Otsing: 80819

This book provides a complete training experience for anyone seeking to become a medical intuitive. Each chapter offers step-by-step advice to intensify existing intuitive abilities and x-ray perception. Outcomes include: developing inner sight for the dee

Interplanetary war, capture and escape, diplomatic intrigues that topple worlds.

Information Technology Law is the ideal companion for a course of study on IT law and the ways in which it is evolving in response to rapid technological and social change. The fifth edition of this ground-breaking textbook develops its unique examination of the legal processes and their relationship to the modern 'information society'. Charting the development of the rapid digitization of society and its impact on established legal principles, Murray examines the challenges faced with enthusiasm and clarity. Following a clearly-defined part structure, the text begins by defining the information society and discussing how it may be regulated, before moving on to explore issues of internet governance, privacy and surveillance, intellectual property and rights, and commerce within the digital sphere. Comprehensive and engaging, Information Technology Law takes an original and thought-provoking approach to examining this fast-moving area of law in context. Digital formats and resources The fifth edition is available for students and institutions to purchase in a variety of formats, and is supported by online resources. - The e-book offers a mobile experience and convenient access along with functionality tools, navigation features, and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks - Additional online resources include outline answers to end of chapter questions, web links, and a flashcard glossary of key terms and concepts to help students further their understanding of the main topics.

Kalpa imperial reúne once relatos, once fragmentos de la historia del Imperio Más Vasto que Nunca Existió.Por el narrador sabemos que el Imperio fue destruido y reconstruido infinidad de veces y que su historia vuelve a empezar con cada nueva dinastía de emperadores y emperatrices.El escenario es siempre el mismo: el montañoso norte, el sur selvático y las ciudades capitales. Las historias son múltiples y diversas. Como la de Bib, el chico esmirriado que pretende refundar el Imperio e inventar un nuevo orden; la del último príncipe de la dinastía de los Orioles y su extraña muerte; la de la huérfana que asciende desde los bajos fondos hasta el trono; la del Emperador Cuarto en las dinastía de los Kiautonor, que manda a construir una ciudad en honor de su amante.Angélica Gorodischer crea un universo ficcional portentoso, absolutamente propio, donde la distopía se cruza con el realismo, la novela con el cuento, la metáfora sobre el poder con el pequeño drama humano. Publicado por primera vez en 1983, Kalpa imperial marcó un hito en la obra de esta gran autora argentina y la convirtió en una referente ineludible de la ciencia ficción universal.

Anyone who has ever searched for good custom blades knows that they are hard to find. Stop wasting time looking for that perfect blade and The Complete Bladesmith will show you how to take a bar of steel and forge it into the blade of your dreams. This

This advanced study of steel reveals forging secrets that for centuries have been protected by guilds. Never-before-seen instructions, diagrams and photos explain the tricks behind using Japanese mokume gane, differential heat treating, power hammers, a

Includes selected poems from a visionary feminist poet.

- Incorporates the latest in Godly Play(R) theory and practice. - Revised lessons throughout, plus one brand-new lesson. Godly Play(R) is an imaginative approach to working with children, an approach that supports, challenges, nourishes, and guides their s

"Body is our first environment," writes Andrea Olsen. "It is the medium through which we know the earth." In a remarkable integration of environmental science, biology, meditation, and creative expression, Olsen, a dancer who teaches in the environmental s

This book holds timeless appeal for readers who hunger for a meaningful and creatively balanced framework for life. It offers a simple blueprint, based on the Rule of St. Benedict, to order ones time and create physical and inner space, to step back from the demands and pressures of the moment, and to step into a place of peace. Autorid: John McQuiston II, Phyllis Tickle

In hyperbolic fashion, the preface to this volume reads, “There are times in the lives of us all in which we are at a loss for words. This volume attempts a partial solution.” What follows are thirty things perhaps we shouldn’t say, but find ourselves saying anyway. The book is pointedly funny. Autorid: Kit Reed, Joseph W Reed

