Otsing: 81913

The latest addition to the 'Lives of the Artists' series: highly readable short biographies of the world's greatest artists David Hockney is the most famous living British artist. And he is arguably one of the more famous American artists as well. Emerging from the north of England in the 1960s, he made quite a splash in Swinging London as a portaitist, and went on to make a even bigger splash in Los Angeles when he moved there in the 1970s. His figurative paintings of the 1970s and 1980s captured the zeitgeist of West Coast living, while he also explored new avenues by constructing mosaics out of polaroids. By the beginning of the millennium, he returned to his Yorkshire roots, embarking on a new period of painting. This came to an end with the death by misadventure in his home of a young studio assistant in 2013. He went 'home' to LA and has in the intervening years begun a new period of contemplative portraiture. Autorid: James Cahill

The first and collection of Virginia Woolf's most inspirational quotes. 'No need to hurry. No need to sparkle. No need to be anybody but oneself.' Over 100 words of wisdom from the inimitable Virginia Woolf on love, literature, feminism, food, work, ageing, authenticity, nature, truth, happiness and everything in between, carefully selected and curated from Woolf's timeless novels, essays and speeches. A celebration of one of the world's best loved writers and a true feminist icon, in a beautifully packaged, small-format gift book. Autorid: Virginia Woolf

These women changed art forever - told in colourful graphic novel form, this is the story of four pioneers of feminist art: Judy Chicago, Faith Ringold, Ana Mendieta, and the Guerilla Girls. Each made their mark in their own powerful way. Judy Chicago made us reassess the female body, Faith Ringold taught us that feminism is for everyone, Ana Mendieta was a martyr to violence against women, while the Guerilla Girls have taken the fight to the male-dominated museum. This graphic novel tells each of their stories in a unique style. Autorid: Eva Rossetti, Valentina Grande

"Written under the guidance and with the support of Dylan Wiliam, Kate Jones writes about five formative assessment strategies in action in the classroom. Building on the highly successful work of Wiliam and Siobhan Leahy, ideas are shared and misconceptions with formative assessment are addressed with lots of practical advice."--- Written under the guidance and with the support of Dylan Wiliam, Kate Jones writes about five formative assessment strategies in action in the classroom, with a foreword from Professor John Hattie. Building on the highly successful work of Wiliam and Siobhan Leahy, ideas are shared and misconceptions with formative assessment are addressed with lots of practical advice. Formative assessment in action focuses on five evidence-informed strategies that the teacher can use to support their learners to make progress. Formative assessment can help both the teacher and student understand what needs to be learned and how this can be achieved. During the learning process, formative assessment can identify students’ progress as well as highlighting gaps in their knowledge and understanding, therefore giving the teacher useful insight as to what feedback and instruction can be provided to continue to move learners forward. The book, part of the In Action series edited by Tom Sherrington, features a range of case studies from different subjects and key stages to show how formative assessment can be embedded across a curriculum successfully. Autorid: Kate Jones

Good behaviour is the beginning of great learning. All children deserve classrooms that are calm, safe spaces where everyone is treated with dignity. Creating that space is one of the most important things a teacher needs to be able to do. But all too often teachers begin their careers with the bare minimum of training or worse, none. How students behave, socially and academically, dictates whether or not they will succeed or struggle in school. Every child comes to the classroom with different skills, habits, values and expectations of what to do. Theres no point just telling a child to behave; behaviour must be taught. Behaviour is a curriculum. This simple truth is the beginning of creating a classroom culture where everyone flourishes, pupils and staff. Running the Room is the teachers guide to behaviour. Practical, evidence informed, and based on the expertise of great teachers from around the world, it addresses the things teachers really need to know to build the classrooms children need. Bursting with strategies, tips and solid advice, it brings together the best of what we know and saves teachers, new or old, from reinventing the wheels of the classroom. Its the book teachers have been waiting for. Autorid: Tom Bennett

