NIKKOR Z ülilainurk-suumobjektiiv. Sisenege kaadrisse täiskaadrilise ülilainurk-suumiga, mis annab teile loomingulise eelise. NIKKOR Z 14–30mm f/4 S-seeria objektiivil on kompaktne ehitus ja lame eesmine element. See võimaldab kasutada 82 mm filtreid ja mahub kergesti väiksema komplekti kottidesse. Jäädvustage kõikjal lummavaid fotosid ja videoid.
15–45 mm normaalsuumobjektiiv; Suurepärane kaaslane igapäevaseks kasutuseks; Suumivahemik lainurgast lühikese telefotoni; Võimekas pildistabilisaator, kuni 3 stoppi; Fujifilm X seeria hübriidkaameratele
20 mm ülilainurkobjektiiv; Valgusjõuline - f/1.8 maksimaalne ava; Perfektne maastiku ja arhitektuuri pildistamiseks; Vaikne ning kiire Dual XD teravustamismootor; Sony α pool- ja täiskaader hübriidkaameratele
Tänu täiustatud optikale ja põhjalikule ilmastikukindlusele on see valgusjõuline 20 mm täiskaadriline peeglita süsteemi objektiiv valmis igaks vaateks. Servast servani üliterav ja vähese valgusega oludes suurepäraselt toimiv objektiiv jäädvustab täiustatud optika abil kõik stseeni osad erakordselt selge joonisega.
Z-kinnitusega DX-formaadis objektiivid on optimeeritud laia Nikoni Z-bajoneti suurepärase valguse kogumise võime jaoks. Need suumobjektiivid teravustavad kiiresti, vaikselt ja ühtlaselt, mistõttu need sobivad ühtviisi hästi nii video kui fotode jaoks. NIKKOR Z DX 50-250mm f/4.5-6.3 VR on kompaktne telefoto-suumobjektiiv, mis võimaldab kadreerida ainulaadsetest portreedest kauge tegevuseni sujuva, stabiilse täpsusega.
NIKKOR Z 70-200mm f/2.8 VR S - professionaalne f/2,8 keskmine telefoto suumobjektiiv. Alati valmis. See valgusjõuline, täiskaadriline peeglita süsteemi objektiiv sobib oma 70-200 mm fookuskauguse, täiustatud optika ja põhjaliku ilmastikukindlusega kõigiks kasutusotstarveteks. Olgu tegemist spordi, sündmuste või reportaaži pildistamisega, annab erakordselt kompaktne ehitus teile vabaduse minna kaugele. Missiooniks valmis. Ükskõik, kas jäädvustate tegevust fotode või videona, NIKKOR Z 70-200mm f/2.8 VR S tagab suurepärased tulemused. Teravustamine on sujuv, kiire ja hääletu ning kõik stseeni osad on erakordselt selge joonisega. Pildistamisparameetreid saate juhtida otse objektiivilt ja konstruktsioon on piisavalt vastupidav igapäevase professionaalse kasutamise rasketeks oludeks. Ilus bokeh-efekt. Lai Z-kinnitus ja pidev f/2,8 9 labaga ümar objektiiviava annavad põnevaid tulemusi igas valguses. See telefoto-suumobjektiiv annab ka loomuliku bokeh-efekti, mis sulandub sujuvalt kaadri servadesse. Rohkem kui terav. Teravus on kogu kaadri ulatuses silmapaistev – isegi suurima ava või lähivõtete korral. Väikseim teravustamiskaugus on vaid 0,5 m suumivahemiku telefoto otsas ja 1 m lainurga otsas. Unustage objektiivi helklus. ARNEO- ja nanokristallkatted võitlevad varikujutiste ja helklusega. Nikoni ED- ja SR-klaas vähendavad kromaatilist aberratsiooni ning SR-klaas kompenseerib raskesti juhitavat sinist valgust. tulemuseks on teravamad pildid ja parem kontrast. Videoks valmis. Kui lugu nõuab videosalvestust, saate võtteid objektiivilt sujuvalt ja täpselt juhtida. Objektiivi teabepaneelil on teravussügavuse skaala, nii et saate hõlpsalt kindlaks määrata minimaalse ja maksimaalse kauguse iga f-astme juures. Fookuskaugus teravustamisel peaaegu ei muutu ja stabiilne ava juhtimine tagab loomulikud särituse muutused kogu stseenis. Talub kõike. See objektiiv on täielikult ilmastikukindel ning valmis kasutamiseks kõige raskemates oludes. Fluorkate tõrjub vett, tolmu ja mustust pildi kvaliteeti rikkumata.
