Objektiivid

In landscape photography, where the scenery and horizon tend to have complex or uneven structures, graduated ND filters become absolutely essential, as they allow the photographer to balance the luminosity of bright areas with the dark areas in the image. With HOYA's Sq100 IRND8 (0.9) GRAD-S filter, the photographer has new options in using a GRAD filter which they do not have with round-type filters.TechnologyMade from toughened glass, the HD Sq100 GRAD-S series is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Using ND GRAD filters with HOYA SQ100 Square filter systemWith HOYA's Square filter system, photographers will have several ways to make use of the HOYA's Sq100 IRND8 GRAD-S filter in order to achieve the desired effect in the image. The frame of the filter system can be rotated, allowing for the ankle of the gradation border to be adjusted in any position.In addition, the vertical position of the border can be further adjusted with moving the filter up or down inside the frame. To give the user here all the possible options for positioning, the height of the filter has been lengthened to 150 mm.

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND64 filter is a middle density IRND filter. It is especially used to add motion blur to the object in shooting conditions that usually would not allow the camera shutter speed to do so.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.

The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND8 filter is a light density IRND filter. It is generally used to lower the shutter speed during photo shoots on a bright sunny day for a motion effect. The filter also allows the photographer to reduce the depth of field in very bright light settings or to use a wider aperture to stay below the diffraction limit – especially when using fast lenses like F1.4 or F1.2 for a soft and beautiful bokeh.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 6X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 6-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Digital multi-coated glass allows a max. surface light reflection ratio of 0.5%. Black-rimmed glass minimizes random reflections inside the frame. Knurling makes it easy to attach and remove the filter. UV absorption filter case. Thin frame design to minimize vignetting even with wide angle lenses. Made in Japan quality The HOYA SPARKLE series is a special cross-effect filter available in a 4-cross and 6-cross pattern. As opposed to conventional cross filters, the HOYA SPARKLE creates only moderately sized beams on light sources while softly enhancing their strength, creating a joyful and fairytale-like atmosphere in photos. From beginners to professionals, the HOYA SPARKLE is recommended for all photographers who want to express themselves in a creative way.A spark inside of usImagine spending a warm spring night with your friends around a campfire, going with your date to a festive illuminated park during a cold winter evening or watching a raindrop calmly running down a flower after a summer storm. These scenes create a special feeling of coziness and ease – a feeling that flickers like a warm spark inside of us.The sparkle effectConventional cross filters may appear with overly long light beams, cluttering and totally overloading your photos. Rather than letting the cross effect take over your photo, the HOYA SPARKLE aims to create a joyful atmosphere subtly through creating only moderately sized light beams. While doing so, the light sources themselves are also being gently enhanced, creating a perfect balance between strength of the light source and length of the light beams. Light sources can be anything – such as stars, light reflecting on water, or sunrays breaking through the crown of a tree.HOYA SPARKLE in astrophotographyThe HOYA SPARKLE 4X is a filter that absolutely shines (literally) in night sky photography. Through taking the light sources of brighter stars and converting them into 4-pointed stars, the SPARKLE series creates a simply beautiful and mesmerizing effect in your photos – creating a new standard for astrophotography.Choose your patternThe SPARKLE series consists of the SPARKLE 4X and the SPARKLE 6X, creating a four-cross pattern and six-cross pattern respectively. Try out both!Soft effectIn the absence of strong light sources in the composition, the HOYA SPARKLE produces a soft effect in your image, creating a dreamy atmosphere. This is especially recommended for portrait, flower and landscape photography. You can further strengthen the soft effect through increasing the focal length towards the telephoto end!Rotatable front frameThrough turning the front frame, you can change the angle of the cross pattern. This gives you the ability to always choose the perfect angle, personalizing your photos even further!Get the best results The cross effect appears from single point sources. Other forms of light sources, e.g., cylinder shaped light like from fluorescent lamps, will not produce an effect. There are also cases in which large light sources prevent the cross effect from appearing clearly. In these situations, try to move further away from the interfering light source and try shooting again. The strength of the light source, the focal distance and the aperture value have an impact on the cross effect. If your image is too dark when shooting illuminations, try increasing the exposure compensation. On the other hand, should the image be too bright, try with a reduced exposure compensation. Cross streaks can be seen better in dark background settings. Also, focusing on the light source makes for a crisper cross effect. Depending on the conditions, a mesh shaped flare will occur (strong light sources and back lighting conditions). Increasing the focal length towards the telephoto end will strengthen the soft effect. Light rays might distort at wide angles. When the aperture is reduced to around f/22, light rays may become dotted. Under circumstances, the HOYA SPARKLE produces a meshed pattern over the blurred parts in your image.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND8 for creating a beautiful blurred backgroundThe HD Mk II IRND8 is the perfect density for creating a beautiful blurred background in portrait or typical daylight conditions that is easily obtained with F1.2 or F1.4 fast prime lenses at maximum aperture but that requires a high shutter speed. As some cameras come with a maximum shutter speed of 1/4000 sec. that would cause over-exposure with such fast lenses, the photographer can still achieve an appropriate exposure by controlling the shutter speed though using the HD Mk II IRND8 filter.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:SONY; Objektiivi tüüp:Standard; Fookuskaugus:20; Kinnitus:Sony E; Garantii füüsilistele isikutele:2 aastat