In Running the Room, published in August 2020, Tom Bennett rewrote the book onbehaviour management, and outlined the psychology and dynamics underpinningstudent habits. In this companion, he goes into more detail about how to applythose principles to the classroom. Addressing a wide range of circumstances, heexplores popular teacher dilemmas such as:• How to deal with students who are late?• What are the best ways to work with parents?• Managing cover lessons successfully• How to tame smartphones• The best way to design a seating plan• How to start the lesson for the first time• Dealing with low-level disruption• Getting the class quiet when you – and they – need it the mostAnd many more. Using practical examples and evidence-informed techniques,Tom demystifies the puzzles that complex behaviour often presents, and guidesteachers new and old carefully to a better understanding of how to run the roomthey way everyone deserves. Autorid: Tom Bennett

What is it that enables students to learn from some classroom activities, yet leaves them totally confused by others? Although we can’t see directly into students’ minds, we do have Cognitive Load Theory, and this is the next best thing. Built on the foundation of all learning, the human memory system, Cognitive Load Theory details the exact actions that teachers can take to maximise student outcomes.Written under the guidance, and thoroughly reviewed by the originator of CLT, John Sweller, this practical guide summarises over 30 years of research in this field into clear and easily understandable terms. This book features both a thorough discussion of the core principles of CLT and a wide array of classroom-ready strategies to apply it to art, music, history, chemistry, PE, mathematics, computer science, economics, biology, and more.‘I would like to recommend this book in the highest possible terms to all educators who wish to familiarise themselves with cognitive load theory’ – Emeritus Professor John Sweller Autorid: Oliver Lovell

Paint Your Town Red tells the story of how one city in the north of England decided to level up without waiting for Whitehall.Across the world, there is a growing recognition that a new kind of economy is needed: more democratic, less exploitative, less destructive of society and the planet. Paint Your Town Red looks at how wealth can be generated and shared at a local level through the experience of one of the main advocates of the new Democratic Economy, Matthew Brown, the driving-force behind the world-recognized Preston Model.Using analysis, interviews and case studies to explain what Matthew and Preston City Council have done over the last decade in order to earn Preston the title of Most Improved City, the book shows how the model can be adapted to fit different local circumstances, as well as demonstrating how Preston itself adapted economic and democratic experiments in ‘community wealth-building’ from elsewhere in the US and Europe.Preston’s success shows that the ideas of community wealth-building work in practice and have the capacity to achieve a meaningful transfer of wealth and power back to local communities. A lot of recent coverage and references have tended to oversimplify the Preston Model, which is not just about ‘buying local’ but a comprehensive project, which envisions local and regional discussions and collaboration adding up to a wholesale transformation of our currently failing economic systems. Autorid: Matthew Brown, Rhian E Jones

A blending of art and pop cultural criticism about people who injure themselves for our entertainment or enlightenment.A few weeks before he died, Hunter S. Thompson left an answerphone message for Jackass' Johnny Knoxville: "I might be coming to Baton Rouge... and if I do I will call you, because I will be looking to have some fun, which as you know usually means violence." Fun does not, of course, mean violence for most people. Those who choose to make a hobby, a career or an art practice out of injury are wired differently — subject to unusual motivations, and quite often powered by an ardent death-drive.In Which as You Know Means Violence, writer and art critic Philippa Snow analyses the subject of pain, injury and sadomasochism in performance, from the more rarefied context of contemporary art to the more lowbrow realm of pranksters, stuntmen and stuntwomen, and uncategorisable, danger-loving YouTube freaks.In a world where violence — of the market, of climate change, of capitalism — is part of our everyday lives, Which as You Know Means Violence focuses on those who enact violence on themselves, for art or entertainment, and analyses the role that violence plays in twenty-first century culture. Autorid: Philippa Snow

Walking London is the essential companion for any urban explorer?visitor or native?committed to discovering the true heart of one of the world's greatest capital cities. In 30 original walks, distinguished historian Andrew Duncan reveals miles of London's endlessly surprising landscape. From wild heathland to formal gardens, cobbled mews to elegant squares and arcades, bustling markets to tranquil villages?Duncan reveals the pick of the famous sights, but also steers walkers off the tourist track and into the city's hidden corners. Handsomely illustrated with specially commissioned color photographs and complete route maps, the book provides full details of addresses, opening times and the best bars and restaurants to visit en route. Autorid: Andrew Duncan

This joy-filled collection of recipes, crafts, stories and games celebrates festivals and holidays all around the world. Celebrations happen in many different ways. Have you ever decorated a tree at solstice, cooked dumplings for Mother's Day or made a paper dragons for Lunar New Year? A book to help us learn about other cultures, connect with the passing seasons and bring meaning to the year. Autorid: Laura Gladwin, Dawn M Cordona

