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Dog Sweater Kurgo Core Sweater. A great option for those four-legged friends who need protection from the cold on cooler days. With careful craftsmanship and practical details, this garment combines style, comfort, and reliability, providing your pet with everything they need during your outings together. The Kurgo Core Sweater is tailored to allow freedom of movement, making it perfect for active, energetic dogs. Made from warm fleece fabric with a weight of 280g. The outer layer features a sweater knit, while the inside is soft and cozy, gently wrapping around your pet's body. The two-way zipper on the back allows for easy attachment of a harness underneath the fleece and securing a leash to it. The neck zipper makes putting on the sweater easier. The sweater has a Velcro flap that protects the chest from the cold. The Velcro has an adjustable range, making it easy to fit the garment to your dog. The reflective element at the collar ensures safety in low visibility conditions. The sweater can be worn alone or layered under a jacket for extra warmth on very cold days. Dog Sweater Kurgo Core Sweater Heather Black: made from 280g fleece fabric, two-way zipper for easy access to the harness or collar, soft Velcro closure resistant to hair accumulation, sporty cut that does not restrict movement, reflective accents for better visibility, neck zipper for a perfect fit, easy to put on and take off, edges finished with soft binding, inner loop for easy hanging, machine washable, color: gray. Choosing the right size: Measure the circumference of your dog's neck and chest. Select the appropriate size from the table. Chest: measure the circumference of your dog's torso, starting from the bottom of the chest, going up and over the back, and then back down to the starting point. Neck: wrap the tape around the thickest part of your dog's neck, just above their shoulders (a bit lower than where dogs usually wear their collar).

Muuda oma väliala vidaXL 9-osalise aia diivani komplektiga, mis on loodud mugavuseks ja stiiliks. See mitmekülgne väli diivanite komplekt sisaldab modernset disaini, mugavaid padju ja praktilist kohvilauda, ideaalne suviseks chillimiseks ja koosolekuteks.p>• Turvalised maksemeetodid: Paypal, pangaülekanne, deebet- ja krediitkaardid, Trustly • Uhiuus toode. 2-aastane garantii sularahas kohaletoimetamise.Tasuta tarne

Mängulaud 12 ühes: lauajalgpall, piljard 105x57x71cm

Language: English, Binding: Paperback, Number of pages: 256, Publishers: Princeton University Press, Author: T.m. Luhrmann, ISBN-13: 9780691234441, Date of issue: 2022

Language: English, Binding: Paperback, Number of pages: 928, Publishers: Princeton University Press, Author: Karl Schlögel,Rodney Livingstone, ISBN-13: 9780691237299, Date of issue: 2024

Language: English, Binding: Paperback, Number of pages: 416, Publishers: Princeton University Press, Author: Ed Lam, ISBN-13: 9780691232874, Date of issue: 2024

Language: English, Binding: Paperback, Number of pages: 208, Publishers: Princeton University Press, Author: Justin E. H. Smith, ISBN-13: 9780691235219, Date of issue: 2023

Language: English, Binding: Hardback, Number of pages: 384, Publishers: Princeton University Press, Author: Andrew Butterfield,John Delaney,Charles Dempsey,Gretchen Hirschauer,Alison Luchs, ISBN-13: 9780691233086, Date of issue: 2021

March 2014 marked the 95th birthday of G.E.M. Anscombe (1919-2001), one of the twentieth century's most provocative and highly regarded philosophers. Anscombe is known for challenging received philosophical views, and some commentators have regarded her

Language: English, Binding: Paperback, Number of pages: 504, Publishers: Princeton University Press, Author: Jonathan Haslam, ISBN-13: 9780691233765, Date of issue: 2022

