Objektiivid

For the past several years slow shutter photography is becoming an extremely popular genre because it provides ample opportunities to express the world around in an artistic and unusual way. For this purpose ND filter appears to be a necessary tool.But which ND filter is better to start with? This question might raise in mind of many amateur photographers who decided to challenge themselves in slow shutter photography. Keeping this question in mind we created an essential ND kit to help photographers quickly start this challenge.HOYA PROND EX FILTER KIT is an essential filter kit designed for amateur or professional photographers and video content creators. The kit consists of 3 ND filters - PROND EX 8, PROND EX 64 and PROND EX 1000, that allow photographer to capture the world in different expressions.The choice of ND filters depends on intentions of the photographer to control the shutter speed or aperture. The content of the HOYA PROND EX FILTER KIT is based on our sales data and experience of selling millions of ND filters all over the world. PROND EX 8, PROND EX 64 and PROND EX 1000 are the most essential ND filters that will help to realize three expressions that we consider to be commonly used among the photographers.HOYA PROND EX FILTER is a high technological product that is designed for still and HDSLR videography. The PROND EX filters use HOYA's exclusive clear optical glass that incorporates a metallic coating on front and back side to equally reduce almost all range of the light spectrum even in IR area. The ACCU-ND technology used in the coating process yields a truly neutral color balance that will not add any noticeable color cast to your images. HOYA PROND EX filters incorporates precisely developed thick aluminum frame to prevent light leakage, thus obtain correct exposure and color balance.PROND EX 8 (3-stops)HOYA PROND EX 8 is essential for shooting with fast lenses at wide open aperture during the daytime, which is perfect for portraiture at shallow depth of field. The subject appears crisp and clear on the soft blurred background. Other recommended scenes are night trails, fireworks and lightnings.PROND EX 64 (6-stops)HOYA PROND EX 64 is essential for expressing the object in blurred motion during the daytime, which cannot be realized only with camera settings. Recommended for landscape, city snapshot, video and other photographic genres.PROND EX 1000 (10-stops)HOYA PROND EX 1000 is essential for expressing an unreal fantasy world thanks to its 10 stops reduction of the light amount. Widely used in seascape to blur the waves, street snap to apply clouds motion and architecture to erase moving people.PROND EX filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinatsions of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Lichtstarkes Zoomobjektiv, E-Mount (SEL), Vollformat, G Master Qualität für herausragende Leistung auch bei schwachen Lichtverhältnissen, weiches Bokeh, XD-Linearmotore, wetterfeste Konstruktion, Filter Ø 95 mm, inkl. Geg. ...

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

24–60 mm normaalsuumobjektiiv; Valgusjõuline – läbiva f/2.8 avaga; Kiire ja täpne teravustamismootor; Tolmu-, pritsme- ja külmakindel disain; L-bajonetiga täiskaader kaameratele

For the past several years slow shutter photography is becoming an extremely popular genre because it provides ample opportunities to express the world around in an artistic and unusual way. For this purpose ND filter appears to be a necessary tool.But which ND filter is better to start with? This question might raise in mind of many amateur photographers who decided to challenge themselves in slow shutter photography. Keeping this question in mind we created an essential ND kit to help photographers quickly start this challenge.HOYA PROND EX FILTER KIT is an essential filter kit designed for amateur or professional photographers and video content creators. The kit consists of 3 ND filters - PROND EX 8, PROND EX 64 and PROND EX 1000, that allow photographer to capture the world in different expressions.The choice of ND filters depends on intentions of the photographer to control the shutter speed or aperture. The content of the HOYA PROND EX FILTER KIT is based on our sales data and experience of selling millions of ND filters all over the world. PROND EX 8, PROND EX 64 and PROND EX 1000 are the most essential ND filters that will help to realize three expressions that we consider to be commonly used among the photographers.HOYA PROND EX FILTER is a high technological product that is designed for still and HDSLR videography. The PROND EX filters use HOYA's exclusive clear optical glass that incorporates a metallic coating on front and back side to equally reduce almost all range of the light spectrum even in IR area. The ACCU-ND technology used in the coating process yields a truly neutral color balance that will not add any noticeable color cast to your images. HOYA PROND EX filters incorporates precisely developed thick aluminum frame to prevent light leakage, thus obtain correct exposure and color balance.PROND EX 8 (3-stops)HOYA PROND EX 8 is essential for shooting with fast lenses at wide open aperture during the daytime, which is perfect for portraiture at shallow depth of field. The subject appears crisp and clear on the soft blurred background. Other recommended scenes are night trails, fireworks and lightnings.PROND EX 64 (6-stops)HOYA PROND EX 64 is essential for expressing the object in blurred motion during the daytime, which cannot be realized only with camera settings. Recommended for landscape, city snapshot, video and other photographic genres.PROND EX 1000 (10-stops)HOYA PROND EX 1000 is essential for expressing an unreal fantasy world thanks to its 10 stops reduction of the light amount. Widely used in seascape to blur the waves, street snap to apply clouds motion and architecture to erase moving people.PROND EX filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinatsions of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.