This anthology of essays, interviews, and autobiographical pieces provides an invaluable overview of the evolution of contemporary music--from chromaticism, serialism, and indeterminacy to jazz, vernacular, electronic, and non-Western influences. Featuring classic essays by Stravinsky, Stockhausen, and Reich, as well as writings by lesser-known but equally innovative composers such as Jack Beeson, Richard Maxfield, and T. J. Anderson, this collection covers a broad range of styles and approaches. Here you will find Busoni's influential "Sketch of a New Esthetic of Music"; Partch's exploration of a new notation system; Babbitt's defense of advanced composition in his controversial "Who Cares If You Listen?"; and Pauline Oliveros's meditations on sound. Now updated with fifteen new composers including Michael Tippet, Gyorgy Ligeti, Gunther Schuller, Ben Johnston, Sofia Gubaidulina, and William Bolcom, this important book gathers together forty-nine pieces--many out of print and some newly written for this volume--which serve as a documentary history of twentieth-century music, in theory and practice.Impassioned, provocative, and eloquent, these writings are as exciting and diverse as the music they discuss.

"Decades after a mysterious childhood bond is severed, Chloe and Oliver navigate adult loneliness and lingering trauma in New York City, until a trail of yellow origami roses rekindles memories, hope, and the possibility of reconnection"-- Decades after a mysterious childhood bond is severed, Chloe and Oliver navigate adult loneliness and lingering trauma in New York City, until a trail of yellow origami roses rekindles memories, hope, and the possibility of reconnection. For fans of Matt Haig and Clare Pooley, an enchanting novel about a pair of long-lost childhood friends who find themselves magically linked through origami flowers as adults—from the New York Times bestselling author of the “tug-at-your-heartstrings winner” (Sarah Addison Allen, New York Times bestselling author) The Hundred Loves of Juliet.Can one random act of kindness change the trajectory of a life? In elementary school, Chloe Hanako Quinn is assigned Oliver Jones as her pen pal partner. Before sending her letter, she also whispers a note into it and he hears her. Little does she know it would be the beginning of a friendship that would bloom into something more. That is, until disaster strikes, and Oliver and his family disappear without a trace. Now over twenty years later, Chloe is a high school guidance counselor in New York City. But life in the Big Apple is not what she dreamed it would be as she faces a layoff, rising rent, a situationship, and loneliness. Desperate for encouragement, she gives herself a pep talk via uplifting messages written on yellow origami paper that she folds into roses. When one of the roses unexpectedly finds its way to a neighbor in need of cheering up, a desire to spread kindness and optimism is sparked in Chloe, who begins folding more roses and leaving them around town. Across the city, Oliver has picked himself up from the rough circumstances that forced him to leave everything behind as a teenager—including Chloe. Now a successful financial analyst, Oliver’s past continues to haunt him. But when the city is suddenly inundated with yellow origami roses, a specific one finds its way into his hands and changes his life forever Autorid: Evelyn Skye

The new resource is designed to help spiritual directors and others use expressive arts in the context of spiritual direction. It is the latest book in the unique SDI series, designed for professional spiritual directors, but also useful for clergy, therapists, and Christian formation specialists.The Spiritual Directors International Series – This book is part of a special series produced by Morehouse Publishing in cooperation with Spiritual Directors International (SDI), a global network of some 6,000 spiritual directors and members. Autorid: Christine Valters Paintner, Betsey Beckman

