About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread
50 mm laiapertuuriga standardne objektiiv kvaliteetse optika ja Nikoni eksklusiivse funktsiooniga Silent Wave Motor (SWM) ülivaikseks töötamiseks. Sisaldab f/1,4 maksimaalselt suurt apertuuri, mis tagab ereda pildiotsija pildi ja on ideaalne ...
Selle preemiumobjektiivi tööomadusi hindab iga portreevõtteid tegev või siseruumides pildistav kasutaja. Seda objektiivi iseloomustab kõrge kontrastsus, servast servani ulatuv teravus, kõrgresolutsioon ja madal aberratsioon ning see tagab kompromissitu pildikvaliteedi isegi kasutades ülisuurt 1:1.8 ava. Lisaks on see 75mm (150mm*) preemiumobjektiiv ülitäpne - alates montaaži- ja poleerimistehnoloogiatest kuni optiliste omaduste ja piltide ning videote detailideni.
Esimene G-seeria klassi kuuluv E-bajonetiga objektiiv, Maksimaalne ava 4, mis jääb suumimisel muutmatuks, Koostöös OSS pildistabilisaatori ning suumi elektroonikaga on 18-105 tehtud ahvatlevaks eriti videosõpradele. Objektiivi ...
FX-formaadis 300 mm objektiiviga pole kaugus probleem. See on esimene F-kinnitusega NIKKORi objektiiv, mis on varustatud elemendiga Phase Fresnel. Objektiiv pakub ülimat tasakaalu kompaktse kujunduse, telefoto ulatuse ja kõrge ...
E-Mount Lens/Full-Frame Format, Aperture Range: f/2 to f/22, Distagon Optical Design, Four Double-Sided Aspherical Elements, Floating Elements System, Zeiss T* Anti-Reflective Coating, OLED Display for Focus Distance and DoF, ...
50 mm normaal-fiksobjektiiv Valgusjõuline - f/2 maksimaalse avaga Tipptasemel Fujinon optika Ilmastikukindla konstruktsiooniga Fujifilm X-seeria hübriidkaameratele Objektiivi optiline konstruktsioon koosneb 9 elemendist 7 grupis, luues terava ning suure detailsusega kujutise. Lisaks, tänu f/2.0 maksimaalsele avale on kasutajal suur kontroll teravussügavuse üle ning lihtsustab hämaras pildistamist. Kiire ja vaikne teravustamine sobib nii piltide kui videote tegemiseks.Ilmastikukindel disainLisaks viimase peal optilisele ehitusele, on XF-50mm f/2 objektiiv ka ilmastikukindel. Objektiivi konstruktsioonis on tihendid, mis kaitsevad sisemust niiskuse ja tolmu eest ning lubavad objektiivi kasutada ka kuni -10°C juures.
15–45 mm normaalsuumobjektiiv; Suurepärane kaaslane igapäevaseks kasutuseks; Suumivahemik lainurgast lühikese telefotoni; Võimekas pildistabilisaator, kuni 3 stoppi; Fujifilm X seeria hübriidkaameratele
Universaalne eesmine objektiivikork; Kaitseb objektiivi eesmist elementi; Sobib kõikidele 46 mm filtrikeermega objektiividele; Lihtsalt ning kiirelt paigaldatav; Koos turvanööriga
24–240 mm supersuumobjektiiv; 10× suumivahemikuga; Kiire ning vaikne USM teravustamismootor; Integreeritud Canon IS pildistabilisaator; Canoni täiskaader hübriidkaameratele
The Fujinon XF-90mm f/2 R LM WR is a fast-aperture prime lens with a focal length equivalent to 137mm and a maximum aperture of f/2.0, that delivers ultra-sharp images with rich bokeh even at the maximum aperture setting.The optical construction of 11 elements in 8 groups (including three ED glass elements) minimizes vignetting and creates beautiful bokeh thanks to the rounded diaphragm, which makes it perfect for portraiture as well as other applications.Ultra-sharp images even at the maximum apertureThe optical construction comprises 11 elements in 8 groups, including three ED (extra low-dispersion) elements, which reduces chromatic aberrations to deliver sharp, rich images even at the widest aperture of f/2.0.Beautyful bokehThe rounded aperture blades combined with an optical construction designed to minimize vignetting creates beautiful circular bokeh right to the edge of the image. In addition, stunning depth is possible in images thanks to the differentiation between the razor-sharp subject and the bokeh in front and behind it.High-speed autofocus as fast as 0.14sec thanks to a newly-developed Quad Linear MotorA linear motor is fast, quiet and accurate, but here four magnets are used for higher torque. The high-speed autofocus provides a more versatile shooting experience, allowing users to quickly react to subtle changes in a subject's facial expression.Close focusing to 60cm and 0.3× magnification (35mm format equivalent)The close focusing capabilities of the Fujinon XF-90mm f/2 R LM WR allow you to isolate key parts of a subject so you can shoot dramatic portraits or close-ups of flowers and insects.Weather, Dust, and Freeze ResistanceThe lens features a weather- and dust-resistant structure with seven seals on the lens barrel. It can also work in temperatures as low as -10°C. This keeps the lens protected from rain, dust and splashes of water when shooting outdoors.Lightweight and compactThe lens weighs approx 540g, and is compact too, with a filter thread measuring just 62mm. The combined weight with the XF-56mm f/1.2 R is less than 1kg – great news for portrait photographers who want to travel light and still shoot with prime lenses for sharp images and strong bokeh.
