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Ha-Joon Chang's "23 Things They Don't Tell You About Capitalism" turns received economic wisdom on its head to show you how the world really works. In this revelatory book, Ha-Joon Chang destroys the biggest myths of our times and shows us an alternative view of the world, including: there's no such thing as a 'free' market Globalization isn't making the world richer; we don't live in a digital world - the washing machine has changed lives more than the internet; poor countries are more entrepreneurial than rich ones; higher paid managers don't produce better results; and we don't have to accept things as they are any longer. Ha-Joon Chang is here to show us there's a better way. "Lively, accessible and provocative ...read this book". (Sunday Times). "A witty and timely debunking of some of the biggest myths surrounding the global economy".("Observer"). "The new kid on the economics block...Chang's iconoclastic attitude has won him fans". (Independent on Sunday). "Lucid ...audacious ...increasingly influential ...will provoke physical symptoms of revulsion if you are in any way involved in high finance". ("Guardian"). "Important ...persuasive ...an engaging case for a more caring era of globalization".("Financial Times"). "A must-read ...incisive and entertaining". ("New Statesman Books of the Year"). Ha-Joon Chang is a Reader in the Political Economy of Development at the University of Cambridge. He is author of "Kicking Away the Ladder: Development Strategy in Historical Perspective", which won the 2003 Gunnar Myrdal Prize, and "Bad Samaritans: Rich Nations", "Poor Policies" and the "Threat to the Developing World". Since the beginning of the 2008 economic crisis, he has been a regular contributor to the "Guardian", and a vocal critic of the failures of our economic system.

Ha-Joon Chang's 23 Things They Don't Tell You About Capitalism turns received economic wisdom on its head to show you how the world really works. In this revelatory book, Ha-Joon Chang destroys the biggest myths of our times and shows us an alternative view of the world, including: There's no such thing as a 'free' market Globalization isn't making the world richer We don't live in a digital world - the washing machine has changed lives more than the internet Poor countries are more entrepreneurial than rich ones Higher paid managers don't produce better results We don't have to accept things as they are any longer. Ha-Joon Chang is here to show us there's a better way. 'Lively, accessible and provocative ... read this book' - Sunday Times 'A witty and timely debunking of some of the biggest myths surrounding the global economy' - Observer 'The new kid on the economics block ... Chang's iconoclastic attitude has won him fans' - Independent on Sunday 'Lucid ... audacious ... increasingly influential ... will provoke physical symptoms of revulsion if you are in any way involved in high finance' - Guardian 'Important ... persuasive ... an engaging case for a more caring era of globalization' - Financial Times 'A must-read ... incisive and entertaining' - New Statesman Books of the Year Ha-Joon Chang is a Reader in the Political Economy of Development at the University of Cambridge. He is author of Kicking Away the Ladder: Development Strategy in Historical Perspective, which won the 2003 Gunnar Myrdal Prize, and Bad Samaritans: Rich Nations, Poor Policies and the Threat to the Developing World. Since the beginning of the 2008 economic crisis, he has been a regular contributor to the Guardian, and a vocal critic of the failures of our economic system. <br><br> Autorid: Ha-Joon Chang <br>

A hard-hitting look at the regulation of sexual difference and its role in circumscribing African American culture The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture—sexual difference—can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology—Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson—has measured African Americans’s unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans’s culture and behavior deviated from those norms, they would not achieve economic and racial equality.Aberrations in Black tells the story of canonical sociology’s regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories—the narrative of capital’s emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture—works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story—one in which people who presumably manifest the dysfunctions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery—a never-published chapter of Invisible Man that deals with a gay character in a way that complicates and illuminates Ellison’s project.Unique in the way it situates critiques of race, gender, and sexuality within analyses of cultural, economic, and epistemological formations, Ferguson’s work introduces a new mode of discourse—which Ferguson calls queer of color analysis—that helps to lay bare the mutual distortions of racial, economic, and sexual portrayals within sociology. <br><br> Autorid: Roderick A. Ferguson <br>

This book provides a broad overview of how sustainability reporting has grown, how it is used now, and where it is heading.Daily, we encounter concepts such as corporate social responsibility (CSR); sustainability reporting; sustainability accounting; environmental reports; corporate citizenship or environmental management systems; or Environmental, Social and Governance (ESG) disclosures. Accounting for Sustainability decodes this terminology by offering an accessible introduction that explores sustainability reporting from both internal and external perspectives. It begins with an overview of key terms and theories, followed by chapters on financial management, sustainability standards, accounting communication, and capital markets. This new edition has been fully revised and expanded with four new chapters, including coverage of the EU’s Corporate Sustainability Reporting Directive (CSRD), European Sustainability Reporting Standards (ESRS), and the global efforts of the International Sustainability Standards Board (ISSB). It also includes critical reflections on digitalisation, standard-setting, and assurance.With learning outcomes and study questions embedded in each chapter, this book will be of great interest to students of sustainability reporting and accounting, as well as practitioners taking related professional accreditations. Accounting for Sustainability offers an overview of sustainability reporting's growth, current use, and future direction. It decodes terms like CSR, sustainability accounting, and ESG disclosures. The book covers financial management and capital markets, with new chapters on CSRD, ESRS, and ISSB, plus digitalisation and assurance. <br><br> Autorid: Gunnar Rimmel <br>

The Spanish Inquisition has become such a byword for injustice that many forget it was also a judicial system capable of acquittal. This study of more than 67,000 trials uncovers over 2,500 formal acquittals, more than 6,600 suspended trials, and nearly 2,100 with unknown or no recorded outcome.The inquisitors were jurists who frequently held other judgeships before and after their tenure and used the same evidentiary rules as other Spanish courts. If every acquittal may be taken as an admission of error, the Spanish Inquisition admitted its errors thousands of times, occasionally even putting them on public display at the autos de fe. An acquittal can also be taken as a sign that the inquisitors did not wish to punish the innocent, and that while they were quick to arrest and charge people on flimsy evidence, they were too conscientious to convict them without further proof. However, it is also clear that the Holy Office at times did bend, twist or even break the law when it suited it in order to secure a conviction.This book is aimed at students, scholars, and general readers seeking a nuanced understanding of the Spanish Inquisition and its workings. The Spanish Inquisition has become such a byword for injustice that many forget it was also a judicial system capable of acquittal. This study of more than 67,000 trials uncovers over 2,500 formal acquittals, more than 6,600 suspended trials, and nearly 2,100 with unknown or no recorded outcome. <br><br> Autorid: Gunnar W. Knutsen <br>

