Otsing: 155870

This is a major new work from one of the world's most erudite, intellectual, and influential thinkers and writers about sound and music. "Sinister Resonance" begins with the premise that sound is a haunting, a ghost, a presence whose location is ambiguous and whose existence is transitory. The intangibility of sound is uncanny - a phenomenal presence in the head, at its point of source and all around. The close listener is like a medium who draws out substance from that which is not entirely there. The history of listening must be constructed from the narratives of myth and fiction, 'silent' arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor for mystical revelation, forbidden desires, formlessness, the unknown, and the unconscious. As if reading a map of hitherto unexplored territory, "Sinister Resonance" deciphers sounds and silences buried within the ghostly horrors of Arthur Machen, Shirley Jackson, Charles Dickens, M.R.James and Edgar Allen Poe, Dutch genre painting from Rembrandt to Vermeer, artists as diverse as Francis Bacon and Juan Munoz, and the writing of many modernist authors including Virginia Woolf, Samuel Beckett, and James Joyce.

DON'T MISS SYLVIA PATTERSON'S BRAND NEW MEMOIR, SAME OLD GIRL, COMING SPRING 2023 SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD 2016 'Celebratory and elegiac' Guardian 'A roller-coaster memoir' Sunday Times 'Funny, anecdote-packed, nostalgic but also very touching' The Pool 'Patterson fillets out the pretentious bones of pop, leaving its glistening meat' Observer This is a three-decade survivor's tale . . . a scenic search for elusive human happiness through music, magazines, silly jokes, stupid shoes, useless blokes, hopeless homes, booze, drugs, love, loss, A&E, death, disillusion and hope. In 1986, Sylvia Patterson boarded a train to London armed with a tea-chest full of vinyl records, a peroxide quiff and a dream: to write about music, for ever. She got her wish. Escaping a troubled home, Sylvia embarks on a lifelong quest to discover The Meaning of It All. The problem is she's mostly hanging out with flaky pop stars, rock 'n' roll heroes and unreliable hip-hop legends. As she encounters music's biggest names, she is confronted by glamour and tragedy; wisdom and lunacy; drink, drugs and disaster. And Bros. Here is Madonna in her Earth Mother phase, flinging her hands up in horror at one of Sylv's Very Stupid Questions. Prince compliments her shoes while Eminem threatens to kill her. She shares fruit with Johnny Cash, make-up with Amy Winehouse and several pints with the Manics' lost soul-man Richey Edwards. She finds the Beckhams fragrant in LA, a Gallagher madferrit in her living room and Shaun Ryder and Bez as you'd expect, in Jamaica. From the 80s to the present day, I'm Not with the Band is a funny, barmy, utterly gripping chronicle of the last thirty years in music and beyond. It is also the story of one woman's wayward search for love, peace and a wonderful life. And whether, or not, she found them.

The first operator's manual for the router tableIf you don't have a router table in your shop yet, you should! The router table opens up a whole new world of using the router that simply can't be done using it any other way. Operations such as edge profiling, making mouldings, cutting lock-miter joints, box joints, rabbets, grooves, splined miters, using templates, pin routing and more can be done using a router table. Using this book, you'll learn basic router-table knowledge, safety issues, setup fundamentals, feed direction and workpiece control. Also, you'll learn about specific operations unique to the router table and how to do them safely. Autorid: Bill Hylton

'Tremendous. An actually funny comic novel as propulsive as any thriller. With savage wit, integrity and tenderness, Annand exposes the complacent nostalgia of a sandwich generation, offering both an elegy and, most impressively, a hope for change. The Dice Was Loaded from the Start is the most fun I've had all year' MATT GREENE, author of The Definitions 'David Annand's brilliant comedy of manners is a Howards End for contemporary London . . . Funny, truthful and bracing' NEIL STEWART, author of Test Kitchen 'The Dice Was Loaded from the Start is a sharp, witty and seductive read. Its grudges, passions, and aspirations simmer away, much like the tense inter-generational battleground at its centre. Young and old should read it and remind themselves that life is far too short to fall out, or flirt, with the neighbours' JUSTIN MYERS, author of The Glorious Dead It's the summer of 2018. Max Anderson, in his early forties, has been living in Berlin for the past decade failing to become the filmmaker he was once tipped to be. But his wife's career is taking off, and with a generous relocation package on offer they've moved with their kids back to London. Not to the Hackney flat share that he left ten years ago but, somewhat bemusedly, into a rented home on a handsome tree-lined street in north London. Pemberton Place is populated by couples who have lived there since the seventies, who bought their houses for a song, raised their families, and now sit on a relative fortune. The Boomers, as Max thinks of them, are cultured and urbane, full of shared stories and storied pasts, and immediately take Max under their wing. Both flattered and amused, Max joins most evenings as they gather to drink wine and reminisce on glories past. Max is both insider and outsider, participant and observer: a position in which he feels disconcertingly comfortable. Then eight politically mischievous Millennials move in to an empty house on the street and upend this cosy equilibrium. With the Boomers in their crosshairs they make Pemberton Place a cause celebre, the front line in the generational battle of the haves and have nots. As the Millennials steadily up the ante and the Boomers try to assert their authority, Max - the street's sole Gen Xer - realises that everyone, eventually, has to pick a side. With wit and a propulsive pace, David Annand spins the battleground of the housing crisis into a brilliantly crafted study in intergenerational difference. The Dice Was Loaded from the Start asks: what does the good life look like? And how might we make meaning in an exhausted world? Autorid: David Annand

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.