Objektiivid

HOYA FUSION ONE NEXT is a renewed series of FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean For permanent lens protection HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread

HOYA Variable Density II is a density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400). The difference with the previous HOYA Variable Density filter is the newly designed rotatable frame with convenient knob, allowing for better operation.Variable density filters are widely used because they can replace a set of solid ND filters by providing a range density that can be adjusted according to the desired exposure settings. In still shooting, variable density filters lower the shutter speed according to the photographer’s intentions when the shutter speed cannot be lowed due to camera limits. Variable density filters can also increase the amount of boke when shooting in the over-lit conditions, thus, preventing the image from overexposure.In video shooting, it is fundamental to keep the shutter speed fitting the frame rate setting. That is, to keep it equal to double the frame rate for optimal results. This is because, unlike still photography, an excessively fast shutter speed may create a jarring effect and produce afterimages that will not look good in the final video.By using variable density filters, the shutter speed can be adjusted to the proper value to get that natural and smooth looking motion requested in video footages.Be aware that when the filter is attached to the lens, the lens cap size becomes one size bigger. So if your lens has a filter thread size of 77mm, you will require an 82mm lens cap. The widened front filter frame has been designed on purpose to avoid vignetting.

For the past several years slow shutter photography is becoming an extremely popular genre because it provides ample opportunities to express the world around in an artistic and unusual way. For this purpose ND filter appears to be a necessary tool.But which ND filter is better to start with? This question might raise in mind of many amateur photographers who decided to challenge themselves in slow shutter photography. Keeping this question in mind we created an essential ND kit to help photographers quickly start this challenge.HOYA PROND EX FILTER KIT is an essential filter kit designed for amateur or professional photographers and video content creators. The kit consists of 3 ND filters - PROND EX 8, PROND EX 64 and PROND EX 1000, that allow photographer to capture the world in different expressions.The choice of ND filters depends on intentions of the photographer to control the shutter speed or aperture. The content of the HOYA PROND EX FILTER KIT is based on our sales data and experience of selling millions of ND filters all over the world. PROND EX 8, PROND EX 64 and PROND EX 1000 are the most essential ND filters that will help to realize three expressions that we consider to be commonly used among the photographers.HOYA PROND EX FILTER is a high technological product that is designed for still and HDSLR videography. The PROND EX filters use HOYA's exclusive clear optical glass that incorporates a metallic coating on front and back side to equally reduce almost all range of the light spectrum even in IR area. The ACCU-ND technology used in the coating process yields a truly neutral color balance that will not add any noticeable color cast to your images. HOYA PROND EX filters incorporates precisely developed thick aluminum frame to prevent light leakage, thus obtain correct exposure and color balance.PROND EX 8 (3-stops)HOYA PROND EX 8 is essential for shooting with fast lenses at wide open aperture during the daytime, which is perfect for portraiture at shallow depth of field. The subject appears crisp and clear on the soft blurred background. Other recommended scenes are night trails, fireworks and lightnings.PROND EX 64 (6-stops)HOYA PROND EX 64 is essential for expressing the object in blurred motion during the daytime, which cannot be realized only with camera settings. Recommended for landscape, city snapshot, video and other photographic genres.PROND EX 1000 (10-stops)HOYA PROND EX 1000 is essential for expressing an unreal fantasy world thanks to its 10 stops reduction of the light amount. Widely used in seascape to blur the waves, street snap to apply clouds motion and architecture to erase moving people.PROND EX filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinatsions of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.

HOYA Variable Density II is a density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400). The difference with the previous HOYA Variable Density filter is the newly designed rotatable frame with convenient knob, allowing for better operation.Variable density filters are widely used because they can replace a set of solid ND filters by providing a range density that can be adjusted according to the desired exposure settings. In still shooting, variable density filters lower the shutter speed according to the photographer’s intentions when the shutter speed cannot be lowed due to camera limits. Variable density filters can also increase the amount of boke when shooting in the over-lit conditions, thus, preventing the image from overexposure.In video shooting, it is fundamental to keep the shutter speed fitting the frame rate setting. That is, to keep it equal to double the frame rate for optimal results. This is because, unlike still photography, an excessively fast shutter speed may create a jarring effect and produce afterimages that will not look good in the final video.By using variable density filters, the shutter speed can be adjusted to the proper value to get that natural and smooth looking motion requested in video footages.Be aware that when the filter is attached to the lens, the lens cap size becomes one size bigger. So if your lens has a filter thread size of 77mm, you will require an 82mm lens cap. The widened front filter frame has been designed on purpose to avoid vignetting.