'As we come nearer to Christmas this wondrous book becomes ever more poignant and magical. Once read never forgotten' Michael Morpurgo Every winter, in the days leading up to Christmas, Benedikt walks into the snowy mountains of Iceland to rescue sheep lost in the blizzards. With his dog and his ram by his side, traversing wild snowstorms and crystalline nights, fuelled by endless cups of hot coffee, Benedikt dedicates himself to helping other living beings in need. It is midwinter in the harshest of landscapes, but this is a place of deep belonging and peace brutal and remorseless yet irresistible and indispensable. It is also a time of peace, filled with the anticipation of that special time of year the days before Christmas: Advent. This enchanting Icelandic classic of one mans selfless quest at Christmas time has been newly translated into English for the first time in 90 years. Ive been preparing for winter by reading Advent... A beautiful, fable-like tale' Sarah Perry, Guardian 'Every page is a hymn to Iceland, to snow and ice and to winter. It is a true classic in every sense' Annie Worsley, author of Windswept 'A deeply comforting midwinter read' Katherine May, author of Wintering Gunnar Gunnarssons novel is the Icelandic A Christmas Carol Vanity Fair TRANSLATED BY PHILIP ROUGHTON <br><br> Autorid: Gunnar Gunnarsson, Philip Roughton <br>

Every winter, in the days leading up to Christmas, Benedikt walks into the snowy mountains of Iceland to rescue sheep lost in the blizzards. With his dog and his ram by his side, traversing wild snowstorms and crystalline nights, fuelled by endless cups of hot coffee, Benedikt dedicates himself to helping other living beings in need. It is midwinter in the harshest of landscapes, but this is a place of deep belonging and peace – brutal and remorseless yet irresistible and indispensable.It is also a time of peace, filled with the anticipation of that special time of year – the days before Christmas: Advent. This enchanting Icelandic classic of one man’s selfless quest at Christmas time has been newly translated into English for the first time in 90 years. 'Gunnar Gunnarsson’s novel is the Icelandic A Christmas Carol’ Vanity Fair'This beautiful story with its inspirational message is too spontaneously human, too universal in its truth to be capable of being dated. . . A drama of heroic endurance . . . for all or any time’ New York Times Book Review, 1940TRANSLATED BY PHILIP ROUGHTON

In this landmark effort to understand African American people in the New World, Gunnar Myrdal provides deep insight into the contradictions of American democracy as well as a study of a people within a people. The title of the book, An American Dilemma, refers to the moral contradiction of a nation torn between allegiance to its highest ideals and awareness of the base realities of racial discrimination. The touchstone of this classic is the jarring discrepancy between the American creed of respect for the inalienable rights to freedom, justice, and opportunity for all and the pervasive violations of the dignity of blacks. The appendices are a gold mine of information, theory, and methodology. Indeed, two of the appendices were issued as a separate work given their importance for systematic theory in social research. The new introduction by Sissela Bok offers a remarkably intimate yet rigorously objective appraisal of Myrdala social scientist who wanted to see himself as an analytic intellectual, yet had an unbending desire to bring about change. An American Dilemma is testimonial to the man as well as the ideas he espoused. When it first appeared An American Dilemma was called "the most penetrating and important book on contemporary American civilization" by Robert S. Lynd; "One of the best political commentaries on American life that has ever been written" in The American Political Science Review; and a book with "a novelty and a courage seldom found in American discussions either of our total society or of the part which the Negro plays in it" in The American Sociological Review. It is a foundation work for all those concerned with the history and current status of race relations in the United States. <br><br> Autorid: Gunnar Myrdal <br>

Since the nineteenth century people have claimed that the prosperity enjoyed by the First World was the result of its devotion to unconstrained economic freedoms. In his 2003 book Kicking Away the Ladder, South Korean economist Ha-Joon Chang claims this was not the case and that, in fact, First World economic success was due to exactly the kinds of state intervention that traditional economic thinking consistently opposes today.Chang’s detailed analysis of how Britain, and particularly the United States, came to dominate the emerging global economy highlights their willingness to exploit the apparatus of the state to achieve such results. Chang also shows how the financial, legal, and institutional bodies claimed as essential to the West’s economic muscle were actually the products of its economic dominance, and not the levers that helped it achieve economic success in the first place.Kicking Away the Ladder was awarded the 2003 Gunnar Myrdal Prize by the European Association for Evolutionary Political Economy. Ever since the nineteenth century, people have claimed that the prosperity enjoyed by the First World was the result of its devotion to unconstrained economic freedoms. Chang claims that, in fact, First World success was due to exactly the kinds of state intervention that traditional economic thinking consistently opposes today. South Korean economist Ha-Joon Chang used his 2003 work Kicking Away The Ladder to challenge the central orthodoxies of development economics, using his creative thinking skills to shine new light on an old topic. Creative thinkers are often distinguished by their willingness to challenge received ideas, and this is a central aspect of Chang’s work on development. Before Chang, the received wisdom was that developing countries needed the same kinds of economic policies and institutions as developed countries in order to enjoy the same prosperity. But, as Chang pointed out, the historical evidence showed that First World economic success was, in fact, due to exactly the kinds of state intervention that modern development orthodoxy shuns. Western affluence is the product of precisely the kinds of state control – of protectionism and the setting of price tariffs – that developed countries have since denied the developing world in the name of economic freedom and ‘best practice.’ By insisting that Third World nations should adopt these economic policies themselves, argued Chang, the West is actually stifling Third World economic prospects – kicking away the ladder. His carefully reasoned argument for a novel point of view was closely based on the critical thinking skill of producing novel explanations for existing evidence, and led many to question development orthodoxies – sparking a rethink of modern development strategies for less-developed countries. <br><br> Autorid: Sulaiman Hakemy <br>

