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Diivanilaud Halmar Cosmo, 60x60x30 cm, must

The Dream of the Cosmos is the story of a multi-layered quest to understand the causes of human suffering and to reconnect with a deeper reality than the one we inhabit in this physical dimension of experience. It seeks to answer the questions: "Who are we?" and "Why are we here, on this planet?" It is offered to those who are looking for something beyond the superficial values of our culture, who may be disillusioned with religious and secular belief systems as currently presented and who question political values which are deeply mired in the pursuit of power. It is written with two voices: one the voice of a personal quest and the other which explores the historical and psychological causes that have brought into being our present view of reality. <br><br> Autorid: Anne Baring <br>

Dream of the Cosmos: A Quest for the Soul Revised ed.

"A visionary journey through contemporary scientific concepts and the mysteries and enigmas that define our universe. Examines animal intelligences within a greater evolutionary context, detailing in particular the remarkable intelligence of crows and octopuses. Looks at the Australian Aborigine Dreamtime as an attempt to understand the combined geological and geomantic landscape. Investigates a range of ideas as they relate to the intersections of consciousness and reality, including reincarnation, past-life memories, ghosts, and UFOs"-- • Examines animal intelligences within a greater evolutionary context, detailing in particular the remarkable intelligence of crows and octopuses • Looks at the Australian Aborigine Dreamtime as an attempt to understand the combined geological and geomantic landscape • Investigates a range of ideas as they relate to the intersections of consciousness and reality, including reincarnation, past-life memories, ghosts, and UFOs From the origins of the cosmos to the microbiome, COVID-19 pandemic, UFOs, and the shapeshifting of octopuses and language of crows, Richard Grossinger traverses the mysteries and enigmas that defi ne our universe and personal reality.Beginning his narrative with the Big Bang, origin of the Milky Way, and birth of our solar system, Grossinger o ers a chronology of Earth’s geological, climatological, biological, and sociological evolution, leading to the current environmental and psychospiritual crisis. He explores the origin of cell life, RNA-DNA, and larger biomes, detailing in particular the remarkable intelligence of crows and octopuses. He uses the Australian Aborigine Dreamtime to understand landscapes as thoughtforms. He then o ers reimaginings, from the perspective of “dreamings,” of a wide variety of animals, including tardigrades, llamas, sea turtles, pigeons, bees, and coyotes. Examining the scientifi c dilemmas and paradoxes of consciousness, time, and quantum entanglement, Grossinger carries these into the range of issues around reincarnation, past-life memories, messages from the afterlife, and ghosts. Sharing exercises from his personal practice, Grossinger makes a distinction between the Buddhist description of reality and how Buddhist practitioners create an operating manual for the universe and an assured path of salvation. The author then examines UFOs and their connections to elementals, fairies, and cryptids in terms of psychoids, Jung’s term for transconscious processes that enter our world as autonomous entities. Taking the reader on a journey through the seen and unseen universe, from the Big Bang to the imaginal landscape of Dreamtime, Grossinger shows that matter is infused with spirit from its very beginning. <br><br> Autorid: Richard Grossinger <br>

Dušigeel Cosmofarma BIO Perfect 500 ml

Ridder Cosmos on duši- ja vannikardin, mille mõõtmed on 180 x 200 cm. Valmistatud 100% polüestrist. Alumises servas paiknev raskuspael hoiab kardina sirgena. Lubatud masinpesu kuni 60°C veega, keelatud on trummelkuivatus. Kardinarõngad ei kuulu komplekti.

