Üks objektiiv igaks olukorraksTamron 17–50 mm f/4 Di III VXD objektiiv katab mitmekülgse suumivahemiku ülilaiast kuni standard fookuskauguseni, võimaldades kasutada üht objektiivi igas olukorras. Alates avaratest maastikest kuni juhuslike hetkede ja portreede pildistamiseni – kõik see on võimalik ühe kompaktse objektiiviga. Laias otsas on objektiivi lähim pildistamiskaugus 0,19 m ja teleotsas 0,3 m. Veelgi enam, pidev f/4 ava kogu ulatuses muudab selle ideaalseks mitte ainult piltide, vaid ka videote tegemiseks. 17–50 mm f/4 avardab dramaatiliselt väljendusvõimalusi, sillutades teed täiesti uutele loomingulistele kogemustele.Täiustatud optiline jõudlus rikkaliku bokeh-efektigaTamron 17-50 mm f/4 optiline konstruktsioon koosneb 15 elemendist 13 rühmas. Spetsiaalsete läätseelementide täpne paigutus, sealhulgas kolm LD, üks GM ja kaks hübriidset asfäärilist elementi, summutavad tõhusalt kromaatilisi ja muid aberratsioone. Täiskaadri eraldusvõime koos selguse ja teravusega ning rikkalik bokeh viivad Sind täiuslikule võttele lähemale.Kompaktne, kerge korpus ja sisemine suum mugavaks pildistamiseks17–50 mm f/4 kaalub vaid 460 g ja on 114,4 mm pikkuse juures üsnagi kompaktne. Tänu sisemisele suumimehhanismile on foto ja video tegemisel fookuses hoidmine ning stabilisaatori kasutamisel tasakaalustamine väga lihtne. Tamron 17–50 mm f/4 hõlmab ka niiskuskindlat konstruktsiooni ning fluorikihti esi- ja tagaobjektiivi pinnal, mis tagab vastupidavuse looduskeskkondades.
50–400 mm telesuumobjektiiv 8× suumivahemik Kiire ja täpne VXD teravustamismootor Võimekas Tamron VC pildistabilisaator Nikon Z bajonetiga kaameratele Exciting new photographic opportunities unleashed by 50-400mm zoom range Ultra-telephoto zoom starts at 50mm The 50-400mm F/4.5-6.3 Di III VC VXD (Model A067) is an unprecedented, nextlevel ultra-telephoto zoom lens with added versatility that starts at 50mm and delivers an 8x zoom ratio. With its wide 50mm starting focal length, full-body shots of subjects like wildlife can be captured in the surrounding environment. The generous and effective use of special lens elements, including XLD (eXtra Low Dispersion), LD (Low Dispersion) and Hybrid Aspherical lens elements, effectively delivers uncompromising high image quality throughout the entire 50-400mm zoom range. Along with its superb performance, the lens is just 183.4mm (7.2 in) long and weighs only 1,155g (40.7 oz). Offering about the same light weight and compact size as a conventional 100-400mm zoom, it’s easy to pack and comfortable to carry all day. Clearly, the TAMRON 50-400mm F4.5-6.3 is a brand-new kind of ultra-telephoto zoom lens that combines a 50mm standard focal length, outstanding image quality and highly nimble mobility—plus the sheer power of a 400mm telephoto! This one lens captures a lively world with all the clarity you desire and can transport you to exhilarating new photographic experiences. Fast and precise AF, plus VC for stable handheld shooting The 50-400mm F4.5-6.3 utilizes the renowned VXD1 linear motor focus mechanism. This advanced AF mechanism combines class-leading speed and precision, enabling fast and accurate focusing from MOD (Minimum Object Distance) through to infinity. The lens is equipped with TAMRON´s proprietary VC2 mechanism, and effectively controls camera shake that can occur when shooting at telephoto focal lengths. It also helps reduce fuzzy pictures when shooting handheld in low-light conditions which typically require slower shutter speeds. Half-macro photography with 1:2 magnification ratio at the 50mm end The 50-400mm F4.5-6.3 is capable of extremely high performance when shooting close-ups, particularly for an ultra-telephoto zoom lens. Users can enjoy half-macro shooting with an MOD of 0.25m (9.8 in) and a maximum magnification ratio of 1:2 at the 50mm zoom setting. Moreover, at the 400mm telephoto end, the MOD is 1.5m (59.1 in), thereby providing a maximum magnification ratio of 1:4 for amazing, dynamic shots. The unprecedented level of freedom in shooting reveals the charm of subjects more than ever, plus flexible shooting options previously unseen in ultra-telephoto zooms.
