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Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 6X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 6-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

The HOYA's Sq100 square filter system aims to give photographers the means and freedom to fully express their creativity and to realize their artistic goals to the fullest. The Sq100 square filter system comes with many advantages: Adapter rings for various sizes allow the photographer to use the system with a wide range of lenses with all kinds of thread sizes. This makes the square filter system a great long-term investment, as it is not necessary to buy the same filter multiple times for different sizes. As square filters are usually larger than the front glass element of the lens, the chance for vignetting is reduced to a minimum, even when stacking filters. Stacking filters is more effective with a square filter system as it can carry up to three square filters in addition to the polarizer. Switching filters is faster and easier than with stacked round filters. Filter holders can be rotated, giving the photographer the option to reposition the line of graduated ND filters. The line can also be adjusted vertically with a filter holder. The HOYA Sq100 square filter system features a sophisticated filter holder kit and a line of high-quality filters, making it a recommendation especially for advanced and professional photographers in the field of landscape and cityscape photography. HOYA SQ100 holder kitThe Sq100 holder kit includes a holder, a polarizer and two geared adapters that fix the polarizer inside the holder and attach it to the lens. The holder's precise slot system can carry two square filters in addition to the polarizer with an optional slot for a third square filter (included in the kit). The body is made of aluminum for optimal durability while being still light-weight. A black gasket on the edge of the inside holder ring as well as a gapless design of the slots minimize light leak. The holder with the attached filters can be rotated, giving the photographer more creative opportunities, such as adjusting the border angle of a graduated ND filter.The circular polarizer can be rotated inside the frame for perfect reflection and saturation control. With its large diameter of 86mm, the polarizer filter won't cause any vignetting with most lenses. HOYA's special water repellent multi-coating is applied to the polarizer's optical glass, making cleaning easy and stress-free.The polarizer adopts a high transparency polarizing film for fast shutter speed. This translates to no less than nearly 1/2 stop more light entering the lens while yielding the same polarization effect. An absolute must for shooting in low light conditionsHow to attachFor using the polarizer, screw it into the geared adapter and attach the geared adapter to the lens. When attaching the Sq100 holder to a lens with an 86mm filter size, use the 86mm-86mm geared adapter. When using the system with an 82mm filter size lens, use the 86mm-82mm geared adapter. For other lens sizes, use the adapter rings which are available in all common sizes.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

Kaamera bränd:CANON; Objektiivi tüüp:Tavaline Zoom; Fookuskaugus:20; Kinnitus:Canon EF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LAOWA; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:24; Kinnitus:Arri PL; Garantii füüsilistele isikutele:2 aastat

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:Muu; Objektiivi tüüp:Standard; Fookuskaugus:40; Kinnitus:Leica M; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:LEICA; Objektiivi tüüp:Standard; Fookuskaugus:35; Kinnitus:Leica M; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LAOWA; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:14; Kinnitus:Arri PL; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:CANON; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:28 - 75; Kinnitus:Arri PL, Canon EF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LAOWA; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:12; Kinnitus:Arri PL; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:NIKON; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:15; Kinnitus:Nikon Z; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:NIKON; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:12; Kinnitus:Nikon Z; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LAOWA; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:10; Kinnitus:L-Mount; Garantii füüsilistele isikutele:2 aastat