Irix Cine 21mm T1.5 Canon EF Metric [ IL-C21-EF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 Canon R Metric [ IL-C21-RF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 MFT Metric [ IL-C21-MFT-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 Sony E Metric [ IL-C21-SE-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 PL-mount Metric [ IL-C21-PL-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Kvaliteetsete Hoya filtrite komplekt; Komplektis kolm filtrit ja filtrivutlar; UV, ND8 ja ringpolarisatsiooni filter; Sobib 72 mm filtrikeermega objektiividele
A telephoto zoom offering the most frequently used telephoto focal lengths, equivalent to 76mm to 213mm, and a maximum aperture of f/2.8. It features the latest technology, including dust / water and low temperature resistance, a triple linear motor, and the world's top image stabilization technology in its class, so that users do not miss a shot in any conditions. Its advanced performance makes it a perfect choice, not only for portraiture and snapshots, but also to capture fast-moving subjects in sports or wildlife photography, and for general outdoor nature photography.Optical design for flagship telephoto zoom image qualityTo deliver the best image quality in its class, this luxurious telephoto zoom uses an optical construction comprising 23 glass elements in 16 groups, with five ED lens elements and one Super ED lens element comparable to a fluorite lens. This maximizes the reduction of chromatic aberrations and delivers high resolving power.Applying Fujifilm's unique HT-EBC (High Transmittance Electron Beam Coating) to the entire area of the lens surface ensures ghosting and flare are controlled for sharp, clear images. Also, using the newly developed Nano-GI (Gradient Index) coating technology, which alters the refractive index between glass and air, ghosting and flare are effectively reduced for diagonal incident light.Like other XF lenses, seven rounded aperture blades create a smooth, circular bokeh. An optical design has been used to produce beautiful bokeh at both front and back.An inner zooming mechanism means the lens does not change length so the lens' balance remains the same throughout the zoom range.By combining this lens with an X Series camera body with Lens Modulation Optimizer (LMO) technology, the performance from the lens is improved even further. LMO corrects for diffraction to produce images with edge-to-edge sharpness and create a realistic three-dimensional effect, even at small apertures.High-speed, quiet autofocus thanks to the world's first Triple Linear MotorAn Inner Focusing System is used for high-speed AF. By reducing the weight of the focus lens and mounting the Triple Linear Motor at intervals of 120°, high-speed, quiet AF is possible.Faster AF is possible when by combining this lens with an X Series camera body offering Phase Detection AF. Combined with the near-silent shutter sound, photos can be taken unnoticed in quiet locations.As AF operates using a signal from the imaging sensor, extremely high-precision focusing is possible.With a minimum working distance of 1m for the entire zoom range, this lens is also great for close ups.The best image stabilization performance in its classThanks to a high-performance gyro sensor and unique algorithm that cancels drift, the Fujinon XF 50-140mm f/2.8 R LM OIS WR delivers the best image stabilization performance in its class. Combined with a bright F2.8 aperture, handholding is now possible in new areas for a telephoto zoom.Weather resistant, dust-resistant and -10°C low-temperature operationBy applying seals to each portion of the barrel, the lens is weather-resistant, dust-resistant and -10°C low-temperature operation, making it the perfect companion for the FUJIFILM X-T1, which has the same levels of protection.High build quality and comfortable operationBoth the focus and aperture rings are metal, plus metal is also used on the exterior of the lens body for a high-quality finish. Thanks to long-term experience and broaden know-how for other top-end professional lens fields such as Broadcasting and CinemaScope, the texture and torque on the rings makes for comfortable shooting. The lens mount is made from brass for improved strength.Combined with a camera body, the lens is approximately 60% of the weight of a full-size system, considerably reducing the burden on the photographer.The AF+MF function enables seamless manual focusing. After pressing the shutter to autofocus on the subject, fine adjustments can then be made using the manual focus ring.