A mystical masterwork about the afterlife by the great Barbadian poet at the end of his career. A mystical masterworkThis book by the great Barbadian poet Kamau Brathwaite is characteristically sui generis, vatic, and strange, exhibiting ornery bravura. Tonally and typographically frenetic in the 'sycorax video style' he's been employing for decades, the work examines a major theme appropriate to a great poet in the late stages of his career: that of the afterlife. Brathwaite performs a kind of spiritual/aesthetic GPS in his poetry and is is a poet of undeniable stature, writing the final poems of his career. Central to the book is a series of poems outlining the speaker's (the poet's) experiences with what he calls "Cultural Lynching." These poems speak of appropriation, theft, isolation, and exploitation, all within a context of an American hegemony that intensifies the racial politics and ageism underlying the events described. The speaker's pain and outrage are almost overwhelming. Filled with longing, rage, nostalgia, impotence, wisdom, and love, this book is moving in every sense of the word. Autorid: Kamau Brathwaite

For this collection, James Dickey selected from his first four published books all those poems that reflected his truest interests and his growth as an artist, plus more than a score of then-new poems. It contains poems from "Into the Stone" (1960), "Drowning With Others" (1962), "Helmets" (1964), and the National Book Award winning "Buckdancer's Choice" (1965).

Five substantial letters written from 1989 to 1991 bring readers into conversation with Hugo and Nebula Award winning-author Samuel Delany. With engaging prose, Delany shares details about his work, his relationships, and the thoughts he had while living in Amherst and teaching as a professor at the UMASS campus just outside of town, in contrast to the more chaotic life of New York City. Along with commentary on his own work and the work of other writers, he ponders the state of America, discusses friends who are facing AIDS and other ailments, and comments on the politics of working in academia. Two of the letters, which tell the story of his meeting his life partner Dennis, became the basis of his 1995 graphic novel, Bread & Wine. Another letter describes the funeral of his uncle Hubert T. Delany, former judge and well-known civil rights activist, and leads to reflections on his family's life in 1950s Harlem. Another details a visit from science fiction writer and critic Judith Merril, and in another he gives a portrait of his one-time student Octavia E. Butler, who by then has become his colleague. In addition, an appendix shares ten letters Delany sent to his daughter while she attended summer camp between 1984 and 1988. These letters describe Delany's daily life, including visitors to his upper-west-side apartment, his travels for work and pleasure, lectures attended, movies viewed, and exhibits seen. Autorid: Samuel R Delany

Candlelight offers an intimate view of spiritual direction through written re-enactments of actual spiritual direction sessions. The experiential practice is accompanied by theoretical and theological foundations guiding it. The book includes the stories of nine men and women whose stories illustrate how the journey of Christian discipleship is helped by spiritual direction.The Spiritual Directors International Series – This book is part of a special series produced by Morehouse Publishing in cooperation with Spiritual Directors International (SDI), a global network of some 6,000 spiritual directors and members. Offers an intimate view of spiritual direction through written re-enactments of actual spiritual direction sessions. The experiential practice is accompanied by theoretical and theological foundations guiding it. The book includes the stories of nine men and women whose stories illustrate how the journey of Christian discipleship is helped by spiritual direction.The Spiritual Directors International Series – This book is part of a special series produced by Morehouse Publishing in cooperation with Spiritual Directors International (SDI), a global network of some 6,000 spiritual directors and members. Autorid: Susan S. Phillips

David Nelson wrote and compiled Konnakkol Manual to assist teaching an advanced course in the rhythmic compositions of Karnatak (South Indian) music. This new instructional book picks up where his previous book, Solkattu Manual, left o

Reinvigorate the celebration of Mass and enrich your faith as you deepen your understanding of the Sacred Liturgy. Incorporates the approved English text of the Third Roman Missal and features Scripture readings for cycles A, B, and C for all Sundays and S

Winner of the 2010 Pulitzer Prize for Poetry

Language: English, Binding: Hardback, Number of pages: 176, Publishers: PAULINE BOOKS & MEDIA, Author: Mary Mark Wickenhiser, ISBN-13: 9780819834492, Date of issue: 2017

In 1908, little Gracie wanted to write a book. She wrote Harry's First Year in College. Then she sat in front of her mother's typewriter and carefully typed out each page, letter by letter. When she was satified, she cut out the pages, and bound them together with a red satin ribbon. The story, faithfully reproduced in this little book, is charming. We follow Harry as he makes friends, engages in athletics, learns some life lessons, and finally finishes out his first year.

