About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.
HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread
Urth Lens Mount Adapter: Compatible with Canon (EF / EF-S) Lens to Sony E Camera Body Combine an Canon (EF/EF-S) mount with a Sony E mount. Experiment with new lens combinations and pair any Canon (EF/EF-S) mount with your Sony E mount camera. The EF-E lens mount adapter is manual, so most automatic functions - aperture, autofocus, AE metering and image stabilisation - must be set manually. Exposure settings must also be set manually. Positive impact Urth´s goal is to have a lasting positive impact on the planet. By consciously designing products that help people engage with nature and planting 1 tree for every product. Urth´s mission is to plant 1 billion trees by 2032. Conscious design There is a constant search for ways to minimise the negative impact on the planet we love. When new products are made, low-impact materials are sought and designs are refined to minimise waste. All packaging is redesigned to remove all plastic, use recycled materials and ensure they are recyclable too. Characteristics Smart design, durable materials guaranteed for life. Designed for a secure and snug fit Manual focus to infinity. Has an anti-reflective matte black finish. Lifetime warranty
LAOWA 180mm f/4.5 1.5x Ultra Macro APO (Auto Focus) – Sony FE Laowa 180mm f/4.5 1.5x Ultra Macro APO on professionaalne makroobjektiiv Sony a täiskaader hübriidkaameratele, mis pakub erakordset detailsust ja suurt tööulatust. 180 mm fookuskaugus võimaldab pildistada putukaid, tooteid ja peeneid detaile mugavalt kaugemalt, häirimata subjekti. Tänu kergele ja kompaktsele korpusele (vaid u 522 g Sony FE versioonil) on see ideaalne kaaslane välitingimustes töötavatele fotograafidele. Objektiivi 1,5× suurendus annab võimaluse jäädvustada detaile, mida tavalised 1:1 makroobjektiivid ei näita. APO optiline disain vähendab kromaatilist aberratsiooni nii fookuses kui ka fookusest väljas, tagades terava ja puhta tulemuse servast servani. Peamised omadused Komplektis Laowa 180mm f/4.5 1.5x Ultra Macro APO on parim valik fotograafile, kes soovib pildistada makrot, loodust, tooteid ja detaile, säilitades samal ajal mugava töövahemaa ja kvaliteetse pildi. Tänu autofookusele ja elektroonilistele kontaktidele sobib see ideaalselt Sony a hübriidkaameratega kasutamiseks.
Viltrox AF Air 9mm F/2.8 XF – ülikompaktne ja valgusjõuline ülilainurkobjektiiv Fuji X kaameratele Viltrox AF Air 9mm F/2.8 XF on erakordselt kerge ja kaasaskantav ülilainurkobjektiiv, mis pakub muljetavaldavat 113,8° vaatenurka. See on suurepärane valik maastiku-, arhitektuuri- ja interjöörifotograafiale, samuti vlogijatele, reisijatele ja sisuloojatele, kes soovivad saavutada visuaalselt haaravaid ülilainurkpilte ilma raskete varustusteta. F/2.8 maksimaalne ava võimaldab pildistada ka nõrgas valguses, pakkudes samal ajal loomingulisi võimalusi hämarates oludes ja sisekaadrites. Ülilainurk 113,8° – rohkem stseeni ühes kaadris Ülilainurk 113,8° – rohkem stseeni ühes kaadris: Valgusjõuline f/2.8 ava Kiire ja täpne autofookus STM-staapelmootor tagab: Minimaalne focus breathing – ideaalne videoks Fookuse muutmisel säilib loomulik vaatenurk, mis tagab: Silmapaistev teravus servast servani 13 elementi 11 grupis, sh: Need tagavad: Lähim teravustamine vaid 0,13 m Lõbusad ja loomingulised lähikaadrid: Kerge, kompaktne ja reisisõbralik Viltrox Air seeria on loodud maksimaalse kaasaskantavuse jaoks: Vastupidav ja praktiline disain Tehnilised andmed Komplektis
