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Mänguasi teekannud Peppa Pig (Põrsas Peppa) Maja

Euphemia Lamb was painted and sculpted by many renowned artists during the period before the First World War, such as Augustus John, Henry Lamb, Ambrose McEvoy, Jacob Epstein and James Dickson Innes. She was at the vanguard of modern British art. She was also a literary muse for many leading writers of the period, including Virginia Woolf, Henri Pierre Roche and Aleister Crowley. Euphemia was the embodiment of the modern woman: sexually liberated, hard-working and ambitious. She used her connections in bohemian London and Paris to educate herself and advance the notion of what a woman could be in early twentieth-century British society. Euphemia was a pioneer who broke down barriers and her legacy survives in art and literature. Autorid: Andrea Obholzer

Aubrey graduated from the Melbourne Bible Institute in 1935. Almost immediately, it would seem, Aubrey left for Egypt, where he was to serve with the Egypt General Mission until 1956, when British missionaries were expelled from the country. Later, he became the Principal of the Lebanon Bible Institute. (It was about that time that the Egypt General Mission became the Middle East General Mission.)1 Aubrey become fluent in Arabic and since much of his work was with Muslims he became a student of Islam. While in Egypt he was busy preparing materials that were suitable for use in ministry to Muslims. Aubrey, with his wife Elsie, retired to Melbourne, where one of the many avenues of service that were opened to him was lecturing in Islam at the Bible College of Victoria (previously Melbourne Bible Institute; now Melbourne School of Theology). The Principal at the time, Rev Neville Anderson, who himself had served for many years in Bangladesh, (also a country with a considerable Muslim population) would have understood the need for Christians to be equipped for effective ministry to Muslims.