Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Viltrox AF 135mm f/1.8 Nikon Z on professionaalne täiskaadriline objektiiv, mis on loodud nõudlikele fotograafidele, pakkudes erakordset teravust ja detailirohkust. Suur f/1.8 ava võimaldab suurepärast pildiplaneerimist, muutes selle ideaalseks portreefotograafiaks ja kunstiliseks pildistamiseks, luues pehme ja loomuliku taustahägu. Objektiivil on 11-labaline diafragma, mis tagab kauni bokeh-efekti ilma "sibulamustri" nähtuseta. Täiustatud autofookussüsteem, mis põhineb HyperVCM-tehnoloogial, tagab kiire ja täpse teravustamise, pakkudes suurt täpsust ja vaikset tööd. Spetsifikatsioonid: Fookuskaugus: 135mm Minimaalne teravustamiskaugus: 0,72m Vaateväli: 19,04° Diafragma labade arv: 11 Ava väärtused: f/1.8 - f/16 Autofookusmootor: VCM Optiline konstruktsioon: 14 elementi 9 grupis Filtri läbimõõt: 82mm Mõõtmed: 147,6 × 93mm Kaal: 1265g
35mm fiksobjektiiv f/1.2 avaga Sony E-Mount kinnitus, sobib täiskaader hübriidkaameratele HyperVCM automaatse teravustamise mootor kiireks ja vaikseks tööks Sisseehitatud LCD-ekraan seadete ja teravustamiskauguse kuvamiseks Täppisoptikaga ehitus: 15 elementi 10 rühmas, sh ED-, HR- ja asfäärilised elemendid Tolmu- ja niiskuskindel korpus HD Nano mitmekihilise vetthülgava kattega Kaks kohandatavat funktsiooninuppu edasijõudnud juhtimiseks Viltrox AF 35mm f/1.2 FE LAB on kõrgekvaliteediline fiksobjektiiv, mis on loodud täiskaadersensoriga Sony hübriidkaameratele, millel on E-bajonett. Tänu erakordselt suurele maksimaalsele f/1.2 avale pakub see objektiiv suurepärast valgusjõulisust, olles ideaalne pildistamiseks kehvades valgustingimustes ning võimaldades saavutada kaunist ja sujuvat bokeh-efekti. Objektiivil on HyperVCM automaatse teravustamise mootor, mis tagab kiire ja vaikse töö – sobides nii fotograafiaks kui ka videovõteteks. Üks silmapaistev uuendus on sisseehitatud LCD-ekraan, mis kuvab reaalajas teavet, nagu teravustamiskaugus ja aktiivsed seaded, parandades kasutuskogemust ja töökindlust. Optiline konstruktsioon koosneb 15 elemendist 10 rühmas, sealhulgas 5 ED (väga madala dispersiooniga) elementi, 3 kõrge refraktsiooninäitajaga (HR) elementi ja 2 asfäärilist elementi, mis minimeerivad kromaatilisi moonutusi ning tagavad teravad ja detailirikkad pildid. HD Nano mitmekihiline kate parandab valguse läbilaskvust ja muudab esiläätse pindmise mustuse- ja veekindlaks. Objektiiv on tolmu- ja niiskuskindla konstruktsiooniga, sobides kasutamiseks eri ilmastikutingimustes. Lisaks on sellel kaks kohandatavat funktsiooninuppu, millega saab objektiivi töö vastavalt oma vajadustele seadistada. Kuuludes Viltrox LAB professionaalsesse seeriasse, pakub see objektiiv tipptasemel jõudlust konkurentsivõimelise hinnaga. Kaal: 0,910 kg Filtri läbimõõt: 77mm
Universaalne, tolmu- ja ilmastikukindel suumobjektiiv. Sobib nii portreede kui ka maastikuvaadete jäädvustamiseks. Esiläätsel mustust hülgav PENTAX SP vääristus.
Uus suumobjektiiv võimaldab kaugel asuvad objektid lähemale tuua. Kinnitatuna APS-C sensoriga digikaamera ette on objektiivi fookuskauguse ekvivalent kuni 760 mm.
Tasakaal suumi ulatuse, pildi kvaliteedi ning hinna vahel - Sony FE 28-70mm F3.5-5.6 OSS objektiiv pakub kasutajale kõike seda, mida igapäevaselt vajame. Alates lainurkobjektiivist, lõpetades portreeobjektiiviga.