Kaamera bränd:CANON; Objektiivi tüüp:Standard; Fookuskaugus:30; Kinnitus:Canon RF; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filter means precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters helps much to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Among the varieties of ND filters from ND2 to ND1000 even ND100000, we can generally categorize ND filters into 3 basic groups: Light density filters (ND2 – ND8) Middle density filters (ND16 – ND200) Deep density filters (ND500 – ND1000 / ND100000) Light density filters will lower the shutter speed in the bright sunny day to allow you to reduce depth of field in very bright light or to use a wider aperture to stay below the diffraction limit. For example, these filters are necessary to shoot with your fast lenses like F1.4 or F1.2 with aperture wide open for softer and more beautiful bokeh.Middle density filters will help you to add motion blur to the object in the conditions that generally will not allow camera shutter speed to do so.If you are for more creative shots that are based on extremely slow shutter speeds - deep density filters are to be suggested. ND filters like ND500 or ND1000 will help to capture dramatic unreal fantasy world that cannot be seen by the human eye.Color shift issue solutionHOYA offers its own exclusive and wide lineup of ND filters that are branded into PROND EX series for both photographers and filmmakers. PROND EX filters adopt HOYA's clear optical glass that is mounted into a lightweight, precisely crafted aluminum frame. The frame has front filter threads so you can attach additional filters or a lens cap.Thanks to ACCU-ND technology that puts HOYA ND filters far ahead from other brands the image undergoes no negative affect from color shift that may occur due to low-quality materials, poor manufacturing QC, or issues with leaking of the Infrared band of the light spectrum. The last problem is the most important nowadays in photography and videography.HOYA's exclusive ACCU-ND technology achieves equal reduction of the light in visible and IR spectrums. As a result the photographer may not fear any issue with color shift when using HOYA ND filters in different shooting conditions.PROND filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinations of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.

In landscape photography, where the scenery and horizon tend to have complex or uneven structures, graduated ND filters become absolutely essential, as they allow the photographer to balance the luminosity of bright areas with the dark areas in the image. With HOYA's Sq100 IRND8 (0.9) GRAD-S filter, the photographer has new options in using a GRAD filter which they do not have with round-type filters.TechnologyMade from toughened glass, the HD Sq100 GRAD-S series is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Using ND GRAD filters with HOYA SQ100 Square filter systemWith HOYA's Square filter system, photographers will have several ways to make use of the HOYA's Sq100 IRND8 GRAD-S filter in order to achieve the desired effect in the image. The frame of the filter system can be rotated, allowing for the ankle of the gradation border to be adjusted in any position.In addition, the vertical position of the border can be further adjusted with moving the filter up or down inside the frame. To give the user here all the possible options for positioning, the height of the filter has been lengthened to 150 mm.

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND1000 filter is a deep density IRND filter, which is recommended for more creative shots that are based on extremely slow shutter speeds. It allows the photographer to capture dramatic unreal fantasy worlds that cannot be seen by the naked eye.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND1000 will give the effect equal to ND8000, that allows to capture the surface of the sun without overexposure and with solid color and visibility of the black spots.

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND64 filter is a middle density IRND filter. It is especially used to add motion blur to the object in shooting conditions that usually would not allow the camera shutter speed to do so.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND8 filter is a light density IRND filter. It is generally used to lower the shutter speed during photo shoots on a bright sunny day for a motion effect. The filter also allows the photographer to reduce the depth of field in very bright light settings or to use a wider aperture to stay below the diffraction limit – especially when using fast lenses like F1.4 or F1.2 for a soft and beautiful bokeh.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.