Viltrox AF 35mm F/1.2 objektiiv Nikon Z kaameratele Viltrox AF 35mm F/1.2 on suure valgusjõuga fikseeritud fookuskaugusega objektiiv Nikon Z bajonetiga kaameratele. See on loodud fotograafidele ja videograafidele, kes vajavad väga head jõudlust nii väheses valguses kui ka kõrge eraldusvõimega pildistamisel. F/1.2 maksimaalne ava võimaldab pildistada hämaras ning saavutada madala teravussügavuse ja sujuva taustahägususe (bokeh). Tänu topeltujuvale sisemisele teravustamissüsteemile säilib teravus kogu fookusvahemikus, alates minimaalsest teravustamiskaugusest 0,34 m kuni lõpmatuseni. Objektiivi optiline ehitus koosneb 15 elemendist 10 grupis, sealhulgas ED-, HR- ja UA-elementidest, mis vähendavad kromaatilisi aberratsioone ning tagavad hea kontrasti ja loomutruud värvid. Kiire ja vaikne Quad Viltrox HyperVCM automaatteravustamismootor sobib nii foto- kui ka videokasutuseks. Metallist, ilmastikukindel korpus ning professionaalsed juhtnupud koos LCD-infokuvariga muudavad objektiivi sobivaks nõudlikuks tööks nii stuudios kui ka välitingimustes. Peamised omadused Tehnilised andmed Komplektis
Tootekirjeldus Nikon FTZ II adapter on loodud fotograafidele ja videograafidele, kes soovivad kasutada oma olemasolevaid F-bajonetiga NIKKOR objektiive Nikon Z seeria hübriidkaameratel. See on nutikas ja praktiline lahendus, mis ühendab klassikalise optika kaasaegse kaameratehnoloogiaga, võimaldades sul oma varustust maksimaalselt ära kasutada. Adapter tagab laialdase ühilduvuse ning säilitab automaatteravustamise ja automaatse särituse funktsioonid paljude F-bajonetiga objektiivide puhul. Samuti töötab objektiivi värinavähendus koos kaamera sisese stabilisaatoriga, pakkudes teravaid ja detailseid tulemusi ka keerukates valgusoludes. FTZ II versioon on disainitud kompaktsemaks ja ergonoomilisemaks, sobitudes paremini vertikaalse käepidemega ning pakkudes mugavamat käsitsemist nii horisontaal- kui portreeformaadis pildistamisel. Tulemuseks on sujuv töövoog nii stuudios kui ka välitingimustes. Miks valida Nikon FTZ II adapter? Kui oled investeerinud kvaliteetsetesse F-bajonetiga objektiividesse, ei pea sa Z-seeria kaamerale üle minnes oma optikast loobuma. Nikon FTZ II adapter annab sulle võimaluse jätkata tuttavate objektiividega töötamist, säilitades nende optilise iseloomu ja jõudluse. See on ideaalne lahendus: Adapter aitab sul säästa kulusid, pikendada olemasoleva varustuse eluiga ning muuta üleminek uuele kaamerasüsteemile sujuvaks ja loogiliseks. Peamised omadused Nikon FTZ II adapter on praktiline sild kahe süsteemi vahel – see ühendab Nikon DSLR-maailma kogemuse ja Z-seeria innovatsiooni. Kui soovid oma loomingulist vabadust säilitada ja samal ajal kasutada uusimat kaameratehnoloogiat, on see adapter kindel ja tulevikukindel valik.
35 mm laia avaga objektiiv kvaliteetse optika ja kompaktsete mõõtmetega on mõeldud kasutamiseks Nikoni DX-formaadis kaameratega. Omadused: maksimaalselt suur f/1,8 ava tagab ereda pildiotsija pildi ja on ideaalne pildistamiseks halbades valgusoludes. ...
Selle preemiumobjektiivi tööomadusi hindab iga portreevõtteid tegev või siseruumides pildistav kasutaja. Seda objektiivi iseloomustab kõrge kontrastsus, servast servani ulatuv teravus, kõrgresolutsioon ja madal aberratsioon ning see tagab kompromissitu pildikvaliteedi isegi kasutades ülisuurt 1:1.8 ava. Lisaks on see 75mm (150mm*) preemiumobjektiiv ülitäpne - alates montaaži- ja poleerimistehnoloogiatest kuni optiliste omaduste ja piltide ning videote detailideni.
Suurepärane sooritusvõime ning kompaktne disain teeb sellest objektiivist ideaalse kaaslase igapäevaseks kasutamiseks. See objektiiv sobib erinevateks otstarveteks - portreepiltidest kuni öövõteteni tänu suurele avale. Optika on disainitud vähendamaks kromaatilist ning sfäärilist aberratsiooni ka täisavaga pildistades. Lõpptulemuseks on selged ning teravad pildid ning videod, mida aitab veel selgemaks siluda integreeritud pildistabilisaator.Komplektis objektiivikorgid ning päikesevarjuk ALC-SH112.
