'Who're you working for then, Warshawski?' 'My cousin.' 'Boom Boom? He's dead.' 'I know. That's why I'm working for him.' Boom Boom's body was found floating near the docks, chewed up and spat out by a ship's propeller. More like brother and sister than cousins, Vic and Boom Boom looked out for each other. Boom Boom grew up to be an ice hockey hero, and Vic a private eye. And now V.I. Warshawski would like to know how, exactly, her cousin died . . . Autorid: Sara Paretsky
From the author of His Bloody Project, shortlisted for the Man Booker Prize 2016. There does not appear to be anything remarkable about the fatal car crash on the A35. But one question dogs Inspector Georges Gorski: where has the victim, an outwardly austere lawyer, been on the night of his death? The troubled Gorski finds himself drawn into a mystery that takes him behind the respectable veneer of the sleepy French backwater of Saint-Louis. Graeme Macrae Burnet returns with a literary mystery that will beguile fans of His Bloody Project and The Disappearance of Adèle Bedeau. Darkly humorous, subtle and sophisticated, The Accident on the A35 burrows deep into the psyches of its characters and explores the forgotten corners of small-town life. Autorid: Graeme Macrae Burnet
Appearing for the first time in English, Deceit is the debut novel by Yuri Felsen, a leading modernist writer of the interwar Russian diaspora. Known by his contemporaries as the Russian Proust, Felsen died in the gas chambers at Auschwitz, his life and legacy destroyed by the Nazis. Written in the form of diary, Deceit is a psychological self-portrait of an unnamed narrator, a neurasthenic and aspiring author, whose often-thwarted pursuits of his love interest and muse provide the grounds for his beautifully wrought extemporizations on love, art and human nature. Modulating between the paroxysms of his tormented romance and his quest for an aesthetic mode befitting of the novel he intends to write, Deceit is a remarkable work of introspective depth and psychoanalytic inquiry. Like voyeurs, party to his most intimate thoughts, we accompany the diarist as he goes about Paris, making enraptured preparations for the materialisation of his fantasy, observing not only his eagerness, dreaminess and poetic inclinations, but also his compulsive desire to analyse his surroundings and self. Yet amid these ravishing flights of scrutiny we discern hints of his monomaniacal tendencies, which blind him from the true nature of his circumstances. Thus begins an exquisite game arranged by the author, wherein it falls to the reader to second-guess the essence of what really lies behind his narrative. Autorid: Yuri Felsen, Bryan Karetnyk
Intertitles is an anthology of work situated at the intersection of writing and the visual arts. The anthology aims to explore their confluence and is conceived in response to a twofold observation: the increased presence of written, spoken and performed language in the work of visual artists and the simultaneous increase in visibility and circulation of the work and voices of writers in the visual arts arena. Bringing together a substantial and significant collection of work, the anthology recognises that both writers and artists are attracted to the possibilities of language as a material. Through essays, performance texts, scores, poetry and more, Intertitles plots a course through contemporary writing practices and lends perspective to the question of why this might be of particular interest at this moment in time. In art as in poetry, meaning is made in the very conditions of the encounter itself. The knowledge produced is not instructive or strictly informational but subjective and relational. Artists build the worlds that viewers may inhabit temporarily in the moment of their becoming. The physicality of these temporary utopias, however, is frequently realised in the contested spaces of our museums and galleries. This anthology asks if poetry, and the world it is capable of building outside of these normative structures, is poised to be the most constitutive form of all. Putting poetry into the social milieu, as a shared goal of artists and writers, might be understood as a gesture towards a truly radical reimagining. Autorid: Jess Chandler, Paul Becker, Aimee Selby, Hana Noorali & Lynton Talbot, Vahni Capildeo, Isabel Waidner, Fatema Abdoolcarim, Victoria Adukwei Bulley, Bebe Ashley, Anna Barham