Uued kõrge lahutusvõimega sensoritega kaamerad seavad ka objektiivile kõrgemad nõudmised - veel parem optiline jõudlus, suurem lahutusvõime, veel väiksemad moonutused. Just seetõttu on eriti oluline, et uue põlvkonna objektiivid vastaks nende kaamerate jõudlusele.Valgusjõuline fiksobjektiivEsmaklassilise disainiga insenerikunsti meistriteos - Tamroni SP 35mm f/1.8 objektiiv pakub endas esmaklassilist optikat, pildistabilisaatorit ning suurt f/1.8 ava.Minimaalse optilise moonutusega normaalfiks pakub kasutajale kõike seda, mida tal vaja on - terav pilt, olematud aberratsioonid ning sisepeegeldused.Mine veel lähemaleTamroni MOD tehnoloogiaga objektiivid võimaldavad veel lähemalt pildistada, avades veel suurema vabaduse kadreerides.SP (Super Performance) seeriaTamroni SP seeria objektiivid on optiline tippklass, kus ei ole tehtud kompromisse pildikvaliteedi osas. Objektiivid on disainitud sedasi, et need kataks ka nõudlikuma proffesionaali vajadused.eBAND ning BBAR vääristusKasutades uue põlvkonna eBAND nind BBAR vääristust objektiivi elementidel vähendatakse oluliselt sisepeegeldust ning varikujutist. Niimoodi saab pildistada ka ülilainurkasendis vastu päikest ilma, et sisepeegeldused pilti rikuks.Pakkudes tippklassi pildikvaliteetiSelle objektiivi optilises disainis on kasutatud esmaklassilisi elemente. XLD (eriti madala dispersiooniga) element, mis on valmistatud spetsiaalsest klaasist ning on üliväikese refraktiivsuse indeksiga. See omakorda tähendab, et pildid on teravad ning kontrastsemad, kuna kromaatiline aberratsioon on viidud miinimumini. USD mootorTamroni USD (Ultrasonic Silent Drive) teravustamismootor tagab ülikiire, peaaegu hääletu opereerimise. Sedasi saad pildistada ka sellised loomi ning linde, kes väikseimagi heli peale kaadrist plehku panevad.VC (Vibration Compensation) pildistabilisaatorUnusta ära udused pildid, kuna ei ole võimalik kasutada piisavalt lühikest säriaega või statiivi. Tamroni VC (Vibration Compensation) silub need väikesed liikumised, mis tuleva
Sigma 150-600 F5-6.3 DG OS HSM Contemporary on esimene "hyper-telephoto" teleobjektiiv., Sisaldab endas 20 läätselementi 14 grupis - koos ühe FLD ja kolme SLD klaasielemendiga., Esiklaasil vett ja õli tõrjuv kaetus, ...
Üritused, pulmad, portreed, linnamaastikud või maastikud – AF-S NIKKOR 28mm f/1.4E ED on suurepärane valik olukorras, kus vajate paindlikkust olemasoleva valgusega töötamiseks.Objektid renderdatakse teravalt, isegi kui pildistate kõige suurema avaga f/1,4. Kaugetest objektidest või vähese valgusega stseenidest saab suure kontrastsusega pildid, ilma et peaksite ava vähendama. Väikseim teravustamiskaugus, milleks on vaid 0,28 m, muudab objektiivi veelgi mitmekülgsemaks.Suurim ava: f/1,4Väikseim ava: f/16Objektiivi ehitus: 14 elementi 11 rühmas (sh 2 ED objektiivielementi, 3 asfäärilist objektiivielementi ja nanokristallkatte või fluorkattega objektiivielemendid) Mõõtmed: Umbes 83,0 mm suurim läbimõõt × 100,5 mm (kaugus kaamera objektiivi kinnitusäärikust) Kaal: Umbes 645 gAutomaatne teravustamine: JahKaasasolevad tarvikud: LC-77 77 mm klõpskinnitusega eesmine objektiivi kaas, LF-4 objektiivi tagakork, HB-83 bajonettpäikesekaitse, CL-1118 pehme objektiivikott
70–350 mm telesuumobjektiiv; Sony G seeria tippkvaliteediga; Optical SteadyShot pildistabilisaatoriga; Kiire ning vaikse lineaarse teravustamismootoriga; Sony E bajonetiga poolkaader hübriidkaameratele
Z-kinnitusega DX-formaadis objektiivid on optimeeritud laia Nikoni Z-bajoneti suurepärase valguse kogumise võime jaoks. Need suumobjektiivid teravustavad kiiresti, vaikselt ja ühtlaselt, mistõttu need sobivad ühtviisi hästi nii video kui fotode jaoks. Mugavalt kaasaskantav NIKKOR Z DX 16-50mm f/3.5-6.3 VR on „pannkook-suumobjektiiv”, mis katab kaunilt vahemiku lainurgast portreevaateni.