M.ZUIKO DIGITAL 17mm 1:1.8 (34mm*) objektiiv tagab, vaatamata oma kergele kaalule ja kompaktsetele mõõtmetele, silmapaistvalt hea pildikvaliteedi. Objektiivi 1:1.8 suur ava võimaldab jäädvustada kaunilt hägustatud taustaga võtteid ning pildistada ilma statiivi kasutamata ka hämaras valguses – seejuures on abiks uusimates Olympus Micro Four Thirds System kaamerates kasutusel olev pildistabilisaator. Lisaks suurele 1:1.8 avale, on sellel esmaklassilisel Micro Four Thirds süsteemi lainurk-objektiivil unikaalne mehhanism hetkvõtete fokuseerimiseks, nii videote kui ka piltide jäädvustamisel (MSC) toimiv autofookus, ning spetsiaalne ZERO vääristus, mis tagab kõrgkvaliteetsed tulemused.
Esimene G-seeria klassi kuuluv E-bajonetiga objektiiv, Maksimaalne ava 4, mis jääb suumimisel muutmatuks, Koostöös OSS pildistabilisaatori ning suumi elektroonikaga on 18-105 tehtud ahvatlevaks eriti videosõpradele. Objektiivi ...
Kompaktne ja suure jõudlusega 100–400 mm suumobjektiiv, mis on täiuslik sporti, tegevust ja metsikut loodust jäädvustavatele fotograafidele. 4-astmeline pildistabilisaator ja kvaliteetne optika tagavad suurepärase teravuse. ...
Sony FE PZ 28-135 mm F4 G OSS. Lens type: Standard zoom, Aperture range (F-F): 4 - 22, Focal length range (f-f): 28 - 135 mm. Maximum magnification: 0.15x. Colour of product: Black. Diameter: 10.5 cm, Filter size: 9.5 cm, Length: ...
Sony Vario-Tessar T* FE 16-35 mm F4 ZA OSS. Aperture range (F-F): 4 - 22, Focal length range (f-f): 16 - 35 mm. Maximum magnification: 0.19x. Filter size: 7.2 cm. Lens system: Vario-Tessar T* FE 16-35 mm F4 ZA OSS
Kõrgetasemeline telefoto suumobjektiiv FX-formaadis ühe objektiiviga peegelkaameratega kasutamiseks.Tänu laiale 80–400 mm fookuskaugusele ja kõrgetasemelisele optilisele disainile on see objektiiv täiuslik mitmete objektide, sealhulgas eluslooduse, maastike ja spordiürituste pildistamiseks.Nikoni stabiliseerimissüsteem laseb pildistada kuni neli sammu väiksemate säriaegadega, võimaldades käest pildistamisel stabiilseid pilte mis tahes fookuskaugusel. Neli ED-klaasist (eriti madala dispersiooniga klaasist) ja üks Super ED-klaasist (ülimadala dispersiooniga klaasist) elementi korrigeerivad kromaatilist aberratsiooni ja selliseid optilisi värvidefekte, mis tekivad suurema fookuskaugusega pildistamisel.
E-Mount Lens/Full-Frame Format, Aperture Range: f/2 to f/22, Distagon Optical Design, Four Double-Sided Aspherical Elements, Floating Elements System, Zeiss T* Anti-Reflective Coating, OLED Display for Focus Distance and DoF, ...
Tamron 35mm f/2.8 Di III OSD on varustatud valgusjõulise avaga f/2.8 ja kiire, täpse autofookusega. Oma küllaltki universaalse fookuskauguse poolest sobib ta kasutamiseks väga erinevate valdkondade jäädvustamiseks, alates pressifotograafiast kuni portreefotoni välja. Tänu oma kompaktsele disainile ja kergele kaalule ei muuda see objektiiv Sinu kaamerakotti raskeks. Püüa fookusesse ka kõigest 15 cm kaugusel asuvad objektid ja täida oma kaadrid nendega. Niiskus- ja tolmukindel konstruktsioon võimaldavad pildistada erinevates ilmastikuoludes.
Irix Cine 21mm T1.5 Canon EF Metric [ IL-C21-EF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 Canon R Metric [ IL-C21-RF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 MFT Metric [ IL-C21-MFT-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 Sony E Metric [ IL-C21-SE-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Irix Cine 21mm T1.5 PL-mount Metric [ IL-C21-PL-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc
Kvaliteetsete Hoya filtrite komplekt; Komplektis kolm filtrit ja filtrivutlar; UV, ND8 ja ringpolarisatsiooni filter; Sobib 72 mm filtrikeermega objektiividele