Mensahs work challenges dominant modes of masculinity, and disrupts the elitism of poetry through its accessible, honest, raw and intimate language and rhythms. Free from the constraints of convention, Mensah writes in his own, unique voice, layered with rhythm and surreal imagery, unified by its fearless commitment to emotional honesty and its openness about the power and cost of creativity. Safe Metamorphosis explores the transformations experienced in everyday life and the unspoken traumas caused by the uprooting of self as we are thrusted from one identity-building state to another. The trauma of leaving school, growing up, the demise of a romantic relationship, the loss of faith in a purpose: common, formative experiences too often dismissed. The poems in this striking and original collection explore metamorphoses at different points of our journey into adulthood, addressing the ways in which the associated upheaval of change and lost identity alters our sense of self and relationships with others. For Mensah, poetry and hip hop are a stimulus for philosophical reflection and introspection, and the poems in Safe Metamorphosis welcome us into the imaginative and highly observant mind of an artist committed to the healing and unifying power of communication. Autorid: Otis Mensah
Molly Bauer loves her hometown of Peachtree, North Carolina. And her favourite part about her town is the prestigious art school, Peachtree Institute of Collegiate Arts. On the first day of attending this school of her dreams, the spunky freshman - buoyed on the native Peachtreeian Full Ride Scholarship - discovers her scholarship . . . is defunct. Rather than take out loans her parents can't afford, she uncovers a lesser-known scholarship in the PICA financial-aid policy book. If she and a dozen other art students can win a single game at the varsity level, they'll all be retroactively qualified for a PICA athletic scholarship. It's a softball scheme for the ages. New York Times best-selling author Ngozi Ukazu returns with debut artist Madeline Rupert to tell an energetic story about college failure. Autorid: written by Ngozi Ukazu, Mad Rupert
'Kate Zambrenos Appendix Project and Book of Mutter are meditations on grief, motherhood, and memory alongside and through Roland Barthess Camera Lucida and Mourning Diary. These are also books about reading and seeing. To enter them is to be in the company of a writer with a tremendous capacity and gift for questioning, thinking, and feeling. These are extraordinary works.' Christina Sharpe Inspired by the lectures of Roland Barthes, Anne Carson, and Jorge Luis Borges, Kate Zambrenos Appendix Project collects eleven talks and essays written in the course of the year following the publication of Book of Mutter, Zambrenos book on her mother that took her over a decade to write. These surprising and moving performances, underscored by the sleeplessness of the first year of her childs life, contain Zambrenos most original and dazzling thinking and writing to date. In *Appendix Project *Zambreno thinks through the work of On Kawara, Roland Barthes, W.G. Sebald, Bhanu Kapil, Walter Benjamin, Theresa Hak Kyung Cha, Marguerite Duras, Marlene Dumas, Louise Bourgeois, Doris Salcedo, Jenny Holzer, and more. Autorid: Kate Zambreno
'Sultry, raw and relentless. This intoxicating poetry seizes you with its beautiful, rich images and refuses to let go.' Awater Poetry Prize jury 'This book is stunning. Totally wild.' Jack Underwood In Virgula, Sasja Janssens award-winning collection, the comma becomes much more than a punctuation mark; it stops the stillness and allows thoughts and language to move forward. Virgula is invoked as a muse and a companion; she is called on in every poem, as if she were a goddess, friend or lover, someone who offers space when the emptiness becomes too heavy. Virgula received the Awater Poetry Prize and was nominated for the Ida Gerhardt Poetry Prize and the Herman de Coninck Prize and De Grote Poëzieprijs (Grand Poetry Prize) for best poetry collection 2021. Autorid: Sasja Janssen, Michele Hutchison
