Practical Hoya filter kit includes: Hoya filter ND1000 Pro 58mm Hoya filter ND64 Pro 58mm Hoya filter ND8 Pro 58mm Filter pouch HOYA PROND Filter Kit is an essential filter kit designed for amateur or professional photographers and video content creators. The kit consists of 3 ND filters - PROND8, PROND64 and PROND1000, that allow photographer to capture the world in different expressions.PROND8 (3-STOPS)HOYA PROND8 is essential for shooting with fast lenses at wide open aperture during the daytime, which is perfect for portraiture at shallow depth of field. The subject appears crisp and clear on the soft blurred background. Other recommended scenes are night trails, fireworks and lightnings.PROND64 (6-STOPS)HOYA PROND64 is essential for expressing the object in blurred motion during the daytime, which cannot be realized only with camera settings. Recommended for landscape, city snapshot, video and other photographic genres.PROND1000 (10-STOPS)HOYA PROND1000 is essential for expressing an unreal fantasy world thanks to its 10 stops reduction of the light amount. Widely used in seascape to blur the waves, street snap to apply clouds motion and architecture to erase moving people.
Practical Hoya filter kit includes: Hoya filter ND1000 Pro Hoya filter ND64 Pro Hoya filter ND8 Pro Filter pouch HOYA PROND Filter Kit is an essential filter kit designed for amateur or professional photographers and video content creators. The kit consists of 3 ND filters - PROND8, PROND64 and PROND1000, that allow photographer to capture the world in different expressions.PROND8 (3-STOPS)HOYA PROND8 is essential for shooting with fast lenses at wide open aperture during the daytime, which is perfect for portraiture at shallow depth of field. The subject appears crisp and clear on the soft blurred background. Other recommended scenes are night trails, fireworks and lightnings.PROND64 (6-STOPS)HOYA PROND64 is essential for expressing the object in blurred motion during the daytime, which cannot be realized only with camera settings. Recommended for landscape, city snapshot, video and other photographic genres.PROND1000 (10-STOPS)HOYA PROND1000 is essential for expressing an unreal fantasy world thanks to its 10 stops reduction of the light amount. Widely used in seascape to blur the waves, street snap to apply clouds motion and architecture to erase moving people.
The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86mm or 82mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to use Check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens. After acquiring the corresponding adapter ring, attach the 86mm-86mm geared adapter Attach the adapter ring to the geared adapter Attach the holder to your lens
The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86mm or 82mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to use Check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens. After acquiring the corresponding adapter ring, attach the 86mm-86mm geared adapter Attach the adapter ring to the geared adapter Attach the holder to your lens
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 67 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 52 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 37 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread
Professionaalse kvaliteediga standard zoom-objektiiv, mis pakub perfektset pildikvaliteeti ja kiiret F2.8 maksimaalset ava kogu zoomi ulatuses. See objektiiv sisaldab endas disainiomadusi, mis võimaldavad laia fookuskauguste vahemikku sälitades ka ...