For the past several years slow shutter photography is becoming an extremely popular genre because it provides ample opportunities to express the world around in an artistic and unusual way. For this purpose ND filter appears to be a necessary tool.But which ND filter is better to start with? This question might raise in mind of many amateur photographers who decided to challenge themselves in slow shutter photography. Keeping this question in mind we created an essential ND kit to help photographers quickly start this challenge.HOYA PROND EX FILTER KIT is an essential filter kit designed for amateur or professional photographers and video content creators. The kit consists of 3 ND filters - PROND EX 8, PROND EX 64 and PROND EX 1000, that allow photographer to capture the world in different expressions.The choice of ND filters depends on intentions of the photographer to control the shutter speed or aperture. The content of the HOYA PROND EX FILTER KIT is based on our sales data and experience of selling millions of ND filters all over the world. PROND EX 8, PROND EX 64 and PROND EX 1000 are the most essential ND filters that will help to realize three expressions that we consider to be commonly used among the photographers.HOYA PROND EX FILTER is a high technological product that is designed for still and HDSLR videography. The PROND EX filters use HOYA's exclusive clear optical glass that incorporates a metallic coating on front and back side to equally reduce almost all range of the light spectrum even in IR area. The ACCU-ND technology used in the coating process yields a truly neutral color balance that will not add any noticeable color cast to your images. HOYA PROND EX filters incorporates precisely developed thick aluminum frame to prevent light leakage, thus obtain correct exposure and color balance.PROND EX 8 (3-stops)HOYA PROND EX 8 is essential for shooting with fast lenses at wide open aperture during the daytime, which is perfect for portraiture at shallow depth of field. The subject appears crisp and clear on the soft blurred background. Other recommended scenes are night trails, fireworks and lightnings.PROND EX 64 (6-stops)HOYA PROND EX 64 is essential for expressing the object in blurred motion during the daytime, which cannot be realized only with camera settings. Recommended for landscape, city snapshot, video and other photographic genres.PROND EX 1000 (10-stops)HOYA PROND EX 1000 is essential for expressing an unreal fantasy world thanks to its 10 stops reduction of the light amount. Widely used in seascape to blur the waves, street snap to apply clouds motion and architecture to erase moving people.PROND EX filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinatsions of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.

Kaamera bränd:CANON; Objektiivi tüüp:Standard; Fookuskaugus:30; Kinnitus:Canon RF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:NIKON; Objektiivi tüüp:Teleobjektiiv; Fookuskaugus:105; Kinnitus:Nikon F; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filter means precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters helps much to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Among the varieties of ND filters from ND2 to ND1000 even ND100000, we can generally categorize ND filters into 3 basic groups: Light density filters (ND2 – ND8) Middle density filters (ND16 – ND200) Deep density filters (ND500 – ND1000 / ND100000) Light density filters will lower the shutter speed in the bright sunny day to allow you to reduce depth of field in very bright light or to use a wider aperture to stay below the diffraction limit. For example, these filters are necessary to shoot with your fast lenses like F1.4 or F1.2 with aperture wide open for softer and more beautiful bokeh.Middle density filters will help you to add motion blur to the object in the conditions that generally will not allow camera shutter speed to do so.If you are for more creative shots that are based on extremely slow shutter speeds - deep density filters are to be suggested. ND filters like ND500 or ND1000 will help to capture dramatic unreal fantasy world that cannot be seen by the human eye.Color shift issue solutionHOYA offers its own exclusive and wide lineup of ND filters that are branded into PROND EX series for both photographers and filmmakers. PROND EX filters adopt HOYA's clear optical glass that is mounted into a lightweight, precisely crafted aluminum frame. The frame has front filter threads so you can attach additional filters or a lens cap.Thanks to ACCU-ND technology that puts HOYA ND filters far ahead from other brands the image undergoes no negative affect from color shift that may occur due to low-quality materials, poor manufacturing QC, or issues with leaking of the Infrared band of the light spectrum. The last problem is the most important nowadays in photography and videography.HOYA's exclusive ACCU-ND technology achieves equal reduction of the light in visible and IR spectrums. As a result the photographer may not fear any issue with color shift when using HOYA ND filters in different shooting conditions.PROND filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinations of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.