At a prestigious Stockholm publishing house, a young intern navigates a complex and evolving relationship with her boss, Gunnar, the director of the elite Andromeda imprint, as she gradually assumes greater responsibilities, exploring the tension between tradition and modernity within the literary world and their ambiguous connection. Original. <br><br> Autorid: Therese Bohman, Marlaine Delargy <br>

Peter Celsing (192074) belongs to the small group of Swedish modernist architects, including luminaries such as Gunnar Asplund (18851940) and Sigurd Lewerentz (18851975), who have rightly attracted attention even beyond the country's borders. The way in which Celsing approached and carried out his commissions testifies to a great understanding of architecture as an applied art, where function and economy are important parameters. At the same time, Celsing instilled aesthetic values of rank in his works. In a time of a major shift in the construction industry from more small-scale and artisanal to large-scale and prefabricated, Celsing managed the feat of running his projects with a high level of artistic integrity. This is an important reason why his architecture is perhaps even more interesting today than when it was created. John Håkansson's black and white photographs, taken in the mid-1990s, capture the essence of Peter Celsings buildings. In many cases, the images are now a valuable document of that era, since some of the buildings have changed, and not always in a favourable way. In this beautiful volume, supplemented by insightful texts contributed by architect Staffan Henriksson and artist Maria Lantz, Håkansson's skillful photography forms a loving and sensitive portrait of Celsing's architecture. <br><br> Autorid: John Håkansson, Staffan Henriksson, Maria Lantz <br>

In celebration of his 50 plus years in practice, architect Will Bruder is pleased to share this selection of his most-exemplary projects, presented through hundreds of gorgeous photographs, drawings, and original sketches. Influenced by Frank Lloyd Wright, as well as Paolo Soleri, Bruce Goff and Gunnar Birkerts, Bruder opened his own design studio in 1974. His self-built house/studio on the desert edge of Phoenix garnered a Record Houses of 1977 design award. A Fellowship in Architecture at the American Academy in Rome was a career turning-point permitting several months of intense reflection from a studio overlooking Rome, and travel throughout Europe to study historic and contemporary architecture. Filled with fresh perspective, Bruder won the commission to design the 280,000 square foot Phoenix Central Library. It opened in 1995. Cultural, civic and private commissions followed, as did opportunities to travel, lecture, and teach. The library was awarded the AIA 25 Year Building Award in 2021. This superb collection is divided into two sections: pre-Rome Prize projects, presented in black and white, and post-Rome projects dating from 1987 to buildings still currently under construction, presented in colour. Scholarly essays and candid conversations with colleagues round out this long-awaited Bruder monograph. <br><br> Autorid: Will Bruder, Reed Kroloff, Billie Tsien, Robert McCarter, Teresa Rosano, Eric Höweler, Meejin Yoon, Nader Tehrani <br>

Sweden 2012. When Inspector Gunnar Barbarotti returns to work after a terrible personal tragedy his boss asks him to investigate a cold case, hoping to ease him back gently into his police duties. Five years previously a shy electrician, Arnold Morinder, disappeared from the face of the earth, the only clue his blue moped abandoned in a nearby swamp. At the time his partner, Ellen Bjarnebo, claimed that Arnold had probably travelled to Norway never to return. But Ellen is one of Swedens most notorious killers, having served eleven years in prison after killing her abusive first husband and dismembering his body with an axe. And when Barbarotti seeks to interview Ellen in relation to Arnolds disappearance she is nowhere to be found . . . But without a body and no chance of interviewing his prime suspect Barbarotti must use all the ingenuity at his disposal to make headway in the case. Still struggling with his personal demons, Barbarotti seeks solace from God, and the support of his colleague, Eva Backman. And as he finally begins to track down his suspect and the cold case begins to thaw, Barbarotti realizes that nothing about Ellen Bjarnebo can be taken for granted . . . The Axe Woman is the fifth and final Inspector Barbarotti novel from bestselling author Håkan Nesser. <br><br> Autorid: Håkan Nesser, Sarah Death <br>

'A master of suspense' Sunday Times When Inspector Gunnar Barbarotti returns to work after a personal tragedy, his boss hands him a cold case to ease him back in. But the case doesn't stay cold for long . . . The Axe Woman is the fifth Inspector Barbarotti novel from bestselling author Håkan Nesser. Five years previously, Arnold Morinder simply vanished. His partner claimed he had travelled abroad, never to return. But Arnolds partner was Ellen Bjarnebo: one of Swedens most notorious killers, having served over ten years in prison for killing her first husband and dismembering his body with an axe. And when Barbarotti seeks to re-interview Ellen, she is nowhere to be found . . . With neither a body nor a prime suspect, Barbarotti must use all the ingenuity at his disposal. And as the cold case begins to thaw and he finally begins to make progress, he realizes that nothing about Ellen Bjarnebo can be taken for granted . . . <br><br> Autorid: Håkan Nesser, Sarah Death <br>