20–70 mm normaalsuumobjektiiv; Läbiv f/4.0 maksimaalne ava; Kiire ja täpne Dual XD teravustamismootor; Tolmu- ja niiskuskindel disain; Sony E bajonetiga hübriidkaameratele
NIKKOR Z 26mm f/2.8 võimaldab fotograafidel muuta iga võimaluse loominguliseks võimaluseks, seda nii koduseid tänavastseene, maastikke, interjööre kui ka muud pildistades. Lai Z-kinnitus on kombineeritud objektiivi laia f/2,8 maksimaalse avaga, et pakkuda hämaras valguses suurepärast jõudlust ning fotograafid saavad kasutada kiiremat säriaega, et tegevust külmutada ilma heledust ohverdamata. Lähema töö jaoks võimaldab objektiiv teravustada, kui kaamera on objektidest vaid 20 cm kaugusel – ja bokeh-efekti saab rõhutada lähedalt kunstipärase tausta hägususe saamiseks. Videograafid ja vlogijad saavad kasutada objektiivi laia vaatevälja ja surutud fookuse hingamist, et jäädvustada suurepärase välimusega kaadreid, mis on ideaalsed kõigeks alates laiaulatuslikest võtetest kuni intervjuudeni, mis loob tõelise kohatunnetuse.
Kompaktes, ultra-leichtes Weitwinkel-Zoomobjektiv der G-Master Serie mit blitzschnellen Autofokus dank XD-Linearmotor, herausragender Auflösung und beeindruckendem Bokeh, E-Mount, Gewicht nur ca. 547 g, Filter-Ø 82mm, inkl. ...
Explore the M.Zuiko Digital ED 150-600mm F5.0-6.3 IS, our super telephoto zoom lens delivering a unique shooting experience for high quality large photos.
Sealife Ultra-Wide Angle Dome Lens (SL052) - Micro Series, RM-4K The ultra-wide angle lens with dome port for the ReefMaster 4K and the Micro Series from SeaLife. This lens expands the camera's field of view by almost 50% and allows you to get three times closer to the subject. The ultra-wide angle lens is made of high-quality optical glass components that are arranged in 4 groups and thus enable a razor-sharp image across the entire lens width. All optical elements are multi-coated to prevent internal glare and maximize light transmission. When used with the Micro 3.0, the lens has an effective focal length of 13.3 mm, and is waterproof up to 60 m. The lens is compatible with all cameras of the SeaLife Micro Series (Micro HD, HD+, Micro 2.0, Micro 3.0). In addition, it can be used with the ReefMaster RM-4K, which increases the viewing angle of the small camera to a strong 196°. The new ultra-wide angle dome lens is a "wet lens" that can be easily attached and removed underwater. A locking ring prevents the lens from being lost due to shocks or rough conditions. A lanyard included in the delivery prevents the lens from being lost underwater. When not in use. The inner airspace is filled with nitrogen to prevent fogging under extreme temperature conditions. The rotatable light shield prevents unwanted glare from external lighting or sunlight and protects the dome lens from impacts. Features: Suitable for the Sealife Micro Series and RM-4K 3 times closer and 43% wider field of view Optimizes edge sharpness Removable lanyard included Technical data: Optical construction: 4 elements / 4 groups Viewing angle: Micro 3.0: Increases the field of view from 100° to 143° / RM-4K Increases the field of view from 140° to 196° Optical coatings: Air-to-glass surfaces that are fully multi-coated with anti-reflective coating Magnification ratio: 0.7x underwater Mounting method: The snap-on lens ring snaps onto cameras of the SeaLife Micro Series and RM-4K on land or underwater Focus range: 3x closer: 5” to infinity with Micro 3.0; 4” to infinity with RM-4K Lens weight (single): 331 g on land; 170 g underwater Lens dimensions (diameter x length): 99 x 40 mm Depth: Depth tested up to 60 m Buoyancy: Negativ
This Manfrotto 293 Telephoto Lens Support is ideal for telephoto lenses which do not come with a tripod collar of their own, typically medium-telephoto lenses. The length of the bracket is adjustable to take different length lenses.