Z-kinnitusega DX-formaadis objektiivid on optimeeritud laia Nikoni Z-bajoneti suurepärase valguse kogumise võime jaoks. Need suumobjektiivid teravustavad kiiresti, vaikselt ja ühtlaselt, mistõttu need sobivad ühtviisi hästi nii video kui fotode jaoks. Mugavalt kaasaskantav NIKKOR Z DX 16-50mm f/3.5-6.3 VR on „pannkook-suumobjektiiv”, mis katab kaunilt vahemiku lainurgast portreevaateni.
Kaunilt lüüriline NIKKOR Z 40 mm f/2 on igapäevane superkangelane: terav, kiire ja piisavalt väike, et seda diskreetselt kasutada - sobib suurepäraselt kõigeks alates vlogidest kuni elavate hetktõmmisteni. See särav standardne primaarobjektiiv pakub loomulikku vaatenurka, mis sobib ideaalselt siiraste portreede, intervjuude ja juhendvideote jaoks. Pildistatavad tunnevad end mugavamalt, kui näkku pole sihitud suurt objektiivi, ning see objektiiv on nii väike ja kerge, et sobib ideaalselt ka haarava esimese isiku vaatenurga filmimiseks. Lai Z-kinnitus koos objektiivi laia f/2 avaga tagab suurepärase jõudluse vähese valgustusega olukorras, olles nii ideaalne meeleolu jäädvustamiseks hämaras. Ümardatud 9 teraga ava võimaldab pehmet ja loomuliku välimusega bokeh´i: fotograafid ja filmijad saavad jäädvustada pehmelt häguse ja ülimalt kreemika taustaga pilte, mis tõstavad esile objekti. Põhifunktsioonide kokkuvõte: NIKKOR Z 40 mm f/2 Hele f/2 standardne primaarobjektiiv: 40 mm vaatenurk Z-seeria täiskaaderkaameratel. 60 mm vaatenurk Z-seeria DX-formaadis kaameral. Elutruu: objektiiv lisab fotodele ja filmidele ilusaid detaile, sügavust ja värve. Kunstiline bokeh: objektide teravustamine kauni ja kergelt häguse taustaga pole kunagi olnud lihtsam. Suurepärane lähivõtteks: minimaalne fookuskaugus vaid 0,29 m. Teravus on suurepärane isegi lähedalt vaadates. Kiire ja vaikne automaatne teravustamine: ülivaikse samm-mootori ja Z-kinnituse kogutud lisavalguse abil on teravustamine kiire, täpne ja vaikne. Video jaoks loodud: helide fookustamine ei riku videoid. Hinge kinni pidamisele keskendumist on järsult vähendatud, nii et saate reguleerida fookust võtte vaatenurka mõjutamata. Taskusse mahtuv: piisavalt väike, et seda kaamera peal hoida või mantlitaskusse libistada. Kohandatav: vaikse juhtrõnga saab seadistadafookuse, ava, särikompensatsiooni või ISO juhtimiseks. Kaitstud: suletud, et kaitsta tolmu ja veepiiskade eest.