16–35 mm lainurk-suumobjektiiv; Läbiva f/4 avaga; Kiire ja vaikne teravustamismootor; Tolmu- ja niiskuskindla disainiga; Sony E bajonetiga täiskaader kaameratele
15 mm ülilainurkobjektiiv; Valgusjõuline – f/1.4 maksimaalse avaga; Kiire Dual Linear teravustamismootor; Tolmu- ja niiskuskindel disain; Sony E bajonetiga poolkaader hübriidkaameratele
28–70 mm normaalsuumobjektiiv; Valgusjõuline – läbiva f/2.0 avaga; Kiire ning vaikse USM teravustamismootoriga; Canon L-seeria – parim nõudlikule professionaalile; Canon täiskaarder hübriidkaameratele; Ilmastiku- ja tolmukindel
35 mm lainurk-fiksobjektiiv; Valgusjõuline - f/1.8 maksimaalne ava; Kiire ning täpne teravustamismootor; Ilmastikukindla disainiga; L bajonetiga täiskaader kaameratele
35–150 mm suure ulatusega universaalsuum; Valgusjõuline - f/2-2.8 avaga; Kiire ning vaikse VXD teravustamismootoriga; Ideaalne kaaslane portreefotograafile; Sony E bajonetiga hübriidkaameratele
FIRST UNITS EXPECTED IN MAY 2024 (in TALLINN). TIPA WORLD AWARDS 2024 BEST ULTRA WIDE ANGLE PRIME LENS - Laowa 10mm f/2.8 Zero-D FF This lens is a game-changer in its class, featuring a remarkable ultra-wide angle of view of 130.4° while maintaining a weight of only 420g. The auto-focus performance of this lens is nothing short of superb, rivaling some of the best in the market. With features like our signature Zero-D feature, an ultra-short 12cm close focusing distance, and versatility for ultra-wide portrait, landscape, and astrophotography, the 10mm f/2.8 is set to redefine your photographic experience. First Rectilinear 10mm Full-Frame Lens with f/2.8 Aperture Breaking new ground in our product line, this lens introduces auto-focus capabilities, making it the world’s first ultra-wide 10mm lens with f/2.8 large aperture. Ultra-Wide Angle of View Immerse yourself in a wider perspective with a 130.4° ultra-wide angle of view. From breathtaking landscapes to dynamic architecture, this lens opens up new dimensions in visual storytelling. Compact and Lightweight Designed with mobility in mind, this lens remains compact and weighs just 0.93 lb / 420g , ensuring that you can effortlessly carry it wherever your creative journey takes you. Experience the freedom to capture stunning images without being weighed down by heavy gear. Close-to-Zero Distortion The Zero-D feature embedded in this lens guarantees minimal distortion, allowing you to capture scenes with absolute clarity and ensuring your images remain true to life. A lens in 10mm is usually a fisheye or heavily distorted. With an ingenious optical design, Laowa is able to produce an ultra wide-angle lens with superior control of distortion, both horizontal and vertical straight lines can be maintained on the image from corner to corner. This full-frame 10mm optically suppresses distortion to a close-to-zero level. Giving you a true 10mm experience even without any in-camera lens correction. Close Focusing Capability Achieves a close focus as near as 12cm, allowing you to effortlessly capture stunning images from a short distance, which also unlocks a possibility to shoot wide-angle macro photographs. Excellent Performance for Panorama and Astrophotography. This lens is truly a versatile tool that consistently delivers outstanding results in a variety of shooting scenarios. Its exceptionally wide field of view makes it particularly adept at capturing expansive panoramas, allowing you to tell stories on a grand scale. For the astrophotography enthusiasts among us, this lens proudly stands out as an exceptional choice. Thanks to its f/2.8 aperture, it embraces the challenge of capturing the beauty of the night sky with enhanced light-gathering capabilities. Outstanding Optics The Laowa 10mm f/2.8 Zero-D FF is engineered with exceptional optics, featuring 15 elements in 9 groups, including 2 aspherical glasses and 3 ED glasses. This results in outstanding image quality, ensuring that every detail is captured with precision and clarity. Laowa 10mm f/2.8 lens was engineered with excellence in both corner and center sharpness, setting a new standard in wide-angle photography. Our comparison images with the beloved Laowa 12mm f/2.8 Zero-D lens highlight the significant leap in sharpness achieved with the 10mm focal length. Format: Full-frame Focal Distance: 10mm Aperture Range: F2.8 Angle of View: 130.4° Lens Structure: 15 elements/9 groups (2 Aspherical Glasses, 3 ED Glasses) Aperture Blades: 5 blades Min. Shooting Distance: 12cm Max. Magnification: 0.24x Focusing: AF Filter Thread: ø77mm Dimensions: Ø82 x 70.8mm
28-70 mm fookuskaugusega objektiiv mitmekülgsete võttevõimaluste jaoks.