The HOYA's Sq100 square filter system aims to give photographers the means and freedom to fully express their creativity and to realize their artistic goals to the fullest. The Sq100 square filter system comes with many advantages: Adapter rings for various sizes allow the photographer to use the system with a wide range of lenses with all kinds of thread sizes. This makes the square filter system a great long-term investment, as it is not necessary to buy the same filter multiple times for different sizes. As square filters are usually larger than the front glass element of the lens, the chance for vignetting is reduced to a minimum, even when stacking filters. Stacking filters is more effective with a square filter system as it can carry up to three square filters in addition to the polarizer. Switching filters is faster and easier than with stacked round filters. Filter holders can be rotated, giving the photographer the option to reposition the line of graduated ND filters. The line can also be adjusted vertically with a filter holder. The HOYA Sq100 square filter system features a sophisticated filter holder kit and a line of high-quality filters, making it a recommendation especially for advanced and professional photographers in the field of landscape and cityscape photography. HOYA SQ100 holder kitThe Sq100 holder kit includes a holder, a polarizer and two geared adapters that fix the polarizer inside the holder and attach it to the lens. The holder's precise slot system can carry two square filters in addition to the polarizer with an optional slot for a third square filter (included in the kit). The body is made of aluminum for optimal durability while being still light-weight. A black gasket on the edge of the inside holder ring as well as a gapless design of the slots minimize light leak. The holder with the attached filters can be rotated, giving the photographer more creative opportunities, such as adjusting the border angle of a graduated ND filter.The circular polarizer can be rotated inside the frame for perfect reflection and saturation control. With its large diameter of 86mm, the polarizer filter won't cause any vignetting with most lenses. HOYA's special water repellent multi-coating is applied to the polarizer's optical glass, making cleaning easy and stress-free.The polarizer adopts a high transparency polarizing film for fast shutter speed. This translates to no less than nearly 1/2 stop more light entering the lens while yielding the same polarization effect. An absolute must for shooting in low light conditionsHow to attachFor using the polarizer, screw it into the geared adapter and attach the geared adapter to the lens. When attaching the Sq100 holder to a lens with an 86mm filter size, use the 86mm-86mm geared adapter. When using the system with an 82mm filter size lens, use the 86mm-82mm geared adapter. For other lens sizes, use the adapter rings which are available in all common sizes.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 6X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 6-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

Kaamera bränd:CANON; Objektiivi tüüp:Tavaline Zoom; Fookuskaugus:20; Kinnitus:Canon EF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LAOWA; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:24; Kinnitus:Arri PL; Garantii füüsilistele isikutele:2 aastat

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:Muu; Objektiivi tüüp:Standard; Fookuskaugus:40; Kinnitus:Leica M; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LEICA; Objektiivi tüüp:Standard; Fookuskaugus:35; Kinnitus:Leica M; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:FUJIFILM; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:100; Kinnitus:Fujifilm GFX; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LAOWA; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:14; Kinnitus:Arri PL; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:CANON; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:28 - 75; Kinnitus:Arri PL, Canon EF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LAOWA; Objektiivi tüüp:Kinoobjektiiv; Fookuskaugus:12; Kinnitus:Arri PL; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:NIKON; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:15; Kinnitus:Nikon Z; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:NIKON; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:12; Kinnitus:Nikon Z; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:LAOWA; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:10; Kinnitus:L-Mount; Garantii füüsilistele isikutele:2 aastat

Based on Leica Camera AG's strict quality standards 200-800mm ultra-telephoto zoom lens with a compact, lightweight design (35 mm equivalent) Excellent close-up performance with a closest focusing distance of 1.3m and a maximum magnification 0.5× (35mm equivalent) POWER O.I.S. stabilization Splash, dust, and freezeproof design LEICA DG Lens — ultimate opticsOpt for a LEICA DG lens and get the ultimate in optical quality and performance. They naturally meet the strict quality standards set by Leica Camera AG. Thanks to the sophisticated design of these lenses, you will enjoy brilliant clarity all the way to the edges of your photos. At the same time, distortions of all kind are prevented to enable precise, sharp picture rendering. This means you have the ideal tool for pro-level images in the palm of your hand.Get closer to your subjectWhether zooming in, shooting close-up or shooting on the move, this lens gives you the freedom to capture even challenging subjects. The 100-400m ultra-telephoto zoom (35mm camera equivalent: 200-800mm) captures faraway action like it’s right in front of you, while the compact, lightweight design provides optimal mobility. In addition, a zoom lock ring, the capability to switch from vertical to horizontal composition, and other features offer superb flexibility for everything from sports to nature photography.Teleconverter readyThe maximum focal length can be extended up to 800mm (35mm camera equivalent: 1,600mm) with the optional DMW-TC20 teleconverter.Superb close-up performanceWith a closest focusing distance of 1.3m and maximum magnification of 0.5×, this lens is a powerful instrument for nature photography, allowing you to zoom in on small, sensitive subjects like birds and butterflies. With the DMW-TC20 attached, 1× life-size macro photography is also possible.Lens constructionThe optimized configuration has 20 elements in 13 groups, including 1 ASPH/ED, 1 UED and 2 ED lenses to minimize aberrations and ensure superb resolution.O.I.S. for ultra-sharp photosCapture what you see on the spur of the moment. Optical image stabilization (O.I.S.) technology built directly into the lens ensures your photos will look great, with sharp, blur-free contours across the entire image.Dust, splash and freeze-resistant designThis lens is designed to keep shooting in the toughest conditions thanks to its dust- and splash-resistant construction and allowing you to shoot in temperatures as low as -10 °C.Ideal for video recordingThe lens offers fast, accurate autofocus and smooth aperture changes, critical for the modern content creator, allowing you to record beautiful 4K video and stills without disturbing your subject.

