Kõige universaalsema fookusvahemikuga Samyang AF 24-70 mm F2.8 FE objektiiv sobib väga paljudeks võtteolukordadesks. Samyang´i lineaarse STM (Stepping Motor) töö on raskete läätsegruppide liigutamisel vaikne, kiire ja täpne. Videovõtetel saate fookuspunkti üleminekud muuta sujuvateks ja filmilikeks. Fookuspunkti saate suumimisel hoida muutumatuna (par-focal function) ning „focus breathing“ fookuskauguse muutmisel on viidud miinimumini. Teravustamisrõnga tunnetus käsitsi teravustamisel on viidud võimalikult lähedaseks käsitsi teravustatavate objektiivide liikumisele, et videovõtetel säiliks teile juba sisse harjunud tunnetus. The new 24-70 is adapted for many different types of situations with requirements for high image quality. It´s a versatile lens that works great for portraits, landscapes and lifestyle. With Samyang´s linear STM (Stepping Motor) it satisfies both photographers and videographers by quieter and more accurate control of large and heavy focusing lens groups. It operates fast yet quietly and smoothly in video recording and provides cinematic transitions. The Par-focal function maintains the focus on the subject when zooming in/out and minimizes focus breathing. The linear MF control provides convenience to video shooters by realizing the torque of the focus ring as closely as possible to that of a manual video lens when shooting video in manual mode. Thanks to an advanced optical construction that consists of 17 elements in 14 groups (2 ASP, 1 H-ASP, 3 HR and 3 ED) the lens will provide a stunning image quality with great corner-to corner sharpness. The lens uses a large f/2.8 aperture to provide smooth background blur and effectively separates the subject and the background using a shallow depth of field to capture a unique image of an ultra-wide angle in which the background is compressed. The 9 blades create a smooth and natural bokeh. The housing is made of lightweight aluminium and weight is 1027g without lens hood. Weather sealing protects the lens and ensures that you can use it even in harsh weather conditions. The focus ring has a micropattern texture to give the user a great grip and feels good to operate. On the side of the lens is a custom switch that lets the user adjust the aperture with the focus ring. Using the Lens Station, you can sеt different function to the switch (more functions will be added trough firmware update in the future). Key specifications: Great image quality f/2.8 thru entire zoom range Weather sealed Works great for both video and photo
See G-seeria lainurk fiksobjektiiv pakub oma kompaktses ja kerges keres ülimat pildikvaliteeti ja kaunist bokeh efekti. Kiire, täpne ja vaikne automaatne teravustamine on ideaalne nii piltide kui ka filmide tegemiseks.Intuitiivne, metallist disain ja selge optikaAlumiiniumist korpus ja päikesevarjuk ning sisse graveeritud sümbolid objektiivil rõhutavad suurepärast koostekvaliteeti. Ülimalt kompaktne ja kerge disain, G-seeria kõrge pildikvaliteet, ava rõngas ja lineaarne fokuseerimine tagavad intuitiivse juhitavuse, mis muudab pildistamise nauditavaks.Terav ning selge kujutis kogu kaadri ulatusesKolm asfäärilist elementi, kaasaarvatud üks Sony ED element kombineeritud tipptasemel objektiiviks - niimoodi kompenseeritakse pildimoonutused ning aberratsioonid, saades esmaklassiline pildikvaliteet kaadri keskel ning äärealadel.