When the official investigation into the murder of a respectable local businessman fails to add up, and personal problems start to play havoc with her state of mind, New Zealand&;s favourite young detective Sam Shephard turns vigilante&; &;Fast-moving New Zealand procedural &; the Edinburgh of the south has never been more deadly&; Ian Rankin'If you like taut, pacy thrillers with a wonderful sense of place, this is the book for you&; Liam McIlvanney&;A sassy heroine, fabulous sense of place, and rip-roaring stories with a twist. Perfect curl-up-on-the-sofa reading&; Kate Mosse ________________The New Zealand city of Dunedin is rocked when a wealthy and apparently respectable businessman is murdered in his luxurious home while his wife is bound and gagged, and forced to watch. But when Detective Sam Shephard and her team start investigating the case, they discover that the victim had links with some dubious characters.The case seems cut and dried, but Sam has other ideas. Weighed down by her dad&;s terminal cancer diagnosis, and by complications in her relationship with Paul, she needs a distraction, and launches her own investigation. And when another murder throws the official case into chaos, it&;s up to Sam to prove that the killer is someone no one could ever suspect&; ________________Praise for the Sam Shephard series&;Vanda Symon&;s work resembles Janet Evanovich&;s Stephanie Plum series &; she knows how to tell a good story and the NZ setting adds spice&; The Times&;Atmospheric, emotional and gripping&; Foreword Reviews&;A plot that grabs the reader&;s attention with a heart-stopping opening and doesn&;t let go&; Sunday Times&;Powerful, coolly assured, and an absolute belter of a read&; LoveReading &;It is Symon&;s copper Sam, self-deprecating and very human, who represents the writer&;s real achievement&; Guardian&;Fans of The Dry will love Vanda Symon&; Red Magazine&;With a twisty plot, a protagonist who shines and beautifully written observations of the cruellest things &; this is crime fiction at its best&; Kiwi Crime&;Reads like the polished effort of a genre veteran. More, please&; Booklist&;Atmospheric, gripping and incredibly satisfying&; Random Things through My Letterbox Autorid: Vanda Symon

This collectible edition gathers in one beautifully crafted volume the three novels that have made Yuri Herreras reputation as one of the best and most revolutionary writers of the new millennium, adding a new preface from the author as well as notes from his Best Translated Book Award-winning translator Lisa Dillman. The Mexico we hear about in the newswith its vicious drug cartels, desperate migrants, and senseless violencecould only ever be one small part of the story. Hailing from a place beyond the stereotypes, behind the hardships of daily life, Yuri Herreras characters are castaways from the realms of myth, the epic, the fairy tale. There is the singer Lobo in Kingdom Cons, who loves a drug lords daughter; Makina, who crosses borders to find her brother in Signs Preceding the End of the World; and the Redeemer, a hard-boiled hero looking to broker peace between feuding families during a pandemic in The Transmigration of Bodies. Autorid: Yuri Herrera, Lisa Dillman

Rosa, midway through life, is alone. Her husband passed away long ago, and her cosmopolitan daughter is already out the door, keen to marry and move to the city. At loose ends, Rosa decides to transplant herself to the flat, foggy Lombardy provinces from her native Naples and there finds a way to renew herselfby opening a restaurant, and in the process coming to a new appreciation of the myriad relationships possible between women, from friendship to caregiving to collaboration to emotional and physical love. Unconventional in style and yet rivetingly accessible, The Hunger of Women is a novel infused with the pleasures of the body and the little shocks of daily life. Made up of Rosas observations, reflections, and recipes, it tracks her mental journey back to reconnect with her own embattled mothers age-old wisdom, forward to her daughters inconceivable future, and laterally to the world of Rosa's new community of lovers and customers. A tribute not only to the tradition of women's writing on hearth and home but to the legacy of such boundary-breaking feminist writers as Gertrude Stein, Virginia Woolf, and Helene Cixous, The Hunger of Women is nothing less than a literary feast. Marosia Castaldi's project would seem to be precisely that of revealing the wealth that resides in a woman's domestic microcosm, and the wisdom and passions that can be read among the ingredients of her kitchen. Lorenzo Licciardi, Roma Cultura Autorid: Marosia Castaldi, Jamie Richards

