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Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 6X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 6-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread

Ülilainurk-zoomobjektiiv väga loovateks võteteks kõigile EF-S bajonetiga kaameratele. Ülimalt kompaktne ja kerge maksimaalseks mobiilsuseks. Oma efektiivse fookuskaugusega 16 - 35 mm (35mm ekvivalent) annab EF-S 10 - 22 mm f/3.5 - 4.5 USM sulle ...

Professionaalse kvaliteediga standard zoom-objektiiv, mis pakub perfektset pildikvaliteeti ja kiiret F2.8 maksimaalset ava kogu zoomi ulatuses. See objektiiv sisaldab endas disainiomadusi, mis võimaldavad laia fookuskauguste vahemikku sälitades ka ...

Fujinon XF 50-140mm f/2.8 R LM OIS WR on telesuumobjektiiv, mis pakub enimkasutatud suumivahemikku (76-213mm), suurt ava ning suurepärast optilist kvaliteeti ühes korpuses. Selles objektiivis on kasutusel Fujifilm viimased tehnoloogiad optika loomisel, kaas arvatud esmaklassiline ilmastikukindlus (tolmu, niiskuse ning külmakindel), kolmekordne lineaarne mootor ning kvaliteetne pildistabilisaator. Esmaklassiline pildikvaliteet teeb antud objektiivi perfektseks kaaslaseks nii portreefotograafile, spordifotgraafile kui loodusfotograafile.Optiline disain, mis on lipulaevale kohaneSaavutamaks parimat optilist kvaliteeti omas klassis, koosneb see objektiiv 23 klaaselemendist 16 grupis, millest viis on ED ning üks Super ED element (võrdväärne fluoriitklaasist elemendiga). Niimoodi on saavutatud maksimaalne kromaatilise aberratsiooni vähendus ning ülikõrge lahutusvõime.Kasutades Fujifilmi unikaalset HT-EBC (High Transmittance Electron Beam Coating) vääristust kõikide elementide pindadel on minimiseeritud sisepeegeldus ning varikujutiste teke. Lisaks, äsja välja töödatud Nano-GI vääristustehnoloogia muudab refraktiivsusindeksit ning varikujutiste ning sisepeegelduse hulk on vähendatud ka diagonaalse valguse puhul.Nagu ka teised XF seeria objektiivid, on ka XF 50-140mm f/2.8 R LM OIS WR objektiiv varustatud 7 labalise diafragmaga, mis loob sujuva ümara bokeh efekti. Kasutusel olev optiline disain loob meeldiva bokeh nii eespool kui tagapool subjekti.Tänu sisemisele suumimehhanismile ei muutu objektiivi välimised mõõtmed suumimse ega teravustamise ajal. Samamoodi ei muutu suumimise ajal ka objektiivi raskuskese, mistõttu on seda äärmiselt mugav kasutada.Kombineerides kõike eelnevat Fujifilm X seeria kerega, mis on varustatud LMO (Lens Modulation Optimizer) tehnoloogiaga, saab objektiivi võimekust viia veel kõrgemale. LMO korrigeerib difraktsiooni ning teravust äärealadel, mis võimaldab saavutada paremat pildikvaliteeti ka üliväiksetel avadel.Ülikiire ning vaikne teravustamine tänu Tri

15–45 mm normaalsuumobjektiiv; Suurepärane kaaslane igapäevaseks kasutuseks; Suumivahemik lainurgast lühikese telefotoni; Võimekas pildistabilisaator, kuni 3 stoppi; Fujifilm X seeria hübriidkaameratele

Kaamera bränd: NIKON; Objektiivi tüüp: Lainurkobjektiiv; Fookuskaugus: 24 mm; Diafragma: F/ 3.5; Kinnitus: Nikon F; Garantii füüsilistele isikutele: 2 aastat; Garantii juriidilistele isikutele: 1 aasta

Kaamera bränd: FUJIFILM; Objektiivi tüüp: Lainurkobjektiiv; Fookuskaugus: 18 mm; Optiline suum: 0.15x; Pildistabilisaator: Ei; Diafragma: F/ 1.4; Kinnitus: Fujifilm X Mount; Makro režiim: Ei; Garantii füüsilistele isikutele: 2 aastat; Garantii...

