About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.
Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread
35 mm laia avaga objektiiv kvaliteetse optika ja kompaktsete mõõtmetega on mõeldud kasutamiseks Nikoni DX-formaadis kaameratega. Omadused: maksimaalselt suur f/1,8 ava tagab ereda pildiotsija pildi ja on ideaalne pildistamiseks halbades valgusoludes. ...
Suurepärane sooritusvõime ning kompaktne disain teeb sellest objektiivist ideaalse kaaslase igapäevaseks kasutamiseks. See objektiiv sobib erinevateks otstarveteks - portreepiltidest kuni öövõteteni tänu suurele avale. Optika on disainitud vähendamaks kromaatilist ning sfäärilist aberratsiooni ka täisavaga pildistades. Lõpptulemuseks on selged ning teravad pildid ning videod, mida aitab veel selgemaks siluda integreeritud pildistabilisaator.Komplektis objektiivikorgid ning päikesevarjuk ALC-SH112.
M.ZUIKO DIGITAL 17mm 1:1.8 (34mm*) objektiiv tagab, vaatamata oma kergele kaalule ja kompaktsetele mõõtmetele, silmapaistvalt hea pildikvaliteedi. Objektiivi 1:1.8 suur ava võimaldab jäädvustada kaunilt hägustatud taustaga võtteid ning pildistada ilma statiivi kasutamata ka hämaras valguses – seejuures on abiks uusimates Olympus Micro Four Thirds System kaamerates kasutusel olev pildistabilisaator. Lisaks suurele 1:1.8 avale, on sellel esmaklassilisel Micro Four Thirds süsteemi lainurk-objektiivil unikaalne mehhanism hetkvõtete fokuseerimiseks, nii videote kui ka piltide jäädvustamisel (MSC) toimiv autofookus, ning spetsiaalne ZERO vääristus, mis tagab kõrgkvaliteetsed tulemused.
Maailmas esimene E-mount Carl Zeissi täiskaader-suumobjektiiv avab edasijõudnud fotograafidele ja entusiastidele loominguliste võimaluste rikkaliku maailma., Portreede, maastike ja igapäevase pildistamise jaoks ideaalne SEL2470Z ...
Esimene G-seeria klassi kuuluv E-bajonetiga objektiiv, Maksimaalne ava 4, mis jääb suumimisel muutmatuks, Koostöös OSS pildistabilisaatori ning suumi elektroonikaga on 18-105 tehtud ahvatlevaks eriti videosõpradele. Objektiivi ...
Sony FE PZ 28-135 mm F4 G OSS. Lens type: Standard zoom, Aperture range (F-F): 4 - 22, Focal length range (f-f): 28 - 135 mm. Maximum magnification: 0.15x. Colour of product: Black. Diameter: 10.5 cm, Filter size: 9.5 cm, Length: ...
Sony Vario-Tessar T* FE 16-35 mm F4 ZA OSS. Aperture range (F-F): 4 - 22, Focal length range (f-f): 16 - 35 mm. Maximum magnification: 0.19x. Filter size: 7.2 cm. Lens system: Vario-Tessar T* FE 16-35 mm F4 ZA OSS
Uued kõrge lahutusvõimega sensoritega kaamerad seavad ka objektiivile kõrgemad nõudmised - veel parem optiline jõudlus, suurem lahutusvõime, veel väiksemad moonutused. Just seetõttu on eriti oluline, et uue põlvkonna objektiivid vastaks nende kaamerate jõudlusele.Valgusjõuline fiksobjektiivEsmaklassilise disainiga insenerikunsti meistriteos - Tamroni SP 35mm f/1.8 objektiiv pakub endas esmaklassilist optikat, pildistabilisaatorit ning suurt f/1.8 ava.Minimaalse optilise moonutusega normaalfiks pakub kasutajale kõike seda, mida tal vaja on - terav pilt, olematud aberratsioonid ning sisepeegeldused.Mine veel lähemaleTamroni MOD tehnoloogiaga objektiivid võimaldavad veel lähemalt pildistada, avades veel suurema vabaduse kadreerides.SP (Super Performance) seeriaTamroni SP seeria objektiivid on optiline tippklass, kus ei ole tehtud kompromisse pildikvaliteedi osas. Objektiivid on disainitud sedasi, et need kataks ka nõudlikuma proffesionaali vajadused.eBAND ning BBAR vääristusKasutades uue põlvkonna eBAND nind BBAR vääristust objektiivi elementidel vähendatakse oluliselt sisepeegeldust ning varikujutist. Niimoodi saab pildistada ka ülilainurkasendis vastu päikest ilma, et sisepeegeldused pilti rikuks.Pakkudes tippklassi pildikvaliteetiSelle objektiivi optilises disainis on kasutatud esmaklassilisi elemente. XLD (eriti madala dispersiooniga) element, mis on valmistatud spetsiaalsest klaasist ning on üliväikese refraktiivsuse indeksiga. See omakorda tähendab, et pildid on teravad ning kontrastsemad, kuna kromaatiline aberratsioon on viidud miinimumini. USD mootorTamroni USD (Ultrasonic Silent Drive) teravustamismootor tagab ülikiire, peaaegu hääletu opereerimise. Sedasi saad pildistada ka sellised loomi ning linde, kes väikseimagi heli peale kaadrist plehku panevad.VC (Vibration Compensation) pildistabilisaatorUnusta ära udused pildid, kuna ei ole võimalik kasutada piisavalt lühikest säriaega või statiivi. Tamroni VC (Vibration Compensation) silub need väikesed liikumised, mis tuleva
E-Mount Lens/Full-Frame Format, Aperture Range: f/2 to f/22, Distagon Optical Design, Four Double-Sided Aspherical Elements, Floating Elements System, Zeiss T* Anti-Reflective Coating, OLED Display for Focus Distance and DoF, ...