A beautifully illustrated exploration of the ways birds cohabitFeaturing dramatic and delightful wild bird colonies and communities, How Birds Live Together offers a broad overview of social living in the avian world. From long-established seabird colonies that use the same cliffs for generations to the fast-shifting dynamics of flock formation, leading wildlife writer Marianne Taylor explores the different ways birds choose to dwell together.Through fascinating text, color photos, maps, and other graphics, Taylor examines the advantages of avian sociality and social breeding. Chapters provide detailed information on diverse types of bird colonies, including those species that construct single-family nests close together in trees; those that share large, communal nests housing multiple families; those that nest in tunnels dug into the earth; those that form exposed colonies on open ground and defend them collectively, relying on ferocious aggression; those that live communally on human-made structures in towns and cities; and more. Taylor discusses the challenges, benefits, hazards, and social dynamics of each style of living, and features a wealth of species as examples.Showcasing colonies from the edge of Scotland and the tropical delta of the Everglades to the Namib Desert in Africa, How Birds Live Together gives bird enthusiasts a vivid understanding of avian social communities. Autorid: Marianne Taylor

"A comprehensive introduction to probability and statistics through the perspective of applying it to economic analysis"-- A comprehensive and up-to-date introduction to the mathematics that all economics students need to knowProbability theory is the quantitative language used to handle uncertainty and is the foundation of modern statistics. Probability and Statistics for Economists provides graduate and PhD students with an essential introduction to mathematical probability and statistical theory, which are the basis of the methods used in econometrics. This incisive textbook teaches fundamental concepts, emphasizes modern, real-world applications, and gives students an intuitive understanding of the mathematics that every economist needs to know.Covers probability and statistics with mathematical rigor while emphasizing intuitive explanations that are accessible to economics students of all backgroundsDiscusses random variables, parametric and multivariate distributions, sampling, the law of large numbers, central limit theory, maximum likelihood estimation, numerical optimization, hypothesis testing, and moreFeatures hundreds of exercises that enable students to learn by doingIncludes an in-depth appendix summarizing important mathematical results as well as a wealth of real-world examplesCan serve as a core textbook for a first-semester PhD course in econometrics and as a companion book to Bruce E. Hansen’s EconometricsAlso an invaluable reference for researchers and practitioners Autorid: Bruce Hansen

Taking readers from the hushed lecture rooms of the Institut de France to the windswept monuments of the Valley of the Kings, The Riddle of the Rosetta reveals the untold story behind one of the nineteenth century's most thrilling discoveries.

Why federalism is pulling America apart-and how the system can be reformedFederalism was James Madison's great invention. An innovative system of power sharing that balanced national and state interests, federalism was the pragmatic compromise that brought the colonies together to form the United States. Yet, even beyond the question of slavery

"From the modern period until the present day, artworks have exhibited a well-known paradox: they promise a rich aesthetic experience and revolutionary qualities of innovation while simultaneously serving as a luxury commodity whose sale is directed toward a global class of oligarchs. Art's Properties proposes a new way of understanding this paradox, relating art's qualities-its properties-to its status as commercial property. In Art's Properties, esteemed art historian and theorist David Joselit argues that art's fundamental ontological property is its capacity to give access to experiences of alterity--the state of being other, or different. These experiences may appear as the image of a god, or the utopian dimensions of a black square on a white ground. Joselit goes on to explore artwork's relation to infinitude. As he explains, every work of art, in its material and visual qualities, can be host to an unlimited number of events and encounters with spectators, which persist through and over time. Thisinfinitude is curtailed as art becomes property and is made to serve as a representation. In the modern period, white artists have been presumed to manifest an unmarked, supposedly neutral national character in Europe and the United States, while artistsof color are often made to stand in for the identity attributed to them. In place of this dynamic of representation, Art's Properties will advocate for privileging narration over representation. While representation is finite-one thing is put in the place of another-narration has no end; it can be multiplied to encompass the many stories an artwork might enable. In focusing on the forms of narration that an artwork can contain, this book explores art's infinite aesthetic and material alterity"-- A revisionist reading of modern art that examines how artworks are captured as property to legitimize powerIn this provocative new account, David Joselit shows how art from the nineteenth to the twenty-first centuries began to function as a commodity, while the qualities of the artist, nation, or period themselves became valuable properties. Joselit explores repatriation, explaining that this is not just a contemporary conflict between the Global South and Euro-American museums, noting that the Louvre, the first modern museum, was built on looted works and faced demands for restitution and repatriation early in its history. Joselit argues that the property values of white supremacy underlie the ideology of possessive individualism animating modern art, and he considers issues of identity and proprietary authorship.Joselit redefines art’s politics, arguing that these pertain not to an artwork’s content or form but to the way it is “captured,” made to represent powerful interests—whether a nation, a government, or a celebrity artist collected by oligarchs. Artworks themselves are not political but occupy at once the here and now and an “elsewhere”—an alterity—that can’t ever be fully appropriated. The history of modern art, Joselit asserts, is the history of transforming this alterity into private property.Narrating scenes from the emergence and capture of modern art—touching on a range of topics that include the Byzantine church, French copyright law, the 1900 Paris Exposition, W.E.B. Du Bois, the conceptual artist Adrian Piper, and the controversy over Dana Schutz’s painting Open Casket—Joselit argues that the meaning of art is its infinite capacity to generate experience over time. Autorid: David Joselit