Objektiiv, mis katab kõik fookuskaugused lainurgast ülitelefotoniTamron 18-300mm f/3.5-6.3 Di III-A VC VXD pakub erakordselt laia fookuskauguste vahemikku, ulatudes umbes 27 mm-st kuni 450 mm-ni (35 mm ekvivalent). Tegemist on esimese APS-C hübriidkaameratele mõeldud 16,6× suumiga objektiiviga, mis ühendab endas kõik universaalse suumobjektiivi eelised ning sobib paljudeks erinevateks fotograafiarakendusteks. Hoolikalt tasakaalustatud optiline ehitus koos spetsiaalsete klaasielementidega tagab kogu suumivahemikus kõrgeima pildikvaliteedi – teravus püsib kõrge keskpunktist pildiservani.Hämmastav lähivõimekus suhtega 1 : 218 mm fookuskauguse juures on lähim teravustamiskaugus vaid 0,15 m, mis võimaldab erakordselt detailseid lähivõtteid suurendussuhtega kuni 1 : 2 – see ületab paljude teiste sarnaste suumobjektiivide suutlikkuse.Üks suumobjektiiv – lugematu hulk võimalusiOlgu tegemist avarate maastike või detailirohke arhitektuuriga – 18-300mm katab kõik vahemikud. See teeb sellest objektiivist suurepärase tööriista ka portreefotodeks ja lähivõteteks.Oma klassi parim autofookus VXD tehnoloogiagaObjektiivi autofookussüsteem põhineb Tamroni VXD (Voice-coil eXtreme-torque Drive) lineaarmootori tehnoloogial, mis tagab kiire ja täpse teravustamise. Isegi 300 mm teleasendis liigub fookus lähimast teravustamispunktist lõpmatuseni väga kiiresti. Kuna automaatteravustamine töötab peaaegu hääletult, sobib objektiiv ideaalselt ka videovõteteks ja olukordadesse, kus vaikus on hädavajalik.VC pildistabilisaator teravateks fotodeksTamroni VC (Vibration Compensation) süsteem aitab kompenseerida kaamera liikumist kehvades valgusoludes – näiteks siseruumides või pärast päikeseloojangut. Lisaks kasutab objektiiv kuni 70 mm fookuskaugusel tehisintellektil põhinevat stabiliseerimisalgoritmi, mis optimeerib video salvestamisel stabiilsuse.Zoom Lock mehhanismZL-mehhanism hoiab ära objektiivitoru soovimatu pikenemise transportimisel. Lülitiga aktiveeritav lukustus kaitseb objektiivi vigastuste eest ja tagab kiire kasutusvalmiduse.Niiskuskindel konstruktsioonObjektiiv on pritsmekindel – kõik olulised osad on tihendatud, mispärast sobib see ideaalselt välitingimustes ja kehvades ilmastikuoludes pildistamiseks.Fluoriiniga kaetud esiläätsEsilääts on kaetud fluoriinkattega, mis tõrjub vett ja õli, takistades mustuse ning sõrmejälgede kinnitumist. Puhastamine on lihtsam ja kiirem.5 aastat lisagarantiidTamroni objektiivid on alati olnud tuntud oma suurepärase kvaliteedi poolest ja seetõttu võid mistahes Tamroni objektiivi ostul nende käest julgelt taotleda tasuta 5-aastast pikendatud tootjagarantiid.Selleks tuleb Sul minna Tamron Warranty lehele ja objektiiv registreerida kahe kuu jooksul alates ostukuupäevast.