The NIKKOR Z 70-180mm f/2.8 - a telephoto zoom lens that is compatible with full-frame/FX-format mirrorless cameras for which the Nikon Z mount has been adopted. The NIKKOR Z 70-180mm f/2.8 is a telephoto zoom lens that covers a full range of focal lengths with a constant fast maximum aperture of f/2.8. Compact and lightweight with a total length of approximately 151 mm* and a weight of approximately 795 g, it can easily be taken anywhere despite being a fast telephoto zoom lens. The fast f/2.8 maximum aperture, combined with the large bokeh and compression effect that are characteristic of a telephoto lens, supports impressive portrait photography. The NIKKOR Z 70-180mm f/2.8´s ability to take in a large volume of light enables sharp capture of moving subjects with less blur and noise, even in low-light conditions — for example, when shooting indoor sporting events. Users can also enjoy changing the feel of their images from the soft rendering achieved at maximum aperture to sharp and clear rendering of the finest details by stopping down the aperture. The adoption of a stepping motor (STM) enables fast autofocusing. In addition, the autofocus can also be used when shooting close-up. With a minimum focus distance of just 0.27 m at the maximum wide-angle position and a maximum reproduction ratio of 0.48x, the NIKKOR Z 70-180mm f/2.8 can be used to shoot close-ups of flowers and animal faces that fill the frame — for both stills and video. With just this single lens, users are able to explore a highly diverse range of creativity. The NIKKOR Z 70-180mm f/2.8 joins the NIKKOR Z 17-28mm f/2.8 and the NIKKOR Z 28-75mm f/2.8 in a series of affordable zoom lenses that provide f/2.8 maximum aperture options to photographers looking to expand their imaging expression. Use of the Z TELECONVERTER TC-1.4x or Z TELECONVERTER TC-2.0x extends the maximum focal length to 252 mm or 360 mm, respectively. When the Z TELECONVERTER TC-2.0x is attached, the maximum reproduction ratio is 0.96x, which is close to life-size reproduction. Close-up shooting with autofocusing at a minimum focus distance of just 0.27 m (at the maximum wide-angle position) is possible. This fast telephoto zoom lens is compact and lightweight enough to be taken anywhere.
Üks objektiiv igaks olukorraksTamron 17–50 mm f/4 Di III VXD objektiiv katab mitmekülgse suumivahemiku ülilaiast kuni standard fookuskauguseni, võimaldades kasutada üht objektiivi igas olukorras. Alates avaratest maastikest kuni juhuslike hetkede ja portreede pildistamiseni – kõik see on võimalik ühe kompaktse objektiiviga. Laias otsas on objektiivi lähim pildistamiskaugus 0,19 m ja teleotsas 0,3 m. Veelgi enam, pidev f/4 ava kogu ulatuses muudab selle ideaalseks mitte ainult piltide, vaid ka videote tegemiseks. 17–50 mm f/4 avardab dramaatiliselt väljendusvõimalusi, sillutades teed täiesti uutele loomingulistele kogemustele.Täiustatud optiline jõudlus rikkaliku bokeh-efektigaTamron 17-50 mm f/4 optiline konstruktsioon koosneb 15 elemendist 13 rühmas. Spetsiaalsete läätseelementide täpne paigutus, sealhulgas kolm LD, üks GM ja kaks hübriidset asfäärilist elementi, summutavad tõhusalt kromaatilisi ja muid aberratsioone. Täiskaadri eraldusvõime koos selguse ja teravusega ning rikkalik bokeh viivad Sind täiuslikule võttele lähemale.Kompaktne, kerge korpus ja sisemine suum mugavaks pildistamiseks17–50 mm f/4 kaalub vaid 460 g ja on 114,4 mm pikkuse juures üsnagi kompaktne. Tänu sisemisele suumimehhanismile on foto ja video tegemisel fookuses hoidmine ning stabilisaatori kasutamisel tasakaalustamine väga lihtne. Tamron 17–50 mm f/4 hõlmab ka niiskuskindlat konstruktsiooni ning fluorikihti esi- ja tagaobjektiivi pinnal, mis tagab vastupidavuse looduskeskkondades.
HOYA Variable Density II is a density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400). The difference with the previous HOYA Variable Density filter is the newly designed rotatable frame with convenient knob, allowing for better operation.Variable density filters are widely used because they can replace a set of solid ND filters by providing a range density that can be adjusted according to the desired exposure settings. In still shooting, variable density filters lower the shutter speed according to the photographer’s intentions when the shutter speed cannot be lowed due to camera limits. Variable density filters can also increase the amount of boke when shooting in the over-lit conditions, thus, preventing the image from overexposure.In video shooting, it is fundamental to keep the shutter speed fitting the frame rate setting. That is, to keep it equal to double the frame rate for optimal results. This is because, unlike still photography, an excessively fast shutter speed may create a jarring effect and produce afterimages that will not look good in the final video.By using variable density filters, the shutter speed can be adjusted to the proper value to get that natural and smooth looking motion requested in video footages.Be aware that when the filter is attached to the lens, the lens cap size becomes one size bigger. So if your lens has a filter thread size of 77mm, you will require an 82mm lens cap. The widened front filter frame has been designed on purpose to avoid vignetting.