Panasonic Lumix S 20mm F/2.5 Pancake | 40.9mm pikk | 142g | suurim ava f/2.5 | Autofookus | Täiskaadri L-Mount

Viltrox AF 15mm F/1.7 objektiiv Nikon Z bajonetile – valgusjõuline ja kompaktne lainurk. Viltrox AF 15mm F/1.7 on kerge ja valgusjõuline lainurkobjektiiv, mis sobib ideaalselt nii fotograafidele kui ka sisuloojatele, kes vajavad teravaid ja loomulikke kaadreid ka keerulises valguses. Tänu suurele F1.7 avale saad nautida pehmet bokeh-efekti ja suurepärast eraldusvõimet ka hämaras. Sisseehitatud STM vaikne autofookusmootor tagab kiire ja täpse teravustamise, muutes selle ideaalseks valikuks vlogimiseks, reisifotodeks ja dünaamilisteks stseenideks. Peamised omadused 15 mm fookuskaugus & suur F1.7 ava – lai vaatenurk (84,9°) ja suurepärane hämaras pildistamiseks. STM teravustamismootor – kiire, vaikne ja sujuv autofookus nii foto kui ka video jaoks. Lähedane teravustamine – minimaalne teravustamiskaugus umbes 0,23 m, sobib lähivõteteks ja detailide jäädvustamiseks. Optiline ehitus: 12 elementi 10 grupis (sh ED-, asfäärilised ja kõrge refraktiivsusega klaasid) – loomulik ja selge pildikvaliteet. Kompaktne ja kerge: kõigest 195 g ja ⌀68 × 58,5 mm – ideaalne reisil ja igapäevaseks kasutamiseks. 58 mm filtri keerme abil saad kasutada populaarseid filtreid (ND, pola, UV). Tolmu- ja pritsmekindel korpus – töökindel ka välitingimustes. USB-C pordi kaudu uuendatav püsivara – lihtne hoida objektiiv ajakohasena. Tehnilised andmed Bajonett: Nikon Z Fookuskaugus: 15 mm Maksimaalne ava: F1.7 Minimaalne ava: F16 Läätseelemendid: 12 elementi 10 grupis Diafragma labasid: 9 Teravustamismehhanism: sisemine, STM mootor Min. teravustamiskaugus: 0,23 m Maks. suurendus: 0,1× Filtri läbimõõt: 58 mm Mõõtmed: ⌀68 × 58,5 mm Kaal: 195 g Korpus: tolmu- ja pritsmekindel Garantii: 2 aastat Miks valida Viltrox AF 15mm F/1.7 Nikon Z? Ideaalne vlogijatele ja reisifotograafidele – kerge, kiire ja vaikne. Suurepärane hämaras – F1.7 ava annab vabaduse pildistada ilma statiivita. Loodud loovuseks – lai vaatenurk ja kaunis bokeh loovad muljetavaldava visuaali. Taskusõbralik – kompaktne ja kerge disain, sobib hästi väikese Nikon Z kaameraga. Komplektis Viltrox AF 15mm F/1.7 objektiiv Eesmine ja tagumine kaitsekork Varjuk Kott Mõeldud APS-C sensoriga kaaemrale (DX).