Canon RF 50mm f/1.4 L VCM

Based on Leica Camera AG's strict quality standards 200-800mm ultra-telephoto zoom lens with a compact, lightweight design (35 mm equivalent) Excellent close-up performance with a closest focusing distance of 1.3m and a maximum magnification 0.5× (35mm equivalent) POWER O.I.S. stabilization Splash, dust, and freezeproof design LEICA DG Lens — ultimate opticsOpt for a LEICA DG lens and get the ultimate in optical quality and performance. They naturally meet the strict quality standards set by Leica Camera AG. Thanks to the sophisticated design of these lenses, you will enjoy brilliant clarity all the way to the edges of your photos. At the same time, distortions of all kind are prevented to enable precise, sharp picture rendering. This means you have the ideal tool for pro-level images in the palm of your hand.Get closer to your subjectWhether zooming in, shooting close-up or shooting on the move, this lens gives you the freedom to capture even challenging subjects. The 100-400m ultra-telephoto zoom (35mm camera equivalent: 200-800mm) captures faraway action like it’s right in front of you, while the compact, lightweight design provides optimal mobility. In addition, a zoom lock ring, the capability to switch from vertical to horizontal composition, and other features offer superb flexibility for everything from sports to nature photography.Teleconverter readyThe maximum focal length can be extended up to 800mm (35mm camera equivalent: 1,600mm) with the optional DMW-TC20 teleconverter.Superb close-up performanceWith a closest focusing distance of 1.3m and maximum magnification of 0.5×, this lens is a powerful instrument for nature photography, allowing you to zoom in on small, sensitive subjects like birds and butterflies. With the DMW-TC20 attached, 1× life-size macro photography is also possible.Lens constructionThe optimized configuration has 20 elements in 13 groups, including 1 ASPH/ED, 1 UED and 2 ED lenses to minimize aberrations and ensure superb resolution.O.I.S. for ultra-sharp photosCapture what you see on the spur of the moment. Optical image stabilization (O.I.S.) technology built directly into the lens ensures your photos will look great, with sharp, blur-free contours across the entire image.Dust, splash and freeze-resistant designThis lens is designed to keep shooting in the toughest conditions thanks to its dust- and splash-resistant construction and allowing you to shoot in temperatures as low as -10 °C.Ideal for video recordingThe lens offers fast, accurate autofocus and smooth aperture changes, critical for the modern content creator, allowing you to record beautiful 4K video and stills without disturbing your subject.

Kerge, kompaktne standardne lainurkobjektiiv (must) kõrge eraldusvõimega, X-kinnitusega, 39 mm filtri läbimõõduga, minimaalne teravustamiskaugus vaid 20 cm, lineaarmootoriga, ilmastikukindel, komplektis objektiivivarjuk ja ...