Direct Drive Super Sonic Wave mootor (DDSSM) - vaikne ning täpne teravustamine; Kuulus Sony OSS optiline pildistabilisaator; Kvaliteetne optiline disain - suurepärane teravus; Sony Nano AR vääristusega kiht klaasil; Tolmu- ja ...
Tänu täiustatud optikale ja põhjalikule ilmastikukindlusele on see valgusjõuline 20 mm täiskaadriline peeglita süsteemi objektiiv valmis igaks vaateks. Servast servani üliterav ja vähese valgusega oludes suurepäraselt toimiv objektiiv jäädvustab täiustatud optika abil kõik stseeni osad erakordselt selge joonisega.
Erstklassiges Ultraweitwinkel-Zoomobjektiv der L-Serie, RF-Mount für EOS R System, 5-Stufen Bildstabilisator, Nano USM Motor, asphärische und UD-Linsen, Filter-Ø 77 mm, inkl. EW-83P Gegenlichtblende und LP1219 Objektivtasche.
The Fujinon XF-90mm f/2 R LM WR is a fast-aperture prime lens with a focal length equivalent to 137mm and a maximum aperture of f/2.0, that delivers ultra-sharp images with rich bokeh even at the maximum aperture setting.The optical construction of 11 elements in 8 groups (including three ED glass elements) minimizes vignetting and creates beautiful bokeh thanks to the rounded diaphragm, which makes it perfect for portraiture as well as other applications.Ultra-sharp images even at the maximum apertureThe optical construction comprises 11 elements in 8 groups, including three ED (extra low-dispersion) elements, which reduces chromatic aberrations to deliver sharp, rich images even at the widest aperture of f/2.0.Beautyful bokehThe rounded aperture blades combined with an optical construction designed to minimize vignetting creates beautiful circular bokeh right to the edge of the image. In addition, stunning depth is possible in images thanks to the differentiation between the razor-sharp subject and the bokeh in front and behind it.High-speed autofocus as fast as 0.14sec thanks to a newly-developed Quad Linear MotorA linear motor is fast, quiet and accurate, but here four magnets are used for higher torque. The high-speed autofocus provides a more versatile shooting experience, allowing users to quickly react to subtle changes in a subject's facial expression.Close focusing to 60cm and 0.3× magnification (35mm format equivalent)The close focusing capabilities of the Fujinon XF-90mm f/2 R LM WR allow you to isolate key parts of a subject so you can shoot dramatic portraits or close-ups of flowers and insects.Weather, Dust, and Freeze ResistanceThe lens features a weather- and dust-resistant structure with seven seals on the lens barrel. It can also work in temperatures as low as -10°C. This keeps the lens protected from rain, dust and splashes of water when shooting outdoors.Lightweight and compactThe lens weighs approx 540g, and is compact too, with a filter thread measuring just 62mm. The combined weight with the XF-56mm f/1.2 R is less than 1kg – great news for portrait photographers who want to travel light and still shoot with prime lenses for sharp images and strong bokeh.
50 mm kvaliteetne normaal-fiksobjektiiv; Ülimalt valgusjõuline - f/1.2 maksimaalne ava; Vaikne ning kiire XD lineaarne teravustamismootor; Lummav bokeh, perfektne porteefotograafiaks; Sony E bajonetiga täis- ja poolkaader ...