Lori and Joe have lived in the Lake District for many years, in a quiet valley where one day is much like another. Bringing Joe his regular cup of coffee one morning, Lori finds him dead. She could call an ambulance, but what difference would it make? Instead, she heads out for a walk over the fells. As she makes her way through the November fog, Loris thoughts slip between past and present, revealing a marriage marked by isolation, childlessness and a terrible secret shes never disclosed. Arnolds musical prose merges form and content to express what cannot be communicated through language alone. Taking place over the course of a single day, yet revealing the secrets of a marriage of many decades, Lori & Joe is a sparse, intimate and deeply moving story of entrapment and isolation, and of a life in which desire is continually overcome by inertia: nothing changes and nothing is ever (re)solved. Autorid: Amy Arnold
Pleasure Beach is a queer love story from the North West's saucy seaside paradise, Blackpool, on one day: 16th June 1999. Written in multiple voices and styles, Pleasure Beach follows the interconnecting journeys and thoughts of three young women over the course of 24 hours and over 18 chapters which are structured and themed in the same way as Homers Odyssey and James Joyces Ulysses. Hedonist and wannabe playwright Olga Adessi, 19, is struggling along the prom to get to her morning shift at the chippy with a monstrous hangover, trying to remember exactly what happened last night with Rachel Watkins, 19, a strange and fragile girl she had an encounter with the night before. Former gymnast and teenage mum Treesa Reynolds, 19, is off to the Sandcastle Waterpark with her mum Lou and daughter Lulu, looking forward to a sausage and egg McMuffin on the way. Autorid: Helen Palmer
Longlisted: RSL Ondaatje Prize 2025 The Seers follows the first weeks of a homeless Eritrean refugee in London. Set around a foster home in Kilburn and in the squares of Bloomsbury, where its protagonist Hannah sleeps, the novel grapples with how agency is given to the sexual lives of refugees, presenting gender-fluid, trans and androgynous African immigrants, and insisting that the erotic and intimate side of life is as much a part of someones story as land and nations are. Hannah arrives in London with her mothers diary, containing a disturbing sexual story taking place in Keren, Eritrea, where the Allies defeated the Italians in the Second World War. In a gripping, continuous paragraph, The Seers moves between the present day and the past to explore intergenerational histories, colonial trauma, and the realities of the UK asylum system and its impact on young refugees. Autorid: Sulaiman Addonia
In Diary of an Ending, internationally renowned photographer Lina Scheynius expands her artistic vision to prose, offering an unflinching and intimate exploration of heartbreak and self-recovery. Blurring the boundaries between diary and essay, Diary of an Ending explores the break-up of a relationship, combining extracts from Scheyniuss diary written in Swedish and translated by Saskia Vogel with reflective essays written in English five years on, exploring ideas about art and photography, sex and passion, the act of diary-making, destructive relationships, motherhood and home. Interspersed with black-and-white photographs, and written with the same unashamed and unfiltered honesty that defines Scheyniuss photography, Diary of an Ending is an intimate hybrid of memoir and autofiction, a meditation on the passage of time and the transformative power of creativity. Autorid: Lina Scheynius, Saskia Vogel, Traven T. Croves
Winner of the 2024 Prototype Prize, Significant Others is a luminous and radical collection of hybrid texts exploring intimacy, language, and the porous boundaries between the human and the other-than-human. The world is always speaking to you. Held together by a shared language, all beings are constantly, endlessly chatting away, saying something or other. What this language constitutes may vary, but all matter is alive, and it always has something to say. Significant Others is not a world of magical realism, but a different means of describing the existing world. It offers an opposition to the reductive logic of Western capitalism which views other-than-humans as only resources for extraction. Other beings feature as metaphors, or omens, but also as fleshly, agential creatures. Often the encounters are