Dušisüsteem GROHE Euphoria Cosmopolitan, kroom 9,5 l / min, 27369000

These authoritative lectures, delivered during a period of deep crisis and conflict in world history, present a comprehensive spiritual teaching for contemporary humanity. Despite the raging world war, Rudolf Steiner was still actively touring Central Europe whilst simultaneously completing work on his architectural masterpiece, the first Goetheanum, in neutral Switzerland. The building of the Goetheanum - undertaken by a community of people from seventeen nations at war - forms a thematic backdrop to the lectures. In speaking of the walls in the new building, for example, Rudolf Steiner describes how their forms are not confining, but rather express an openness to the surrounding cosmos. Likewise, the carved motifs on the architraves of the wooden pillars are not fixed 'symbols' but are alive and continually metamorphosing . These observations are reflected in Steiner's broader discussions. He speaks of extending and deepening our connection with the world and the cosmos, going beyond our usual narrow limits and definitions to engage in 'community with the realities of existence'. We can do this, for example, with the so-called 'dead', who find it difficult to relate to sense-bound thinking. Rudolf Steiner explains how we can connect with them, greatly enriching our lives and 'making an enormous difference to their souls'. The distinction between fixed symbols and living motifs takes us to the core of anthroposophy, striving never to rest in inert forms of thought. In the field of education, Steiner thus warns about 'external measuring' of pupils and linear models of cognitive learning. Throughout the three lecture courses included here - which together form a kind of compendium of anthroposophy at the time - Steiner touches upon a wealth of absorbing themes, including the 'discovery' of America, the contrast between East and West, the qualities of European 'folk souls', Valentin Andreae's Chymical Wedding, and Darwinism. Regardless of his topic, however, Steiner consistently makes the urgent appeal that we 'grasp reality', looking further than abstract schemes of all kinds - such as social and political 'programmes' - to participate in the cosmos as conscious and fully human co-creators. <br><br> Autorid: Rudolf Steiner <br>

Exploring Edith Wharton's engagement with global issues in her life and writing Hailed for her remarkable social and psychological insights into the Gilded Age lives of privileged Americans, Edith Wharton, the first woman to win a Pulitzer Prize, was a transnational author who attempted to understand and appreciate the culture, history, and artifacts of the regions she encountered in her extensive travels abroad. Edith Wharton and Cosmopolitanism explores the international scope of Wharton's life and writing, focusing on how her work connects with the idea of cosmopolitanism. This volume illustrates the many ways Wharton engaged with global issues of her time. Contributors examine both her canonical and lesser-known works, including her art historical discoveries, political work, travel writing, World War I texts, and first novel. They consider themes of anarchism, race, imperialism, regionalism, and orientalism; Wharton's treatment of contemporary marriage debates; her indebtedness to her literary predecessors; and her genre experimentation. Together, they demonstrate how Wharton's struggle to balance her powerful local and national identifications with cosmopolitan values, resulted in a diverse, complex, and sometimes problematic relationship to a cosmopolitan vision. <br><br> Autorid: Meredith L. Goldsmith, Emily J. Orlando <br>

A dialogue between geometry and the order of our cosmos, an artistic exploration of the boundaries of the infinite. This book offers new approaches to the stunning artworks of Eduardo Terrazas with the premise that geometry belongs to everyone. Five well-known authors present a multidisciplinary vision on the artist’s series “Possibilities of a Structure.” This highly colorful and playful series—of which “Cosmos” is a subseries—has been an ongoing project since 1974 and comprises more than 590 works. Terrazas has explored a lifetime’s worth of questions about the nature of the universe through the microcosm of his images. His work suggests at once a curiosity about the fabric of our universe and a profoundly human hope for an underlying rationality behind the chaos of the world. His visual reflections derive from a geometric language and a technique inspired by the Huichol tablas, from a Mexican indigenous tribe. <br><br> Autorid: Eduardo Terrazas, Marcus Du Sautoy, Hans Ulrich Obrist, Guillermo Fadanello <br>

Founded in 1971 by Elizabeth Pepper, the art director of Gourmet magazine for many years, The Witches’ Almanac is a witty, literate, and sophisticated publication that will appeal to general readers as well as hard-core Wiccans. At one level, it is a pop reference that will fascinate anyone interested in folklore, mythology, and culture; at another, it is the most sophisticated and wide-ranging annual guide available today for the mystic enthusiast. Modeled after the Old Farmers’ Almanac, it includes information related to the annual moon calendar (weather forecasts and horoscopes), as well as legends, rituals, herbal secrets, mystic incantations, interviews, and many a curious tale of good and evil. Although it is an annual publication, much of the content is both current and timeless, not specific to the date range of each issue. The theme of Issue 44 (Spring 2025–Spring 2026) is Air: Breath of the Cosmos. Also included are articles on: Geomancy, the Lunar Nodes, Native American Spirit Totems, Kitchen Magic—Soul Cakes, Gods of the Sky, the Orisha Yemoja, and much more. <br><br> Autorid: Andrew Theitic <br>