800 mm teleobjektiiv; Võimekas pildistabilisaator, kuni 4 stoppi; Sujuv, kiire ja vaikne STM teravustamismootor; Ideaalne loodus- ja reisifotograafiaks; Canoni täiskaader hübriidkaameratele
Maailma esimene f/1.8 kalasilmobjektiiv Suurepärane optiline jõudlus Tolmu- ja pritsmekindel jõudlus on ideaalne loodusfotograafia jaoks ZERO kate Integreeritud objektiivi varjuk
Selle preemiumobjektiivi tööomadusi hindab iga portreevõtteid tegev või siseruumides pildistav kasutaja. Seda objektiivi iseloomustab kõrge kontrastsus, servast servani ulatuv teravus, kõrgresolutsioon ja madal aberratsioon ning see tagab kompromissitu pildikvaliteedi isegi kasutades ülisuurt f/1.8 ava. Lisaks on see 75mm (150mm) preemiumobjektiiv ülitäpne - alates montaaži- ja poleerimistehnoloogiatest kuni optiliste omaduste ja piltide ning videote detailideni. Valgusjõuline f/1.8 ava Nutikas kergekaaluline disain Ülitäpne montaažitehnoloogia Vastupidav metallkorpus Kromaatilise ja sfäärilise aberratsiooni täiuslik korrigeerimine Kena ringjooneline tausta hägustamine ilma vinjeteerimiseta MSC ühilduv: kiire ja vaikne AF Eraldi müüdav metallvarjuk (LH-61F) ja metallist objektiivikork (LC-61)
Fujifilm XF 18mm f/1.4 R LM WR ülilainurkobjektiiv on valmistatud spetsiaalselt Fujifilm X-seeria hübriidkaameratele. Selle optiline ehitus koosneb 15 elemendist 9 grupis, mis tagavad piltidele vähima moonutuse. Lisaks on elementide vahel kasutatud Super EBC vääristust, mis vähendavad võimalike varikujutiste teket. XF 18mm on ideaalne objektiiv maastikupildistamiseks ja reisikotti kaasa pakkimiseks ning lisaks on selle vähim fokusseerimiskaugus on üliväike – umbes 20 cm.Ilmastikukindel disainLisaks viimase peal optilisele ehitusele, on XF 18mm ka ilmastikukindel. Sellel on 9 tihendit kaheksas erinevas kohas, mis kaitsevad objektiivi niiskuse ja tolmu eest ning lubavad objektiivi kasutada ka kuni -10°C juures.
This Manfrotto 293 Telephoto Lens Support is ideal for telephoto lenses which do not come with a tripod collar of their own, typically medium-telephoto lenses. The length of the bracket is adjustable to take different length lenses.
Sealife Ultra-Wide Angle Dome Lens (SL052) - Micro Series, RM-4K The ultra-wide angle lens with dome port for the ReefMaster 4K and the Micro Series from SeaLife. This lens expands the camera's field of view by almost 50% and allows you to get three times closer to the subject. The ultra-wide angle lens is made of high-quality optical glass components that are arranged in 4 groups and thus enable a razor-sharp image across the entire lens width. All optical elements are multi-coated to prevent internal glare and maximize light transmission. When used with the Micro 3.0, the lens has an effective focal length of 13.3 mm, and is waterproof up to 60 m. The lens is compatible with all cameras of the SeaLife Micro Series (Micro HD, HD+, Micro 2.0, Micro 3.0). In addition, it can be used with the ReefMaster RM-4K, which increases the viewing angle of the small camera to a strong 196°. The new ultra-wide angle dome lens is a "wet lens" that can be easily attached and removed underwater. A locking ring prevents the lens from being lost due to shocks or rough conditions. A lanyard included in the delivery prevents the lens from being lost underwater. When not in use. The inner airspace is filled with nitrogen to prevent fogging under extreme temperature conditions. The rotatable light shield prevents unwanted glare from external lighting or sunlight and protects the dome lens from impacts. Features: Suitable for the Sealife Micro Series and RM-4K 3 times closer and 43% wider field of view Optimizes edge sharpness Removable lanyard included Technical data: Optical construction: 4 elements / 4 groups Viewing angle: Micro 3.0: Increases the field of view from 100° to 143° / RM-4K Increases the field of view from 140° to 196° Optical coatings: Air-to-glass surfaces that are fully multi-coated with anti-reflective coating Magnification ratio: 0.7x underwater Mounting method: The snap-on lens ring snaps onto cameras of the SeaLife Micro Series and RM-4K on land or underwater Focus range: 3x closer: 5” to infinity with Micro 3.0; 4” to infinity with RM-4K Lens weight (single): 331 g on land; 170 g underwater Lens dimensions (diameter x length): 99 x 40 mm Depth: Depth tested up to 60 m Buoyancy: Negativ
Hoya Instant Action Adapter Ring and Hoya Instant Action Conversion Ring (sold separately) allow you to instantly attach and detach common screw type filters onto your lens with the help of magnet power.How to use Screw Hoya Instant Action Adapter Ring onto the lens Screw Hoya Instant Action Conversion Ring (sold separately) to your screw type filter Attach filter to the lens NB! Hoya Instant Action Conversion Ring is sold separately.