Ideaalseks reisikaaslaseks on täiustatud DX-objektiiv, millel on suurepärane optika nii kaugelt pildistamisel kui ka lähivõtete tegemisel, mis tähendab, et seda saab kasutada igas fotograafiastsenaariumis – alates ulatuslikest maastikest kuni keerukate portreedeni. Ideaalne neile, kes nutitelefoniga pildistamisest edasi liiguvad, hõlpsasti kasutatav objektiiv ei vaja suurt kotti. See kaalub vaid 315 g ja selle 18–140 mm fookuskauguse vahemik tagab optimaalse tasakaalu suurepärase teisaldatavuse jaoks vajaliku kerge kaalu ja tüüpiliste reisistseenide jäädvustamise vahel. NIKKOR Z DX 18–140 mm f/3.5-6.3 VR toetab lisaks ülivõimsale objektiivile ka teravat ja sujuvat videosalvestust. Selle automaatne teravustamine on kiire ja toimib suurepäraselt koos Z-kaamera silmatuvastusega automaatteravustamisega, et hoida fookust täpselt seal, kus seda on vaja. Selle tulemuseks on ilusad kaadrid reisidest ja seiklustest.
Irix Cine 21mm T1.5 Canon EF Metric [ IL-C21-EF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 Canon R Metric [ IL-C21-RF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 L-mount Metric [ IL-C21-L-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
55–200 mm telesuumobjektiiv; Suurepärane kaaslane igapäevaseks kasutuseks; Sujuv ning vaikne STM teravustamismootor; Võimekas pildistabilisaator, kuni 3,5 stoppi; Canon EOS M hübriidkaameratele
Irix Cine 21mm T1.5 MFT Metric [ IL-C21-MFT-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 Sony E Metric [ IL-C21-SE-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 PL-mount Metric [ IL-C21-PL-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Professional f/2.8 super-telephoto lens with built-in teleconverter The most extreme habitats. The biggest sporting events. Fast, tough, and reliable, this full-frame 400 mm super-telephoto lens with built-in teleconverter stops at nothing to get the shot. Every ounce of your experience, every detail of your planning—make it count. PROFESSIONAL 400 MM BUILT-IN 1.4 TC F/2.8 APERTURE S-LINE QUALITY MESO AMORPHOUS COAT In pursuit of the image. Sports. Wildlife. Nature. Built to capture extraordinary images in challenging situations, this formidable lens is ready for every move. AF performance is phenomenal, and in-lens Vibration Reduction gives you a 5.5-stop advantage. You get the same amazing image quality whether you’re shooting at 400 mm or with the teleconverter activated. Built-in 1.4x teleconverter. Extend your reach to 560 mm the instant you need it. A flick of a switch on the right side of the lens is all it takes to engage the teleconverter without changing shooting posture—or taking your eye away from the viewfinder. Powerful image quality. Stills or video, the phenomenal resolving power of this lens enables incredibly sharp images. The f/2.8 maximum aperture opens up options for working creatively with shutter speeds and depth of field, and bokeh is beautifully rounded. Pitch-perfect clarity. Shooting scenes with multiple direct light sources in the frame? Nikon’s high-performance anti-reflective Meso Amorphous Coat combats ghosting and flare by eliminating incidental light coming from both diagonal and vertical directions. Unwavering AF. The NIKKOR Z 400mm f/2.8 TC VR S doesn’t do ‘almost’. Nikon’s Silky Swift VCM autofocus system with optical ABS encoder delivers phenomenally fast focusing with spot-on subject acquisition and tracking. From a hunting cheetah to a footballer’s moves, you get unsurpassed freedom to react instantly to changes in position, orientation, or velocity. Every inch the professional’s tool. Nikon’s renowned ergonomics give you every advantage out in the field. You can assign functions to the Fn buttons, the focus ring, the silent control ring—and the Fn ring. You can use the memory-set button² to save focus distances. Tough and balanced. The lens’ centre of gravity is towards the rear for more stаble operation and less strain on your posture. Sealing around all moving parts keeps dust and moisture at bay¹, and Nikon’s fluorine coating protects the front element. Exquisite detail. The optical construction boasts Nikon’s ED, Super ED, and SR glass elements, which counter chromatic aberrations. Colour, clarity, and contrast are superb. Secure and steady. The removable tripod foot allows optimum balance when the lens is attached to a tripod. A Kensington® Security Slot helps keep your lens safe. Filter ready. An integrated filter slot makes it easy to drop in filters, giving you even more control over tricky lighting situations. Lens Cap LC-K105 Lens Hood HK-42 for Z 400 f/2.8 TC S Lens Case CL-L3 Lens Strap LN-3 Slip-in Circular Polarizing Filter C-PL460