Varg Veum is persuaded to take on the case of a missing teenager, by a half-sister he didnt know he had, in a case that quickly becomes personal A dark, chilling and startling relevant new instalment in the award-winning Varg Veum series, by one of the fathers of Nordic Noir. ***Shortlisted for the Petrona Award for Best Scandinavian Crime Novel of the Year*** Staalesen continually reminds us why he is one of the finest of Nordic novelists Barry Forshaw, Financial Times Chilling and perilous Sunday Times Employs Chandleresque similes with a Nordic Noir twist Wall Street Journal Varg Veum receives a surprise visit in his office. A woman introduces herself as his half-sister, and she has a job for him. Her god-daughter, a 19-year-old trainee nurse from Haugesund, moved from her bedsit in Bergen two weeks ago. Since then no one has heard anything from her. She didn't leave an address. She doesn't answer her phone. And the police refuse to take her case seriously. Veums investigation uncovers a series of carefully covered-up crimes and pent-up hatreds, and the trail leads to a gang of extreme bikers on the hunt for a group of people whose dark deeds are hidden by the anonymity of the Internet. And then things get personal Chilling, shocking and exceptionally gripping, Big Sister reaffirms Gunnar Staalesen as one of the worlds foremost thriller writers. Praise for Gunnar Staalesen Gunnar Staalesen is one of my very favourite Scandinavian authors. Operating out of Bergen in Norway, his private eye, Varg Veum, is a complex but engaging anti-hero. Varg means wolf in Norwegian, and this is a series with very sharp teeth Ian Rankin Staalesen continually reminds us he is one of the finest of Nordic novelists Financial Times Chilling and perilous results all told in a pleasingly dry style Sunday Times Staalesen does a masterful job of exposing the worst of Norwegian society in this highly disturbing entry Publishers Weekly 'The Varg Veum series is more concerned with character and motivation than spectacle, and its in the quieter scenes that the real drama lies Herald Scotland 'Every inch the equal of his Nordic confreres Henning Mankell and Jo Nesbo' Independent Not many books hook you in the first chapter this one did, and never let go! Mari Hannah With an expositional style that is all but invisible, Staalesen masterfully compels us from the first pages If youre a fan of Varg Veum, this is not to be missed, and if youre new to the series, this is one of the best ones. Youre encouraged to jump right in, even if the Norwegian names can be a bit confusing to follow Crime Fiction Lover With short, smart, darkly punchy chapters Wolves at the Door is a provocative and gripping read LoveReading Haunting, dark and totally noir, a great read New Books Magazine <br><br> Autorid: Gunnar Staalesen, Don Bartlett <br>

Fresh from rehab, Norwegian PI Varg Veum faces his most complex investigation yet, when a man is found drowned, a young woman disappears, and the case of a missing child is revived. The classic Nordic Noir series continues As searing and gripping as they come New York Times One of my very favourite Scandinavian authors Ian Rankin The Norwegian Chandler Jo Nesbø ***Now a major TV series starring Trond Espen Seim*** ________________________ PI Varg Veum has returned to duty following a stint in rehab, but his new composure and resolution are soon threatened when a challenging assignment arrives on his desk. A man is found dead in an elite swimming pool and a young woman has gone missing. Most chillingly, Varg Veum is asked to investigate the Camilla Case: an eight-year-old cold case involving the disappearance of a little girl, who was never found. As the threads of these apparently unrelated crimes come together, against the backdrop of a series of shocking environmental crimes, Varg Veum faces the most challenging, traumatic investigation of his career. ________________________ 'Every inch the equal of his Nordic confreres Henning Mankell and Jo Nesbø' Independent Staalesen continually reminds us he is one of the finest of Nordic novelists Financial Times There are only two other writers that I know of have achieved the depth of insight in detective writing that Staalesen has: Chandler, and Ross MacDonald Mystery Tribune Employs Chandleresque similes with a Nordic Noir twist simply superb Wall Street Journal Masterful pacing Publishers Weekly 'The Varg Veum series is more concerned with character and motivation than spectacle, and its in the quieter scenes that the real drama lies Herald Scotland Unsettling, moving, sad, hopeful and hopeless its rich and its sharp and its cynical and sentimental all at once NB Magazine A complex, layered plot in which human tragedy and mystery combine to play out beautifully in a classic Nordic noir with a touch of Christie Live & Deadly For fans of Henning Mankell, Jo Nesbø, Jorn Lier Horst, Harlan Coben and Jussi Adler-Olse <br><br> Autorid: Gunnar Staalesen, Don Bartlett <br>

"Clark tells the story of his attempts to write a magazine-style essay about Bjarki Thor Gunnarsson, a climate change denier and conspiracy theorizer who also happens to manufacture the widest, purest, most metaphorical pine boards around. Set mostly in rural Maine, Bjarki, Not Bjarki combines personal narrative, immersive journalism, and environmental rumination, all told in a distinctive essayistic voice. While Clark considers the motley theatre of rural masculinity, North American colonization, woodpeckers, gift cards, crab rangoon, and bald eagles, the new pine floor in his newly renovated home buckles. He and his wife separate. He puts on a mask, goes to Florida, and does not cry. Upon Clark's return, Bjarki's famous boards seem only to exist in hismind. The book asks: How do we make sense of the world and of ourselves, especially when the floor beneath us is so unstable, when nothing is quite what we had hoped it would be?"-- “You know, I actually think about that an awful lot, like, what is our purpose in life? Why am I here? I always think about some little kid being like, ‘What’d you do with your life?’ And me being like, ‘Well, I sold a bunch of floors.’” These are the words of Bjarki Thor Gunnarsson, the young man who manufactures the widest, purest, most metaphorical pine floorboards on the planet. As Matthew Clark—a carpenter by trade—begins researching a magazine-style essay about Bjarki and his American Dream Boards, he comes to discover that nothing is quite as it seems. Santa Claus arrives by helicopter. A wedding diamond disappears. A dead coyote jumps to its feet. And then, at a Thai restaurant in central Maine, Bjarki is transformed into an eggplant. In Bjarki, Not Bjarki, Clark wants nothing less than to understand everything, to make the world a better place, for you and him to love each other, and to be okay. He desires all of this sincerely, desperately even, and at the same time he proceeds with a light heart, playfully, with humor and awe. As Clark reports on the people and processes that transform the forest into your floor, he also ruminates on gift cards, crab rangoon, and Jean Claude Van Damme. He considers North American colonization, masculinity, the definition of disgusting, his own uncertain certainty. When the boards beneath our feet are so unstable, always expanding and cupping and contracting, how can we make sense of the world? What does it mean to know another person and to connect with them, especially in an increasingly polarized America? Set mostly in rural Maine, Bjarki, Not Bjarki is an expansive book. It is a standard work of journalism, describing with nuance and humanity the people and processes that transform the forest into your floor. It is also a meditation on what it means to know another person and to connect with them, especially in an increasingly polarized America. And it is a ghost story about marriage. It is an inquiry into the limits of language and certainty, a rumination on North American colonization, masculinity, gift cards, crab rangoon, bald eagles, and wood, all of it told in an exciting, energized, and original prose. <br><br> Autorid: Matthew J. C. Clark <br>