LAOWA 180mm f/4.5 1.5x Ultra Macro APO (Auto Focus) – Nikon Z Laowa 180mm f/4.5 1.5x Ultra Macro APO on professionaalne makroobjektiiv Nikon Z täiskaader hübriidkaameratele, mis pakub erakordset detailsust ja suurt tööulatust. 180 mm fookuskaugus võimaldab pildistada putukaid, tooteid ja peeneid detaile mugavalt kaugemalt, häirimata subjekti. Tänu kergele ja kompaktsele korpusele (vaid u 522 g Nikon Z versioonil) on see ideaalne kaaslane välitingimustes töötavatele fotograafidele. Objektiivi 1,5× suurendus annab võimaluse jäädvustada detaile, mida tavalised 1:1 makroobjektiivid ei näita. APO optiline disain vähendab kromaatilist aberratsiooni nii fookuses kui ka fookusest väljas, tagades terava ja puhta tulemuse servast servani. Peamised omadused 1,5× makrosuurendus – rohkem detaile kui tavalisel 1:1 makrolMinimaalne teravustamiskaugus 30 cm, tööulatus 147,6 mm – mugav valgustuse ja kadreerimise jaoksAPO-disain – minimaalne värvinihe, kristallselged värvid9 elementi 12 grupis – ühtlane teravus kogu kaadrisAutofookuse tugi Nikon Z kaameratel vahemikus 1,5 m kuni lõpmatuseniKerge ja kompaktne – vaid 522 g, sobib suurepäraselt reisiks ja välipildistamiseksTäiskaadri katvus ja kitsas 13,7° vaatenurk – tugev perspektiivikompressioon9-labaline diafragma ja Ø62 mm filtrikeere Komplektis Laowa 180mm f/4.5 1.5x Ultra Macro APO objektiivEsi- ja tagakork Laowa 180mm f/4.5 1.5x Ultra Macro APO on parim valik fotograafile, kes soovib pildistada makrot, loodust, tooteid ja detaile, säilitades samal ajal mugava töövahemaa ja kvaliteetse pildi. Tänu autofookusele ja elektroonilistele kontaktidele sobib see ideaalselt Nikon Z hübriidkaameratega kasutamiseks.

Viltrox AF 85mm F/1.4 Pro Nikon Z – portreefotograafi tõeline meistritööriist Viltrox AF 85mm F/1.4 Pro Nikon Z bajonetile on professionaalne portreeobjektiiv, mis ühendab silmapaistva teravuse, lummava bokeh’i ja täiusliku värvitäpsuse. See valgusjõuline f/1.4 ava võimaldab luua filmilikke portreid, tuua subjekt kaunilt esile ning pildistada enesekindlalt ka keerulistes valgusoludes. See Pro-seeria objektiiv on loodud nõudlikule fotograafile – olgu see stuudio, välivõte või intiimne portreeseanss, Viltrox 85mm pakub alati tippklassi tulemusi nii foto- kui ka videomaailmas. Portreefotograafi ideaalne fookuskaugus – 85 mm Klassikaline 85 mm pakub loomulikku perspektiivi ja kaunist tausta eraldust, muutes selle huvitavaks tööriistaks professionaalsetele portreefotograafidele. F1.4 suur ava – maagiline bokeh ja valgusjõud F1.4 ava lisab portreedele sügavust, atmosfääri ja emotsiooni. HyperVCM kahe mootoriga autofookus Viltroxi uus HyperVCM AF-mootor: Näo- ja silmatuvastus tagab stabiilse jälgimise ka liikuva subjekti puhul. Tipptasemel optika Optiline ehitus: 15 elementi 11 grupis, sh: Need kontrollivad: Tulemuseks on erakordselt selge, loomulike värvide ja kõrge kontrastsusega pilt. Professionaalne vastupidavus Video sõbralik – siidiselt sujuv juhtimine Objektiivi juhtimine Viltrox Lens rakendusega Tehnilised andmed Komplektis