Kaamera bränd:CANON; Objektiivi tüüp:Tavaline Zoom; Fookuskaugus:24 - 105; Kinnitus:Canon EF; Garantii füüsilistele isikutele:2 aastat

UV-filter Kenko Smart Filter (37 mm)

24–240 mm supersuumobjektiiv; 10× suumivahemikuga; Kiire ning vaikne USM teravustamismootor; Integreeritud Canon IS pildistabilisaator; Canoni täiskaader hübriidkaameratele

The Fujinon XF-90mm f/2 R LM WR is a fast-aperture prime lens with a focal length equivalent to 137mm and a maximum aperture of f/2.0, that delivers ultra-sharp images with rich bokeh even at the maximum aperture setting.The optical construction of 11 elements in 8 groups (including three ED glass elements) minimizes vignetting and creates beautiful bokeh thanks to the rounded diaphragm, which makes it perfect for portraiture as well as other applications.Ultra-sharp images even at the maximum apertureThe optical construction comprises 11 elements in 8 groups, including three ED (extra low-dispersion) elements, which reduces chromatic aberrations to deliver sharp, rich images even at the widest aperture of f/2.0.Beautyful bokehThe rounded aperture blades combined with an optical construction designed to minimize vignetting creates beautiful circular bokeh right to the edge of the image. In addition, stunning depth is possible in images thanks to the differentiation between the razor-sharp subject and the bokeh in front and behind it.High-speed autofocus as fast as 0.14sec thanks to a newly-developed Quad Linear MotorA linear motor is fast, quiet and accurate, but here four magnets are used for higher torque. The high-speed autofocus provides a more versatile shooting experience, allowing users to quickly react to subtle changes in a subject's facial expression.Close focusing to 60cm and 0.3× magnification (35mm format equivalent)The close focusing capabilities of the Fujinon XF-90mm f/2 R LM WR allow you to isolate key parts of a subject so you can shoot dramatic portraits or close-ups of flowers and insects.Weather, Dust, and Freeze ResistanceThe lens features a weather- and dust-resistant structure with seven seals on the lens barrel. It can also work in temperatures as low as -10°C. This keeps the lens protected from rain, dust and splashes of water when shooting outdoors.Lightweight and compactThe lens weighs approx 540g, and is compact too, with a filter thread measuring just 62mm. The combined weight with the XF-56mm f/1.2 R is less than 1kg – great news for portrait photographers who want to travel light and still shoot with prime lenses for sharp images and strong bokeh.

Olympus M.Zuiko Digital 45mm f/1.8 (Zwart)

Fujifilm XF 18mm f/1.4 R LM WR ülilainurkobjektiiv on valmistatud spetsiaalselt Fujifilm X-seeria hübriidkaameratele. Selle optiline ehitus koosneb 15 elemendist 9 grupis, mis tagavad piltidele vähima moonutuse. Lisaks on elementide vahel kasutatud Super EBC vääristust, mis vähendavad võimalike varikujutiste teket. XF 18mm on ideaalne objektiiv maastikupildistamiseks ja reisikotti kaasa pakkimiseks ning lisaks on selle vähim fokusseerimiskaugus on üliväike – umbes 20 cm.Ilmastikukindel disainLisaks viimase peal optilisele ehitusele, on XF 18mm ka ilmastikukindel. Sellel on 9 tihendit kaheksas erinevas kohas, mis kaitsevad objektiivi niiskuse ja tolmu eest ning lubavad objektiivi kasutada ka kuni -10°C juures.

15 mm ülilainurkobjektiiv; Valgusjõuline – f/1.4 maksimaalse avaga; Kiire Dual Linear teravustamismootor; Tolmu- ja niiskuskindel disain; Sony E bajonetiga poolkaader hübriidkaameratele

Kaamera bränd:FUJIFILM; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:17; Kinnitus:Fujifilm G; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:CANON; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:100; Kinnitus:Canon RF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:Muu; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:50; Kinnitus:4/ 3; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:Muu; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:7.5 mm; Kinnitus:Micro 4/ 3; Garantii füüsilistele isikutele:2 aastat