How Manchester United conquered all, by the players who won everything ______________________________________________________________ With a foreword by Ruud van Nistelrooy An Irish Times Bestseller The Champions League, the Club World Cup, 6 Premier League Titles, 1 FA Cup, 3 League Cups, 4 Community Shields, 1 legendary manager. From Rio to Rome, 2000–2010. This is the story of one of the greatest eras in the history of England’s most successful club, told through the eyes of the players who made it happen.Not just the big wins, the cup finals and the trophy parades, but the half-time rows, the mad pranks, the boozy nights out and the training-ground bust-ups. Andy Mitten has tracked down eleven of the stars from those Premier League and Champions League winning teams to open the door to both the dressing room and the boardroom at Old Trafford as the club cemented its status as the dominant force in English football. Bring on United is an astonishingly candid and revealing insight into the workings of a relentless winning machine.More than that, it’s as lively and entertaining a sports book as you’ll ever read. Featuring exclusive interviews with Nemanja Vidic, Ole Gunnar Solskjær, Patrice Evra, Gary Neville, Dimitar Berbatov, Jaap Stam, John O’Shea, Wes Brown, Dwight Yorke, Diego Forlán and Ryan Giggs.

How Manchester United conquered all, by the players who won everything ______________________________________________________________ With a foreword by Ruud van Nistelrooy An Irish Times Bestseller The Champions League, the Club World Cup, 6 Premier League Titles, 1 FA Cup, 3 League Cups, 4 Community Shields, 1 legendary manager. From Rio to Rome, 20002010. This is the story of one of the greatest eras in the history of Englands most successful club, told through the eyes of the players who made it happen. Not just the big wins, the cup finals and the trophy parades, but the half-time rows, the mad pranks, the boozy nights out and the training-ground bust-ups. Andy Mitten has tracked down eleven of the stars from those Premier League and Champions League winning teams to open the door to both the dressing room and the boardroom at Old Trafford as the club cemented its status as the dominant force in English football. Bring on United is an astonishingly candid and revealing insight into the workings of a relentless winning machine. More than that, its as lively and entertaining a sports book as youll ever read. Featuring exclusive interviews with Nemanja Vidi, Ole Gunnar Solskjær, Patrice Evra, Gary Neville, Dimitar Berbatov, Jaap Stam, John OShea, Wes Brown, Dwight Yorke, Diego Forlán and Ryan Giggs. <br><br> Autorid: Andy Mitten, Ruud van Nistelrooy <br>

Iceland is best known for its stunning scenery and majestic landscapes. When photographer Nancy Libson first visited Iceland for a hiking trip some twenty years ago, she immediately fell in love with the country and its dramatic natural landscapes. She vowed to return again, camera in hand, to capture the beauty of Iceland. Beginning in 2015, Libson did just that, revisiting Iceland over four more summers to photograph the land and its people. Though initially attracted by Iceland’s unique landscapes, Libson also became drawn to the Icelandic people, particularly those in rural areas whose daily lives were surrounded by Iceland’s wild and wondrous landscapes.She started out curious to get to know and capture in her photographs the people who live within the rural communities of this unique landscape. As she continued to visit Iceland through multiple summers, her focus was drawn in particular to making pictures of Iceland’s children and their unique childhoods among this remote and beautiful land. As Libson photographed Iceland and its inhabitants, she sought to understand and capture the impact of Iceland’s remoteness and beauty on those who lived in its rural areas, especially the children who grew up there. Their unique childhoods, among small villages and rural communities, where they experience an unusual level of freedom while living in close-knit families and communities, became Libson’s focus as she continued to visit and get to know Iceland.As collected in Children in Iceland, Libson’s photographs of children and families in rural Iceland provide an intimate, evocative window into the lives of Iceland’s children among their homes and communities. It provides a unique vision not only of the children and their lives, but also into their remarkable home country where the spirit of childhood flourishes. An intimate and evocative portrayal of children and childhood in rural Iceland by photographer Nancy Libson. <br><br> Autorid: Nancy Libson, Kristín Helga Gunnarsdóttir <br>

Understanding the ground rules of climate change for business.Climate has changed the game for business around the world. With climate-related disasters causing billions in damage and public pressure rising, over 100 nations have set 2050 net-zero carbon-emissions targets within the framework of the 2015 Paris Agreement. Thousands of companies have registered with the Carbon Disclosure Project. In a recent survey of large, global firms, one-third reported that climate change was already affecting their operations.Business leaders need help navigating this complex, fast-changing environment. In the flood of new policies and information, how can you tell what news matters, and its impact? Which arguments and reports are grounded in sound science and economics, and which are not?This indispensable guidebook by Harvard Business School professor and policy expert Gunnar Trumbull answers this need. As managers around the world confront and educate themselves about how climate change is affecting their businesses, A Concise Business Guide to Climate Change provides a single, short, and accessible account of the information crucial to understanding and addressing these new challenges. What causes climate change? How do countries and companies measure their climate impact? What is the role of carbon markets? How are governments responding? What kind of corporate emissions targets make sense, and how can they be achieved? In crisp, reader-friendly, and data-rich chapters, this book presents the basic scientific, economic, policy, and accounting frameworks that managers need to answer these questions.Whether you read it from start to finish for a complete overview or use it as a reference when confronted with specific challenges, let this book be your go-to business guide for dealing with climate change. <br><br> Autorid: Gunnar Trumbull <br>

The English and Romanian Adoptees (ERA) study constituted an invaluable “natural experiment” in which there was a rapid, easily-timed transition from a profoundly depriving environment in Romanian institutions to generally well-functioning adoptive families in England. Multimodal methods of assessment were used throughout the assessments at 4, 6, 11, and 15 years of age. Four key findings were particularly striking. First, institutional deprivation was associated with an apparently deprivation-specific pattern of combinations of quasiautism, disinhibited attachment, cognitive impairment, and inattention/overactivity. Second, longitudinal growth curves showed a relative deceleration of growth between 11 and 15 years (possibly due to early puberty). Third, institutional deprivation without subnutrition was associated with a major impairment in head growth. Fourth, the effects of institutional deprivation were as strong at 15 years as they had been earlier in childhood. <br><br> Autorid: Michael J. Rutter, Megan R. Gunnar, Edmund J. Sonuga-Barke, Celia Beckett, Jennifer Castle, Jana Kreppner, Robert Kumsta, Wolff Schlotz, Suzanne Stevens, Christopher A. Bell <br>

