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The first book in English to examine Leon Battista Alberti’s major literary works in Latin and Italian, which are often overshadowed by his achievements in architectureLeon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologising of Alberti as a "Renaissance or Universal Man." In this book, Martin McLaughlin counters this partial perspective on Alberti, considering him more broadly as a writer dedicated to literature and humanism, a major protagonist and experimentalist in the literary scene of early Renaissance Italy. McLaughlin, a noted authority on Alberti, examines all of Alberti’s major works in Latin and the Italian vernacular and analyzes his vast knowledge of classical texts and culture.McLaughlin begins with what we know of Alberti’s life, comparing the facts laid out in Alberti’s autobiography with the myth created in the nineteenth century by Burckhardt, before moving on to his extraordinarily wide knowledge of classical texts. He then turns to Alberti’s works, tracing his development as a writer through texts that range from an early comedy in Latin successfully passed off as the work of a fictitious ancient author to later philosophical dialogues written in the Italian vernacular (a revolutionary choice at the time); humorous works in Latin, including the first novel in that language since antiquity; and the famous treatises on painting and architecture. McLaughlin also examines the astonishing range of Alberti's ancient sources and how this reading influenced his writing; what the humanist read, he argues, often explains what he wrote, and what he wrote reflected his relentless industry and pursuit of originality. <br><br> Autorid: Martin McLaughlin <br>

The story of the Renaissance city and palace of Urbino, and the life of the extraordinary man who created it: Federico da Montefeltro—humanist, book-collector, patron of celebrated artists and battle-scarred mercenary soldier. 'Painstakingly researched and yet unfailingly readable' Ross King 'An insight into one of Renaissance Italy's most glamorous courts' Catherine Fletcher 'The perfect tour guide to the past' Literary Review 'A fabulous merging of seductive design with bravura scholarship' Alexandra Harris 'A superior study... Packed with detail' TLS The one-eyed mercenary soldier Federico da Montefeltro, lord of Urbino between 1444 and 1482, was one of the most successful condottiere of the Italian Renaissance: renowned humanist, patron of the artist Piero della Francesca, and creator of one of the most celebrated libraries in Italy outside the Vatican. From 1460 until her early death in 1472 he was married to Battista, of the formidable Sforza family, their partnership apparently blissful. In the fine palace he built overlooking Urbino, Federico assembled a court regarded by many as representing a high point of Renaissance culture. For Baldassare Castiglione, Federico was la luce dell'Italia – 'the light of Italy'. Jane Stevenson's affectionate account of Urbino's flowering and decline casts revelatory light on patronage, politics and humanism in fifteenth-century Italy. As well as recounting the gripping stories of Federico and his Montefeltro and della Rovere successors, Stevenson considers in details Federico's cultural legacy – investigating the palace itself, the splendors of the ducal library, and his other architectural projects in Gubbio and elsewhere. <br><br> Autorid: Jane Stevenson <br>

SOUDAFIX P380-ST on kahekomponentne vaikudel põhinev keemiline ankur varraste, poltide, tugevdusklambrite, keermestatud võrude, profiilide jms ankurdamiseks mitmesugustesse tahketesse ja õõnesmaterjalidesse, nt betooni, pragunenud betooni, tellisesse, õõnestellisesse, poorsesse betooni, looduskivisse, kuivkrohvseina jne.Koos hülssidega sobib õõnestellisest seina ankurdamiseks Veekindel ja hermeetiline kinnitus.<br />

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An affordable guide to the main themes and motifs of this much-loved genius of the Northern RenaissanceLucas Cranach the Elder (1472–1553) created around 500 works during his lifetime. With his portraits of Martin Luther and Philipp Melanchton, and in his position as court painter to Frederick the Wise, Cranach quickly became one of the most sought-after painters of the Reformation. At the same time, Cranach was the first to translate the Italian Renaissance tradition of the life-size nude into art north of the Alps; his lascivious, barely veiled depiction of Venus, the goddess of love, bears witness to this.On the occasion of the epochal Cranach exhibition at the Kunsthistorisches Museum in Vienna, the Austrian novelist Teresa Präauer explores the work of this busy prince of painters from A to Z. She focuses both on Cranach's art and on the society that surrounded him, the subjects he painted and the events that shaped his development. <br><br> Autorid: Teresa Präauer, Torsten Köchlin, Joana Katte <br>

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