"The third book in a trilogy revising the confessional, mahogany uses the music of Diana Ross as an emotive/sonic echo into which the poet sings the realities of being a grown, Black woman, losing everyone you ever loved, and still surviving, finding your calling and learning to love your beautiful, broken self"-- mahogany is about the passing of time and unimaginable loss, strength, humor, and lovemahogany takes its name from the dark wood prized for its durability, workability, and elegant look, and from the Diana Ross movie, whose theme song asks if what lies ahead is what you really want. This book is the third in a trilogy, and like the first two books it is steeped in pop music. Each poem here takes its title from a line of a Diana Ross and The Supremes song, as well as songs from Diana Ross' solo career. Short lines flow down the page like postmodern psalms, connecting dailyness to timelessness, merging the historical and the beloved through reverence for family, music, and the life we actually live. mahogany is a lament for the passing of time and unimaginable loss, and at the same time it models the daily search for joy, and the deep shine that can arise from the darkest times.(sample poem]i'm like a woman who once knew splendor* sometimes i feel like the pink pantherall naked and pinklost in the morass ofdo the best you can todayand nigga heal thy selfour end of winterspirits breaklike old tibetan snowi rememberyou was conflictedand i found myself alonehere on my ancient hurtthe disquieting humof living historydear god, pleaseput my head above my heartwe can only be togetherif the stories are toldplain facesame instrumentjust a couple of coke bottlesfull of gasolinelike god and rainis a waste of timemy mother used to clean housesas a childsome days i can barelyget out of bedin my mindshe's like diana rossscrubbing the white lady's stairsin lady sings the bluesexcept prettierand with green eyesi've just been livingoff of cough dropsand water and angerjust sitting in the whole foodsparking lot eating pineapplei am literallythe definition of "hot mess"pain changes everythingsomebody comeand pick upmy limp bodyoff the groundi am dyinga slow ohio deathwe miss you starmanit's our first sunrise of the burn* "dark side of the world" Autorid: erica lewis

"This volume gathers Hernton's poetic work from 1954 through to 1999-including uncollected poems and the complete text of Hernton's debut chapbook along with poems from Hernton's personal papers. The volume contains a chronology of Hernton's life and career, as well as editorial information with literary analysis and historical background"-- The definitive guide to a major African American poetThis volume promises to be the definitive guide to Calvin C. Hernton's unparalleled poetic career, re-introducing readers to a major voice in American poetry. Hernton was a cofounder of the Umbra Poets Workshop; a participant in the Black Arts Movement, R. D. Laing's Kingsley Hall, and the Antiuniversity of London; and a teacher at Oberlin College who counted amongst his friends bell hooks, Toni Morrison, and Odetta. As a pioneer in the field of Black Studies, Hernton developed a theoretical and practical pedagogy with lasting impact on generations of students. He may be best known as an anti-sexist sociologist, following in the footsteps of W.E.B. Du Bois, but Hernton viewed himself, above all, as a poet. This volume includes a generous selection of Hernton's previously published poems, from classics like the often anthologized "The Distant Drum" to the visionary epic The Coming of Chronos to the House of Nightsong, reprinted in full for the first time since 1964, alongside uncollected and unpublished material from the Calvin C. Hernton papers at Ohio University, a new critical introduction, and detailed notes, chronology, and bibliography.(sample poem]The Distant DrumI am not a metaphor or symbol.This you hear is not the wind in the trees.Nor a cat being maimed in the street.I am being maimed in the streetIt is I who weep, laugh, feel pain or joy.Speak this because I exist.This is my voiceThese words are my words, my mouthSpeaks them, my hand writes.I am a poet.It is my fist you hear beatingAgainst your ear. Autorid: Calvin C Hernton, Ishmael Reed, David Grundy, Lauri Scheyer