Wie schafften es DDR-Bands wie die Puhdys, City oder Karat, in der damaligen BRD live aufzutreten und hunderttausende Platten zu verkaufen? Hinter diesen Erfolgen steht vor allem ein Mann: Peter Schimmelpfennig. Der leidenschaftliche Musikfan, Manager und Verleger, der den Ostrock in den Westen brachte, packt hier erstmals aus über das grenzüberschreitende Musikbusiness zu Mauerzeiten und die Interessenlage auf beiden Seiten - im Schatten der großen Politik. Als Tour- und Bandmanager war er ganz nah dran an den Bands auf ihren West-Tourneen - und vermittelte auch umgekehrt internationale Stars wie James Brown in die DDR. Der Journalist Gunnar Leue hat in enger Zusammenarbeit mit Peter Schimmelpfennig dessen außergewöhnliche Erinnerungen aufgeschrieben. Die spannende Grenzgänger-Geschichte aus der Zeit des Kalten Kriegs gewährt interessante Einblicke und steckt voll hinreißender Anekdoten aus dem Backstagebereich.

From an innovator of autofiction comes a meditation on grief, care, Buddhism, and artmaking. 'This is a story. It is a story about someone accompanying another to the last gate.'Years ago, Kristjana Gunnars took her husband back to his home in Oslo to die. Through the dark, cold days, she tends to his needs as she feels her own self disintegrating. Later, as she looks back to this slow departure of the man she loved, she weaves together threads from her own life, reflections on the thoughts of Gautama Buddha, discussions of Renaissance art, and considerations of contemporary artists. Engaging with thinkers as varied as Ingmar Bergman and Jacques Derrida, Henry David Thoreau, and Ursula K. Le Guin, Gunnars — one of the earliest practitioners of "autofiction" — crafts a new kind of hybrid text, with elements of memoir, lyrical essay, Buddhist teachings, poetics, art theory, and meditation.The Silence of Falling Snow is a deep dive into grief, the way we circle around it, dipping in and out of the pain, finding comfort in art and philosophy and religion where we can. It’s an intellectual cabaret, a Buddhist primer, and a pointillist portrait of grief – above all, it’s the consoling and invigorating reflection we need in this moment. <br><br> Autorid: Kristjana Gunnars <br>

The Doctor, Audacity and Charley visit many times and places, always with the best of intentions. But others have a different agenda... Puccini and the Doctor by Matthew Jacobs. Inspired by his friends, the Doctor takes Charley and Audacity to Milan to meet Puccini and hear the music of love. But the Doctor is not the only alien entranced by humanity. The mysterious Tura is setting riddles, and for those who answer, the experience is transformative... Women's Day Off by Lisa McMullin. Iceland, 1975. Charley and Audacity are thrilled to discover that the women have gone on strike. All of them. With potentially disastrous consequences for a girl called Kyla - and everyone she comes into contact with. The Gloaming by Lauren Mooney and Stewart Pringle. The Doctor, Charley and Audacity arrive on Gloaming, a luxury sleep clinic in orbit around a dead world. Gloaming is filled with wealthy Sleepers, dreaming through the dark ages of their world in suspended animation. But something is growing here, creeping into minds and poisoning dreams. Something the Doctor fought long ago... CAT: Paul McGann (The Doctor), India Fisher (Charlotte Pollard), Jaye Griffiths (Lady Audacity Montague), Tim McInnerny (Giacomo Puccini), Molly Harris (Kyla), Will Huggins (Butcher / Father / Uncle / Caretaker), Sarah Lawrie (Elvira Bonturi), Abigail McKern (Meryl Zink), Richard Reed (Massimo / Karl), Tania Rodrigues (Princess Tura), Graham Seed (Franz), Kate Terence (Ms Gunnar / Caroline), Homer Todiwala (Dekkar), George Watkins (Jefred). Other parts played by members of the cast. <br><br> Autorid: Ken Bentley, Lisa McMullin, Lauren Mooney, Stewart Pringle, Matthew Jacobs, Benji Clifford, Howard Carter, Sean Longmore <br>

Contains three new adventures; 2.1 Flying Solo by Tajinder Singh Hayer. Pilot Officer Mohinder Singh Johal is an RAF pilot on a sortie during World War Two. Following a close encounter with a flying blue telephone box, his Spitfire vanishes! The Doctor, whose TARDIS is out of control following a blast from a time disruptor, should be keeping a low profile, but with Mohinder lost in time and space, she has to help bring him home. 2.2 The Junkyard Loop by Aaron Douglas. The Doctor, pursued as ever by Cosmogon, crash-lands the TARDIS on an off-grid junk planet littered with the remains of time machines from a thousand civilisations. After being saved from the indigenous Time-Frost Parasites by Sodalis, an old companion long-marooned, the Doctor must come up with a plan to save them both. But a sinister Division commander has tracked our heroes, and not even Cosmogon can stand between him and his desire to unlock the Doctor's memory and obtain the secrets within. 2.3 Hereafter by Tim Foley. Cosmo has finally captured the Doctor! But they're stranded together on a planet thanks to an unusual psychic forcefield grounding her ship. Tracing its source, they find a settlement that's preparing for a festival in honour of their 'queen' in the mountain. When Cosmo is captured, the Doctor must decide whether to help her captor... especially now she's discovered, thanks to local woman Herma, that the queen and her minions are vampires! CAST: Jo Martin (The Doctor), Alice Krige (Cosmogon), Abbie Andrews (Herma), Gunnar Cauthery (Mayor Stonex), John Dorney (Douglas / Alexander the Great / Clive of India), Raj Ghatak (Mohinder Johal), David Holt (Red 4 / Reeves / Macedonian / Companyman), Charlotte Palmer (Sodalis), Clare Perkins (Queen Verdilla), Alexander Vlahos (Zetorius / Division Agent), Terence Wilton (Astrabar). Other parts played by members of the cast. <br><br> Autorid: Aaron Douglas, Tim Foley, Tajinder Singh Hayer, Bethany Weimers, Simon Holub, Howard Carter <br>