A revealing collection of quotations from world-renowned artist Damien HirstHirst-isms is a collection of quotations—bold, surprising, often humorous, and always insightful—from celebrated artist Damien Hirst, whose controversial work explores the connections between art, religion, science, life, and death. Emerging in the 1990s as a leading member of the Young British Artists (YBAs), Hirst first became famous and gained a reputation as a provocateur with a series of artworks featuring dead and sometimes dissected animals (including a shark, sheep, and cow) preserved in glass tanks filled with formaldehyde.Gathered from interviews and other primary sources and organized by subject, these quotations explore Hirst’s early years, family life, and the beginnings of his fascination with art; the major themes of his work; his influences and heroes; his motivation; his process and the boundary-pushing production of his work; and his thoughts on the art world, fame, and money. The result is a comprehensive and nuanced book that sheds new light on a fascinating and important contemporary artist.Select quotations from the book:“The less I feel like an artist, the better I feel.”“I like it when people love my art. I like it when people hate my art. I just don’t want them to ignore my art.”“Painting’s like the most fabulous illusion, because there’s nothing at stake. Except yourself.”“I’m interested in the confusion between art and life, I like it when the world gets in the way.”“Sometimes you have to step over the edge to know where it is.” Autorid: Damien Hirst, Larry Warsh

A groundbreaking account of translation and identity in the Chinese literary tradition before 1850—with important ramifications for todayDebates on the canon, multiculturalism, and world literature often take Eurocentrism as the target of their critique. But literature is a universe with many centers, and one of them is China. The Making of Barbarians offers an account of world literature in which China, as center, produces its own margins. Here Sinologist and comparatist Haun Saussy investigates the meanings of literary translation, adaptation, and appropriation on the boundaries of China long before it came into sustained contact with the West.When scholars talk about comparative literature in Asia, they tend to focus on translation between European languages and Chinese, Korean, and Japanese, as practiced since about 1900. In contrast, Saussy focuses on the period before 1850, when the translation of foreign works into Chinese was rare because Chinese literary tradition overshadowed those around it.The Making of Barbarians looks closely at literary works that were translated into Chinese from foreign languages or resulted from contact with alien peoples. The book explores why translation was such an undervalued practice in premodern China, and how this vast and prestigious culture dealt with those outside it before a new group of foreigners—Europeans—appeared on the horizon. Autorid: Haun Saussy

A panoramic history of the antiquarians whose discoveries transformed Renaissance culture and gave rise to new forms of art and knowledgeIn the early fifteenth century, a casket containing the remains of the Roman historian Livy was unearthed at a Benedictine abbey in Padua. The find was greeted with the same enthusiasm as the bones of a Christian saint, and established a pattern that antiquarians would follow for centuries to come. The Art of Discovery tells the stories of the Renaissance antiquarians who turned material remains of the ancient world into sources for scholars and artists, inspirations for palaces and churches, and objects of pilgrimage and devotion.Maren Elisabeth Schwab and Anthony Grafton bring to life some of the most spectacular finds of the age, such as Nero’s Golden House and the wooden placard that was supposedly nailed to the True Cross. They take readers into basements, caves, and cisterns, explaining how digs were undertaken and shedding light on the methods antiquarians—and the alchemists and craftspeople they consulted—used to interpret them. What emerges is not an origin story for modern archaeology or art history but rather an account of how early modern artisanal skills and technical expertise were used to create new knowledge about the past and inspire new forms of art, scholarship, and devotion in the present.The Art of Discovery challenges the notion that Renaissance antiquarianism was strictly a secular enterprise, revealing how the rediscovery of Christian relics and the bones of martyrs helped give rise to highly interdisciplinary ways of examining and authenticating objects of all kinds. Autorid: Maren Elisabeth Schwab, Anthony T. Grafton