The UV filter is a general use, clear filter that helps to absorb ultraviolet light. No additional coloration or contrast is provided, allowing you to pair this filter with others.The UV filter is also useful as a general protective filter to leave on lenses at all times. Filters help to reduce dust and moisture from reaching your lens element and provide additional protection in case of drops or situations where scratching could occur.Hoya newly developed Antistatic coating is acting like a force field around the filter to repel dust. Perfect for environments where dust is common, these filters require less frequent cleaning and maintenance than traditional filters. Additionally, the hardened, antistatic top-layer is water repellent, stain and scratch resistant, and cleans easily when smudges or fingerprints are introduced to the surface.The new Fusion Antistatic professional filters are made in Japan using hand selected silicates that are carefully smelted and blended to yield high performance optical glass. Hoya then uses extreme care and precision to apply the Improved 9-layer Super Multi-coating formula which greatly reduces or eliminates reflections on the surface of the glass and yields a ultra clear high transmission rate. This means the filter has virtually no effect on the color balance, contrast, or clarity of the final image. The filters features a lightweight, one-piece, low-profile aluminum frame to house the glass. This one-piece design allows the filter to maintain perfect parallel alignment to the sensor plane for maximum sharpness, while the low-profile form eliminates vignetting when used on ultra-wide-angle lenses. New Antistatic coating repels dust Ultra Clear High Transmission Scratch resistant - hardened coating protects against everyday wear Stain resistant – protects against exposure to ink, markers etc. Water repellent – water beads up and wipes away easily Fingerprints and smudges wipe away cleanly Filters unwanted UV light before it reaches the sensor Hoya’s Professional-grade optical glass Hoya exclusive one-piece, low-profile filter frame with front filter threads
Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. If you're out walking on a lovely day - in the mountains or at the beach - and you want to get a fabulous shot of a cloud-filled sky or make the water seem more saturated, then a polarizer is the way to go. This filter is the best way to make the clouds stand out, increase or decrease the saturation of the ocean or increase or decrease the reflection off the water. You can also use this filter when shooting into glass or windows since it will, again, either increase or decrease reflections.If you're shooting black and white and want to simulate a threatening storm, try throwing on a Red filter. The vista will take on the appearance of an imminent, ominous storm. Along with a UV or Skylight Filter, a polarizing filter should be a part of everyone's gear bag. It can turn a run-of-the-mill image into a stunning, creative photo by increasing color saturation.Hoya newly developed Antistatic coating is acting like a force field around the filter to repel dust. Perfect for environments where dust is common, these filters require less frequent cleaning and maintenance than traditional filters. Additionally, the hardened, antistatic top-layer is water repellent, stain and scratch resistant, and cleans easily when smudges or fingerprints are introduced to the surface.The new Fusion Antistatic professional filters are made in Japan using hand selected silicates that are carefully smelted and blended to yield high performance optical glass. Hoya then uses extreme care and precision to apply the Improved 9-layer Super Multi-coating formula which greatly reduces or eliminates reflections on the surface of the glass and yields a ultra clear high transmission rate. This means the filter has virtually no effect on the color balance, contrast, or clarity of the final image. The filters features a lightweight, two-piece, very low-profile aluminum frame to house the glass. The low-profile frame eliminates vignetting when used on ultra-wide-angle lenses. New Antistatic coating repels dust Ultra-smooth filter rotation Scratch resistant - hardened coating protects against everyday wear Stain resistant - protects against exposure to ink, markers etc. Water repellent – water beads up and wipes away easily Fingerprints and smudges wipe away cleanly Hoya’s Professional-grade optical glass Two-piece, very low-profile filter frame with front filter threads
Hoya Instant Action Adapter Ring and Hoya Instant Action Conversion Ring (sold separately) allow you to instantly attach and detach common screw type filters onto your lens with the help of magnet power.How to use Screw Hoya Instant Action Adapter Ring onto the lens Screw Hoya Instant Action Conversion Ring (sold separately) to your screw type filter Attach filter to the lens NB! Hoya Instant Action Conversion Ring is sold separately.