Kaamera bränd:SONY; Objektiivi tüüp:Standard; Fookuskaugus:33; Kinnitus:Sony E; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filter means precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters helps much to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Among the varieties of ND filters from ND2 to ND1000 even ND100000, we can generally categorize ND filters into 3 basic groups: Light density filters (ND2 – ND8) Middle density filters (ND16 – ND200) Deep density filters (ND500 – ND1000 / ND100000) Light density filters will lower the shutter speed in the bright sunny day to allow you to reduce depth of field in very bright light or to use a wider aperture to stay below the diffraction limit. For example, these filters are necessary to shoot with your fast lenses like F1.4 or F1.2 with aperture wide open for softer and more beautiful bokeh.Middle density filters will help you to add motion blur to the object in the conditions that generally will not allow camera shutter speed to do so.If you are for more creative shots that are based on extremely slow shutter speeds - deep density filters are to be suggested. ND filters like ND500 or ND1000 will help to capture dramatic unreal fantasy world that cannot be seen by the human eye.Color shift issue solutionHOYA offers its own exclusive and wide lineup of ND filters that are branded into PROND EX series for both photographers and filmmakers. PROND EX filters adopt HOYA's clear optical glass that is mounted into a lightweight, precisely crafted aluminum frame. The frame has front filter threads so you can attach additional filters or a lens cap.Thanks to ACCU-ND technology that puts HOYA ND filters far ahead from other brands the image undergoes no negative affect from color shift that may occur due to low-quality materials, poor manufacturing QC, or issues with leaking of the Infrared band of the light spectrum. The last problem is the most important nowadays in photography and videography.HOYA's exclusive ACCU-ND technology achieves equal reduction of the light in visible and IR spectrums. As a result the photographer may not fear any issue with color shift when using HOYA ND filters in different shooting conditions.PROND filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinations of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Kaamera bränd:Muu; Objektiivi tüüp:Standard; Fookuskaugus:40; Kinnitus:Leica M; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:SONY; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:15; Kinnitus:Sony FE; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:SONY; Objektiivi tüüp:Lainurk-suum; Fookuskaugus:16 - 28; Kinnitus:Sony E; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread

Objektiiv Sigma 18-50mm F2.8 DC DN

Sigma 100-400mm F5-6.3 DG DN OS | Kaasaegne | FUJIFILM X-kinnitus

Voigtländer APO-Skopar 75mm f/2.8 VM must | Leica M bajonett | APO Optika | 191g | 44mm | 10 lamelli | Metallist päikesevari kaasas APO-Skopar – kaks pärandi nime ühes objektiivis APO-Skopar ühendab kaks Voigtländeri optikatraditsiooni ühte nimesse: Skopar on Voigtländeri üks vanimaid objektiiviperekondi – nimi pärineb 20. sajandi algusest ja tähistab kompaktse suurusega optiliselt tasakaalustatud objektiivi. Skopar on Voigtländeri keeles “tasakaalustatud kompaktsus”. APO tähistab apokromaatset (apochromatic) optilist konstruktsiooni – kromaatilise aberratsiooni korrektsioon kolmel lainepikkusel (punane, roheline, sinine), mis on kõrgeim standardne optilise korrektsiooni tase. APO-Skopar 75mm f/2.8 VM on seega tõlkes: apokromaatne täiskaadri teleobjektiiv Leica M bajonetiga, kompaktse Skopar-perekonna traditsioonis. Apokromaatne konstruktsioon erilise klaasiga – mida see tähendab praktikas? APO-Skopar 75mm f/2.8 kasutab erilise anomaalse dispersiooniga klaasi (special anomalous dispersion glass elements): Tavaline optikaklaas Anomaalse dispersiooniga klaas Eri lainepikkused fokuseeruvad eri tasanditele → kromaatiline aberratsioon Lainepikkuste fookustasandid viiakse ühele tasandile → kromaatiline aberratsioon elimineeritud Värvivead kontrastsetes servades nähtavad Servad puhtad – ilma sinaka/punaka “halo” efektita Kahel lainepikkusel korrigeeritud (akromaatne) Kolmel lainepikkusel korrigeeritud (apokromaatne / APO) Praktikas tähendab see: APO korrektsioon on eriti märgatav kõrge resolutsiooniga sensoritega (Leica M11 47MP, Sony A7R V 61MP) – mida rohkem pikslit, seda rohkem tuleb kromaatiline aberratsioon nähtavale, ning APO optika hoiab selle kontrolli all. 75mm – portree- ja reisiteleobjektiiv täiskaadril 75mm fookuskaugus täiskaadril (Leica M süsteem on alati täiskaader) avab järgmised kasutusalad: Kasutusala Miks 75mm sobib Portreefotograafia Meeldiv perspektiiv näo kujutamiseks – ei lame (nagu lainurk) ega moonuta nina/lõuga (nagu väga pikk tele) Reisifotograafia Komprimeerib stseeni – tänavad, arhitektuur, inimesed eraldatuna taustast Diskreetne tänavafotograafia 75mm võimaldab pildistada mõningase distantsiga – subjekt ei taju kaamerat niivõrd lähedal Detailifotograafia 0,7m lähifookus + 75mm = subjektile lähenemine, tausta hägustus Leica M süsteemis on 75mm kaadriaknaga nähtav – rangefinderi kaadriaknas kuvatakse 75mm kaader. See on rangefinder-kogemuse piirpiir (pikemaid fookuskaugusi on raskem täpselt fokuseerida rangefinderiga), kuid 75mm töötab veel hästi. 44mm pikkus ja 191g – mida see tähendab Leica M süsteemis? 