Objektiiv, mis katab kõik fookuskaugused lainurgast ülitelefotoniTamron 18-300mm f/3.5-6.3 Di III-A VC VXD pakub erakordselt laia fookuskauguste vahemikku, ulatudes umbes 27 mm-st kuni 450 mm-ni (35 mm ekvivalent). Tegemist on esimese APS-C hübriidkaameratele mõeldud 16,6× suumiga objektiiviga, mis ühendab endas kõik universaalse suumobjektiivi eelised ning sobib paljudeks erinevateks fotograafiarakendusteks. Hoolikalt tasakaalustatud optiline ehitus koos spetsiaalsete klaasielementidega tagab kogu suumivahemikus kõrgeima pildikvaliteedi – teravus püsib kõrge keskpunktist pildiservani.Hämmastav lähivõimekus suhtega 1 : 218 mm fookuskauguse juures on lähim teravustamiskaugus vaid 0,15 m, mis võimaldab erakordselt detailseid lähivõtteid suurendussuhtega kuni 1 : 2 – see ületab paljude teiste sarnaste suumobjektiivide suutlikkuse.Üks suumobjektiiv – lugematu hulk võimalusiOlgu tegemist avarate maastike või detailirohke arhitektuuriga – 18-300mm katab kõik vahemikud. See teeb sellest objektiivist suurepärase tööriista ka portreefotodeks ja lähivõteteks.Oma klassi parim autofookus VXD tehnoloogiagaObjektiivi autofookussüsteem põhineb Tamroni VXD (Voice-coil eXtreme-torque Drive) lineaarmootori tehnoloogial, mis tagab kiire ja täpse teravustamise. Isegi 300 mm teleasendis liigub fookus lähimast teravustamispunktist lõpmatuseni väga kiiresti. Kuna automaatteravustamine töötab peaaegu hääletult, sobib objektiiv ideaalselt ka videovõteteks ja olukordadesse, kus vaikus on hädavajalik.VC pildistabilisaator teravateks fotodeksTamroni VC (Vibration Compensation) süsteem aitab kompenseerida kaamera liikumist kehvades valgusoludes – näiteks siseruumides või pärast päikeseloojangut. Lisaks kasutab objektiiv kuni 70 mm fookuskaugusel tehisintellektil põhinevat stabiliseerimisalgoritmi, mis optimeerib video salvestamisel stabiilsuse.Zoom Lock mehhanismZL-mehhanism hoiab ära objektiivitoru soovimatu pikenemise transportimisel. Lülitiga aktiveeritav lukustus kaitseb objektiivi vigastuste eest ja tagab kiire kasutusvalmiduse.Niiskuskindel konstruktsioonObjektiiv on pritsmekindel – kõik olulised osad on tihendatud, mispärast sobib see ideaalselt välitingimustes ja kehvades ilmastikuoludes pildistamiseks.Fluoriiniga kaetud esiläätsEsilääts on kaetud fluoriinkattega, mis tõrjub vett ja õli, takistades mustuse ning sõrmejälgede kinnitumist. Puhastamine on lihtsam ja kiirem.5 aastat lisagarantiidTamroni objektiivid on alati olnud tuntud oma suurepärase kvaliteedi poolest ja seetõttu võid mistahes Tamroni objektiivi ostul nende käest julgelt taotleda tasuta 5-aastast pikendatud tootjagarantiid.Selleks tuleb Sul minna Tamron Warranty lehele ja objektiiv registreerida kahe kuu jooksul alates ostukuupäevast.
