Otsing: 81913 (arhiveeritud tooted)

A classic English novel rediscovered after 85 yearsWith an introduction by Rachel Hore and an afterword by Brad Bigelow.A panoramic view of English life from 1919 to 1936, TWO THOUSAND MILLION MAN-POWER is no wistful, nostalgic account of this time. Instead, Gertrude Trevelyan shows how even the brightest and most able personalities can be ground down by economic highs and lows and a system in which individuals quickly disappear into crowds and statistics. One year, Robert and Katherine are enjoying the consumer comforts of a radio, a car, a house in the suburbs. The next, they are struggling to make ends meet in a tiny, squalid East End flat as Robert trudges hopelessly into London each day in hopes of finding work. The result is a savage portrait equaled only by George Orwell's The Road to Wigan Pier. TWO THOUSAND MILLION MAN-POWER follows Robert, a chemist, and Katherine, a schoolteacher, through two tumultuous decades in English history. From New Year's Eve 1919 to the funeral of King George V in 1936, they experience youthful radicalism, economic boom and bust, comfortable middle-class life in the suburbs and grinding poverty and the debilitating experience of looking for work where there is none to be found. Gertrude Trevelyan sets their story against the backdrop of newspaper headlines, radio broadcasts and advertising slogans, contrasting the promises of progress and technology with the brutal effects of economic upswings and downturns. The result is one of the finest fictional portraits of English life in the 1920s and 1930s--the equivalent for England of John Dos Passos's epic, U.S.A.. Utterly forgotten for over 80 years, Gertrude Trevelyan is finally being rediscovered. The stylistic and imaginative daring of her fiction arguably makes her one of the finest English novelists of the generation that followed Virginia Woolf.Fiction. Autorid: Gertrude Trevelyan

"The bloodstains on the linoleum were impossible to remove completely." A madcap, sci-fi, found-family caper set in a world where a small group of people, known as 'monsters', have developed odd special powers or traits necessitating their voluntary, or less voluntary, incarceration while the state works out what to do with them and which builds to a wonderfully comic set-piece, charmingly told with tenderness and wry humour. Autorid: Serang Chung, Anton Hur

"I simply shrugged at her like a westerner, which did nothing to temper the bottled-up shame and simmering anger within me." A cranky woman of letters ends up investigating after a story submitted for a writing competition at a government sponsored magazine is pulled from publication by its author, and in doing so finds a story of her own. Autorid: Park Wanseo, Soobin Kim

"Despite the hordes of people packing the theatre that day, I can't remember a single face." An extended meditation on the world of Korean cinema, the blockbuster versus the independent artist, its trends and its characters and role in society, as seen through the eyes of a film enthusiast narrator and their interactions with those around them, each on their own journey. Autorid: Seo Ijae, Rachel Min Park

Poems, like anxiety, attempt to contain what spills over, and to overflow what fits too tightly. In Desiring Machines, Andrea Bradys vital, candid eighth collection of poetry, the language of crisis gapes and sings. These poems find breathing spaces within the minutes dilated by fear, the slow ticking of grief, rage stalled and wandering, the strangely activated temporalities of illness and pain, or the long cataclysm of climate emergency. In a world sick and on fire, this fierce and vulnerable book clings to life; to the consoling possibilities for continuing in love and solidarity. Midway through lifes journey, on the margins of a burning forest, we find ourselves in a clearing full of pulsing machines... When the time comes you are holding on to a facsimile of hope: that beneath your feet there is a landing, vulnerable fruit caught in a net; that the interval between struggle and arrival is just space, empty space, no complexities. This is another way of talking about being born ... -- Andrea Brady is the author of eight books of poetry and two critical monographs, including Wildfire (2010), Mutability (2012), Cut from the Rushes (2013), The Strong Room (2016), The Blue Split Compartments (2021) and Poetry and Bondage: A History and Theory of Lyric Constraint (2021). She has held fellowships from the Leverhulme Trust and the National Humanities Center, and performed throughout Europe and in Canada, the United States, Lebanon and Chile. Her work has been translated into French, German, Spanish, Slovene, Slovak, Finnish, Greek, Catalan, and Croatian, and has been the subject of a large number of critical essays. She is Professor of Poetry at Queen Mary University of London where her research focuses on contemporary poetics and the early modern period. Andrea is the curator of the Archive of the Now and the co-editor (with Keston Sutherland) of Barque Press. Autorid: Andrea Brady

The weird, fetid, familiar discomfort of family is front and centre in these short stories of all the ways we remain a mystery to each other. The mysteries of kinship (families born into and families made) take disconcerting and familiar shapes in these refreshingly frank short stories. A family is haunted by a beast that splatters fruit against its walls every night, another undergoes a near-collision with a bus on the way home from the beach. Mothers are cold, fathers are absent—we know these moments in the abstract, but Adaui makes each as uncanny as our own lives: close but not yet understood. Autorid: Katya Adaui, Rosalind Harvey

Journeys Across Breath collects poems from the extraordinary career of one of the UKs most significant poets, Stephen Watts. Gathering all of Watts published works between 1975 and 2005 as well as a number of unpublished pieces appearing here for the very first time this collection is an astonishing journey through the life and eyes of a remarkable writer of people and place. This long-awaited volume presents the breadth of Watts writing, from early prose poems, through long narrative sequences, fragmentary episodes, and later poetic meditations all in Watts unmistakable voice. A writer of both the intensely personal and deeply-felt universal, Watts poetry charts familial histories, friendships, and encounters, set in both remote, rural landscapes across Europe and the changing, urban environs of East London. Autorid: Stephen Watts, Gareth Evans

*SHORTLISTED FOR THE 2021 FORWARD PRIZE FOR BEST SINGLE POEM* From the mercurial mind of award-winning poet John McCullough comes his darkest and most experimental book to date. Panic Response puts personal and cultural anxiety under the microscope. It is full of things that shimmer, quiver and fizz: plankton glowing at low tide; brain tissue turning to glass; a basketball emerging from the waves, covered in barnacles. These are poems of uncertainty but also of hope, which move beyond the breathlessness of panic towards luminescence and solidarity. Autorid: John McCullough