44mm pikkus ja 191g on erakordsed mõõtmed 75mm teleobjektiivist: Võrdlus Pikkus Kaal APO-Skopar 75mm f/2.8 VM 44mm 191g Nokton Classic 35mm f/1.4 VM II 28,5mm 189g Tüüpiline 75mm f/1.8 autofookus teleobjektiiv 70–90mm 400–600g APO-Skopar 75mm on peaaegu sama kerge kui Nokton Classic 35mm f/1.4 – 2g erinevus. 44mm pikkusega on see lühem kui paljud 35mm objektiivid teistest süsteemidest. Leica M kaameraga (M10, M11) kombineerituna on APO-Skopar 75mm taskus kantav teleobjektiiv – see on kombinatsioon, mis teiste süsteemidega on füüsiliselt võimatu. 10 lamelli – mida see bokeh jaoks tähendab? 10 lamelli (aperture blades) on kõrge lamellarv: Lamellarv Ava kuju Bokeh 5–6 lamelli Viie-/kuusnurkne ava Lambitulede bokeh on viis-/kuusnurksed “tähed” 7–8 lamelli Peaaegu ümmargune Hea bokeh – enamiku kasutajate jaoks piisav 9–10 lamelli Peaaegu täiuslik ring Bokeh ringid on ümmargused – loomulik, pehme hägustus 10 lamelli tähendab, et APO-Skopar 75mm f/2.8 puhul on tausta hägustus maksimaalselt ümmargune – lambi- ja valgusallika bokeh on ringid, mitte mitmekandilised kujundid. See on eriti oluline portree- ja tänavafotograafias, kus bokeh kvaliteet mõjutab pildi esteetikat. Mehaaniline rangefinder-ühendus – ilma elektroonikuta APO-Skopar 75mm f/2.8 VM on ilma elektrooniliste kontaktideta – see on teadlik disainiotsus: Lihtsus ja töökindlus: elektroonika puudumine tähendab, et objektiivis ei ole midagi, mis elektrooniliselt rikneda saaks. Mehaaniline rangefinder-ühendus: objektiiv ühendub Leica M kaamera rangefinderiga mehaaniliselt, mitte elektrooniliselt. Fookusrõnga pööramine liigutab rangefinderi mehaanikat – täpne fokuseerimine ilma elektroonikasõltuvuseta. Universaalne ühilduvus: ilma elektrooniliste kontaktideta töötab objektiiv kõikidel Leica M bajonettiga kaameratel – nii analoog- (M6, M7, MP, MA) kui digitaalkaamerate (M10, M11, M240 jt) puhul. Metallist päikesevari komplektis – miks see oluline on? APO-Skopar 75mm f/2.8 VM komplektis on metallist päikesevari, mis on disainitud spetsiaalselt selle objektiivi jaoks: Paljud objektiivid müüvad päikesevari eraldi – APO-Skopar 75mm f/2.8 VM komplektis on see kaasas. Kellele on Voigtländer APO-Skopar 75mm f/2.8 VM mõeldud? Leica M fotograafid, kes otsivad teravusetippu APO konstruktsioon + anomaalse dispersiooniga klaas + 10 lamelli = objektiiv, mis on optimeeritud optilise täpsuse maksimeerimiseks. Leica M11 47MP sensoriga on APO-Skopar 75mm f/2.8 kombinatsioon, mis avab sensori täieliku resolutsiooni. Portreefotograafid kompaktse süsteemiga 75mm portreekaugus + 191g + 44mm pikkus on kombinatsioon, mida teistest süsteemidest leida on keeruline. Portreefotograaf, kes reisib palju ja hindab kompaktsust, leiab APO-Skopar 75mm huvitava alternatiivi suurte teleobjektiivide kõrval. Reisifotograafid Leica M süsteemiga Leica M kaamera + Nokton Classic 35mm + APO-Skopar 75mm = kahe objektiiviga täiskaadri süsteem, mis kaalub kokku alla 600g ja mahub kompaktsesse kotti. Komplektis sisaldub

