansive skies to street scenes. Architecture to interiors. The 17-28mm focal length range lets photographers nail detailed, all-encompassing wide-angle shots—or play with a sense of scale and exaggerate perspectives. Video shooters can draw viewers into a scene with wide establishing shots, or create a sense of space when shooting in tight quarters. Designed to enable confident and creative wide-angle photography, the NIKKOR Z 17-28mm f/2.8 is both versatile and easy to use. The f/2.8 constant aperture is great for shooting in available light or working creatively with shutter speeds—and the lens renders big, beautiful bokeh when shooting wide open. Users who want to go for dramatic ultra-wide-angle close-ups will benefit greatly from the minimum focusing distance of just 0.19 m, which allows sharp, clear results when shooting at close range. In addition, the lens’ wide zoom ring enables comfortаble handling and steady framing. And Nikon’s responsive AF focuses quickly on subjects whether they’re positioned in the foreground or the background.

Fujifilm objektiiv XF 8mm F3.5 R WR

Ricoh Theta V/SC TL-1

Explore the M.Zuiko Digital ED 150-600mm F5.0-6.3 IS, our super telephoto zoom lens delivering a unique shooting experience for high quality large photos.