Viltrox AF 26mm F/2.8 EVO Nikon Z | 170g | 25,8mm Õhuke | STM Autofookus | Avaring | 0,2m MFD | HD Nano Kate | Magnetkork | Täiskaader 26mm – “looduslikuma” vaatenurgaga lainurk 26mm fookuskaugus on haruldane valik: enamik tootjaid teeb 24mm (lai lainurk), 28mm (kergelt lai) või 35mm (“normaalne lainurk”). 26mm jääb 24mm ja 28mm vahele – kompromiss, mis toob spetsiifilise pildikogemuse: Fookuskaugus Vaatenurk Iseloom 24mm ~84° Lai, selgelt lainurk 26mm (Viltrox EVO) 81,2° Laiane, kuid looduslik – ei “moonuta” perspektiivi liigselt 28mm ~75° Kerge lainurk 35mm ~63° “Normaalne” lainurk 50mm ~47° Inimsilma perspektiiv 26mm-ga on ruumi tunne naturaalne – pilt on laiam kui 35mm, kuid perspektiivimoonutused (sirgete joonte kumerdumine) on märgatavalt väiksemad kui 24mm-ga. See on tänavasefotograafia, keskkonnaportrée ja reisifoto “kuldne kesktee”. 25,8mm ja 170g – pankoogi formaadis prime Viltrox AF 26mm F/2.8 EVO on EVO seeria kõige kompaktsem objektiiv: Mõõt Väärtus Läbimõõt Ø69,4mm Pikkus 25,8mm Kaal ~170g 25,8mm sügavus tähendab, et objektivil on pankook (pancake) proportioonid – see ulatub kaamera esipinnast välja vaid 2,6 sentimeetrit. Nikon Z kaameraga (nt Zf, Z6 III, Z5 II) moodustab see duo, mis mahub suurde taskusse. 0,2m lähiteravustamine – 20 sentimeetrilt fookusesse Minimaalne teravustamiskaugus 0,2m on see objektiiv, mis läheb tõeliselt lähedale: 20 sentimeetrit – see on ligikaudu A5-leheküljeformaadi kaugus. Maksimaalse suurendusega 0,2x tähendab see, et 26mm-ga on teostav poolmakro – lähifotod detailidest, toidufotograafia lähivõtted, tekstuurid, taimed, väikesed esemed. Võrdluseks: paljudel lainurk-prime’idel on MFD 0,25–0,35m. 0,2m on väärtus, mille puhul hea lähivõtte saamiseks ei pea eraldi makroobjektiivi ostma. Optiline skeem: 8 elementi 6 grupis, aspherical + HD Nano Optiline konstruktsioon: Aspheeriline element on optilise arvutuse teel optimeeritud kumer/nõgusa pinnaga lääts, mis korrigeerib sfäärilist aberratsiooni (pildi teravuse langus servade poole) ja moonutusi. Kaks aspheerilist elementi 26mm F2.8 mahus on märk, et Viltrox on panustanud pildikvaliteeti, mitte lihtsalt suurust. HD Nano mitmekordsest kihist kate: STM + Gear Type autofookus – sujuv ja vaikne STM (Stepper Motor / samm-mootor) on autofookuse mootor, mida kasutatakse laialdaselt videofokuseerimiseks: Gear type (hammaslüli) ühenduses STM-ga annab jõuülekande, mis võimaldab täpsemaid väikesi liigutusi fookustsooni piirimail – teravustamine lähedalt kaugele on libe ja ennustatav. Full-group focusing — kogu objektiivi optiliste elementide grupp liigub koos teravustamisel. See lähenemine on kompaktne ja mehhaaniliselt lihtne. Fookus vahemik: 0,2m kuni lõpmatus. Avaring – otsene ava kontroll Avaring on füüsiline rõngas objektiivil, mis võimaldab ava (F2.8 kuni F16) otse reguleerida – ilma kaamerapühendusnuppe vajutamata: USB-port – püsivara uuendused Objektiivil on USB-port, mis võimaldab: See tähendab, et Viltrox saab pärast müüki objektiivi AF-jõudlust parandada uute Nikon Z kameraversioonide ilmumisel.

Jagades tiitlit kõige suurema avaga objektiivile, on EF 50 mm f/1.2 L USM tõsine tööriist hämaras pildistamisel, teravussügavuse kontrolli all hoidmisel, ning pildistamisel siseruumides ilma välklambita.

"Gauss" tüüpi disaini ja kahe kõrge refraktsiooniga klaasläätsega minimiseeritakse peegeldused, mis tekivad suurt ava kasutades, ning kaotatakse pea täielikult astigmatism. Lisaks sellele saavutatakse parema kvaliteediga terav fookus, ning ...

50 mm laiapertuuriga standardne objektiiv kvaliteetse optika ja Nikoni eksklusiivse funktsiooniga Silent Wave Motor (SWM) ülivaikseks töötamiseks. Sisaldab f/1,4 maksimaalselt suurt apertuuri, mis tagab ereda pildiotsija pildi ja on ideaalne ...

Kompaktne ja taskukohase hinnaga objektiiv, mis on ideaalne igapäevaseks kasutuseks standard-zoomobjektiivina. 4-astme pildistabilisaator võimaldab mugavalt pildistada ka kehvades valgusoludes.

Ekstreem-lainurk, suure avaga objektiiv revolutsioonilise optilise lahendusega. See tähelepanuväärne professionaalne objektiiv sisaldab nanokristallkatet varikujutise ja peegeldusefektide vähendamiseks ning pakub ühtlast teravuskvaliteeti, mis võib ...

Kompaktne ja universaalne 5-kordse suumiga objektiiv, mis on mõeldud kasutamiseks Nikoni FX-formaadis ühe objektiiviga peegelkaamerates. Täiustatud kõrge optilise jõudluse, pideva f/4 ava ja universaalse 24−120 mm fookuskaugusega. Nikoni teise ...