This book addresses questions of sexual consent using deeply personal interviews with twenty Swedish women and men of various ages and sexual orientations. In doing so, it contributes to understandings of sexual consent and sexual grey areas through its combination of conceptual rigour, analytical detail and empirical richness. How does sexual consent work? How do we know that another person really wants to have sex with us? Why do people sometimes give in to sex that they are not in the mood for? And how come it is sometimes difficult to draw a sharp line between sex and assault? Dynamics of Sexual Consent addresses these questions based on deeply personal interviews with 20 Swedish women and men of various ages and sexual orientations. In doing so, it contributes to understandings of sexual consent and sexual grey areas through its combination of conceptual rigour, analytical detail and empirical richness.While starting in the legal definition of consent as voluntary participation, the book broadens the discussion to a wider sociological and philosophical sphere where gendered power dynamics and relational dependencies challenge simplistic understandings of voluntariness. Contesting tendencies to see miscommunication as the key problem related to consent, it shows that emotional aspects are often the main factor standing in the way of genuinely consensual interactions. While the analysis is informed by a gender perspective emphasizing the gendered power asymmetries of heterosexuality, it also foregrounds men’s vulnerability and the power dynamics of samesex interactions. A key argument of the book is that, given the contextual and ambiguous nature of sexual interactions, it is impossible to delineate unequivocal and concretely applicable guidelines for what counts as consent. To compensate for the lack of universal, fail-safe rules, what is needed is an intensified collective reflection on consent and sexual grey areas, which can make individuals better equipped to identify and respect their own and others’ boundaries.An empirically rich and conceptually sophisticated contribution to understanding of sexual consent and sexual grey areas, Dynamics of Sexual Consent will be of interest to scholars and students of gender studies, sociology and criminology. <br><br> Autorid: Lena Gunnarsson <br>

This book explores the significant contribution to design culture made by Cassina, the first company to develop and industrialize timeless reeditions.Since 1973, when Cassina launched the iMaestri Collection, the company has authentically reissued some of the most iconic models by the greatest architects of the twentieth century. The brand began this process in 1965 with the first reeditions of furniture by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, expanding over the years to create a specific collection with names such as Erik Gunnar Asplund, Charles Rennie Mackintosh, and Gerrit Thomas Rietveld. These designs have been updated, finding new life, thanks to innovative technological development carried out by the company, always in respect of the original designs.The collection also tells of encounters between the company and renowned Italian architects, including Franco Albini, Gio Ponti, and Carlo Scarpa, and of how this combination of creative excellence and production quality has generated such extraordinary works. With the introduction of designs by Giacomo Balla, Marco Zanuso, Ico Parisi, and Vico Magistretti, the Cassina iMaestri Collection has become a symbol of timeless elegance representing the true essence of excellence Made in Italy.Thanks to its original graphic design, the book reflects the richness and variety of Cassina’s catalog in which icons naturally dialogue with contemporary pieces to fully emphasize the continuity between past, present, and future.The book, edited by Ivan Mietton, is organized into ?ve thematic chapters that feature in uential texts and new photographic material produced by international contributors. <br><br> Autorid: Ivan Mietton <br>

Competition law is rooted in economic theory, and economics provides many of the standard tools often applied in competition investigations. As a result, a strong foundation in economics is an invaluable asset for practitioners in this area of law. This is the third edition of the popular and well-regarded practitioner guide to the economic principles of competition law. Written in accessible language for non-technical readers, it covers first economic principles by applying them directly to competition cases. It covers all major topics in competition law where economics is relevant: the core themes of market definition, market power and dominance, mergers, and anti-competition practice, as well as less familiar but important areas such as state aid, remedy design, damages, and use of experts in competition cases. Topics are introduced by posing compelling questions based on real cases from around the world. This third edition has been updated to include the latest developments in the last five years, including the rise of digital platforms with strong network effects, killer acquisitions in innovative markets, competition concerns in labour markets, and 'green' agreements related to climate change. <br><br> Autorid: Gunnar Niels, Helen Jenkins, James Kavanagh <br>

Vuelve Anders de la Motte, el autor de novela negra que arrasa en Europa con la serie de la Unidad de Casos Perdidos.La inspectora Leonore Asker, al mando de la peculiar Unidad de Casos Perdidos, recibe una llamada del todo inesperada: su padre, con quien no tiene contacto desde hace más de quince años, necesita su ayuda, ya que se ha hallado un cuerpo en su finca y la policía sospecha que él ha sido el asesino. Mientras, Martin Hill se muda a una finca apartada para escribir una biografía sobre el empresario Gunnar Irving, intrigado por el hecho de que la legendaria propiedad contiene una isla privada con un observatorio astronómico abandonado. Pronto, Hill descubre que la zona tiene más historias que ofrecer: luces misteriosas y cuerpos mutilados. Mientras Asker y Hill intentan encontrar respuestas, un temible asesino en serie, el hombre de cristal, surge de las profundidades de la oscuridad de las que nadie regresa jamás.