Canon RF 50mm f/1.4 L VCM

Objektiiv, mis katab kõik fookuskaugused lainurgast ülitelefotoniTamron 18-300mm f/3.5-6.3 Di III-A VC VXD pakub erakordselt laia fookuskauguste vahemikku, ulatudes umbes 27 mm-st kuni 450 mm-ni (35 mm ekvivalent). Tegemist on esimese APS-C hübriidkaameratele mõeldud 16,6× suumiga objektiiviga, mis ühendab endas kõik universaalse suumobjektiivi eelised ning sobib paljudeks erinevateks fotograafiarakendusteks. Hoolikalt tasakaalustatud optiline ehitus koos spetsiaalsete klaasielementidega tagab kogu suumivahemikus kõrgeima pildikvaliteedi – teravus püsib kõrge keskpunktist pildiservani.Hämmastav lähivõimekus suhtega 1 : 218 mm fookuskauguse juures on lähim teravustamiskaugus vaid 0,15 m, mis võimaldab erakordselt detailseid lähivõtteid suurendussuhtega kuni 1 : 2 – see ületab paljude teiste sarnaste suumobjektiivide suutlikkuse.Üks suumobjektiiv – lugematu hulk võimalusiOlgu tegemist avarate maastike või detailirohke arhitektuuriga – 18-300mm katab kõik vahemikud. See teeb sellest objektiivist suurepärase tööriista ka portreefotodeks ja lähivõteteks.Oma klassi parim autofookus VXD tehnoloogiagaObjektiivi autofookussüsteem põhineb Tamroni VXD (Voice-coil eXtreme-torque Drive) lineaarmootori tehnoloogial, mis tagab kiire ja täpse teravustamise. Isegi 300 mm teleasendis liigub fookus lähimast teravustamispunktist lõpmatuseni väga kiiresti. Kuna automaatteravustamine töötab peaaegu hääletult, sobib objektiiv ideaalselt ka videovõteteks ja olukordadesse, kus vaikus on hädavajalik.VC pildistabilisaator teravateks fotodeksTamroni VC (Vibration Compensation) süsteem aitab kompenseerida kaamera liikumist kehvades valgusoludes – näiteks siseruumides või pärast päikeseloojangut. Lisaks kasutab objektiiv kuni 70 mm fookuskaugusel tehisintellektil põhinevat stabiliseerimisalgoritmi, mis optimeerib video salvestamisel stabiilsuse.Zoom Lock mehhanismZL-mehhanism hoiab ära objektiivitoru soovimatu pikenemise transportimisel. Lülitiga aktiveeritav lukustus kaitseb objektiivi vigastuste eest ja tagab kiire kasutusvalmiduse.Niiskuskindel konstruktsioonObjektiiv on pritsmekindel – kõik olulised osad on tihendatud, mispärast sobib see ideaalselt välitingimustes ja kehvades ilmastikuoludes pildistamiseks.Fluoriiniga kaetud esiläätsEsilääts on kaetud fluoriinkattega, mis tõrjub vett ja õli, takistades mustuse ning sõrmejälgede kinnitumist. Puhastamine on lihtsam ja kiirem.5 aastat lisagarantiidTamroni objektiivid on alati olnud tuntud oma suurepärase kvaliteedi poolest ja seetõttu võid mistahes Tamroni objektiivi ostul nende käest julgelt taotleda tasuta 5-aastast pikendatud tootjagarantiid.Selleks tuleb Sul minna Tamron Warranty lehele ja objektiiv registreerida kahe kuu jooksul alates ostukuupäevast.