F2 ava tagab suurepärase jõudluse hämaras ja pehme bokeh-efekti.
G Master seeria optika eraldusvõime ja kontrastsusega.
Keratiiva konstruktsioon ja tolmu- ning niiskuskindel disain välitingimustes kasutamiseks.
Kiire ja vaikne autofookus sobib ideaalselt nii fotograafia kui ka videograafia jaoks.
Komplektis ülitäpne klaaselement kromaatiliste moonutuste vähendamiseks.
Kerge kaal ja kompaktsus mugavaks kaasaskandmiseks.
Friction base which enables the bracket to pan on Monopod, also can be used on a tripod. Two rubber hand grips plus rubber protection to prevent damage to lens when tilted to maximum. Variable centre height adjustment in three steps. Lens attachment: 1/4" screw Tripod/monopod attachment: 3/8" screw Material: aluminium Max. load capacity: 20 kg Weight: 1.6 kg
Getting closer has the effect of magnifying your subject (making it appear larger in the viewfinder and in your pictures). They are exceptionally useful for macro photography, enabling you to convert almost any lens into a macro lens at a fraction of the cost while maintaining its original optical quality. Please note: When using extension tubes the lens will not focus to infinity. The focus range will be greatly limited to a very close focusing distance. There is light fall off when using any extension tube, sometimes the e quivalent of 3 f-stops of light is lost when using multiple extension tubes together. This light lost can affect the camera's ability to auto focus. Manual focusing is recommended should the lens won't lock onto the subject. Depending on available light and due to a very shallow depth of field manual focusing may be required if the lens AF will not lock focus.
The graduated ND10 balances exposure between the lightest and darkest areas of a scene allowing better tone and detail to be recorded in these areas of the image. The Hoya graduated ND10 10 is darker at the top giving that area a 3-stop light reduction and then fading evenly to a 1 stop light reduction at the bottom. This creates more balanced exposure between the lighter and darker areas of a scene, especially useful for photos that include the sky. The aluminum filter frame rotates so the darkest area can be positioned as needed. The Hoya graduated ND10 10 filter uses a Hoya super clear optical glass in a wedge layer that is matched and perfectly bonded to a ND filter glass wedge layer to create the gradual ND effect. Neutral density filters are designed to reduce the amount of light entering your camera lens and do not have any other effect on the image. Reducing the amount of light allows for the use of wider apertures or slower shutter speeds for creative and dramatic affect in bright lighting conditions.
Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. If you're out walking on a lovely day - in the mountains or at the beach - and you want to get a fabulous shot of a cloud-filled sky or make the water seem more saturated, then a polarizer is the way to go. This filter is the best way to make the clouds stand out, increase or decrease the saturation of the ocean or increase or decrease the reflection off the water. You can also use this filter when shooting into glass or windows since it will, again, either increase or decrease reflections.If you're shooting black and white and want to simulate a threatening storm, try throwing on a Red filter. The vista will take on the appearance of an imminent, ominous storm. Along with a UV or Skylight Filter, a polarizing filter should be a part of everyone's gear bag. It can turn a run-of-the-mill image into a stunning, creative photo by increasing color saturation.Hoya newly developed Antistatic coating is acting like a force field around the filter to repel dust. Perfect for environments where dust is common, these filters require less frequent cleaning and maintenance than traditional filters. Additionally, the hardened, antistatic top-layer is water repellent, stain and scratch resistant, and cleans easily when smudges or fingerprints are introduced to the surface.The new Fusion Antistatic professional filters are made in Japan using hand selected silicates that are carefully smelted and blended to yield high performance optical glass. Hoya then uses extreme care and precision to apply the Improved 9-layer Super Multi-coating formula which greatly reduces or eliminates reflections on the surface of the glass and yields a ultra clear high transmission rate. This means the filter has virtually no effect on the color balance, contrast, or clarity of the final image. The filters features a lightweight, two-piece, very low-profile aluminum frame to house the glass. The low-profile frame eliminates vignetting when used on ultra-wide-angle lenses. New Antistatic coating repels dust Ultra-smooth filter rotation Scratch resistant - hardened coating protects against everyday wear Stain resistant - protects against exposure to ink, markers etc. Water repellent – water beads up and wipes away easily Fingerprints and smudges wipe away cleanly Hoya’s Professional-grade optical glass Two-piece, very low-profile filter frame with front filter threads
Hoya Instant Action Adapter Ring and Hoya Instant Action Conversion Ring (sold separately) allow you to instantly attach and detach common screw type filters onto your lens with the help of magnet power.How to use Screw Hoya Instant Action Adapter Ring onto the lens Screw Hoya Instant Action Conversion Ring (sold separately) to your screw type filter Attach filter to the lens NB! Hoya Instant Action Conversion Ring is sold separately.
Control reflectionsSince light reflected from non-metallic surfaces polarizes, the HOYA HD Mk II CIR-PL filter makes it possible to control which light enters the lens, giving you more creative avenues to improve your image.One such avenue is the reduction of reflections, for example, on water surfaces. With the HOYA HD Mk II CIR-PL, you can greatly control and remove reflections, allowing you to show the natural colors and details of submerged objects.It is also possible to reduce reflections from glass surfaces, allowing you to see through glass windows. This way, you can make out the interior of buildings!Enhance contrast and color saturationThis filter is not limited to surface light reflection control. Light waves reduce clarity and saturation of certain colors, making them appear hazed in the final photo.The HOYA HD Mk II CIR-PL also filters these light waves, greatly enhancing color contrast, and making skies and green foliage look more defined through deeper and more natural color tones.
Protect your valued lensesThis is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest. However, constant use will protect your valued lenses from expensive front element damage which could be caused by dirt, knocks or scratches.HD Glass Ultra Clear High Transparency Optical Glass Chemically Enhanced Optical Glass is 4x Stronger HD Coating 16-layer (both sides) Anti-Reflective Multi-Coating Water & Oil Repellent, Scratch & Stain Resistant HD Frame Wide-Angle Lens Compatible Ultra Thin Frame Glass Mounted with High Pressure Press Technology
Protect your valued lensesThis is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest. However, constant use will protect your valued lenses from expensive front element damage which could be caused by dirt, knocks or scratches.HD Glass Ultra Clear High Transparency Optical Glass Chemically Enhanced Optical Glass is 4x Stronger HD Coating 16-layer (both sides) Anti-Reflective Multi-Coating Water & Oil Repellent, Scratch & Stain Resistant HD Frame Wide-Angle Lens Compatible Ultra Thin Frame Glass Mounted with High Pressure Press Technology
Hoya Instant Action Adapter Ring and Hoya Instant Action Conversion Ring (sold separately) allow you to instantly attach and detach common screw type filters onto your lens with the help of magnet power.How to use Screw Hoya Instant Action Adapter Ring onto the lens Screw Hoya Instant Action Conversion Ring (sold separately) to your screw type filter Attach filter to the lens NB! Hoya Instant Action Conversion Ring is sold separately.