Apodisatsioonifilter teeb portreefotod veel paremaksFujinon XF-56mm f/1.2 R APD objektiiv pakub uskumatut teravust ka f/1.2 avaga pildistades, samas luues lummavat bokeh efekti ning pehmemat joonist väljaspool teravutamispunkti. See on saavutatud tänu unikaaldele apodisatsioonifiltrile, mis on lisatud objektiivi - väikese valguskaoga saavutatakse efekt, kus taustal olevad subjektid joonistatakse veel pehmemalt, kui klassikalisel viisil oleks võimalik.Objektiivi konstruktsioon on 11 klaaselementi 8 grupis, millest üks on valatud klaasist asfääriline element ning kaks eriti madala dispersiooniga elementi. Asfääriline klaas korrigeerib sfäärilist aberratsiooni ning tagab maksimaalse lahutusvõime ning teravuse. Eriti madala dispersiooniga elemendid samas vähendavad kromaatilise aberratsiooni pea miinimumini.Kõik objektiivi pinnad kasutavad Fujifilmi unikaalset HT-EBC (High Transmittance Electron Beam Coating) vääristust, mistõttu on sisepeegeldused ning varikujutised viidud miinimumi ning pildikujutis ka raskemates valgusoludes terav ja selge.Kasutades seda objektiivi koos LMO (Lens Modulation Optimizer) tehnoloogiaga varustatud X-seeria hübriidkaameraga, korrigeeritakse ka difraktsioon ning saavutatakse kaadri servast servani maksimaalne teravus ning luuakse realistlikum kolmedimensiooniline efekt.Autofookus ning apodisatsioonifilter ühes seadmesSiiani ei olnud loodud ühtegi objektiivi, millel oleks integreeritud apodisatsioonifilter ning ka täpne, toimiv automaatne teravustamine. Fujinon XF-56mm f/1.2 R APD lahendab selle probleemi - kasutades seda objektiivi koos X seeria hübriidkaameratega (millel kontrastituvastusega automaatne teravustamine), saate pildistada ka autofookust kasutades.Kvaliteetne disain, mugav kasutadaApodisatsioonifilter annab parima tulemuse just suurtel avadel pildistamisel. Võimaldamaks suuremaid avasid ka eredates valgusoludes, on sellel objektiivil ka integreeritud kolmeastmeline neutraalhall filter. Apodisatsiooniefekti visualiseerimiseks ning neutraalhalli filtri t
For full-size and APS-C e-mount cameras; High brightness: F1.4; Direct drive SSM AF motor; Ideal for photo and video recordings.; Dust and moisture proof; Intuitive bezel ring with optional click mechanism
8–16 mm lainurk-suumobjektiiv; Valgusjõuline - läbiva f/2.8 avaga; Kiire ning vaikse teravustamismootoriga; Tolmu- ja pritsmekindel; Fujifilm X-seeria hübriidkaameratele
Lainurgast teleobjektiivini, kattes ära vahemiku 27 mm kuni 206 mm (35 mm ekvivalendina) See objektiiv sobib kasutamiseks väga paljudes erinevates situatsioonides, kattes ära enimkasutatud fookuskaugused. Alates laiast vaatenurgast arhitektuuri või maastiku pildistamisest 27 mm* asendis, normaalasendis naturaalse perspektiiviga (35 mm*, 40 mm*, 50 mm*) ning lõpetades teleasendiga portreede pildistamiseks (85 mm*, 135mm*) ning spordiürituste jäädvustamiseks (200 mm*). Seda kõike ühe 7,5× suumiga objektiivis. Selleks, et saavutada nii paindlik ning mitmekülgne, samas eeskujuliku optilise kvaliteediga objektiiv, kasutati selle objektiivi optilises konstruktsioonis nelja asfäärilist klaasi, kahte madala dispersiooniga elementi ning ka mitmekihilist HT-EBC vääristust. * 35 mm ekvivalendina Ilmastikukindel struktuur Objektiiv on loodud igas aspektis vastu pidama erinevatele ilmastikutingimustele. Seetõttu on objektiivis 20 erinevat tihendit, hoidmaks sisemuse kuival vihmas ning tolmus. Kiire ning vaikne teravustamine XF18-135mmF3.5-5.6 R LM OIS WR kasutab sisemist lineaarset teravustamismootorit, mis tagab ülikiire teravustamise faasituvastusega sensoriga X seeria kaamera ees. Lisaks on mootor ka ülivaikne, mis võimaldab omakorda pildistada linde ja muid arglikke loomi ning loomulikult ka üritustel, kus on vaja müra minimaalsena hoida. Eeskujulik 5-stopine stabilisaator Objektiivis on kaks asendisensorit, mis tuvastavad liikumist ning lisaks ka parendatud algoritmid. Tulemuseks on stabilisaatorimehhanism, mis lubab pildistada statiivi kasutamata isegi kuni 5 astet pikema säriajaga, kui tavaolukordades oleks võimalik.