erotically charged, using Audre Lordes definition of the erotic as an intentionality that can permeate all aspects of life. In one story, the protagonist attempts to figure out how to have sex with a bathroom mirror; in another, a catfish drags itself through Piccadilly Circus tube station with an uncomfortable level of intimacy with all the surfaces they come into contact with; a person births a stone from their rectum; a lump of topaz in someones brain triggers their depression; a human tries to talk to a limestone cliff using touch; a swan drinks the bathwater of their human lover. This book is a collection of different fictionalised narratives, but across them they chart, somewhat anachronistically, a journey from total withdrawal to reimmersion in the ebb and flow of living, alongside a growing recognition that isolation is never truly possible. Life insists. so many people everywhere. Autorid: frank r jagoe
For the first time in 70 years, the Fondation Henri Cartier-Bresson is reissuing this emblematic work by Henri Cartier-Bresson. Published by Verve in 1955, three years after the resounding success of The Decisive Moment, The Europeans brings together 114 photographs taken by Henri Cartier-Bresson between 1950 and 1955 across ten European countries. Taken during assignments for Harpers Bazaar, Life, Holiday, and Paris Match, these images form a unique visual testimony of post-war Europe in the midst of reconstruction. From the revelers of Bastille Day in Paris to midnight masses in the Abruzzi, and from the funeral of George VI to the dockworkers of Hamburg, The Europeans does not aim to provide an exhaustive inventory, but rather composes a vibrant portrait of the inhabitants of a continent undergoing profound change. Beyond national borders, the book evokes a broader sense of European identity, shaped as much by everyday life as by the major upheavals of the time. The Europeans shared with The Decisive Moment a similar format, a sober and elegant layout, high-quality printing, and a cover designed by a renowned artist (Joan Miró for The Europeans, echoing Matisses cover for The Decisive Moment). As with The Decisive Moment in 2024, the Fondation Henri Cartier-Bresson now offers a reissue of The Europeans in a smaller, more manageable and accessible format, while remaining faithful to the spirit of the original edition. Seventy years after its first publication, this reissue provides a unique opportunity to rediscover a major work of Henri Cartier-Bressons oeuvre, enriched with an unpublished text by Clément Chéroux that places the work in its historical and artistic context. Autorid: Henri Cartier-Bresson, Clément Chéroux
The foreigner is within me, hence were all foreigners. If were all foreigners, there are no foreigners. Julia Kristeva Strangers Within is an anthology exploring the idea of documentary as encounter through essays, stories, interviews and other creative responses by filmmakers, artists, and writers. The texts engage with the risks of encounter, unsettling assumptions about the distinctions between host and guest; stranger and friend; self and other; documentarian and protagonist. Opening up a series of questions about the mystery of another person, whose difference and unknowability is already a part of ones self, the anthology offers a multidisciplinary approach to understanding the convergences between encounter, hospitality and autobiography. With contributions by Khalik Allah, Ruth Beckermann, Jon Bang Carlsen, Adam Christensen, Annie Ernaux, Gareth Evans, Jane Fawcett, Xiaolu Guo, Umama Hamido, Therese Henningsen, Marc Isaacs, Mary Jiménez Freeman-Morris, Juliette Joffé, Andrew and Eden Kötting, David MacDougall, Trinh T. Minh-ha, Toni Morrison, Bruno de Wachter and Andrea Luka Zimmerman. Autorid: Therese Henningsen & Juliette Joffé, Umama Hamido, Khalik Allah, Ruth Beckermann, Jon Bang Carlsen, Adam Christensen, Annie Ernaux, Gareth Evans, Jane Fawcett, Xiaolu Guo
With unapologetic vividness, Lejla Kalamujic depicts pre- and post-war Sarajevo by charting a daughter coping with losing her mother, but discovering herself. From imagined conversations with Franz Kafka to cozy apartments, psychiatric wards, and cemeteries, Call Me Esteban is a piercing meditation on a woman grasping at memories in the name of claiming her identity.