Toote nimetus (Product Title) Viltrox AF 9mm F/2.8 Air APS-C ülilainurkobjektiiv Tootekirjeldus (Product Description) Viltrox AF 9mm F/2.8 Air on kompaktne ja kerge ülilainurkobjektiiv APS-C sensoriga hübriidkaameratele. 9 mm fookuskaugus (u 13,5 mm täiskaadriekvivalent) ja väga lai 113,8° vaatenurk teevad objektiivi sobivaks maastiku-, arhitektuuri-, interjööri- ja vlogifotograafiaks. Valgusjõuline F/2.8 maksimaalne ava võimaldab pildistada ka vähese valgusega tingimustes ning pakub loomingulisi võimalusi koos laia perspektiiviga. Kiire ja vaikne STM autofookus tagab täpse teravustamise nii fotode kui ka videote salvestamisel, samas kui minimaalne fookushingamine sobib hästi sujuvateks videokaadriteks. Täiustatud optiline ehitus koos 13 elemendiga 11 grupis, sealhulgas asfäärilised, ED- ja HR-elemendid, aitab vähendada moonutusi ja kromaatilisi aberratsioone ning tagab teravuse kaadri keskosast servadeni. Objektiivi minimaalne teravustamiskaugus 0,13 m võimaldab jäädvustada silmapaistvaid lähivõtteid koos dramaatilise taustaga. Viltrox Air-seeriale omaselt on objektiiv minimalistliku disainiga, vastupidava metallkinnituse ja ilmastikukindla korpusega. USB-C liides võimaldab püsivara uuendamist ning 58 mm filtrikeere toetab laialt levinud filtreid. Peamised omadused (Key Features / Bullet Points) Tehnilised andmed (Product Details) Komplektis (What’s in the box)

Kompaktne ja taskukohase hinnaga objektiiv, mis on ideaalne igapäevaseks kasutuseks standard-zoomobjektiivina. 4-astme pildistabilisaator võimaldab mugavalt pildistada ka kehvades valgusoludes.

Professionaalse kvaliteediga standard zoom-objektiiv, mis pakub perfektset pildikvaliteeti ja kiiret F2.8 maksimaalset ava kogu zoomi ulatuses. See objektiiv sisaldab endas disainiomadusi, mis võimaldavad laia fookuskauguste vahemikku sälitades ka ...

(Filter-Ø 67mm)

Canon päiksevarjuk EW-82 on disainitud vältima üleliigse valguse sattumist objektiivi avale., Sobivus: Canon EF 16-35mm f/4L IS USM objektiiv

Kompaktne ja suure jõudlusega 100–400 mm suumobjektiiv, mis on täiuslik sporti, tegevust ja metsikut loodust jäädvustavatele fotograafidele. 4-astmeline pildistabilisaator ja kvaliteetne optika tagavad suurepärase teravuse. ...

Kiire FX-formaadis põhiobjektiiv ülilaia fookuskaugusega 20 mm ja ereda suurima avaga f/1,8. See on põnev aparaat loomingulistele fotograafidele, kes soovivad perspektiivi võimendada., Tipptasemel optika ja kompaktse kerge ...

Kõrgetasemeline telefoto suumobjektiiv FX-formaadis ühe objektiiviga peegelkaameratega kasutamiseks.Tänu laiale 80–400 mm fookuskaugusele ja kõrgetasemelisele optilisele disainile on see objektiiv täiuslik mitmete objektide, sealhulgas eluslooduse, maastike ja spordiürituste pildistamiseks.Nikoni stabiliseerimissüsteem laseb pildistada kuni neli sammu väiksemate säriaegadega, võimaldades käest pildistamisel stabiilseid pilte mis tahes fookuskaugusel. Neli ED-klaasist (eriti madala dispersiooniga klaasist) ja üks Super ED-klaasist (ülimadala dispersiooniga klaasist) elementi korrigeerivad kromaatilist aberratsiooni ja selliseid optilisi värvidefekte, mis tekivad suurema fookuskaugusega pildistamisel.

Micro Four Thirds System Lens, 60mm (35mm Equivalent), Aperture Range: f/3.5 to f/22, Two Aspherical Elements, One EDA Element, Maximum Magnification: 1.25x, Minimum Focusing Distance: 3.7", Minimum Working Distance: ...