Finalist for the National Book Critics Circle Award in BiographyA double portrait of two of America’s most influential writers that reveals the surprising connections between them—and their uncanny relevance to our age of crisisUp from the Depths tells the interconnected stories of two of the most important writers in American history—the novelist and poet Herman Melville (1819–1891) and one of his earliest biographers, the literary critic and historian Lewis Mumford (1895–1990). Deftly cutting back and forth between the writers, Aaron Sachs reveals the surprising resonances between their lives, work, and troubled times—and their uncanny relevance in our own age of crisis.The author of Moby-Dick was largely forgotten for several decades after his death, but Mumford helped spearhead Melville’s revival in the aftermath of World War I and the 1918–1919 flu pandemic, when American culture needed a forebear with a suitably dark vision. As Mumford’s career took off and he wrote books responding to the machine age, urban decay, world war, and environmental degradation, it was looking back to Melville’s confrontation with crises such as industrialization, slavery, and the Civil War that helped Mumford to see his own era clearly. Mumford remained obsessed with Melville, ultimately helping to canonize him as America’s greatest tragedian. But largely forgotten today is one of Mumford’s key insights—that Melville’s darkness was balanced by an inspiring determination to endure.Amid today’s foreboding over global warming, racism, technology, pandemics, and other crises, Melville and Mumford remind us that we’ve been in this struggle for a long time. To rediscover these writers today is to rediscover how history can offer hope in dark times. Autorid: Aaron Sachs

A bold retelling of the 1960s civil rights struggle through its work against police violence—and a prehistory of both the Black Lives Matter and Blue Lives Matter movements that emerged half a century laterPolice Against the Movement shatters one of the most pernicious myths about the 1960s: that the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds. In return, organizers found themselves the targets of overwhelming political repression in the form of police surveillance, infiltration by undercover officers, and retaliatory prosecutions aimed at discrediting and derailing their movement.The history of the civil rights era abounds with accounts of physical brutality by county sheriffs and tales of political intrigue and constitutional violations by FBI agents. Turning our attention to municipal officials in cities and towns across the US—North, South, East, and West—Davis reveals how local police bombarded civil rights organizers with an array of insidious weapons. More than just physical violence, these economic, legal, and reputational attacks were designed to project the illusion of color-blind law enforcement.The civil rights struggle against police abuses is largely overlooked today, the victim of a willful campaign by local law enforcement to erase their record of repression. By placing activism against state violence at the center of the civil rights story, Police Against the Movement offers critical insight into the power of political resistance in the face of government attacks on protest. Autorid: Joshua Clark Davis

