14–140 mm super zoom lens 10× optical zoom Fast and quiet stepper motor Integrated Power O.I.S. image stabilization For Micro Four Thirds mirrorless cameras
Uus Sigma 35mm f/1.4 objektiiv on valgusjõuline objektiiv, mis on disainitud küll täiskaadersensoriga kasutamiseks, kuid sobib ka poolkaaderkaamera ette. Objektiiv on varustatud kiire ning täpse HSM (Hyper Sonic Motor) teravustamismootoriga, mis ei jäta sind ka kiirelt mööduvatel hetkedel hätta. Objektiiv kasutab sisemist teravustamismehhanismi ning parima pildikvaliteedi tagamiseks on kasutusel nii SLD kui FLD elemendid. Sigma AF 35mm f/1.4 DG HSM A on ühilduv Sigma USB dokiga, võimaldades kasutajal endal uuendada nii objektiivi püsivara kui ka seadistada teravustamist. The Sigma 35mm f/1.4 DG HSM is a state of the art lens designed for full frame cameras but can also be used with APS-C sensors as well. The first addition to the Art category in Sigma’s Global Vision, the 35mm f/1.4 DG HSM includes new features based around a unique lens concept and design. The 35mm is a staple focal length in the world of photography, and paired with Sigma technology, this lens can take artistic expression to the next level. The lens is equipped with technology including a Hyper Sonic Motor (HSM), floating internal focusing system, SLD and FLD Glass elements. The HSM ensures quiet, high speed, accurate autofocusing while the floating focusing system allows for superior optical performance with subjects at a closer shooting distance. The SLD glass elements along with the FLD glass elements, which are equal to fluorite, help correct both axial and chromatic aberration. The large f/1.4 aperture make it ideal in low light and the lens is compatible with the Sigma USB dock and Optimization Pro software to adjust and fine tune focusing parameters. The Sigma 35mm f/1.4 DG HSM is a must have for any camera bag.
Sigma 85mm f/1.4 Art objektiiv on valgusjõuline premium-klassi objektiiv, mis on disainitud küll täiskaadersensoriga kasutamiseks, kuid sobib ka poolkaaderkaamera ette. Ideaalne vahend portreetööks ja hämaras pildistamiseks. Selles objektiivis on kasutusel uus HSM (Hyper Sonic Motor) mootor mis tagab ülikiire ja täpse teravustamise. Optiliselt on kasutuses FLD ning SLD (eriti madala dispersiooniga) elemendid, mis tagavad suurepärase teravuse. FLD klaaselemendid on ülihea valguse ülekandega ning võrdväärsed fluoriidelementidega. 9 labaline diafragma tagab kauni bokeh. Lisaks on objektiiv ühilduv Sigma USB dokiga, võimaldades kasutajal peenhäälestada teravustamist kui ka püsivara uuendada.
10–25 mm normaalsuumobjektiiv; Ülimalt valgusjõulise, f/1.7 avaga; 35 mm ekvivalendina 20–50 mm; Tipptasemel optiline kvaliteet; Micro Four Thirds hübriidkaameratele
35 mm lainurk-fiksobjektiiv; Valgusjõuline - f/1.8 maksimaalne ava; Kiire ning täpne teravustamismootor; Ilmastikukindla disainiga; L bajonetiga täiskaader kaameratele
12 mm lainurkobjektiiv; Ülimalt valgusjõuline - f/2.0 maksimaalne ava; Perfektne maastiku ja arhitektuuri pildistamiseks; Vaikne ning kiire teravustamismootor; Sony E bajonetiga poolkaader hübriidkaameratele
24 mm lainurk-fiksobjektiiv; Valgusjõuline - suure f/1.8 avaga; Kiire ning täpne teravustamismootor; Ideaalne igapäevaseks kasutuseks; Sony α pool- ja täiskaader hübriidkaameratele
14 mm ülilainurkobjektiiv; Valgusjõuline - f/2.8 maksimaalne ava; Perfektne maastiku ja arhitektuuri pildistamiseks; Manuaalse teravustamisega; Fujifilm X-seeria hübriidkaameratele
85 mm kvaliteetne lühike telefiks; Valgusjõuline - f/1.4 maksimaalne ava; Käsitsi teravustamine; Lummav bokeh, perfektne porteefotograafiaks; Sony α pool- ja täiskaader hübriidkaameratele
This bright F1.4 PRO lens beautifully balances high resolution with the ability to capture soft, feathered bokeh. Compact and lightweight, you’ll find this prime lens makes long days of shooting landscapes, nature or travel photos seem effortless. Enjoy reliable IPX1 weathersealing so you can shoot without worry in any and all conditions.