50–230 mm telesuumobjektiiv, Suurepärane kaaslane igapäevaseks kasutuseks, Kiire ja täpne samm-mootor, Võimekas pildistabilisaator, kuni 3,5 stoppi, Fujifilm X-seeria hübriidkaameratele

Sony 1.4x Teleconverter Lens

Sony FE 12-24mm f/4 G Lens Sony

Kaamera bränd: PENTAX; Objektiivi tüüp: Lainurkobjektiiv; Fookuskaugus: 31 mm; Pildistabilisaator: Ei; Diafragma: F/ 1.8; Kinnitus: Pentax KA/ KAF/ KAF2; Makro režiim: Ei; Garantii füüsilistele isikutele: 2 aastat

Kaamera bränd: PENTAX; Objektiivi tüüp: Standardne Zoom; Fookuskaugus: 18 - 135 mm; Optiline suum: 7.5x; Pildistabilisaator: Ei; Diafragma: F/ 3.5 - 5.6; Kinnitus: Pentax K; Makro režiim: Ei; Garantii füüsilistele isikutele: 2 aastat

NIKKOR Z ülilainurk-suumobjektiiv. Sisenege kaadrisse täiskaadrilise ülilainurk-suumiga, mis annab teile loomingulise eelise. NIKKOR Z 14–30mm f/4 S-seeria objektiivil on kompaktne ehitus ja lame eesmine element. See võimaldab kasutada 82 mm filtreid ja mahub kergesti väiksema komplekti kottidesse. Jäädvustage kõikjal lummavaid fotosid ja videoid.

15–45 mm normaalsuumobjektiiv; Suurepärane kaaslane igapäevaseks kasutuseks; Suumivahemik lainurgast lühikese telefotoni; Võimekas pildistabilisaator, kuni 3 stoppi; Fujifilm X seeria hübriidkaameratele

leens

20 mm ülilainurkobjektiiv; Valgusjõuline - f/1.8 maksimaalne ava; Perfektne maastiku ja arhitektuuri pildistamiseks; Vaikne ning kiire Dual XD teravustamismootor; Sony α pool- ja täiskaader hübriidkaameratele

Tänu täiustatud optikale ja põhjalikule ilmastikukindlusele on see valgusjõuline 20 mm täiskaadriline peeglita süsteemi objektiiv valmis igaks vaateks. Servast servani üliterav ja vähese valgusega oludes suurepäraselt toimiv objektiiv jäädvustab täiustatud optika abil kõik stseeni osad erakordselt selge joonisega.

NIKKOR Z 70-200mm f/2.8 VR S - professionaalne f/2,8 keskmine telefoto suumobjektiiv. Alati valmis. See valgusjõuline, täiskaadriline peeglita süsteemi objektiiv sobib oma 70-200 mm fookuskauguse, täiustatud optika ja põhjaliku ilmastikukindlusega kõigiks kasutusotstarveteks. Olgu tegemist spordi, sündmuste või reportaaži pildistamisega, annab erakordselt kompaktne ehitus teile vabaduse minna kaugele. Missiooniks valmis. Ükskõik, kas jäädvustate tegevust fotode või videona, NIKKOR Z 70-200mm f/2.8 VR S tagab suurepärased tulemused. Teravustamine on sujuv, kiire ja hääletu ning kõik stseeni osad on erakordselt selge joonisega. Pildistamisparameetreid saate juhtida otse objektiivilt ja konstruktsioon on piisavalt vastupidav igapäevase professionaalse kasutamise rasketeks oludeks. Ilus bokeh-efekt. Lai Z-kinnitus ja pidev f/2,8 9 labaga ümar objektiiviava annavad põnevaid tulemusi igas valguses. See telefoto-suumobjektiiv annab ka loomuliku bokeh-efekti, mis sulandub sujuvalt kaadri servadesse. Rohkem kui terav. Teravus on kogu kaadri ulatuses silmapaistev – isegi suurima ava või lähivõtete korral. Väikseim teravustamiskaugus on vaid 0,5 m suumivahemiku telefoto otsas ja 1 m lainurga otsas. Unustage objektiivi helklus. ARNEO- ja nanokristallkatted võitlevad varikujutiste ja helklusega. Nikoni ED- ja SR-klaas vähendavad kromaatilist aberratsiooni ning SR-klaas kompenseerib raskesti juhitavat sinist valgust. tulemuseks on teravamad pildid ja parem kontrast. Videoks valmis. Kui lugu nõuab videosalvestust, saate võtteid objektiivilt sujuvalt ja täpselt juhtida. Objektiivi teabepaneelil on teravussügavuse skaala, nii et saate hõlpsalt kindlaks määrata minimaalse ja maksimaalse kauguse iga f-astme juures. Fookuskaugus teravustamisel peaaegu ei muutu ja stabiilne ava juhtimine tagab loomulikud särituse muutused kogu stseenis. Talub kõike. See objektiiv on täielikult ilmastikukindel ning valmis kasutamiseks kõige raskemates oludes. Fluorkate tõrjub vett, tolmu ja mustust pildi kvaliteeti rikkumata.