85 mm kvaliteetne lühike telefiks; Valgusjõuline - f/1.4 maksimaalne ava; Käsitsi teravustamine; Lummav bokeh, perfektne porteefotograafiaks; Nikon Z bajonetiga kaameratele
70–300 mm telesuumobjektiiv; f/4 – f/5.6 avaga; Kiire ja täpne lineaarne mootor; Võimekas pildistabilisaator, kuni 5,5 stoppi; Fujifilm X-seeria hübriidkaameratele
Kompaktne ja kerge 50 mm f/1.8 standardobjektiiv saavutab oma hinda ületava pildikvaliteedi. 50 mm objektiiv on võrdlemisi universaalne, kuna sellega pildistades on perspektiiv sama, nagu inimene oma silmadega maailma näeb. Seetõttu on selle objektiiviga tehtud pildid loomutruud.
NIKKOR Z DX 24mm f/1.7 - erksad, teravad fotod ja videod ilusalt uduse taustaga. Pildista vähemas valguses, kui tüüpiline KIT-objektiiv või nutitelefon. Püüa kinni rohkem detaile madalamate ISO seadetega ja vähenda liikumisudu kiiremate särikiirustega. Mitmekülgne lai vaateväli. NIKKOR Z DX 24mm f/1.7 jäädvustab peaaegu sama vaate nagu 35mm täiskaadri objektiiv, mis on üks populaarsemaid fookuskaugusi oma loomuliku, tuttava perspektiivi ja mitmekülgsuse tõttu. The NIKKOR Z DX 24mm f/1.7 lens is fast, sharp, brilliant up close, and a great performer in low light. Compact and versatile, it’s the perfect prime lens for vibrant everyday photography. Weighing just 135 g (approx.), the NIKKOR Z DX 24mm f/1.7 pairs with Nikon Z DX cameras to create a super-compact kit that’s comfortаble to carry and beautifully flexible. Wide but not too wide, the lens’ 24 mm fixed focal length gives an angle of view equivalent to 36 mm on a full-frame (FX) camera: Nikon Z DX shooters will get incredibly close to a classic 35 mm perspective, which offers superb framing flexibility and is great for landscapes, street photography, portraits, and more—as well as video. With its f/1.7 maximum aperture, short 0.18 m minimum focus distance, and large, natural-looking bokeh, this lens’ creative credentials are impressive. Users can easily capture crisp shots of low-light situations or use faster shutter speeds to freeze motion, and they can create a real sense of depth by making subjects stand out against beautifully blurred backgrounds. For close-ups, users can capture sharp shots when the front of the lens is just 12.4 cm away from a subject: combined with the shallow depth of field possible at f/1.7, photos of subject details and close-up video footage will mesmerize. Summary of key features: NIKKOR Z DX 24mm f/1.7 24 mm DX mirrorless prime lens: great for landscapes, street photography, portraits, and more. Gives an angle of view equivalent to 36 mm on a full-frame (FX) camera. Move closer and fill the frame with a subject, or stay where you are to bring in elements of the background and create images with more context. Fast f/1.7 maximum aperture: combines with the large Z mount to let in more light: keep ISO low and capture crisp low-light shots, or use faster shutter speeds without sacrificing brightness. Large, natural-looking bokeh: shoot wide open at f/1.7 to make subjects and portraits pop, or give photos and videos a real sense of depth. Fast, silent autofocus: powered by a quiet stepping motor. Sharp up close: a minimum focus distance of just 0.18 m enables sharp shots when the front of the lens is just 12.4 cm away from a subject. Great for video: with a perspective that’s close to the classic 35 mm view favoured by filmmakers, this is a great little prime lens for video too. It’s beautifully quiet, and focus breathing is suppressed. Lightweight, compact, and protected: weighs just 135 g (approx.) with a compact dust- and drip-resistant build. Included lens hood that accepts filters: the Nikon HN-42 lens hood helps prevent ghosting and flare when shooting. It’s also possible to attach 46 mm filters to the hood.