Improved protection performance and durabilityThe coating of the filter is not permanent. It gets a damage repeatedly when we clean it with wipes and gets weak as time passes by. The filter can protect the lens from physical damage, but the coating receives the strike first as scratch. When a coating of a filter is solid and scratch resistant, it will be a great advantage.This is designed with ultra-hard nano coating to protect your camera lens. The HD nano Mk II UV filter is a filter with a UV cut curve that does not affect the visible light range. In addition this filter features a new powered coating that protects the lens from scouring, while allowing easy cleaning of water spots and fingerprints. The HD nano Mk II glass is 4x stronger chemically enhanced optical glass.Designed to protect a camera's expensive lens system from scratches and impact, HD nano Mk II filter is essential gear for photography under extremely severe conditions.Powered coatingNewly developed coating is stuck to the glass surface more firmly and closely by the nano level than formerly. Due to this, the particles are layered on the glass surface with extremely high density that creates a hard and smooth coating. Besides ultra-hard and smooth features, HOYA HD nano Mk II coating has superior water and oil repellent abilities that will make filter maintenance easy and stress free.Hardened glassHardened optical glass that has 4 times the breaking strength. New 32 layer (both sides) ultra-smooth, ultra-hard nano coating Stain resistant, water & oil repellent coating makes everyday maintenance easier Ultra-hard surface coating is 800% more scratch resistant than general coating High Density Sharp Cut UV glass Chemically Enhanced Optical Glass is 4x Stronger than usual optical glass Very Thin Frame, Front thread to attach lens caps and other filters Press mount technology holds glass securely The HD nano Mk II filter that not only the hardened glass but also the ultra-hard nano coating protects your lens solidly under the severe conditions.
Improved protection performance and durabilityThe coating of the filter is not permanent. It gets a damage repeatedly when we clean it with wipes and gets weak as time passes by. The filter can protect the lens from physical damage, but the coating receives the strike first as scratch. When a coating of a filter is solid and scratch resistant, it will be a great advantage.This is designed with ultra-hard nano coating to protect your camera lens. The HD nano Mk II UV filter is a filter with a UV cut curve that does not affect the visible light range. In addition this filter features a new powered coating that protects the lens from scouring, while allowing easy cleaning of water spots and fingerprints. The HD nano Mk II glass is 4x stronger chemically enhanced optical glass.Designed to protect a camera's expensive lens system from scratches and impact, HD nano Mk II filter is essential gear for photography under extremely severe conditions.Powered coatingNewly developed coating is stuck to the glass surface more firmly and closely by the nano level than formerly. Due to this, the particles are layered on the glass surface with extremely high density that creates a hard and smooth coating. Besides ultra-hard and smooth features, HOYA HD nano Mk II coating has superior water and oil repellent abilities that will make filter maintenance easy and stress free.Hardened glassHardened optical glass that has 4 times the breaking strength. New 32 layer (both sides) ultra-smooth, ultra-hard nano coating Stain resistant, water & oil repellent coating makes everyday maintenance easier Ultra-hard surface coating is 800% more scratch resistant than general coating High Density Sharp Cut UV glass Chemically Enhanced Optical Glass is 4x Stronger than usual optical glass Very Thin Frame, Front thread to attach lens caps and other filters Press mount technology holds glass securely The HD nano Mk II filter that not only the hardened glass but also the ultra-hard nano coating protects your lens solidly under the severe conditions.
Hoya Instant Action Adapter Ring (sold separately) and Hoya Instant Action Conversion Ring allow you to instantly attach and detach common screw type filters onto your lens with the help of magnet power. Attaching filter instantly in one move No frustration of missing the perfect shot No more filter drop accidents How to use Screw Hoya Instant Action Adapter Ring (sold separately) onto the lens Screw Hoya Instant Action Conversion Ring to your screw type filter Attach filter to the lens NB! Hoya Instant Action Adapter Ring is sold separately.
