Otsing: 03516 (arhiveeritud tooted)

Matistav näokreem Bielenda Vegan Muesli 50 ml

Täispuhutav diivan Baltify, 230x70 cm

Funko Pop! Vinüülfiguurid on hiiglaslike peadega, suurte silmadega koopiad sinu lemmiknäitlejatest, tegelastest ja teistest pop kultuuris leiduvatest inimestest. Valikus on tuhandeid erinevaid tegelasi, seega leia oma lemmik!

Bobby Cummines was only 28 when he passed through the grim gates of Parkhurst, Britain's Alcatraz, as a category - A prisoner with a host of crimes to his name. ‘The next stage meant that there was no going back. An Irish prisoner stepped forward and slipped a blade into my hand. I felt the ice cold metal and pressed it against the governor’s cheek. I thought to myself: would they ever release me after this?’ Bobby Cummines was only 28 when he passed through the grim gates of Parkhurst, Britain’s Alcatraz, as a category-A prisoner with a host of crimes to his name. Joining the most notorious gangsters and criminals of the day – from the Krays, the Yorkshire Ripper and Charles Bronson, to high ranking members of the IRA – nothing could have prepared him for the brutal regime, violent convicts, vindictive screws and riots on the inside. It’s the story of Britain’s most hellish prison, from one of its hardest inmates. Autorid: Bobby Cummines

Dévasté par la mort de Nayuta, le Chainsaw Man Noir laisse libre court à sa colère ! Man Noir laisse libre court à sa colère ! De son côté, Yoru, qui veut à tout prix De son côté, Yoru, qui veut à tout prix vaincre ce dernier, se résigne à transformer vaincre ce dernier, se résigne à transformer en armes ce qu’elle a de plus précieux, en armes ce qu’elle a de plus précieux, libérant une puissance dévastatrice libérant une puissance dévastatrice monstrueuse… Mais ce redoutable arsenal monstrueuse… Mais ce redoutable arsenal sera-t-il suffisant pour mettre à terre le sera-t-il suffisant pour mettre à terre le nouveau protagoniste qui vient d’entrer nouveau protagoniste qui vient d’entrer en scène, le démon-vieillesse…

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world’s best frybread.The road to Sandy June's Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June's serves up more than food: it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again.That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.Featuring stories and poems by: Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young.In partnership with We Need Diverse Books.

Planet Earth has been a familiar concept for a mere fraction of recorded history. Until about the mid-1600s, most humans thought of Earth as immobile, likely either dim or simply invisible from the Moon or anywhere else in the heavens, and not (like the planets) participating in what Galileo called "the dance of the stars." A Universe of Earths: Our Planet and Other Worlds, from Copernicus to NASA retraces the exhilarating story of how all that changed, and how we came to perceive the Earth as a "wandering star." It's a story that has vastly augmented and enriched our understanding of how Earth and its inhabitants fit into the big picture of the Cosmos. But almost as soon as humans started to grasp that Earth is a planet, many also began wondering if perhaps the other planets might be earths. This bold conjecture ignited the whole gripping history and literature of space travel, of extraterrestrials, of other worlds. And yet the thesis that the Universe is full of other worlds like Earth has from the start been fuelled more by imagination than by scientific evidence. For all its appeal, it has consistently been undermined by observations of the actual Universe. A Universe of Earths offers a surprising alternative to that "other worlds" account, one that releases humans not only from the pre-Copernican view of Earth as low, lowly, dark, a cosmic sump, but also from the persistent modern aspersion of Earth as cosmically ordinary, "mediocre," "dethroned." Instead, from Copernicus to the present, we are confronted with the bracing realization that Earth is in the classical sense a star, a dynamically wandering one, and a bright, maybe even peerless participant in the dance of the stars.