Otsing: 3490 (arhiveeritud tooted)

'She is the cur's cods, the terrier's testicles, the business. I will go farther and declare that Atkins is the finest actor appearing in the world right now' - A. A. GillWill She Do? is the story of a girl from a council estate in Tottenham, born in 1934 to an electric-meter reader and a seamstress, who was determined to be an actress.Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George, for which she received the first of four Tony Award nominations. She co-created Upstairs, Downstairs and wrote the screenplay for Mrs Dalloway (for which she won an Evening Standard Award) and at aged eighty-six, this is her first autobiographical work.Characterised by an eye for the absurd, a terrific knack for storytelling and an insistence on honesty, Will She Do? is a wonderful raconteur's tale about family, about class, about youthful ambition and big dreams and what really goes on behind the scenes.Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner; her theatre performances include The Height of the Storm, Ellen Terry, All that Fall and she has appeared in television and films ranging from Doc Martin to Cranford to The Crown.

A Scottish MP celebrates making period products freely available. A father admits embarrassment at buying pads for his daughter. A Jewish grandmother describes getting her first period in front of Nazi soldiers. A trans woman, a trans man and a non-binary person share their stories. And a marathon runner makes crimson waves. From the first red flag to the last goodbye, from Indigenous rites to medical frontiers, from miscarriages to menopause, from pain to pride, from 'free bleeding' in public to bleeding behind bars - the underwear, the oversight, period poverty and protests - Our Red Book takes us to every corner of the globe and every voice yet unheard. Featuring contributions from Gloria Steinem, Judy Blume, Madame Gandhi, and Florence Given, Our Red Book is a collection of oral histories, written and visual testimonies from extraordinary people around the world, gathered especially by the New York Times bestselling editor of My Little Red Book.

A powerful novel of mothers and daughters, and how we imagine our future, from acclaimed author of BECOMING UNBECOMING 'A disturbing and necessary book for our times ... Una has held up a chilling mirror for us, and leaves us with a choice - what kind of world will we make for ourselves?' JACKY FLEMING In the near future, in a world that seems just like our own, Eve grows up in a loving family that is increasingly threatened by a society which seems to be sleepwalking into totalitarianism. After a catastrophe that changes everything, Eve must set off on her own, over the wild Yorkshire moors, to try to find a new way to live. Eve is a book of mothers, daughters, human relationships, trust and community, human weakness, conflict, hopeful futures and painful pasts. It is speculative fiction that feels incredible timely: Una explores the rise of authoritarianism on both the political right and left and imagines where it might all lead. 'As with all good speculative fiction, it predicts a set of circumstances that are rooted in reality so could easily happen, and often do' BIG ISSUE NORTH 'A prescient tale of gender, the environment and a dystopian future' WINNIE M LI 'Big, imaginative and confrontational' STRONG WORDS 'EVE's gripping narrative and poetic, haunting imagery of a world sliding into dystopia has stayed with me' MOMA.CO.UK

***Coming in April 2025: Deborah Frances-White's new book SIX CONVERSATIONS WE'RE SCARED TO HAVE*** THE SUNDAY TIMES BESTSELLER 'Breathes life into conversations about feminism' PHOEBE WALLER-BRIDGE 'Very funny, very clever, very thoughtful and very relevant' DOLLY ALDERTON Why do we find it so hard to say 'No'? How can feminism be more inclusive? What can rom-coms tell us about taking charge? The Guilty Feminist will challenge you, reassure you and empower you to see the world differently. From inclusion to intersectionality, #MeToo to men's rights, rom-coms to pornography, Deborah Frances-White tackles urgent questions for the modern woman. Featuring interviews with activists, businesswomen and all-round inspirations, The Guilty Feminist examines how women can abandon their guilt, say No (when they mean it), say Yes (when they want to), and to change the world - and ourselves - for the better. Includes interviews with Jessamyn Stanley * Zoe Coombs Marr * Susan Wokoma * Phoebe Waller-Bridge * Hannah Gadsby * Reubs Walsh * Bisha K. Ali * Becca Bunce * Mo Mansfield * Leyla Hussein * Amika George 'Genius' Sunday Times 'Funny, fresh, thought-provoking' Observer 'Everything you wanted to know about feminism but were afraid to ask' EMMA THOMPSON 'Quite possibly the defining feminist of our generation' ELIZABETH DAY 'Encouraging every woman to say: "I get to be heard. I deserve to be seen" ' Daily Express 'A passionate and engaging manifesto, reminding readers that feminism isn't one-size-fits-all' I

Provence, May 1889. The hospital of Saint-Paul-de Mausole is home to the mentally ill. An old monastery, it sits at the foot of Les Alpilles mountains amongst wheat fields, herbs and olive groves. For years, the fragile have come here and lived quietly, found rest behind the shutters and high, sun-baked walls. Tales of the new arrival - his savagery, his paintings, his copper-red hair - are quick to find the warden's wife. From her small white cottage, Jeanne Trabuc watches him - how he sets his easel amongst the trees, the irises and the fields of wheat, and paints in the heat of the day. Jeanne knows the rules; she knows not to approach the patients at Saint-Paul. But this man - paint-smelling, dirty, troubled and intense - is, she thinks, worth talking to. So ignoring her husband's wishes, the dangers and despite the word mad, Jeanne climbs over the hospital wall. She will find that the painter will change all their lives. Let Me Tell You About A Man I Knew is a beautiful novel about the repercussions of longing, of loneliness and of passion for life. But it's also about love - and how it alters over time.

The paths of two women from different walks of life intersect amid counterculture of the 1960s in this haunting and provocative novel from the National Book Award-winning author of The Friend It is Columbia University, 1968. Ann Drayton and Georgette George meet as roommates on the first night. Ann is rich and radical; Georgette is leery and introverted, a child of the very poverty and strife her new friend finds so noble. The two are drawn together by their differences; two years later, after a violent fight, they part ways. When, in 1976, Ann is convicted of killing a New York cop, Georgette comes back to their shared history in search of an explanation. She finds a riddle of a life, shaped by influences more sinister and complex than any of the writ-large sixties movements. She realises, too, how much their early encounter has determined her own path and why, after all this time, as she tells us, 'I have never stopped thinking about her'. 'A brilliant, dazzling, daring novel' Boston Globe 'A subtle and profoundly moving novel about friendship, romantic idealism and shame' O, The Oprah Magazine 'An unflinching examination of justice, race and political idealism that brings to mind Philip Roth's American Pastoral and the tenacious intelligence of Nadine Gordimer' New York Times

BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY, CAROL AND STRANGERS ON A TRAIN 'Bears Highsmith's unique, unsurpassed mixture of unsettling psychological insights' THE TIMES 'The original, the best, the gloriously twisted Queen of Suspense' MARK BILLINGHAM 'Highsmith's novels are peerlessly disturbing . . . bad dreams that keep us thrashing for the rest of the night' NEW YORKER Sydney Bartleby has killed his wife. At least, he has thought about it, compulsively, repeatedly, plotting schemes, designing escapes, forging alibis. Of course he has; he's a thriller writer. He even knows how to dispose of her body. But when Alicia takes a long, unannounced holiday, Sydney descends into the treacherous world of his own fantasy. A masterpiece of noir fantasy in which Highsmith revels in eliciting the unsettling psychological forces that lurk beneath the surface of everyday life.