Site-specific expressive ecologies sustain Korean folk culture in a globalizing worldThe madang is a key space and concept for Korean drummers and dancers. Literally a village circle, the madang is also a metaphor for an expressive occasion or cultural space of embodied participation. Korean performers step in the madang as a means of bringing their bodies into purposeful contact with the particular time and place of performance. Kwon contends that the participatory way of being that is cultivated in the madang counteracts the fossilization of tradition by bringing folk practices more fully into the embodied present, even if in an idealized fashion. The madang draws attention to the body; it increases one's awareness of space and place; and it creates open-ended performances that are conducive to a more dynamic range of social interactions. The book starts with a study of a Korean p'ungmul group that maintains a vibrant, expressive ecology in rapidly globalizing Korea. Kwon documents how historical trends, transmission practices, communal labor, and performative ritual all support this expressive ecology. The book then examines how these practices inspire meaningful, site-focused expressions of folk culture in regional, national, and transnational spaces. Autorid: Donna L Kwon

The only source in print of the key essays of a pioneer of modernist design.

From its beginnings in hip hop culture, the dense rhythms and aggressive lyrics of rap music have made it a provocative fixture on the American cultural landscape. Black culture expert Tricia Rose takes a comprehensive look at the lyrics, music, themes and styles of rap and grapples with the debates that surround it. 10 illustrations.

Keen, pithy meditations on a world that continues to surprise usThe poems in Pulitzer Prize-winner Rae Armantrout's new book are concerned with "this ongoing attempt/ to catalog the world" in a time of escalating disasters. From the bird who "check-marks morning/once more//like someone who gets up/to make sure// the door is locked" to bat-faced orchids, raising petals like light sails as if about to take flight, these poems make keen visual and psychological observations. The title Go Figure speaks to the book's focus on the unexpected, the strange, and the seemingly incredible so that: "We name things/ to know where we are." Moving with the deliberate precision that is a hallmark of Armantrout's work, they limn and refract, questioning how we make sense of the world, and ultimately showing how our experience of reality is exquisitely enfolded in words. "It's true things fall apart." Armantrout writes. 'Still, by thinking/we heat ourselves up."Sample TextHYPER-VIGILANCEHilarious,the way a crab's slendereye-stalksstand straight upfrom its scuttlingcarapace—the way vigilancetakes many forms? *That bird check-marks morningonce morelike someone who gets upto make surethe door is locked. *I soundlike I knowwhat I'm talking about.I sound like a comedian. Autorid: Rae Armantrout

Essays investigate Beyoncé's global impactFrom Destiny's Child to Lemonade, Homecoming, and The Gift, Beyoncé Knowles-Carter has redefined global stardom, feminism, Black representation, and celebrity activism. This book brings together new work from sixteen international scholars to explore Beyonce's impact as an artist and public figure from the perspectives of critical race studies, gender and women's studies, queer and cultural studies, music, and fan studies. The authors explore Beyoncé's musical persona as one that builds upon the lineages of Black female cool, Black southern culture, and Black feminist cultural production. They explore Beyoncé's reception within and beyond North America, including how a range of performers—from YouTube gospel singers to Brazilian pop artists have drawn inspiration from her performances and image. The authors show how Beyoncé's music is a source of healing and kinship for many fans, particularly Black women and queer communities of color. Combining cutting edge research, vivid examples, and accessible writing, this collection provides multiple lenses onto the significance of Beyoncé in the United States and around the world. Autorid: Christina Baade, Kristin A McGee