There is a climate crisis, extinctions are accelerating, forests are disappearing, water cycles are collapsing and pollution is choking our skies and seas. It is easy to be defeatist about the fate of our planet. And yet, despite it all, it's not too late: things can change for the better. Fred Pearce has been reporting from the frontline of climate change and environmental recovery for over four decades and what he has seen has given him reason - in fact, seven reasons - for (cautious) hope. Here, we learn how nature is finding ways to thrive in unexpected places, how the population bomb has been defused, how our consumerist societies are finally approaching 'peak stuff', and how a combination of ancient wisdom and modern technology can help us correct our course. Autorid: Fred Pearce
Language: English, Binding: Hardback, Number of pages: 272, Publishers: HarperCollins, Author: PRAGER DENNIS, ISBN-13: 9780063351301, Date of issue: 2026
Knotted lace is one of the oldest forms of making lace and is believed to have originated in the Eastern Mediterranean around 2,000 years ago. Also commonly referred to as Armenian Lace, it is also known as Billila, Oya, Palestinian Lace, Nazareth Lace, Smyrna Stitch and Phoenician Lace. Elena Dickson has a wide audience for her renowned lace making techniques, contributed to by her first publication Knotted Lace in the Eastern Mediterranean Tradition, and from touring Australia and the USA conducting workshops. Elenas outstanding experience in her field has energised this enchanting guide with authenticity, practicality and wonder. This latest book has all new motifs and doily designs and includes all stitch instructions, descriptive diagrams and black and white photographs of finished projects. Discover the timeless heirloom treasures that you can create with this marvellous title. Autorid: Elena Dickson
Most crochet books have you follow a pattern, make so-many stitches of such-and-such a kind, and arrive at a predictable result. In freeform (also known as scrumbling), it’s anything goes: mix different stitches and yarns, trust your own creativity, and produce original works of amazing art! Freeform Crochet and Beyond shows how to make various stitches and use them with simple templates, then add novelty patches, floral designs, stars, tassels, and other decorations. It also explains how to achieve special effects with felting, beading, and other techniques. For inspiration, a beautifully illustrated gallery section showcases spectacular bags, hats, scarves, shawls, and other items. Beginners and experienced crocheters alike will welcome this irresistible introduction to the fascinating possibilities of freeform. Autorid: Renate Kirkpatrick
OVER 50 RECIPES THAT BRING MATCHA INTO YOUR EVERYDAY. Matcha at Home is a collection of bold, nourishing and genuinely delicious recipes, from drinks to food, all designed to make matcha feel effortless. Master a perfect hot or iced latte with flavour ideas like Vanilla Sea Salt, Lavender, Mango or Brown Sugar Cinnamon. Then explore food recipes including Fluffy Matcha Pancakes, Orange & Almond Yoghurt Bark, Matcha Tiramisu and The Ultimate Matcha Cookie. With caffeine levels on par with coffee, but without the jitters or crash, matcha offers long-lasting, focused energy. This book is brought to you by JENKI, the award-winning matcha brand known for freshly whisked, expertly sourced matcha. Their mission is simple: to help more people experience better matcha. Discover how good matcha can taste at home. Autorid: JENKI
'Smart and subtle... You'll read it, then want to read it again' - GQ A writer returns to his college town, where he is to conduct what will be the final published interview with Thomas, his ninety-year-old mentor. But after he drops his smartphone in the hotel sink, he arrives at Thomas's house with no recording device - a fact he is mysteriously unable to confess. What unfolds from this dreamlike circumstance is both a brilliant meditation on those technologies that enrich and impoverish our connections to each other, that store and obliterate our memories, and a moving exploration of the relationships that make us who we are. Autorid: Ben Lerner
Considered one of Sweden's greatest 20th-century writers, Vilhelm Moberg created the characters Karl Oskar and Kristina Nilsson to portray the joys and tragedies of daily life for early Swedish immigrants in America. His consistently faithful depiction of these humble people's lives is a major strength of the Emigrant Novels.Moberg's extensive research in the papers of Swedish emigrants in archival collections enabled him to incorporate many details of pioneer life. First published between 1949 and 1959 in Swedish, these four books were considered a single work by Moberg, who intended that they be read as documentary novels. These reprint editions contain introductions written by Roger McKnight of Gustavus Adolphus College, and they restore Moberg's bibliography not included in earlier English editions.The third book in the series, The Settlers focuses on Karl Oskar and Kristina as they adapt to their new homeland and struggle to survive on their new farm in the Minnesota Territory.The other books in the series—The Emigrants (I), Unto a Good Land (II), and The Last Letter Home (IV)—are also available from the Minnesota Historical Society Press.
Set in Romania at the height of Ceausescu's reign of terror, The Land of Green Plums tells the story of a group of young students, each of whom has left the impoverished provinces in search of better prospects in the city. It is a profound illustration of a totalitarian state which comes to inhabit every aspect of life; to the extent that everyone, event the strongest, must either bend to the oppressors or resist them and perish.