TTArtisan 7.5mm f/2.0 Nikon Z DX Kalasilmobjektiiv | 180° APS-C Diagonaalfisheye | Ringfisheye täiskaadril | f/2.0 | 54×58mm | 12.5cm | 11/8 | Stepless | Manuaalfookus APS-C Nikon Z jaoks projekteeritud kalasilm – kahekordne kasutus TTArtisan 7.5mm f/2.0 Nikon Z DX on kompaktne kalasilmobjektiiv, mis on disainitud spetsiaalselt APS-C Nikon Z kaameratele (Nikon Zfc, Z50, Z30). 54mm läbimõõt ja 58mm pikkus teevad sellest ühe kompaktsemaid täisfunktsionaalseid kalasilmobjektiive Nikon Z süsteemis. Nagu ka teised TTArtisani 7.5mm f/2.0 variandid, töötab see objektiiv kahes erinevas režiimis: Kaamera sensor Kasutusrežiim Kujutise kuju APS-C (Nikon Zfc, Z50, Z30) Diagonaalfisheye Pilt täidab APS-C ristküliku täielikult Täiskaader (Z6 III, Z7 II, Z8, Zf jne) Ringfisheye Ümmargune kujutis musta nurgatühjusega Mis on “Nikon Z DX”? DX on Nikoni termin APS-C sensori formaadi tähistamiseks – sama tähendus kui “APS-C”. Nikon Z DX kaamerad kasutavad Nikon Z bajonetti, kuid väiksemat sensorit: Nikon Z kaamera Sensor Ühilduvus Nikon Zfc APS-C (DX) ✓ Diagonaalfisheye – pilt täidab kaadri Nikon Z50 II APS-C (DX) ✓ Diagonaalfisheye – pilt täidab kaadri Nikon Z30 APS-C (DX) ✓ Diagonaalfisheye – pilt täidab kaadri Nikon Z6 III Täiskaadri (FX) Ringfisheye – ümmargune kujutis mustade nurkadega Nikon Z7 II Täiskaadri (FX) Ringfisheye – ümmargune kujutis mustade nurkadega Nikon Z8 / Z9 Täiskaadri (FX) Ringfisheye – ümmargune kujutis mustade nurkadega Füüsiline Nikon Z bajonet on täiskaadri ja DX kaameratel identne – objektiiv sobib mõlemasse, kuid visuaalne tulemus erineb. APS-C: 180° diagonaalfisheye – kaader täis APS-C Nikon Z kaameraga kasutamisel on TTArtisan 7.5mm täielik diagonaalfisheye: Kasutusala APS-C peal: maastikufoto, tänavafoto, arhitektuur dramatiseeritult, astrofoto, tegevusfoto, video B-roll. Täiskaadri: ringfisheye – ümmargune kujutis f/2.0 – kiire ava hämaraks ja öiseks pildistamiseks f/2.0 on kalasilmobjektiivi jaoks erakordne valgustundlikkus: Ava Suhteline valguse kogumine f/2.0 (TTArtisan 7.5mm) 100% (baas) f/2.8 (TTArtisan 11mm) ~51% (peaaegu poole vähem) f/4.0 ~25% Praktikas tähendab f/2.0: 12.5cm lähifookus – subjekt peaaegu vastu läätse 12.5cm minimaalne fookuskaugus võimaldab pildistada objekte väga lähedalt – kombineerituna fisheye moonutusega tekib efekt, kus lähisubjekt “paisub” kaadris, taust kumerdub ümber: Kasutus Efekt 12.5cm juures Lillefoto Õis täidab kaadriesiosa, mets/taust kumerdub taha Portree Nägu moonutatult lähiplaanile, keskkond ümber Produktifoto Ese esiplaanile, laud/sein sfääriliselt taustaks Dokumentaal Käe ulatuses subjekt + 180° keskkond korraga Optiline ehitus ja manuaalsed juhikud Parameeter Andmed Optilised elemendid 11 Grupid 8 Maksimaalne ava f/2.0 Minimaalne ava f/11 Ava lamellid 7 Avarõngas Stepless (astmeta, videoks sobilik) Fookus Käsifookus Filtrikere Ei ole Stepless avarõngas tähendab, et ava muutub sujuvalt ilma klõpsupeatusteta – see on video jaoks oluline, kuna võimaldab ekspositsioonmuutusi kaadri sees ilma nähtavate hüpeteta. Käsifookus koos f/2.0 ja 180° AoV kombinatsiooniga: APS-C sensoril annab 7.5mm juba f/4–f/5.6 juures väga sügava sügavusteravuse (peaaegu hüperfokaalse käitumise) – praktikas ei pea fookust sageli muutma. Kellele on TTArtisan 7.5mm f/2.0 Nikon Z DX mõeldud? Nikon Zfc, Z50 II ja Z30 kasutajad See on APS-C Nikon Z spetsiifiline valik – 7.5mm on disainitud just selleks, et APS-C kaadrit täielikult täita. Täiskaadri kasutajatele on TTArtisan 11mm f/2.8 Nikon Z sobivam. Astrofotograafid APS-C Nikon Z süsteemis f/2.0 + 180° APS-C vaateväli = Linnutee kaadristamiseks tugevaim kombinatsioon APS-C Nikon Z süsteemis. Tähtede triipumise vältimiseks lühike säri on f/2.0 juures võimalik. Loov- ja kontseptsioonifotograafid Ringfisheye täiskaadril (ümmargune kujutis mustade nurkadega) on kunstiliseks kasutuseks huvitav lisavõimalus neil, kes omavad ka täiskaadri Nikon Z kaamerat. Komplektis sisaldub