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 52 mm filter thread
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 67 mm filter thread
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 77 mm filter thread
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 77 mm filter thread
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 67 mm filter thread
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 49 mm filter thread
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 62 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 77 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 58 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 72 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
HOYA Variable Density II is a density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400). The difference with the previous HOYA Variable Density filter is the newly designed rotatable frame with convenient knob, allowing for better operation.Variable density filters are widely used because they can replace a set of solid ND filters by providing a range density that can be adjusted according to the desired exposure settings. In still shooting, variable density filters lower the shutter speed according to the photographer’s intentions when the shutter speed cannot be lowed due to camera limits. Variable density filters can also increase the amount of boke when shooting in the over-lit conditions, thus, preventing the image from overexposure.In video shooting, it is fundamental to keep the shutter speed fitting the frame rate setting. That is, to keep it equal to double the frame rate for optimal results. This is because, unlike still photography, an excessively fast shutter speed may create a jarring effect and produce afterimages that will not look good in the final video.By using variable density filters, the shutter speed can be adjusted to the proper value to get that natural and smooth looking motion requested in video footages.Be aware that when the filter is attached to the lens, the lens cap size becomes one size bigger. So if your lens has a filter thread size of 77mm, you will require an 82mm lens cap. The widened front filter frame has been designed on purpose to avoid vignetting.
Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
M.ZUIKO DIGITAL ED 25mm 1:1.8 (50mm) objektiiv pakub parimaid optilisi omadusi, kaunist bokeh efekti suurte avade juures ja muljetavaldavat lähedalt fokuseerimise võimet., Kompaktne, ülihea ehitusega objektiiv pakub sarnast ...
Fujinon XF 50-140mm f/2.8 R LM OIS WR on telesuumobjektiiv, mis pakub enimkasutatud suumivahemikku (76-213mm), suurt ava ning suurepärast optilist kvaliteeti ühes korpuses. Selles objektiivis on kasutusel Fujifilm viimased tehnoloogiad optika loomisel, kaas arvatud esmaklassiline ilmastikukindlus (tolmu, niiskuse ning külmakindel), kolmekordne lineaarne mootor ning kvaliteetne pildistabilisaator. Esmaklassiline pildikvaliteet teeb antud objektiivi perfektseks kaaslaseks nii portreefotograafile, spordifotgraafile kui loodusfotograafile.Optiline disain, mis on lipulaevale kohaneSaavutamaks parimat optilist kvaliteeti omas klassis, koosneb see objektiiv 23 klaaselemendist 16 grupis, millest viis on ED ning üks Super ED element (võrdväärne fluoriitklaasist elemendiga). Niimoodi on saavutatud maksimaalne kromaatilise aberratsiooni vähendus ning ülikõrge lahutusvõime.Kasutades Fujifilmi unikaalset HT-EBC (High Transmittance Electron Beam Coating) vääristust kõikide elementide pindadel on minimiseeritud sisepeegeldus ning varikujutiste teke. Lisaks, äsja välja töödatud Nano-GI vääristustehnoloogia muudab refraktiivsusindeksit ning varikujutiste ning sisepeegelduse hulk on vähendatud ka diagonaalse valguse puhul.Nagu ka teised XF seeria objektiivid, on ka XF 50-140mm f/2.8 R LM OIS WR objektiiv varustatud 7 labalise diafragmaga, mis loob sujuva ümara bokeh efekti. Kasutusel olev optiline disain loob meeldiva bokeh nii eespool kui tagapool subjekti.Tänu sisemisele suumimehhanismile ei muutu objektiivi välimised mõõtmed suumimse ega teravustamise ajal. Samamoodi ei muutu suumimise ajal ka objektiivi raskuskese, mistõttu on seda äärmiselt mugav kasutada.Kombineerides kõike eelnevat Fujifilm X seeria kerega, mis on varustatud LMO (Lens Modulation Optimizer) tehnoloogiaga, saab objektiivi võimekust viia veel kõrgemale. LMO korrigeerib difraktsiooni ning teravust äärealadel, mis võimaldab saavutada paremat pildikvaliteeti ka üliväiksetel avadel.Ülikiire ning vaikne teravustamine tänu Tri
Tamroni uus SP 70-200mm f/2.8 Di VC USD G2 teleobjektiiv on edasiarendus vanast 70-200mm objektiivist., Uuel objektiivil on võetud kasutusele uus autofookuse mootor ning parendatud stabilisaatorit, loomulikult ka uuendatud ...