Winner of the 2024 James Tait Black Prize Biography Cairo, 1963: Enayat al-Zayyats suicide becomes a byword for talent tragically cut down, even as Love and Silence, her only novel, languishes unpublished. Four years after al-Zayyats death, the novel will be brought out, adapted for film and radio, praised, and then, cursorily, forgotten. For the next three decades its as if al-Zayyat never existed. Yet when poet Iman Mersal stumbles across Love and Silence in the nineties, she is immediately hooked. Who was Enayat? Did the thought of her novels rejection really lead to her suicide? Where did this startling voice come from? And why did Love and Silence disappear from literary history? To answer these questions, Mersal traces Enayats life, interviews family members and friends, reconstructs the afterlife of Enayat in the media, and tracks down the flats, schools, archaeological institutes, and sanatoriums among which Enayat divided her days. Touching on everything from dubious antidepressants to domestic abuse and divorce law, from rubbish-strewn squats in the City of the Dead to the glamour of golden-age Egyptian cinema, this wide-ranging, unclassifiable masterpiece gives us a remarkable portrait of a woman artist striving to live on her own terms. Autorid: Iman Mersal, Robin Moger

Longlisted for the 2018 Scotiabank Giller Prize - Winner of the 2019 Indigenous Voices Award for Published Prose in English Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them. An Inuk girl grows up in Nunavut, Canada, in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. When she becomes pregnant, she must navigate all this. In this acclaimed debut novel haunting, brooding, exhilarating, and tender all at once Tanya Tagaq explores the grittiest features of a small Arctic town and the electrifying proximity of the worlds of animals and of myth. 'One of the Best Things I've Ever Read.' Elliot Page Tagaqs surreal meld of poetry and prose transmutes the Arctics boundless beauty, intensity, and desolation into a wrenching contemporary mythology. The New Yorker Autorid: Tanya Tagaq

Winner of the 2025 Hawthornden Prize for Literature Winner of the Wingate Literary Prize Longlisted for the 2024 Republic of Consciousness Prize, United States and Canada Elya is the lad with the vision, and Elya has the map. Ziv and Kiva arent so sure. The water runs out long before they find the Village of Lakes. The food runs out well before the flaky crescent pastries of Prune Town. They never reach the Village of Girls (how disappointing); they do stumble into Russian Town, rumoured to be a dangerous place for Jews (it is). As three young boys set off from Mezritsh with a case of bristle brushes to sell in the great market town of Lublin, wearing shoes of uneven quality and possessed of decidedly unequal enthusiasms, they quickly find that nothing, not Elyas jokes nor Kivas prayers nor Zivs sublime irritatingness, can keep the maw of history from closing bloodily around them. Absurd, riveting, alarming, hilarious, the dialogue devastatingly sharp and the pacing extraordinary, Lublin is the sort of journey into nothingness that changes everything it touches. Autorid: Manya Wilkinson

From the critically acclaimed author of Children of the Quicksands - shortlisted for the Waterstones Children's Book Prize - comes a breathtaking magical adventure ... Kuki refuses to believe in the curse of the Abiku. Her destiny is not to die young! Her biggest problem right now is moving house and fitting in at her new school. One evening while exploring, Kuki spies a driveway lined with giant palm trees. It leads to an abandoned beach house of shadows and scattered sea shells. And in the fading light, she meets a girl called Enilo. They become friends the best of friends. Until Kuki makes a terrifying discovery ... The second novel by Times/Chicken House Competition-winning Efua Traore, author of critically acclaimed Children of the Quicksands A beautifully evoked middle-grade adventure set in the authors native Nigeria and drawing from rich Yoruba mythology A story about the power of female friendship over fear and superstition PRAISE FOR CHILDREN OF THE QUICKSANDS: 'A joy of a book: rich, warm, powerful storytelling' KATHERINE RUNDELL 'A thrilling adventure bright with the gorgeous colours of Nigeria glorious!' JASBINDER BILAN '(A] beautifully evoked story' THE TELEGRAPH 'Traore's storytelling feels almost otherworldly ... exhilarating' THE TIMES Autorid: Efua Traore