M.ZUIKO DIGITAL 17mm 1:1.8 (34mm*) objektiiv tagab, vaatamata oma kergele kaalule ja kompaktsetele mõõtmetele, silmapaistvalt hea pildikvaliteedi. Objektiivi 1:1.8 suur ava võimaldab jäädvustada kaunilt hägustatud taustaga võtteid ning pildistada ilma statiivi kasutamata ka hämaras valguses – seejuures on abiks uusimates Olympus Micro Four Thirds System kaamerates kasutusel olev pildistabilisaator. Lisaks suurele 1:1.8 avale, on sellel esmaklassilisel Micro Four Thirds süsteemi lainurk-objektiivil unikaalne mehhanism hetkvõtete fokuseerimiseks, nii videote kui ka piltide jäädvustamisel (MSC) toimiv autofookus, ning spetsiaalne ZERO vääristus, mis tagab kõrgkvaliteetsed tulemused.

Suurepärane sooritusvõime ning kompaktne disain teeb sellest objektiivist ideaalse kaaslase igapäevaseks kasutamiseks. See objektiiv sobib erinevateks otstarveteks - portreepiltidest kuni öövõteteni tänu suurele avale. Optika on disainitud vähendamaks kromaatilist ning sfäärilist aberratsiooni ka täisavaga pildistades. Lõpptulemuseks on selged ning teravad pildid ning videod, mida aitab veel selgemaks siluda integreeritud pildistabilisaator.Komplektis objektiivikorgid ning päikesevarjuk ALC-SH112.

See objektiiv katab kõige "magusama" teleobjektiiv vahemiku - alates 70mm portreeobjektiivist, lõpetades 200mm teleobjektiivist kaugemate subjektide jäädvustamiseks., Objektiivist õhkab Sony G seeria kvaliteeti, andes ...

Kiire FX-formaadis põhiobjektiiv ülilaia fookuskaugusega 20 mm ja ereda suurima avaga f/1,8. See on põnev aparaat loomingulistele fotograafidele, kes soovivad perspektiivi võimendada., Tipptasemel optika ja kompaktse kerge ...

Parim pildikvaliteet, Mugavalt kaasaskantav, ZERO (Zuiko Extra-low Reflection Optical) vääristus peegelduste vähendamiseks, Telesuum, mis tagab kõrgeima pildikvaliteedi, Supersonic Wave Drive autofookuse mootor, ...

Sony FE PZ 28-135 mm F4 G OSS. Lens type: Standard zoom, Aperture range (F-F): 4 - 22, Focal length range (f-f): 28 - 135 mm. Maximum magnification: 0.15x. Colour of product: Black. Diameter: 10.5 cm, Filter size: 9.5 cm, Length: ...

Sony Vario-Tessar T* FE 16-35 mm F4 ZA OSS. Aperture range (F-F): 4 - 22, Focal length range (f-f): 16 - 35 mm. Maximum magnification: 0.19x. Filter size: 7.2 cm. Lens system: Vario-Tessar T* FE 16-35 mm F4 ZA OSS

Professionaalne pildikvaliteet igasugustes tingimustes, Ülikiire automaatne fokuseerimine, ZERO (Zuiko Extra-low Reflection Optical) vääristus peegelduste vähendamiseks, Professionaalsetele nõudmistele vastav tolmu-, pritsme- ja ...

Adapt SIGMA Canon mount to Sony FE system; Easy to use interface, updatable with USB Dock

E-Mount Lens/Full-Frame Format, Aperture Range: f/2.8 to f/22, Distagon Optical Design, Four Aspherical Elements, Seven Special Glass Elements, Floating Elements System, Zeiss T* Anti-Reflective Coating, OLED Display for Focus ...

85mm kvaliteetne lühike telefiks; Valgusjõuline - f/1.4 maksimaalne ava; Vaikne ning kiire SSM teravustamismootor; Lummav bokeh, perfektne porteefotograafiaks; Sony α ja NEX pool- ja täiskaader hübriidkaameratele; Tolmukindel ja ...