Objektiiv Panasonic Lumix G 25mm f/1.7 II ASPH, must

Sealife Ultra-Wide Angle Dome Lens (SL052) - Micro Series, RM-4K The ultra-wide angle lens with dome port for the ReefMaster 4K and the Micro Series from SeaLife. This lens expands the camera's field of view by almost 50% and allows you to get three times closer to the subject. The ultra-wide angle lens is made of high-quality optical glass components that are arranged in 4 groups and thus enable a razor-sharp image across the entire lens width. All optical elements are multi-coated to prevent internal glare and maximize light transmission. When used with the Micro 3.0, the lens has an effective focal length of 13.3 mm, and is waterproof up to 60 m. The lens is compatible with all cameras of the SeaLife Micro Series (Micro HD, HD+, Micro 2.0, Micro 3.0). In addition, it can be used with the ReefMaster RM-4K, which increases the viewing angle of the small camera to a strong 196°. The new ultra-wide angle dome lens is a "wet lens" that can be easily attached and removed underwater. A locking ring prevents the lens from being lost due to shocks or rough conditions. A lanyard included in the delivery prevents the lens from being lost underwater. When not in use. The inner airspace is filled with nitrogen to prevent fogging under extreme temperature conditions. The rotatable light shield prevents unwanted glare from external lighting or sunlight and protects the dome lens from impacts. Features: Suitable for the Sealife Micro Series and RM-4K 3 times closer and 43% wider field of view Optimizes edge sharpness Removable lanyard included Technical data: Optical construction: 4 elements / 4 groups Viewing angle: Micro 3.0: Increases the field of view from 100° to 143° / RM-4K Increases the field of view from 140° to 196° Optical coatings: Air-to-glass surfaces that are fully multi-coated with anti-reflective coating Magnification ratio: 0.7x underwater Mounting method: The snap-on lens ring snaps onto cameras of the SeaLife Micro Series and RM-4K on land or underwater Focus range: 3x closer: 5” to infinity with Micro 3.0; 4” to infinity with RM-4K Lens weight (single): 331 g on land; 170 g underwater Lens dimensions (diameter x length): 99 x 40 mm Depth: Depth tested up to 60 m Buoyancy: Negativ

This Manfrotto 293 Telephoto Lens Support is ideal for telephoto lenses which do not come with a tripod collar of their own, typically medium-telephoto lenses. The length of the bracket is adjustable to take different length lenses.

A multi-purpose fine-weather filterAbsorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color as well as black and white films. Also serves as a permanent lens protector.HD Glass High Density Sharp Cut UV Glass Chemically Enhanced Optical Glass is 4x Stronger HD Coating 16-layer (both sides) Anti-Reflective Multi-Coating Water & Oil Repellent, Scratch & Stain Resistant HD Frame Wide-Angle Lens Compatible Ultra Thin Frame Glass Mounted with High Pressure Press Technology

A multi-purpose fine-weather filterAbsorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color as well as black and white films. Also serves as a permanent lens protector.HD Glass High Density Sharp Cut UV Glass Chemically Enhanced Optical Glass is 4x Stronger HD Coating 16-layer (both sides) Anti-Reflective Multi-Coating Water & Oil Repellent, Scratch & Stain Resistant HD Frame Wide-Angle Lens Compatible Ultra Thin Frame Glass Mounted with High Pressure Press Technology

The graduated ND10 balances exposure between the lightest and darkest areas of a scene allowing better tone and detail to be recorded in these areas of the image. The Hoya graduated ND10 10 is darker at the top giving that area a 3-stop light reduction and then fading evenly to a 1 stop light reduction at the bottom. This creates more balanced exposure between the lighter and darker areas of a scene, especially useful for photos that include the sky. The aluminum filter frame rotates so the darkest area can be positioned as needed. The Hoya graduated ND10 10 filter uses a Hoya super clear optical glass in a wedge layer that is matched and perfectly bonded to a ND filter glass wedge layer to create the gradual ND effect. Neutral density filters are designed to reduce the amount of light entering your camera lens and do not have any other effect on the image. Reducing the amount of light allows for the use of wider apertures or slower shutter speeds for creative and dramatic affect in bright lighting conditions.