"Gauss" tüüpi disaini ja kahe kõrge refraktsiooniga klaasläätsega minimiseeritakse peegeldused, mis tekivad suurt ava kasutades, ning kaotatakse pea täielikult astigmatism. Lisaks sellele saavutatakse parema kvaliteediga terav fookus, ning ...
Tänu uuenduslikule optilisele disainile on see lainurkobjektiiv vaba geomeetrilistest moonutustest, mis tavaliselt seda tüüpi objektiividega kaasnevad. Jäädvustatud kaadrid on teravad ka nurkades.
E-Mount Lens/Full-Frame Format, Aperture Range: f/2.8 to f/16, One Extra-Low Dispersion Element, One Aspherical Element, Life-Size 1:1 Magnification, Minimum Focusing Distance: 6.3", Focus Range Limiter & Focus Hold ...
Micro Four Thirds System; 100-400mm (35mm Equivalent); Aperture Range: f/2.8 to f/22; Two UED Elements, Two ED Elements; Two Aspherical Elements, One UHR Element; Nano Surface Coating; High-Speed 240 fps AF System; POWER Optical ...
For full-size and APS-C e-mount cameras; High brightness: F1.4; Direct drive SSM AF motor; Ideal for photo and video recordings.; Dust and moisture proof; Intuitive bezel ring with optional click mechanism
8–16 mm lainurk-suumobjektiiv; Valgusjõuline - läbiva f/2.8 avaga; Kiire ning vaikse teravustamismootoriga; Tolmu- ja pritsmekindel; Fujifilm X-seeria hübriidkaameratele
85 mm kvaliteetne lühike telefiks; Valgusjõuline - f/1.4 maksimaalne ava; Käsitsi teravustamine; Lummav bokeh, perfektne porteefotograafiaks; Nikon Z bajonetiga kaameratele
Disainitud LUMIX S-Series täiskaader kaamerate jaoks; F1.8 suur ava pakub ilusat bokeh-efekti ning sujuvat defookuse gradatsiooni; Kerge, portatiivne ja mugav; Tolmule, pritsmetele ja külmale vastupidav disain
L-bayonet connection, minimum focusing distance 0.25 m, filter Ø 77 mm, 12 elements in 9 groups, 9 aperture blades, HD support, dust / splash / frost resistant, lens hood and lens bag included
NIKKOR Z DX 24mm f/1.7 - erksad, teravad fotod ja videod ilusalt uduse taustaga. Pildista vähemas valguses, kui tüüpiline KIT-objektiiv või nutitelefon. Püüa kinni rohkem detaile madalamate ISO seadetega ja vähenda liikumisudu kiiremate särikiirustega. Mitmekülgne lai vaateväli. NIKKOR Z DX 24mm f/1.7 jäädvustab peaaegu sama vaate nagu 35mm täiskaadri objektiiv, mis on üks populaarsemaid fookuskaugusi oma loomuliku, tuttava perspektiivi ja mitmekülgsuse tõttu. The NIKKOR Z DX 24mm f/1.7 lens is fast, sharp, brilliant up close, and a great performer in low light. Compact and versatile, it’s the perfect prime lens for vibrant everyday photography. Weighing just 135 g (approx.), the NIKKOR Z DX 24mm f/1.7 pairs with Nikon Z DX cameras to create a super-compact kit that’s comfortаble to carry and beautifully flexible. Wide but not too wide, the lens’ 24 mm fixed focal length gives an angle of view equivalent to 36 mm on a full-frame (FX) camera: Nikon Z DX shooters will get incredibly close to a classic 35 mm perspective, which offers superb framing flexibility and is great for landscapes, street photography, portraits, and more—as well as video. With its f/1.7 maximum aperture, short 0.18 m minimum focus distance, and large, natural-looking bokeh, this lens’ creative credentials are impressive. Users can easily capture crisp shots of low-light situations or use faster shutter speeds to freeze motion, and they can create a real sense of depth by making subjects stand out against beautifully blurred backgrounds. For close-ups, users can capture sharp shots when