NIKKOR Z MC 50mm f/2.8 on kompaktne, kerge ja mitmekülgne objektiiv, ideaalne alustavale makrofotograafile, kes soovib teha elavaid lähivõtteid. NIKKOR Z MC 50mm f/2.8 on suurepärane objektiiv, mis toob esile isegi kõige tavalisemate objektide ilu. Fotograaf saab raskusteta jäädvustada üliteravaid elusuuruses (1:1) makrokujutisi, alates ahvatlevatest toidufotodest kuni lilleõie lähikaadriteni ning rabavaid lähivõtteid pisikestest objektidest. Fookus püsib kiire ja terav isegi siis, kui makroobjektiivi esiosa on objektist vaid 5,6 cm kaugusel! Kasutada on võimalik ka klassikalist 50 mm fookuskaugust ja loomulikku perspektiivi, et pildistada kõike portreedest kuni tänavavaadeteni.

Kaamera bränd: FUJIFILM; Objektiivi tüüp: Lainurkobjektiiv; Fookuskaugus: 18 mm; Optiline suum: 0.15x; Pildistabilisaator: Ei; Diafragma: F/ 1.4; Kinnitus: Fujifilm X Mount; Makro režiim: Ei; Garantii füüsilistele isikutele: 2 aastat; Garantii...

Canon E-55. Otstarve: Digitaalne kaamera

Irix Cine 21mm T1.5 Canon EF Metric [ IL-C21-EF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc

Irix Cine 21mm T1.5 Canon R Metric [ IL-C21-RF-M ] Irix Cine 21mm T1.5 is a full-frame cine lens. It is excellent for any work where you will require a wide and fast lens. The lens is available in metric and imperial versions, and available in Canon EF, Canon RF, Nikon Z, L-mount, Sony E, Arri PL, and MFT mounts. KEY FEATURES: • Full-frame sensor coverage • 11 rounded blade iris providing beautiful bokeh and cinematic look • Our fastest lens on the wide end • Compact and lightweight construction • Very low lens breathing • Weather-sealed construction • Adapter ring for easy use of follow focus • The possibility of mounting an additional support foot in two places • Sensor coverage - >full frame (43.3 mm) • Focal length - 21 mm • Aperture range - T1.5 ~ T16 • Number of iris blades - 11 (rounded shape) • Minimum focusing distance - 0,3 m (11.81”) • Focus ring: - rotation angle - 180° - gear pitch - 0.8 M - number of teeth - 117 - distance scale - Metric or imperial • Aperture ring: - rotation angle - 75° - gear pitch - 0.8 M - number of teeth - 110 • Viewing angle (horizontal): - Full Frame - 79,4° - S-35mm 1.39x - 65,6° - APS-C 1.53x - 57° - APS-C 1.62x - 54° - MFT 2.0x - 43,2° • Front filter thread - N/A • Weather sealing - 4 rubber o-rings (PL 3 rubber o-rings) • Front diameter - 95 mm • Markings - laser engraved, UV reactive • Dimensions (L x D) (without accessories): - Canon RF - 124 x 95 mm - Nikon Z - 129 x 95 mm - L-mount - 125 x 95 mm - Canon EF - 101 x 95 mm - Sony E - 127 x 95 mm - Arri PL mount - 93 x 95 mm - MFT mount - 126 x 95 mm • Weight: - Canon RF - 1211g - Nikon Z - 1229g - L-mount - 1209g - Canon EF – mount - 1109g - Sony E mount - 1179g - Arri PL mount - 1105g - MFT mount - 1054g • Included accessories - Rear lens cap - 1 pc - Lens support foot 1/4” - 1 pc