A post-apocalyptic rom-com perfect for fans of Adam Silvera. 'Could not have adored My Love Life and the Apocalypse any more.' CYNTHIA MURPHY, AUTHOR OF WIN LOSE KILL DIE 'The most fun you'll have in an apocalypse!' BRIANNA BOURNE, AUTHOR OF YOU & ME AT THE END OF THE WORLD 'A perfect blend of romance, humour and dark dystopia, Melissa Welliver has created something fun, thought-provoking and completely unique.' AMY MCCAW, AUTHOR OF MINA AND THE UNDEAD 'Wry, inventive, and heart-warming all at once' NADIA MIKAIL, AUTHOR OF THE CATS WE MEET ALONG THE WAY Planet Earth Sucks. Humans have gone and cities are empty, looked after by bots. But not all robots are machines. Echo is part-human, his heart ruled by an unreliable E-Mote chip which means he's pretty much a normal boy surviving on canned beans. Living his best life. Then a space-pod crash-lands in his neighbourhood with a girl on board. Pandora. She's his last hope, and apparently he's hers - if they really are all that's left alive ... A highly original and uplifting YA love story/science fiction mash-up with a slow-burn romance Set in an abandoned but fully maintained New York City where the characters live out all our empty mall dreams A thrilling adventure with plenty of unexpected twists and turns and a dash of darkness YA readers will love Echos vintage 90s-00s culture obsession! Autorid: Melissa Welliver

Liberty

When the Soviets invaded Afghanistan in 1979, the forces of resistance were disparate and divided mujahideen groups, as interested in fighting each other and competing for Western arms as opposing the Russians. The exception was Ahmed Shah Massoud, the military strategist and political operator who solidified the resistance and undermined the Russian occupation by leading its members to a series of defensive victories. Sandy Gall was embedded with Massoud during Soviet offences and reported on the war in Afghanistan for a number of years. He has now written an illuminating biography of this charismatic guerrilla commander, which contains excerpts from the surviving volumes of Massoud's diaries. Massoud's prolific diary-keeping was little known during his lifetime, and his entries detail crucial moments in his life and throw fascinating light on his struggles, both in the resistance and in his personal life. Born into an ostensibly liberalising Afghanistan in the 1960s, Massoud ardently opposed communism and Mohammed Daoud, Afghanistan's puppet leader. He quickly rose to prominence and distinguished himself by coordinating the defence of the Panjshir Valley against repeated Soviet offensives. As the occupation wore on, Massoud became the resistance's unifying force. Massoud's assassination in 2001 presaged the attack on the Twin Towers just two days later and it is widely believed to have been ordered by Osama bin Laden. Forever the underdog in a life dominated by conflict, Massoud's attempts to build political consensus in Afghanistan were ultimately frustrated. Despite that, he is recognised today as a national hero. Autorid: Sandy Gall, Rory Stewart

Shu Lin is starting at a new school. She stands alone in the playground and at lunchtime she eats by herself from little boxes of brightly coloured food. "What's up with her?" says Barney. But when Shu Lins grandpa comes to school and shows the class his amazing Chinese paintings, everything changes. With a stunning double-gatefold spread revealing a beautiful Chinese picture, this uplifting story shows the transformative power of art and imagination in developing cultural understanding and empathy. Autorid: Matt Goodfellow, Yu Rong

Oh, Komodo, no, Komodo, if what I hear is true, nothing but another Komodo should risk getting close to you! Every day is an adventure in this brilliant, eagerly awaited collection from one of the UKs best loved poets. Find cats, dogs and dragons, a rock'n'roll iguana and the Rescue Centre for Mythical Beasts. Take the night train to Transylvania, learn to fly or send a postcard from Pluto but never take a selfie with a Komodo! Autorid: Brian Moses, Ed Boxall

Ghost Hunt is a poetry book of powerful truths in the aftermath of a sudden death. Laced with expressions of loss and an exploration of the spectrum of human emotions, this collection takes you on a jolting journey with a firm hand of keen insight and humour. Autorid: Mac Gay

Charm Offensive, Ross White's debut poetry collection, explores thespace between Dickinson's directive to tell the truth slant and the universal reality ofseeing the truth slant without knowing it. Charting the ways that tenderness canresolve into dissonance and uncertainty can resolve into transcendence, CharmOffensive crackles with the dangers of being alive and the joys of remaining defiant.At turns playful and surreal, exuberant and somber, these poems urge readers to findsomething new to trust in the world. Autorid: Ross White