TTArtisan 11mm f/2.8 Fisheye Objektiiv Nikon Z | 180° vaateväli | Täiskaadri | f/2.8 | Manuaalfookus | 17cm | Stepless Ava | 11/7 optiline ehitus | 491g Kogu maailm ühes kaadris TTArtisan 11mm f/2.8 on täiskaadri Nikon Z bajoneti fisheye objektiiv, mille 180° vaateväli hõlmab korraga täieliku poolsfääri ees seisvast maailmast. 11mm fookuspikkus ja f/2.8 maksimaalne ava kombineerituna teeb sellest ühe võimsamaid objekte, millega kaamera ees paindutada: Linnutee galaktika, ekstreemsed arhitektuurikaadrid, loova B-roll, või subjekt 17cm kaugusel läätse nina ees – kõik kuuluvad TTArtisani 11mm’i kasutusvaldkonda. Käsifookus, stepless avarõngas ja alumiiniumkest positsioneerivad selle objektiivi teadlikule fotograafiale, kes soovib täielikku kontrolli iga kaadri üle – ilma autofookuse kompromissideta. Fisheye vs rektilineaarne lainurk – mis vahe on? Kõik lainurk-objektiivid ei ole ühesugused. TTArtisan 11mm f/2.8 on fisheye (kalasilm) – see erineb fundamentaalselt rektilineaarsest lainurgast: Omadus Rektilineaarne lainurk Fisheye (TTArtisan 11mm) Sirged jooned Sirged ka kaadri servades Kõverjad – tünnmoonutus Perspektiiv Loomulik, sirge horisont Sfääriline, kumeraefekti Vaateväli (täiskaadril) 12–16mm: 90–110° 180° Kasutus Arhitektuur ilma moonutuseta Loovfoto, astro, tegevus, sport Iseloom Neutraalne lainurk Dramatiseeriv, immersive efekt Fisheye tünnmoonutus ei ole viga – see on omadus. Sirge horisondi asemel kumer horisondi lõim on TTArtisan 11mm’i visuaalne allkiri, mida otsitakse spetsiifiliselt selle efekti jaoks. 180° vaateväli – mida see praktikas tähendab? 180° on optilise perspektiivi absoluutne piir: selle läätse kaudu näed korraga kogu poolsfääri ees seisvast ruumist. Vaateväli Fookuspikkus (täiskaadril) Kasutusala ~115° 14mm (rektilineaarne) Loovarhitektuur, maastik ~94° 21mm Lai klassikaline lainurk ~75° 28mm Tänavafoto lainurk ~47° 50mm “Inimsilm” perspektiiv 180° 11mm fisheye Astrofoto, loovfoto, extreme sport 180° vaateväljaga on võimalik: f/2.8 – mida see ava tähendab lainurk-fisheye puhul? f/2.8 on selles formaadis väga hea valgusläbilaskvus. Fisheye objektiivid on traditsiooniliselt tavaliselt aeglasemad (f/3.5–f/5.6) just laia vaatevälja optikaehituse keerukuse tõttu. Kasutus f/2.8 tähendus Astrofotograafia Piisab Linnutee kaadristamiseks ISO 1600–6400 juures lühikese säriajaga Hämar siseruumis Töötab pidudel, kontsertidel, tänavaüritustel ilma välklambita Päevavalgus f/8–f/11 suletuna – maksimaalne teravus üle vaatevälja Video f/2.8 stepless avaga – siledad üleminekud ilma klõpsudeta Kombinatsioon 11mm + f/2.8 + 180° teeb TTArtisani üheks soodsaimaks astrofotograafia objektiiviks täiskaadri Nikon Z süsteemis. 17cm lähifookus – lainurga-makro efekt 17cm on erakordne lähifookuskaugus fisheye objektiivis. Võrdluseks: Objektiiv Lähifookus Tüüpiline 50mm portreeobjektiiv 40–50cm Tüüpiline 28mm lainurk 25–30cm TTArtisan 11mm f/2.8 17cm 17cm lähifookus tähendab, et subjekt (lill, putukas, ese, inimese käsi) saab asetada peaaegu vastu läätse – ja fisheye moonutus dramatiseerib selle perspektiivi veelgi. Lähisplaan koos kumerefektiga on eriti efektiivne loodusfotol, makrofotol ja kontseptsioonifotol. Käsifookus ja stepless avarõngas – miks see on eelis? TTArtisan 11mm f/2.8 on täielikult manuaalne: nii fookus kui ava seatakse käsitsi. Käsifookus Kasutusala Käsifookuse eelis Astrofotograafia AF ei suuda öisel taevasel fookusesse tõmmata – käsifookus lõpmatusele on kindel Loovfoto Täpne fookuspunkt vastavalt kunstilisele visioonile, mitte AF-algoritmi otsusele Video Sujuv “focus pull” ilma AF-i otsimishüpeteta Fisheye kasutus f/8 juures on peaaegu kogu 180° ulatus terav – fookust harva vaja muuta Stepless (astmeta) avarõngas Stepless avarõngas tähendab, et ava muutub sujuvalt ilma klõpsvahepeatusteta (nagu “klikiga” objektiividel). See on video jaoks oluline: kaadri sees sujuv päevavalgusega kokkusobimine on võimalik ilma nähtavate hüpeteta eksponeerimisel. Fotograafidele, kes soovivad ekspositsiooni EXIF-andmetes täpset ava väärtust – manuaalne täpsus sõltub rõnga asendist, kaameral ava väärtus võib kuvada ligikaudsena. 