Megapikslite arv:60; Maksimaalne resolutsioon:11008 X 5504; Diafragma:F2.4; Pildistabilisaator (pildistamine):Optiline; Video maksimaalne resolutsioon:5760 x 2880; Aku:DB-110
NIKKOR Z 35mm f/1.4. Compact, fast, and sharp, this 35mm full-frame prime lens is always ready to respond to the moment with a classic perspective! It’s ideal for street photography as well as travel reportage or events—and it’s perfect for shooting video too. Both photographers and video shooters will enjoy real flexibility to work creatively with natural light, and boundless portability from the lightweight build. Few lenses are as versatile as a fast 35mm prime and the NIKKOR Z 35mm f/1.4 is the first Nikon Z lens to boast a creative f/1.4 aperture, which allows real flexibility when shooting with available light. Photographers and video shooters can shoot wide open at f/1.4 and be rewarded with large, beautifully soft bokeh, perfect for candid or environmental portraits that set a subject apart—as well as creative backlit shots. Low-light scenes can be captured with stunning clarity and sharpness, and faster shutter speeds can be used to freeze action without sacrificing brightness. Whether drawn to visual compositions or narrative depth, street photography thrives on the unexpected—and the NIKKOR Z 35mm f/1.4 lens is primed to nail the instant that the elements come together. Always quick to react, its autofocus is beautifully smooth and steady, and a close focusing distance of just 0.27 m gives users plenty of scope to take a step forward and fill the frame with sharp shots of intriguing details, or record video in tight spaces. In addition, this 35mm full-frame lens boasts a lightweight build and is carefully sealed, which is an advantage for anyone who wants the freedom to walk further and explore what’s around the next corner, no matter the weather.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filter means precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters helps much to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Among the varieties of ND filters from ND2 to ND1000 even ND100000, we can generally categorize ND filters into 3 basic groups: Light density filters (ND2 – ND8) Middle density filters (ND16 – ND200) Deep density filters (ND500 – ND1000 / ND100000) Light density filters will lower the shutter speed in the bright sunny day to allow you to reduce depth of field in very bright light or to use a wider aperture to stay below the diffraction limit. For example, these filters are necessary to shoot with your fast lenses like F1.4 or F1.2 with aperture wide open for softer and more beautiful bokeh.Middle density filters will help you to add motion blur to the object in the conditions that generally will not allow camera shutter speed to do so.If you are for more creative shots that are based on extremely slow shutter speeds - deep density filters are to be suggested. ND filters like ND500 or ND1000 will help to capture dramatic unreal fantasy world that cannot be seen by the human eye.Color shift issue solutionHOYA offers its own exclusive and wide lineup of ND filters that are branded into PROND EX series for both photographers and filmmakers. PROND EX filters adopt HOYA's clear optical glass that is mounted into a lightweight, precisely crafted aluminum frame. The frame has front filter threads so you can attach additional filters or a lens cap.Thanks to ACCU-ND technology that puts HOYA ND filters far ahead from other brands the image undergoes no negative affect from color shift that may occur due to low-quality materials, poor manufacturing QC, or issues with leaking of the Infrared band of the light spectrum. The last problem is the most important nowadays in photography and videography.HOYA's exclusive ACCU-ND technology achieves equal reduction of the light in visible and IR spectrums. As a result the photographer may not fear any issue with color shift when using HOYA ND filters in different shooting conditions.PROND filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinations of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.