Make every shot stand out. The NIKKOR Z 50mm f/1.4 lens is a classic focal length ideal for portraits, landscapes, street photography, snapshots and close-ups. A large f/1.4 aperture that can soften backgrounds, isolate subjects, cut through low light and freeze fast motion. Image quality that elevates every photo and video. All in a comfortаble, fast prime lens designed for any Z series camera. Offering exciting flexibility to create in available light, the NIKKOR Z 50mm f/1.4 lens is the perfect all-round prime for creative everyday photography and it makes a brilliant travel or event lens. From unique portraits of people and places to sharp close-ups of details and textures, the wide f/1.4 maximum aperture and normal field of view combine to enable intuitive creativity day or night. Nikon’s fast multi-focusing system accurately locks onto subjects even when shooting at f/1.4, and this lens’ impressive rendering performance ensures colours are vibrant and true, contrast is crisp and clear, and brightness is beautifully even throughout the frame. Photographers and video shooters who shoot wide open at f/1.4 will be rewarded with large, beautifully soft bokeh, perfect for portraits that set a subject apart as well as creative backlit shots. In addition, low-light scenes can be captured in stunning detail at lower ISOs, and faster shutter speeds can be used to freeze action without sacrificing brightness. For those who want to achieve impactful close ups, a short minimum focus distance of just 0.37 m allows plenty of space to fill the frame or focus on fine details. The NIKKOR Z 50mm f/1.4 is the second f/1.4 full-frame lens to join the Nikon Z lineup and it boasts the same boundless portability as its sibling—the NIKKOR Z 35mm f/1.4. Both f/1.4 prime lenses are carefully sealed for worry-free durability and they’re easily light enough to keep on a Nikon Z camera while exploring. Summary of key features: NIKKOR Z 50mm f/1.4 Versatile 50mm full-frame prime lens: from intimate landscapes or cityscapes to vivid street scenes. From authentic portraits and detailed close-ups to smooth videos. Create with the focal length that’s loved for its versatility and embraced for its natural, undistorted perspective. Fast f/1.4 aperture for creative flexibility: enables large, beautifully smooth background or foreground bokeh, as well as more freedom to shoot low-light scenes. Capture more detail at lower ISO settings and freeze action without sacrificing brightness. Impressive rendering: whether shooting up close or at a distance, wide open or stopped down, subjects are captured with real depth, clarity, and sharpness. Fast, quiet autofocus: confidently and discreetly capture moments that might otherwise vanish in the blink of an eye. Driven by Nikon’s precise multi-focusing system, this lens accurately locks onto subjects, even when shooting at f/1.4. 0.37 m close focusing: allows plenty of space to fill the frame, reveal fine details, or comfortably record video in tight spaces. Video prime: this lens is a natural fit for gimbals or cages and its normal field of view is great for interviews and first-person perspectives. Focus breathing is suppressed and linear focusing can be enabled for controlled, accurate manual focus pulling. Intuitive control: the clickless control ring can be used to smoothly control aperture, ISO, exposure compensation, and more. Boundless portability: weighs just 420 g (approx.), and all moving parts of the lens barrel are carefully sealed for worry-free durability.
Must lainurkobjektiiv, MFT-kinnitus, asfääriline, filter Ø 46 mm, lähivõtte fookuskaugus 0,25 m, 9 elementi 7 grupis, vaatenurk 47°, maksimaalne pildi suurendus: 0,12x (Micro Four Thirds) / 0,24x (35 mm formaat), sh ...
Sony täiskaader FE 400-800mm f/6.3-8 G OSS supertelesuumobjektiiv on Sony esimene α-seeria objektiiv, mis katab 400 mm kuni 800 mm supertelefoto vahemiku. Selle sisemine suumimismehhanism hoiab objektiivi pikkuse muutumatuna, säilitades tasakaalu ja stabiilsuse. Kiire ja täpne automaatteravustamine muudab selle ideaalseks valikuks looduse ja linnuvaatlusfotograafia jaoks. Lisaks saab objektiivi kasutada koos valikulise 2x telekonverteriga, mis pikendab fookuskauguse kuni 1600 mm-ni.
For the past several years slow shutter photography is becoming an extremely popular genre because it provides ample opportunities to express the world around in an artistic and unusual way. For this purpose ND filter appears to be a necessary tool.But which ND filter is better to start with? This question might raise in mind of many amateur photographers who decided to challenge themselves in slow shutter photography. Keeping this question in mind we created an essential ND kit to help photographers quickly start this challenge.HOYA PROND EX FILTER KIT is an essential filter kit designed for amateur or professional photographers and video content creators. The kit consists of 3 ND filters - PROND EX 8, PROND EX 64 and PROND EX 1000, that allow photographer to capture the world in different expressions.The choice of ND filters depends on intentions of the photographer to control the shutter speed or aperture. The content of the HOYA PROND EX FILTER KIT is based on our sales data and experience of selling millions of ND filters all over the world. PROND EX 8, PROND EX 64 and PROND EX 1000 are the most essential ND filters that will help to realize three expressions that we consider to be commonly used among the photographers.HOYA PROND EX FILTER is a high technological product that is designed for still and HDSLR videography. The PROND EX filters use HOYA's exclusive clear optical glass that incorporates a metallic coating on front and back side to equally reduce almost all range of the light spectrum even in IR area. The ACCU-ND technology used in the coating process yields a truly neutral color balance that will not add any noticeable color cast to your images. HOYA PROND EX filters incorporates precisely developed thick aluminum frame to prevent light leakage, thus obtain correct exposure and color balance.PROND EX 8 (3-stops)HOYA PROND EX 8 is essential for shooting with fast lenses at wide open aperture during the daytime, which is perfect for portraiture at shallow depth of field. The subject appears crisp and clear on the soft blurred background. Other recommended scenes are night trails, fireworks and lightnings.PROND EX 64 (6-stops)HOYA PROND EX 64 is essential for expressing the object in blurred motion during the daytime, which cannot be realized only with camera settings. Recommended for landscape, city snapshot, video and other photographic genres.PROND EX 1000 (10-stops)HOYA PROND EX 1000 is essential for expressing an unreal fantasy world thanks to its 10 stops reduction of the light amount. Widely used in seascape to blur the waves, street snap to apply clouds motion and architecture to erase moving people.PROND EX filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinatsions of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