11 elementi 7 grupis – optiline ehitus 11 elementi 7 grupis on fisheye objektiivi jaoks hästi optimeeritud konstruktsioon: Parameeter Andmed Optilised elemendid 11 Grupid 7 Ava lamellid 7 (bokeh efekti jaoks) Ava vahemik f/2.8 – f/16 7 avarõnga lamellt annavad bokeh mullide iseloomu – 7-lamelliline ava annab ligikaudu ringikujulise (mitte seitsmenurkse) bokeh. Fisheye objektiividel ei ole bokeh tavaliselt prioriteet (sügav sügavusteravus f/5.6+ juures), kuid f/2.8 juures on eraldatust siiski näha. Alumiiniumkest – mida see tähendab ehituskvaliteedi seisukohast? Alumiiniumkest on metallipõhine ehitus, mis erineb plastkerest: Ehitus Alumiinium (TTArtisan) Kaal Raskem kui plastikust, kergem kui roostevabast terasest Temperatuuritaluvus Stabiilne külmas (oluline talvises astrofotograafias) Mehaaniline vastupidavus Vastupidavam löökidele kui plastikust kerest Tunne Premium metalline tunne käes 491g on käsitletav kaal – kergem kui paljud täiskaadri teleobjektiivid. 86 × 67mm (pikkus × läbimõõt) on kompaktne fisheye profiiliga. Nikon Z ühilduvus Nikon Z bajonet on Nikoni hübriidfoto kaamerasüsteemi liides. TTArtisan 11mm f/2.8 Nikon Z versioon ühildub kõikide Nikon Z kaamerate kehaga: Kaamera Sensor TTArtisan 11mm (ekv. FOV) Nikon Z6 III Täiskaadri 180° (nagu kirjeldatud) Nikon Z7 II Täiskaadri 180° Nikon Z8 Täiskaadri 180° Nikon Z9 Täiskaadri 180° Nikon Zf Täiskaadri 180° Nikon Zfc APS-C (1.5×) ~120° ekv. (11mm × 1.5 = ~16.5mm ekv.) Nikon Z50 / Z30 APS-C (1.5×) ~120° ekv. Märkus: APS-C Nikon Z kaameratel (Zfc, Z50, Z30) annab 1.5× crop-faktor 11mm’ist ligikaudu 16.5mm täiskaadri ekvivalendi – see on laialainurk, kuid enam mitte 180° fisheye efektiga. Täielik 180° kasutus eeldab täiskaadri Nikon Z kaamerat. Autofookus ei toimi – EXIF andmeid (objektiivi ID, ava väärtus kaamera kuvamisel) edastamine sõltub kaamera mudelit ja objektiivi elektroonilisest ühilduvusest. Soovitame kontrollida TTArtisani tooteleheküljelt täpse Nikon Z ühilduvuse osas. Kellele on TTArtisan 11mm f/2.8 Nikon Z mõeldud? Astrofotograafid 180° vaateväli + f/2.8 on astrofotograafia jaoks optimaalne kombinatsioon: Linnutee kaar, meteorisajud ja Aurora Borealis mahuvad ühte kaadri. Käsifookus lõpmatusele on öötaevapildistuse standard. Metallist kest talub talviseid temperatuure. Loov- ja kontseptsioonifotograafid Fisheye moonutus on kunstiline tööriist: kumer perspektiiv, 17cm lähedal subjekt koos laienevat taustaga, arhitektuursed sfäärilised vaated. Need, kes soovivad visuaalselt ebatavalisi tulemusi, leiavad 11mm fisheye’is lõputult materjali. Tegevus- ja ekstreemspordi videograafid 180° vaateväli ühildub “GoPro stiilis” kaadrilaadi – kuid täiskaadri sensori pildikvaliteediga. Skate, surf, snowboard, BMX – subjekt ja keskkond korraga. Arhitektuuri- ja interjöörifotograafid (loomingulistel eesmärkidel) Dokumendi-täpsuse asemel efekti jaoks: kumerduv ruum, sfääriline laeplaan, kogu koridor ühes kaadris. Mitte rektillineaarne täpsus, vaid immersive kogemus. Manuaalse pildistamise entusiastid TTArtisan kui bränd on suunatud fotograafidele, kes eelistavad täielikku käsitsi kontrolli autofookuse asemel. Alumiiniumkest ja stepless avarõngas on osa “käsitöö fotograafia” kogemusest.

35 mm laia avaga objektiiv kvaliteetse optika ja kompaktsete mõõtmetega on mõeldud kasutamiseks Nikoni DX-formaadis kaameratega. Omadused: maksimaalselt suur f/1,8 ava tagab ereda pildiotsija pildi ja on ideaalne pildistamiseks halbades valgusoludes. ...

EF 24mm F1.4 L II USM on uus fikseeritud fookuskaugusega lainurkobjektiiv, mis mõeldud spetsiaalselt kõige nõudlikumal professionaalile. Objektiivis on 13 elementi 10-s grupis, 2 GMo asfäärilist läätse ning kaks UD-läätseelementi.

Selle objektiivi tähtsaimad omadused on tema väike kaal ja mõõtmed. Tagumine fokusseerimissüsteem tagab terava, selge pildi ka maksimaalse ava juures. Kiiret, vaikset ja täpset teravustamist võimaldab USM mootor. Ringikujulise USM mootori kasutamine ...