the front of the lens is just 12.4 cm away from a subject: combined with the shallow depth of field possible at f/1.7, photos of subject details and close-up video footage will mesmerize. Summary of key features: NIKKOR Z DX 24mm f/1.7 24 mm DX mirrorless prime lens: great for landscapes, street photography, portraits, and more. Gives an angle of view equivalent to 36 mm on a full-frame (FX) camera. Move closer and fill the frame with a subject, or stay where you are to bring in elements of the background and create images with more context. Fast f/1.7 maximum aperture: combines with the large Z mount to let in more light: keep ISO low and capture crisp low-light shots, or use faster shutter speeds without sacrificing brightness. Large, natural-looking bokeh: shoot wide open at f/1.7 to make subjects and portraits pop, or give photos and videos a real sense of depth. Fast, silent autofocus: powered by a quiet stepping motor. Sharp up close: a minimum focus distance of just 0.18 m enables sharp shots when the front of the lens is just 12.4 cm away from a subject. Great for video: with a perspective that’s close to the classic 35 mm view favoured by filmmakers, this is a great little prime lens for video too. It’s beautifully quiet, and focus breathing is suppressed. Lightweight, compact, and protected: weighs just 135 g (approx.) with a compact dust- and drip-resistant build. Included lens hood that accepts filters: the Nikon HN-42 lens hood helps prevent ghosting and flare when shooting. It’s also possible to attach 46 mm filters to the hood.
Megapikslite arv:60; Maksimaalne resolutsioon:11008 X 5504; Diafragma:F2.4; Pildistabilisaator (pildistamine):Optiline; Video maksimaalne resolutsioon:5760 x 2880; Aku:DB-110
NIKKOR Z 35mm f/1.4. Compact, fast, and sharp, this 35mm full-frame prime lens is always ready to respond to the moment with a classic perspective! It’s ideal for street photography as well as travel reportage or events—and it’s perfect for shooting video too. Both photographers and video shooters will enjoy real flexibility to work creatively with natural light, and boundless portability from the lightweight build. Few lenses are as versatile as a fast 35mm prime and the NIKKOR Z 35mm f/1.4 is the first Nikon Z lens to boast a creative f/1.4 aperture, which allows real flexibility when shooting with available light. Photographers and video shooters can shoot wide open at f/1.4 and be rewarded with large, beautifully soft bokeh, perfect for candid or environmental portraits that set a subject apart—as well as creative backlit shots. Low-light scenes can be captured with stunning clarity and sharpness, and faster shutter speeds can be used to freeze action without sacrificing brightness. Whether drawn to visual compositions or narrative depth, street photography thrives on the unexpected—and the NIKKOR Z 35mm f/1.4 lens is primed to nail the instant that the elements come together. Always quick to react, its autofocus is beautifully smooth and steady, and a close focusing distance of just 0.27 m gives users plenty of scope to take a step forward and fill the frame with sharp shots of intriguing details, or record video in tight spaces. In addition, this 35mm full-frame lens boasts a lightweight build and is carefully sealed, which is an advantage for anyone who wants the freedom to walk further and explore what’s around the next corner, no matter the weather.