Voigtländer Nokton 40mm F1.2 Aspherical | Nikon Z | manuaalfookus | 8/6 optika | 10-lõikelised | 351g F1.2 kompaktselt – Voigtländer Nokton 40mm Nikon Z-mounti jaoks Voigtländer Nokton 40mm F1.2 Aspherical on täiskaadri käsifookuse objektiiv Nikon Z-mounti jaoks, mis ühendab erandlikult suure F1.2 ava, kompaktse metalkere (53,9 mm pikkus, 351g) ja kahesuunaliste asfeersete elementidega optilise konstruktsiooni. 40mm fookuskaugus on universaalne klassika – natuke laiem kui “normaalne” 50mm, kuid loomulikuma perspektiiviga kui lainurk. Elektrooniline kontakt edastab Exif-andmeid, aktiveerib kaamera IBIS (3-telje sisemine pildistabilisatsioon) ja toetab kolme fookusabifunktsiooni – käsifookus modernse digitaalkaamera abivahenditega. F1.2 ava – mida see annab praktiliselt? Ava Valguse suhe F2-ga Tähendus F1.2 2,8× rohkem valgust kui F2 Portreede sügavusteravus, hämaras töötamine F1.4 1,7× rohkem valgust kui F2 Võrdluseks – Nokton on üks aste võimsam F2.0 Baas Nt Nikon Z 40mm f/2 SE F1.2 on Nikon Z täiskaadri kaameratega töötava fotografile üks suurimaid avadest, mis on kompaktses paketis saadaval. See tähendab: Optiline konstruktsioon – 8 elementi 6 grupis, 2 kahepoolset asfeerset elementi Optika parameeter Andmed Elementide arv 8 elementi 6 grupis Asfeersed elemendid 2 × kahepoolne asfeerne element Vaatenurk 54,8° Käsifookus – modernse kaamera abivahenditega Voigtländer Nokton 40mm F1.2 on käsifookuse objektiiv – automaatfookust ei ole. Nikon Z kehade elektrooniliste kontaktide kaudu toetab objektiiv kolme fookusabifunktsiooni: Fookusabi funktsioon Selgitus (1) Fookuspunkti värvimuutus Fookuspunkti raami värvus muutub, kui fookus on täpne – visuaalne kinnitus (2) Fokuseerimise tipp (peaking) Teravad servad esiletõstetud värviga – reaalajas näha, mis on teravas fookuses (3) Suurenduse nupp (magnification) Kaamera kuvab osa kaadrist suurendatult – fookuse täpne kontrollimine Lisaks edastab elektrooniline kontakt: 10-lõikelist ava – ümmargune bokeh igas asendis 10-lõikelist ava (10 avalamelli) on bokehi kvaliteedi jaoks oluline: Metallist kere – töökindel ja kerge Täismetallist kere on Voigtländeri eristav omadus: 351g on F1.2 täiskaadri objektiivi jaoks erandlikult kerge – Nikoni Nikkor Z 50mm f/1.2 S kaalub 1090g, mis on kolm korda rohkem. Voigtländer Nokton 40mm F1.2 vs alternatiivid Nikon Z-mountil Nikon Z 40mm F2 SE Voigtländer Nokton 40mm F1.2 Maksimaalne ava F2.0 F1.2 Fookus Automaatfookus Manuaalfookus Optika – 8/6, 2× asfeerne Ava lõiked 9 10 Kaal ~170g 351g Pikkus ~45mm 53,9mm Filtrisuurus Ø52mm Ø58mm IBIS tugi Jah Jah (elektroniliste kontaktide kaudu) Sobib Kiire, kerge, AF Maksimaalne ava, käsifookuse kogemus, bokeh Kellele on Voigtländer Nokton 40mm F1.2 mõeldud? Portreefotograafid käsifookusega Käsifookus F1.2 juures annab täieliku kontrolli teravsusplaani üle – otsustad täpselt, mis on terav, mitte automaatika. Portreedes, kus silm peab täpselt teravas fookuses olema, on see kogenud käsifookuse fotograafidele eelistatum tööriist. Hämaras- ja kesköötingimuste fotograafid F1.2 on 2,8 korda heledam kui F2 – see tähendab 1,5 stoppi väiksemat ISO-d sama ekspositsiooniga. Kontserdid, teatrid, tänavastseen hämaras – kus F2 objektiiv juba müra piirideni jõuab, F1.2 annab veel ruumi. Käsifookuse entusiastid Nikon Z peal Voigtländeri populaarsus seisneb osaliselt käsifookuse puhtas kogemuses täinapäevase kaamera abivahenditega. Fokuseerimise tipp (peaking), suurendusnupp ja fookuspunkti värvimuutus teevad Nikon Z-ga käsifookuse mugavaks. Fotograafid, kes hindavad F1.2 renderduskarakterit F1.2 optika on erinev renderduskarakteriga kui F1.4 või F1.8 – eriti lähiportreedes, kus sügavusteravus on äärmine. Voigtländeri Nokton seeria on tuntud oma ainulaadse valgusrenderduse poolest, mis eristub modernsetest ultrakiirete avade auto-objektiividest. Komplektis sisaldub

Jagades tiitlit kõige suurema avaga objektiivile, on EF 50 mm f/1.2 L USM tõsine tööriist hämaras pildistamisel, teravussügavuse kontrolli all hoidmisel, ning pildistamisel siseruumides ilma välklambita.

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