Kas lähete reisile? See laia 24–200 mm suumivahemiku ja ilusa bokeh-efektiga ning kiiret teravustamist võimaldav peeglita süsteemi teleobjektiiv võib olla ainus objektiiv, mida vajate. See on kerge, sobib hõlpsalt väiksematesse kottidesse, jäädvustab ülidetailseid fotosid ja videoid ning on tihendatud kaitseks tolmu ja niiskuse eest. See täiskaadriline lainurgast telefotoni ulatuv suumobjektiiv pakub kaunilt detailseid, eredavärvilisi ja sujuva bokeh-efektiga fotosid ja videoid. Teravustamine on kiire ja vaikne ning objektiivisisene stabiliseerimine aitab iga võtet stabiilsena hoida. Ideaalne nii hämaras mediinat pildistades kui üle lageda tasandiku päikesetõusu filmides. Sügav kontrast Asfääriline ED-klaas ja asfäärilised läätseelemendid tagavad minimaalse moonutuse kogu suumivahemikus. Te saate erksavärvilised ja sügava kontrastiga teravad pildid nii lainurk- kui telefoto asendis pildistades. Terav ja selge. Nikoni ARNEO-kate vähendab selgemate piltide saamiseks varikujutisi ja helklust isegi siis, kui pildistada otseseid valgusallikaid lainurk-asendis. Punkvalgusallikaid, nagu näiteks tänavavalgustid öösel, reprodutseeritakse tõetruult. Väheses valguses stabiilne. Objektiivisisene stabiliseerimine võimaldab teil pildistada kuni 4,5 korda pikema säriajaga kui see muul moel võimalik on. Jäädvustage selgemaid telefoto kaadreid päevavalguse hämardumisel või filmige laiu stseene ilma kaamera rappumise soovimatute mõjudeta. Terav lähivõte. Betoonist läbi kasvav lill. Maastike ja portreede mustrid. Väikseim teravustamiskaugus vaid 0,5 m (24 mm juures) võimaldab teil lähivõtete tegemisel kaadrit täielikult kontrollida. Jäädvustage ilusat täiskaadrilist videomaterjali tänu täiustatud NIKKORi optikale, mis kasutab täielikult ära teie Nikoni Z-seeria kaamera suurepärast pildikvaliteeti. Automaatne teravustamine on sosinvaikne. Sujuv ja stabiilne ava juhtimine tagab loomulikud särituse muutused. Vähendatud on fookuskauguse muutumist teravustamisel ning fookuse nihkumist suumimisel.
Ideaalseks reisikaaslaseks on täiustatud DX-objektiiv, millel on suurepärane optika nii kaugelt pildistamisel kui ka lähivõtete tegemisel, mis tähendab, et seda saab kasutada igas fotograafiastsenaariumis – alates ulatuslikest maastikest kuni keerukate portreedeni. Ideaalne neile, kes nutitelefoniga pildistamisest edasi liiguvad, hõlpsasti kasutatav objektiiv ei vaja suurt kotti. See kaalub vaid 315 g ja selle 18–140 mm fookuskauguse vahemik tagab optimaalse tasakaalu suurepärase teisaldatavuse jaoks vajaliku kerge kaalu ja tüüpiliste reisistseenide jäädvustamise vahel. NIKKOR Z DX 18–140 mm f/3.5-6.3 VR toetab lisaks ülivõimsale objektiivile ka teravat ja sujuvat videosalvestust. Selle automaatne teravustamine on kiire ja toimib suurepäraselt koos Z-kaamera silmatuvastusega automaatteravustamisega, et hoida fookust täpselt seal, kus seda on vaja. Selle tulemuseks on ilusad kaadrid reisidest ja seiklustest.
Irix Cine 21mm T1.5 Canon EF Metric [ IL-C21-EF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 Canon R Metric [ IL-C21-RF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 Sony E Metric [ IL-C21-SE-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
85 mm tele-fiksobjektiiv; Ülimalt valgusjõuline – suure f/1.2 avaga; Kiire ja vaikne USM teravustamismootor; Defocus Smoothing vääristus – ülimalt sujuv bokeh; Canoni täiskaader hübriidkaameratele
600 mm teleobjektiiv; Võimekas pildistabilisaator, kuni 5 stoppi; Kiire ning vaikne STM teravustamismootoriga; Ideaalne loodus- ja reisifotograafiaks; Canoni täiskaader hübriidkaameratele
Micro Four Thirds System; 90mm (35mm Equivalent); Aperture Range: f/1.2 to f/16; One ED Element, One Aspherical Element; Weather-Resistant Construction; Rounded Nine-Blade Diaphragm
Kompaktes, brillantes Zoomobjektiv mit herausragender Auflösungsleistung und schnellem Autofokus, G-Mount, wetterfeste Konstruktion, Filter Ø 82 mm, inkl. Gegenlichtblende und Einschlagtuch.
This high-resolution, large-aperture zoom offers incredible versatility from wide angle to mid-range telephoto shots. It’s even great for macro photography. Put it in your gear bag and you’ll find yourself reaching for it over and over again. Even with all that imaging power, it’s still lightweight and compact enough to comfortably fit in your hand. The IP53-rating means its highly weathersealed so you can shoot without worry in the most adverse conditions. One of the most versatile lenses you’ll ever own.
Control reflectionsSince light reflected from non-metallic surfaces polarizes, the HOYA HD Mk II CIR-PL filter makes it possible to control which light enters the lens, giving you more creative avenues to improve your image.One such avenue is the reduction of reflections, for example, on water surfaces. With the HOYA HD Mk II CIR-PL, you can greatly control and remove reflections, allowing you to show the natural colors and details of submerged objects.It is also possible to reduce reflections from glass surfaces, allowing you to see through glass windows. This way, you can make out the interior of buildings!Enhance contrast and color saturationThis filter is not limited to surface light reflection control. Light waves reduce clarity and saturation of certain colors, making them appear hazed in the final photo.The HOYA HD Mk II CIR-PL also filters these light waves, greatly enhancing color contrast, and making skies and green foliage look more defined through deeper and more natural color tones.
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 67 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 52 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 55 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 37 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers drastically minimize ghosts and flares Ultra-smooth frame rotation Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive two-piece, low-profile filter frame with front filter thread
HOYA FUSION ONE NEXT is a renewed series of FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean For permanent lens protection HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