"In The One Hundred Circle Farm, renowned American photographer Emmet Gowin (b. 1941) presents stunning aerial scenes of center-pivot irrigation systems in the Western and Midwestern United States. This type of farming is a method of watering crops in which irrigation equipment rotates around a pivot, creating a circle of irrigated land, often in the midst of otherwise dry terrain. This system creates a circular pattern in the crops when viewed from above, making striking agricultural crop circles. Whilethis type of irrigation is used for its efficient water usage, it emphasizes the artificiality of the system, leaving very noticeable indications where the fallow, unwatered corners of farmland are left unused. In this book, Gowin offers a unique view ofthis phenomenon that sheds light on human impact on the environment. Documenting the physical impact of pivot irrigation, The One Hundred Circle Farm challenges the viewer to contemplate our complex relationship with-and domination over-the landscape. Filled with stark, beautiful black-and-white and color compositions of light and form, this book bears witness to our long-standing relationship with the earth, our agricultural systems, and our planet's most precious resource: water"-- "A powerful photographic survey of the impact of irrigation systems on the landscape of the United StatesIn The One Hundred Circle Farm, renowned photographer Emmet Gowin (b. 1941) presents stunning aerial images of center-pivot irrigation systems in thewestern and midwestern United States. This type of farming involves a method of watering crops in which equipment rotates around a centrally drilled well, creating enormous, distinct circles of irrigated land, often in the midst of dry terrain. Anyone who has taken a cross-country flight has likely seen countless acres of these iconic symbols of industrial agriculture. Through a faithful yet personal photographic survey, Gowin's powerful images not only bear witness to the ambitions humans wield in shaping the landscape, but also attest to how such primal elements-circles, pivots, and lines-symbolize water depletion and the fragile environment.The stark photographic compositions, more than one hundred in all, were created over the course of a decade. Fields resemble lost civilizations; crops gape like strange new suns. Hauntingly beautiful, the images highlight Earth's nourishing geology, visual evidence of our labors. Inscribed onto the earth, these lines are reminders of the technology extracting unimaginable amounts of water that cannot be replaced, and raise questions about what large-scale irrigation must answer for when the water runs out.With an afterword by anthropologist Lucas Bessire discussing the history and impact of pivot irrigation on American farming, The One Hundred Circle Farm stands as a poetic visual record, evidence of the tenuous connections between human enterprise and our planet's most precious resource"-- A powerful photographic survey of the impact of irrigation systems on the landscape of the United StatesIn The One Hundred Circle Farm, renowned photographer Emmet Gowin (b. 1941) presents stunning aerial images of center-pivot irrigation systems in the western and midwestern United States. This type of farming involves a method of watering crops in which equipment rotates around a centrally drilled well, creating enormous, distinct circles of irrigated land, often in the midst of dry terrain. Anyone who has taken a cross-country flight has likely seen countless acres of these iconic symbols of industrial agriculture. Through a faithful yet personal photographic survey, Gowin’s powerful images not only bear witness to the ambitions humans wield in shaping the landscape, but also attest to how such primal elements—circles, pivots, and lines—symbolize water depletion and the fragile environment.The stark photographic compositions, more than one hundred in all, were created over the course of a decade. Fields resemble lost civilizations; crops gape like strange new suns. Hauntingly beautiful, the images highlight Earth’s nourishing geology, visual evidence of our labors. Inscribed onto the earth, these lines are reminders of the technology extracting unimaginable amounts of water that cannot be replaced, and raise questions about what large-scale irrigation must answer for when the water runs out.With an afterword by anthropologist Lucas Bessire discussing the history and impact of pivot irrigation on American farming, The One Hundred Circle Farm stands as a poetic visual record, evidence of the tenuous connections between human enterprise and our planet’s most precious resource. Autorid: Emmet Gowin, Lucas Bessire

How the classic mirror test served as a portal for scientists to explore questions of self-awarenessSince the late eighteenth century, scientists have placed subjects—humans, infants, animals, and robots—in front of mirrors in order to look for signs of self-recognition. Mirrors served as the possible means for answering the question: What makes us human? In The Mirror and the Mind, Katja Guenther traces the history of the mirror self-recognition test, exploring how researchers from a range of disciplines—psychoanalysis, psychiatry, developmental and animal psychology, cybernetics, anthropology, and neuroscience—came to read the peculiar behaviors elicited by mirrors. Investigating the ways mirrors could lead to both identification and misidentification, Guenther looks at how such experiments ultimately failed to determine human specificity.The mirror test was thrust into the limelight when Charles Darwin challenged the idea that language sets humans apart. Thereafter the mirror, previously a recurrent if marginal scientific tool, became dominant in attempts to demarcate humans from other animals. But because researchers could not rely on language to determine what their nonspeaking subjects were experiencing, they had to come up with significant innovations, including notation strategies, testing protocols, and the linking of scientific theories across disciplines. From the robotic tortoises of Grey Walter and the mark test of Beulah Amsterdam and Gordon Gallup, to anorexia research and mirror neurons, the mirror test offers a window into the emergence of such fields as biology, psychology, psychiatry, animal studies, cognitive science, and neuroscience.The Mirror and the Mind offers an intriguing history of experiments in self-awareness and the advancements of the human sciences across more than a century. Autorid: Katja Guenther