"Hip hop dance transmission embodies historical and contemporary oppression and resistance, as dancing Black and Brown bodies bear the responsibility of negotiating social, economic and political conditions and ultimately assert and challenge power through performance"-- Theorizing the experiences of black and brown bodies in hip hop danceBaring Unbearable Sensualities brings together a bold methodology, an interdisciplinary perspective and a rich array of primary sources to deepen and complicate mainstream understandings of Hip Hop Dance, an Afro-diasporic dance form, which have generally reduced the style to a set of techniques divorced from social contexts. Drawing on close observation and interviews with Hip Hop pioneers and their students, Rosemarie A. Roberts proposes that Hip Hop Dance is a collective and sentient process of resisting oppressive manifestations of race and power. Roberts argues that the experiences of marginalized black and brown bodies materialize in and through Hip Hop Dance from the streets of urban centers to contemporary worldwide expressions. A companion web site contains over 30 video clips referenced in the text. Autorid: Rosemarie A Roberts

Devotion to the Sacred Heart of Jesus is an ancient practice honoring Christ as the Merciful One who is love. This special prayer book can help you grow more deeply in love with Jesus and experience the love of his Sacred Heart in your life. Written and co

A stunning example of poetic questioning.

The surface story tells of the problems a member of an alien race, Lo Lobey, has assimilating the mythology of earth, where his kind have settled among the leftover artifacts of humanity. The deeper tale concerns, however, the way those who are "different" must deal with the dominant cultural ideology. The tale follows Lobey's mythic quest for his lost love, Friza. In luminous and hallucinated language, it explores what new myths might emerge from the detritus of the human world as those who are "different" try to seize history and the day.

In How to Dress a Fish, poet Abigail Chabitnoy, of Aleut descent, addresses the lives disrupted by US Indian boarding school policy. She pays particular attention to the life story of her great grandfather, Michael, who was taken from the Baptist Orphanage, Wood Island, Alaska, and sent to Carlisle Indian Industrial School in Pennsylvania. Incorporating extracts from Michael's boarding school records and early Russian ethnologies—while engaging Alutiiq language, storytelling motifs, and traditional practices—the poems form an act of witness and reclamation. In uncovering her own family records, Chabitnoy works against the attempted erasure, finding that while legislation such as the Alaska Native Claims Settlement Act reconnects her to community, through blood and paper, it could not restore the personal relationships that had already been severed. Autorid: Abigail Chabitnoy

This collection of essays is one of the first books in the field that help with the training of supervisors. Written by spiritual directors who have years of experience in supervision, this book engages some of the leading voices in the field in an exploration of a wide variety of issues, including: gender and sexuality; ethical dilemmas; working with constituents of diverse races and ethnicities; working with the differently abled; the parameters of supervision; and the supervision of beginning directors. Autorid: Rebecca Bradburn Langer, Mary Rose Bumpus

"Poetry that investigates significations of "the past" by relating the author's own migration from China to the US to the 1989 Tiananmen Square protests"-- Elegiac and searching, poems written in the long shadow of immigrationThe poems in Wendy Xu's third collection, The Past, fantasize uneasily about becoming a palatable lyric record of their namesake, while ultimately working to disrupt this Westernized desire. Born in Shandong, China, in 1987, Wendy Xu immigrated to the United States in 1989, three days ahead of the events of Tian'anmen Square. The Past probes the multi-generational binds of family, displacement, and immigration as an ongoing psychic experience without end. Moving spontaneously between lyric, fragment, prose, and subversions in "traditional" Chinese forms, the book culminates in a centerpiece series of "Tian'anmen Square sonnets" (and their subsequent erasures), to conjure up the irrepressible past, and ultimately imagine a new kind of poem: at once code and confession."Tian'anmen Sonnet" (dead air in air ... )Dead air in air The anniversary of language holds you back against bucolic dreaming, down stream from here is running a miraculous color, elegy bursts like a ribbon in air Thinking again of the Square today Bold sky, passing episodes of cloud Vegetation mutters in the Far West A column of ghosts going violet over time Familiar song looping overhead Lines pressed in air Autorid: Wendy Xu