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filter means precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters helps much to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Among the varieties of ND filters from ND2 to ND1000 even ND100000, we can generally categorize ND filters into 3 basic groups: Light density filters (ND2 – ND8) Middle density filters (ND16 – ND200) Deep density filters (ND500 – ND1000 / ND100000) Light density filters will lower the shutter speed in the bright sunny day to allow you to reduce depth of field in very bright light or to use a wider aperture to stay below the diffraction limit. For example, these filters are necessary to shoot with your fast lenses like F1.4 or F1.2 with aperture wide open for softer and more beautiful bokeh.Middle density filters will help you to add motion blur to the object in the conditions that generally will not allow camera shutter speed to do so.If you are for more creative shots that are based on extremely slow shutter speeds - deep density filters are to be suggested. ND filters like ND500 or ND1000 will help to capture dramatic unreal fantasy world that cannot be seen by the human eye.Color shift issue solutionHOYA offers its own exclusive and wide lineup of ND filters that are branded into PROND EX series for both photographers and filmmakers. PROND EX filters adopt HOYA's clear optical glass that is mounted into a lightweight, precisely crafted aluminum frame. The frame has front filter threads so you can attach additional filters or a lens cap.Thanks to ACCU-ND technology that puts HOYA ND filters far ahead from other brands the image undergoes no negative affect from color shift that may occur due to low-quality materials, poor manufacturing QC, or issues with leaking of the Infrared band of the light spectrum. The last problem is the most important nowadays in photography and videography.HOYA's exclusive ACCU-ND technology achieves equal reduction of the light in visible and IR spectrums. As a result the photographer may not fear any issue with color shift when using HOYA ND filters in different shooting conditions.PROND filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinations of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.
Kerge ja valgusjõuline universaalsuum Sony E ja FE kaameratele. Samyang AF 24-60 mm F2.8 FE on kerge ja kompaktne (vaid 494 g ja 102 – 126 mm pikk) objektiiv maastike, elustiili ja portreede pildistamiseks. Püsiv F2.8 ava pakub usaldusväärseid tulemusi hämaras ja selget objektide eraldamist taustast. Koostöös Schneider-Kreuznachiga arendatud optiline disain ühendab kolm HR-, kaks ED- ja kolm asfäärilist elementi koos Samyangi UMC-kattega, et kontrollida aberratsioone ja säilitada terav kontrast ja värvid kogu kaadris. 9-labaline diafragma tagab meeldiva, ümardatud bokehi. Nii foto- kui ka videofotode puhul tagab lineaarne STM-ajam kiire ja vaikse autofookuse koos kindla objekti jälgimisega ning AF/MF-lüliti pakub vajaduse korral kiiret juurdepääsu käsitsi peenhäälestusele. Lähitöö on tugevaks küljeks: fookus kuni 0,18 m kaugusele 24 mm juures 0,27-kordse suurenduse korral või 0,32 m kaugusele 60 mm juures 0,25-kordse suurenduse korral, mis teeb detailipildid lihtsaks ilma objektiivi vahetamiseta. Vastupidav alumiiniumist korpus on IP5X tolmu- ja pritsmekindlusega ning vee- ja õlihülgava kattega ning praktiline 72 mm eesmine keermestik hoiab filtrid lihtsad. Väliomadused Mis on karbis: ObjektiivEsi- ja tagakateObjektiivi kapuuts
Canon objektiivikork E-77II, Sobivus: Canon EF 100-400mm F4.5-5.6L IS USM, EF 17-40mm F4L USM, EF 24-105mm F4L IS USM, EF 24-70mm F4L IS USM, EF 24mm F1.4L II USM, EF 28-300mm F3.5-5.6L IS USM, EF 300mm F4L IS USM, EF 400mm F5.6L ...
Kvaliteetse viimistlusega metallkorpuses objektiivi optilises süsteemis on lisaks muudele läätsedele kasutatud asfäärilist läätse ning Super EBC vääristust.
Micro Four Thirds System Lens, 50mm (35mm Equivalent), Aperture Range: f/1.7 to f/22, One Ultra-High Refractive Index Element, Two Aspherical Elements, Stepping AF Motor, Rounded 7-Blade Diaphragm