A graduate-level introduction to the interface between particle physics, astrophysics, and cosmology This book explores the exciting interface between the fields of cosmology, high-energy astrophysics, and particle physics, at a level suitable for advanced undergraduate- to graduate-level students as well as active researchers. Without assuming a strong background in particle physics or quantum field theory, the text is designed to be accessible to readers from a range of backgrounds and presents both fundamentals and modern topics in a modular style that allows for flexible use and easy reference. It offers coverage of general relativity and the Friedmann equations, early universe thermodynamics, recombination and the cosmic microwave background, Big Bang nucleosynthesis, the origin and detection of dark matter, the formation of large-scale structure, baryogenesis and leptogenesis, inflation, dark energy, cosmic rays, neutrino and gamma-ray astrophysics, supersymmetry, Grand Unified Theories, sterile neutrinos, and axions. The book also includes numerous worked examples and homework problems, many with solutions. Particle Cosmology and Astrophysics provides readers with an invaluable entrée to this cross-disciplinary area of research and discovery. Accessible to advanced undergraduate to graduate students, as well as researchers in cosmology, high-energy astrophysics, and particle physics Does not assume a strong background in particle physics or quantum field theory and contains two chapters specifically for readers with no background in particle physics Broad scope, covering many topics across particle physics, astrophysics, and particle cosmology Modular presentation for easy reference and flexible use Provides more than 200 homework problems, many with solutions Ideal for course use or self-study and reference Autorid: Edward W. Kolb, Dan Hooper, Michael Turner

An essential examination of how emigration and resettlement defined modernism In the fraught years leading up to World War II, many modern artists and architects emigrated from continental Europe to the United States and Britain. The experience of exile infused their modernist ideas with new urgency and forced them to use certain materials in place of others, modify existing works, and reconsider their approach to design itself. In Objects in Exile, Robin Schuldenfrei reveals how the process of migration was crucial to the development of modernism, charting how modern art and architecture was shaped by the need to constantly faceand transcendthe materiality of things. Taking readers from the prewar era to the 1960s, Schuldenfrei explores the objects these émigrés brought with them, what they left behind, and the new works they completed in exile. She argues that modernism could only coalesce with the abandonment of national borders in a process of emigration and resettlement, and brings to life the vibrant postwar period when avant-garde ideas came together and emerged as mainstream modernism. Examining works by Walter Gropius, László Moholy-Nagy, Lucia Moholy, Herbert Bayer, Anni and Josef Albers, and others, Schuldenfrei demonstrates the social impact of art objects produced in exile. Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, Objects in Exile shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world. Autorid: Robin Schuldenfrei

The extraordinary life story of the celebrated artist and writer, as told through four decades of intimate letters to her beloved mother Barbara Chase-Riboud has led a remarkable life. After graduating from Yales School of Design and Architecture, she moved to Europe and spent decades traveling the world and living at the center of artistic, literary, and political circles. She became a renowned artist whose work is now in museum collections around the world. Later, she also became an award-winning poet and bestselling novelist. And along the way, she met many luminariesfrom Henri Cartier-Bresson, Salvador Dalí, Alexander Calder, James Baldwin, and Mao Zedong to Toni Morrison, Pierre Cardin, Jacqueline Kennedy Onassis, and Josephine Baker. I Always Knew is an intimate and vivid portrait of Chase-Ribouds life as told through the letters she wrote to her mother, Vivian Mae, between 1957 and 1991. In candid detail, Chase-Riboud tells her mother about her life in Europe, her work as an artist, her romances, and her journeys around the world, from Western and Eastern Europe to the Middle East, Africa, the Soviet Union, China, and Mongolia. By turns brilliant and naïve, passionate and tender, poignant and funny, these letters show Chase-Riboud in the process of becoming who she is and who she might become. But what emerges most of all is the powerful story of a unique and remarkable relationship between a talented, ambitious, and courageous daughter and her adored mother. Autorid: Barbara Chase-Riboud