Taking an interdisciplinary approach, weaving together art, philosophy, history, and literature, this book investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund. Through critical essays and beautiful illustrations focusing on four projects, the Woodland Cemetery, the Stockholm Public Library, the Stockholm Exhibition and Asplunds own house at Stennäs, it addresses the topic of buildings accompanied by landscapes. It proposes that themes related to landscape are central to Asplunds distinctive work, with these particular sites forming a collection that documents an evolution in his design thinking from 1915 to 1940. The architect himself wrote comparatively little about his design intentions. However, through close reading and analysis of the selected projects as landscapes with architecture, author Malcolm Woollen argues that reflections of the history of Swedish landscape architecture and the intellectual climate in the late nineteenth and early twentieth centuries are evident in his work and help to explain the architects intentions. This book is a must-have for academics, advanced students and researchers in landscape architecture and design who are interested in Nordic Classicism and the works of Erik Gunnar Asplund. <br><br> Autorid: Malcolm Woollen <br>

Ever-dogged Bergen PI Varg Veum is forced to dig deep into his own past as he investigates the murder of a former classmate. Vintage, classic Nordic Noir from international bestselling author Gunnar Staalesen. A vibrant look at the life, loves and betrayals of the past and the ways in which their tentacles cling, never letting you go John Harvey One of my very favourite Scandinavian authors Ian Rankin Masterful pacing Publishers Weekly ***Now a major TV series starring Trond Espen Seim*** ________________ Exploring his own dark memories may be the only way to find a killer When Bergen PI Varg Veum finds himself at the funeral of a former classmate on a sleet-grey December afternoon, hes unexpectedly reunited with his old friend Jakob guitarist of the once-famous 1960s rock band The Harpers and his estranged wife, Rebecca, Veums first love. Their rekindled friendship is thrown into jeopardy by the discovery of a horrific murder, and Veum is forced to dig deep into his own adolescence and his darkest memories, to find a motive and a killer. Tense, vivid and deeply unsettling, Fallen Angels is the spellbinding, award-winning thriller that secured Gunnar Staalesens reputation as one of the worlds foremost crime writers. ________________ Praise for Gunnar Staalesen 'Every inch the equal of his Nordic confreres Henning Mankell and Jo Nesbø' Independent Well worth reading, with the rest of Staalesens award-winning series New York Journal of Books Staalesen continually reminds us why he is one of the finest of Nordic novelists Financial Times The Norwegian Chandler Jo Nesbø Not many books hook you in the first chapter this one did, and never let go! Mari Hannah Chilling and perilous results all told in a pleasingly dry style Sunday Times Staalesen does a masterful job of exposing the worst of Norwegian society in this highly disturbing entry Publishers Weekly 'The Varg Veum series is more concerned with character and motivation than spectacle, and its in the quieter scenes that the real drama lies Herald Scotland Gunnar Staalesen is a master of the PI genre, and with Fallen Angels he is at the top of his game Live Many Lives It is a story full of mystery, of uncertainty and threat a truly thought-provoking read Jen Meds Book Review <br><br> Autorid: Gunnar Staalesen, Don Bartlett <br>

Archaeological exploration in the Central Highlands of the Southern Levant conducted during the 1970s and 1980s dramatically transformed the scholarly understanding of the early Iron Age and led to the publication of From Nomadism to Monarchy: Archaeological and Historical Aspects of Early Israel, by Israel Finkelstein and Nadav Naaman. This volume explores and reassesses the legacy of that foundational text. Using current theoretical frameworks and taking into account new excavation data and methodologies from the natural sciences, the seventeen essays in this volume examine the archaeology of the Southern Levant during the early Iron Age and the ways in which the period may be reflected in biblical accounts. The variety of methodologies employed and the historical narratives presented within these contributions illuminate the multifaceted nature of contemporary research on this formative period. Building upon Finkelstein and Naamans seminal study, this work provides an essential update. It will be welcomed by ancient historians, scholars of early Israel and the early Iron Age Southern Levant, and biblical scholars. In addition to the editors, the contributors to this volume are Eran Arie, Erez Ben-Yosef, Cynthia Edenburg, Israel Finkelstein, Yuval Gadot, Assaf Kleiman, Gunnar Lehmann, Defna Langgut, Aren M. Maeir, Nadav Naaman, Thomas Römer, Lidar Sapir-Hen, Katja Soennecken, Dieter Vieweger, Ido Wachtel, and Naama Yahalom-Mack. <br><br> Autorid: Ido Koch, Oded Lipschits, Omer Sergi <br>

The Leo Asker series, which will have you “hooked from the very first page” (Kyle Mills, #1 New York Timesbestselling author), continues with this second installment following wayward detective Leonore Asker on a chilling new murder case. Detective Leonore Asker has just settled in as head of the Department of Lost Souls, a unit for odd cases, when her father contacts her after years of silence. A body with no eyes has been found on his farm and, as the main suspect, he is desperate for Leo’s help. But is her father as innocent as he claims or is he trying to reel Leo into his grip once again? Meanwhile, Martin Hill moves to a secluded estate to write a biography about the business leader Gunnar Irving, intrigued by the fact that the legendary property contains an abandoned astronomical observatory. Soon, Hill discovers that the area has more stories to offer about mysterious lights and mutilated bodies. While Asker and Hill try to find answers, the Glass Man rises from the depths of darkness from which no one ever returns. Nobody but him. <br><br> Autorid: Anders De La Motte <br>

See raamat on ilmselt kõige mahukam ja kontsentreeritum teos ühe Eesti suurima teadjamehe, Gunnar Aarma õpetustest: siia on koondatud tarkused, mida ta on jaganud tuhandetele lugejatele ja kuulajatele möödunud sajandi viimasel aastakümnendil ilmunud raamatutes ja artiklites ning loengutel ja kohtumistel. Raamat sisaldab suurema osa aastatel 2013-2014 kolmes köites ilmunud "Gunnar Aarma tarkuseõpetustest", keskendudes ennekõike autori enda poolt välja töötatud Õnne Valemile. Õnne Valem koosneb neljast liidetavast: õige mõtlemine, õige toitumine, õige hingamine ja piisav liikumine. Kõige olulisem neist on õige mõtlemine, mis moodustab 100%st 70%, teistele komponentidele jääb igaühele 10%. Need Õnne Valemi komponendid on lahti kirjutatud selle raamatu esimestes peatükkides. Järgnevates on tutvustatud mitmeid eri teemasid, mida on Gunnar Aarma puudutanud oma teistes raamatutes ja paljudes artiklites ning loengutel. See raamat ei ole ilukirjanduslik teos: siin ära toodud materjal nõuab hoolikat lugemist ja sügavuti läbi mõtlemist. Lugeja ei leia raamatust kala, kuid võib leida õngeridva, millega kala püüda. <br><br> Autorid: Gunnar Aarma <br>