The UV filter is a general use, clear filter that helps to absorb ultraviolet light. No additional coloration or contrast is provided, allowing you to pair this filter with others.The UV filter is also useful as a general protective filter to leave on lenses at all times. Filters help to reduce dust and moisture from reaching your lens element and provide additional protection in case of drops or situations where scratching could occur.Hoya newly developed Antistatic coating is acting like a force field around the filter to repel dust. Perfect for environments where dust is common, these filters require less frequent cleaning and maintenance than traditional filters. Additionally, the hardened, antistatic top-layer is water repellent, stain and scratch resistant, and cleans easily when smudges or fingerprints are introduced to the surface.The new Fusion Antistatic professional filters are made in Japan using hand selected silicates that are carefully smelted and blended to yield high performance optical glass. Hoya then uses extreme care and precision to apply the Improved 9-layer Super Multi-coating formula which greatly reduces or eliminates reflections on the surface of the glass and yields a ultra clear high transmission rate. This means the filter has virtually no effect on the color balance, contrast, or clarity of the final image. The filters features a lightweight, one-piece, low-profile aluminum frame to house the glass. This one-piece design allows the filter to maintain perfect parallel alignment to the sensor plane for maximum sharpness, while the low-profile form eliminates vignetting when used on ultra-wide-angle lenses. New Antistatic coating repels dust Ultra Clear High Transmission Scratch resistant - hardened coating protects against everyday wear Stain resistant – protects against exposure to ink, markers etc. Water repellent – water beads up and wipes away easily Fingerprints and smudges wipe away cleanly Filters unwanted UV light before it reaches the sensor Hoya’s Professional-grade optical glass Hoya exclusive one-piece, low-profile filter frame with front filter threads

Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. If you're out walking on a lovely day - in the mountains or at the beach - and you want to get a fabulous shot of a cloud-filled sky or make the water seem more saturated, then a polarizer is the way to go. This filter is the best way to make the clouds stand out, increase or decrease the saturation of the ocean or increase or decrease the reflection off the water. You can also use this filter when shooting into glass or windows since it will, again, either increase or decrease reflections.If you're shooting black and white and want to simulate a threatening storm, try throwing on a Red filter. The vista will take on the appearance of an imminent, ominous storm. Along with a UV or Skylight Filter, a polarizing filter should be a part of everyone's gear bag. It can turn a run-of-the-mill image into a stunning, creative photo by increasing color saturation.Hoya newly developed Antistatic coating is acting like a force field around the filter to repel dust. Perfect for environments where dust is common, these filters require less frequent cleaning and maintenance than traditional filters. Additionally, the hardened, antistatic top-layer is water repellent, stain and scratch resistant, and cleans easily when smudges or fingerprints are introduced to the surface.The new Fusion Antistatic professional filters are made in Japan using hand selected silicates that are carefully smelted and blended to yield high performance optical glass. Hoya then uses extreme care and precision to apply the Improved 9-layer Super Multi-coating formula which greatly reduces or eliminates reflections on the surface of the glass and yields a ultra clear high transmission rate. This means the filter has virtually no effect on the color balance, contrast, or clarity of the final image. The filters features a lightweight, two-piece, very low-profile aluminum frame to house the glass. The low-profile frame eliminates vignetting when used on ultra-wide-angle lenses. New Antistatic coating repels dust Ultra-smooth filter rotation Scratch resistant - hardened coating protects against everyday wear Stain resistant - protects against exposure to ink, markers etc. Water repellent – water beads up and wipes away easily Fingerprints and smudges wipe away cleanly Hoya’s Professional-grade optical glass Two-piece, very low-profile filter frame with front filter threads

Protect your valued lensesThis is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest. However, constant use will protect your valued lenses from expensive front element damage which could be caused by dirt, knocks or scratches.HD Glass Ultra Clear High Transparency Optical Glass Chemically Enhanced Optical Glass is 4x Stronger HD Coating 16-layer (both sides) Anti-Reflective Multi-Coating Water & Oil Repellent, Scratch & Stain Resistant HD Frame Wide-Angle Lens Compatible Ultra Thin Frame Glass Mounted with High Pressure Press Technology

The UX II UV filter with water repellent coating is a redesign of the HMC UV(C) filter, now integrated into the new standard class UX II series along with the UX II CIR-PL filter. The UX II UV filter is a completely new concept design product targeting the entry class users and providing high quality standards with basic and contemporary functions."UX" in the series name stands for "User eXperience", as to indicate all the experiences that users will acquire through using these filters and all that comes with. By naming this series UX, we aim to offer users better individual experiences through all the activities connected with photography.Though not visible to the naked eyes, UV rays may affect the image when shooting in locations like seaside or mountainous environments, resulting in blurred contours or faded and whitish images.UV filters can suppress the UV spectrum contained in daylight that mainly causes poor effects on the images. This filter can be used with both film and digital cameras, and assures more vivid images. In addition, by keeping it constantly attached, this filter serve as everyday lens protection.Anti-reflection coating prevents unwanted reflections and increases light transmittance.Water-repellent coating has been added to the anti-reflective coating. This coating repels water drops and makes easier to clean the filter surface from dirt or fingerprints.The slim frame assures no vignetting even for wide angle lenses.