Why you should worry less about AI and more about what makes us humanWe are at a crossroads in history. If we hope to share our planet successfully with one another and the AI systems we are creating, we must reflect on who we are, how we got here, and where we are heading. The Importance of Being Educable puts forward a provocative new exploration of the extraordinary facility of humans to absorb and apply knowledge. The remarkable “educability” of the human brain can be understood as an information processing ability. It sets our species apart, enables the civilization we have, and gives us the power and potential to set our planet on a steady course. Yet it comes hand in hand with an insidious weakness. While we can readily absorb entire systems of thought about worlds of experience beyond our own, we struggle to judge correctly what information we should trust.In this visionary book, Leslie Valiant argues that understanding the nature of our own educability is crucial to safeguarding our future. After breaking down how we process information to learn and apply knowledge, and drawing comparisons with other animals and AI systems, he explains why education should be humankind’s central preoccupation.Will the unique capability that has been so foundational to our achievements and civilization continue to drive our progress, or will we fall victim to our vulnerabilities? If we want to play to our species’ great strength and protect our collective future, we must better understand and prioritize the vital importance of being educable. This book provides a road map.

A world-renowned physicist seeks gravity’s true nature and finds wisdom in embracing its force in her lifeClaudia de Rham has been playing with gravity her entire life. As a diver, experimenting with her body’s buoyancy in the Indian Ocean. As a pilot, soaring over Canadian waterfalls on dark mornings before beginning her daily scientific research. As an astronaut candidate, dreaming of the experience of flying free from Earth’s pull. And as a physicist, discovering new sides to gravity’s irresistible personality by exploring the limits of Einstein’s general theory of relativity. In The Beauty of Falling, de Rham shares captivating stories about her quest to gain intimacy with gravity, to understand both its feeling and fundamental nature. Her life’s pursuit led her from a twist of fate that snatched away her dream of becoming an astronaut to an exhilarating breakthrough at the very frontiers of gravitational physics.While many of us presume to know gravity quite well, the brightest scientists in history have yet to fully answer the simple question: what exactly is gravity? De Rham reveals how great minds—from Newton and Einstein to Stephen Hawking, Andrea Ghez, and Roger Penrose—led her to the edge of knowledge about this fundamental force. She found hints of a hidden side to gravity at the particle level where Einstein’s theory breaks down, leading her to develop a new theory of “massive gravity.” De Rham shares how her life’s path turned from a precipitous fall to an exquisite flight toward the discovery of something entirely new about our surprising, gravity-driven universe.

A behind-the-scenes look at how the rich and powerful use offshore shell corporations to conceal their wealth and make themselves richerIn 2015, the anonymous leak of the Panama Papers brought to light millions of financial and legal documents exposing how the superrich hide their money using complex webs of offshore vehicles. Spiderweb Capitalism takes you inside this shadow economy, uncovering the mechanics behind the invisible, mundane networks of lawyers, accountants, company secretaries, and fixers who facilitate the illicit movement of wealth across borders and around the globe.Kimberly Kay Hoang traveled more than 350,000 miles and conducted hundreds of in-depth interviews with private wealth managers, fund managers, entrepreneurs, C-suite executives, bankers, auditors, and other financial professionals. She traces the flow of capital from offshore funds in places like the Cayman Islands, Samoa, and Panama to special-purpose vehicles and holding companies in Singapore and Hong Kong, and how it finds its way into risky markets onshore in Vietnam and Myanmar. Hoang reveals the strategies behind spiderweb capitalism and examines the moral dilemmas of making money in legal, financial, and political gray zones.Dazzlingly written, Spiderweb Capitalism sheds critical light on how global elites capitalize on risky frontier markets, and deepens our understanding of the paradoxical ways in which global economic growth is sustained through states where the line separating the legal from the corrupt is not always clear. Autorid: Kimberly Kay Hoang