Autovärav laiusega ~3 m on tsingitud ja pulbervärviga kaetud (RAL6005, tumeroheline). Autovärava komplekt sisaldab kahte tiiba, ühe tiiva laius on 1,5 m.Väravat saab avada nii väljapoole kui sissepoole. Värava postid ja raam on ümartorust.Kõrgus: 1,25mÜhe tiiva laius on 1,5 mVärava postid on 70 cm kõrgem, kui väravTsingitud ja tumerohelise värviga kaetud (RAL6005)Väravaposti läbimõõt 60 mm, posti seina paksus 2 mmVärava toru läbimõõt 40 mm ja seina paksus 1,5 mmTraadi läbimõõt 4 mmVõrgusilma suurus 50 x 50 mmKomplekt sisaldab: postid, värav, hinged, lukk, luku vastus, tuuleriiv, käepide.
The Maestro MR-042-WHITE electric kettle is an elegant and practical appliance that will fit perfectly into any kitchen. The kettle has a capacity of 1.7 litres and an output of 2,200 watts, which allows water to boil quickly. Its casing is made of high-quality plastic, which is resistant to high temperatures. The water level indicator allows you to easily control the amount of water poured, and the replaceable anti-calcium filter keeps the water clean and minimises limescale build-up.The unit has a 360° swivel base, making it convenient to position anywhere, regardless of the position of the handle. The kettle features a concealed heating element, which makes it easy to keep the appliance clean. The button to open the lid located on the handle provides convenient operation, and the 70 cm long cord storage helps to keep the countertop tidy.The Maestro MR-042-WHITE kettle also has an automatic shut-off function when there is no water, which protects it from overheating and makes it safer to use. The dimensions of 22 x 21 x 15 cm make the appliance handy and space-saving, making it an ideal choice for everyday use in any kitchen.
Language: English, Binding: Paperback, Number of pages: 224, Publishers: LIGHTNING SOURCE INC, Author: Eric Shahan, ISBN-13: 9781950959693, Date of issue: 2024
Stanley Fish is one of America's most stimulating literary theorists. In this book, he undertakes a profound reexamination of some of criticism's most basic assumptions. He penetrates to the core of the modern debate about interpretation, explodes numerous misleading formulations, and offers a stunning proposal for a new way of thinking about the way we read. Fish begins by examining the relation between a reader and a text, arguing against the formalist belief that the text alone is the basic, knowable, neutral, and unchanging component of literary experience. But in arguing for the right of the reader to interpret and in effect create the literary work, he skillfully avoids the old trap of subjectivity. To claim that each reader essentially participates in the making of a poem or novel is not, he shows, an invitation to unchecked subjectivity and to the endless proliferation of competing interpretations. For each reader approaches a literary work not as an isolated individual but as part of a community of readers. 'Indeed," he writes, "it is interpretive communities, rather than either the text or reader, that produce meanings." The book is developmental, not static. Fish at all times reveals the evolutionary aspect of his work--the manner in which he has assumed new positions, altered them, and then moved on. Previously published essays are introduced by headnotes which relate them to the central notion of interpretive communities as it emerges in the final chapters. In the course of refining his theory, Fish includes rather than excludes the thinking of other critics and shows how often they agree with him, even when he and they may appear to be most dramatically at odds. Engaging, lucid, provocative, this book will immediately find its place among the seminal works of modern literary criticism.
The thoughts contained in this book were from the pen of one who, in the silence of the Charterhouse, had already arrived at the summits of the spiritual heights, and dwelt there unceasingly. Souls who have reached such perfection in this life are rare; no
gestalt is a poetic enquiry of the Panchayat, a collective of South Asian and Black artists/practitioners involved in communal archiving, artmaking and activism in Britain from 1988-2015. gestalt consists of visual poetry, drawings and instructions which provide an alternative documentation of the materials and ephemera from the Panchayat Collection. It is a score for performance holding a spotlight on questions of race, class, gender, colonisation, erasure and collective memory. Autorid: Karenjit Sandhu
Ryan Wright's new hockey team is a dumpster fire, so he expects to lose games. When stuck-up superstar Nico starts cracking under pressure, Ryan steps in to help. But once he gets to know the real Nico, suddenly it's Ryan's heart he's in danger of losing.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
In the Rot & Ruin, it's a matter of death and life. All five books in the action-packed zombie series Booklist calls "an impressive mix of meaning and mayhem" are now available in one paperback boxed set. In the zombie-infested world Benny has g