Who is the mysterious bloodstained man who stops their coach? Why is no one around when Lance and the rest of Year Six arrive at the brand new Crater Lake activity centre? But this is just the beginning of the school trip from hell; a fight for survival that sees five pupils band together to save their classmates from an alien fate far worse than death. But whatever happens, they must Never. Ever. Fall asleep! Autorid: Jennifer Killick

Edinburgh, 2014. Two writer friends, Damaris and Oliver Pablo, escape London, the city that killed his brother. They spend their days trying to get to the library, bickering over their tanking bitcoin, failing to write or resist the sadness. Then they meet Diego, a poet. He tells them he is named for his mothers island in the Chagos Archipelago, which she and her community were forced to leave by British soldiers in 1973. Damaris and Oliver Pablo become obsessed with this notorious episode and the continuing resistance of the Chagossian people, and want to write in solidarity. But how to share a story that is not theirs to tell? And how to account for a loss not theirs to grieve? A tragicomedy interrogating the powers of literature alongside the crimes of the British government, Diego Garcia is a collaborative fiction that opens up possibilities for the novel and seeks other ways of living together. Autorid: Natasha Soobramanien, Luke Williams

The World's Best Tropical Dive Destinations is a magnificent and comprehensive illustrated reference to the world's most exotic dive locations covers the Caribbean Sea (Bahamas, Mexico, Cuba, Cayman Islands, The Virgin Islands, Belize, Honduras, Aruba, Bonaire, and Curacao, Tobago, St Lucia and Dominica), Bermuda, the Red Sea (Egypt and Sudan), the Indian Ocean (Oman, Maldives, Seychelles, Mozambique and Western Australia), the Indo-Pacific (Thailand, Malaysia and Indonesia), and the Pacific Ocean (Philippines, Micronesia, Melanesia, Papua New Guinea, French Polynesia and Eastern Australia). In this carefully updated third edition, superb quality underwater photography shows a huge variety of wrecks, marine habitats and aquatic species. The descriptions detail the type of dive to be experienced as well as what you can expect to see. Each dive site featured can be located via a detailed regional site map, and a travel advisory is also included. Autorid: Lawson Wood

A killer stalks the streets of Leeds, a city in England's industrial north. Every man is a suspect. Every woman is at risk. But in a house on Cleopatra Street, women are fighting back.It's the eve of the 1980s. Police officer Liz Seeley joins the squad investigating the murders. With a violent boyfriend at home and male chauvinist pigs at work, she is drawn to a feminist collective led by the militant and uncompromising Rowena. There she meets Charmaine—young, Black, artistic, and fighting discrimination on two fronts.As the list of victims grows and police fail to catch the killer, women are too terrified to go out after dark. To the feminists, the Butcher is a symptom of wider misogyny. Their anger finds an outlet in violence, and Liz is torn between loyalty to them and her colleagues and job.In this novel based on the true events of the Yorkshire Ripper murders and the feminist arson campaign it triggered targeting porn outlets, Ajay Close combines the tension of a police procedural with the power and passion of the Women's Lib movement. By turns emotional, action-packed, and darkly funny, What Doesn't Kill Us reveals just how much the world has changed since the 1970s—and how much it hasn't Autorid: Ajay Close

Horror opened me up to new possibilities for survival I saw power in freakery and transgression and wondered if it could be mine. The relationship between horror films and the LGBTQ+ community? Its complicated. Haunted houses, forbidden desires and the monstrous can have striking resonance for those whove been marginalised. But the genres murky history of an alarmingly heterosexual male gaze, queer-coded villains and sometimes blatant homophobia, is impossible to overlook. There is tension here, and there are as many queer readings of horror films as there are queer people. Edited by Joe Vallese, and with contributions by writers including Kirsty Logan and Carmen Maria Machado, the essays in It Came from the Closet bring the particulars of the writers own experiences, whether in relation to gender, sexuality, or both, to their unique interpretations of horror films from Jaws to Jennifers Body. Exploring a multitude of queer experiences from first kisses and coming out to transition and parenthood, this is a varied and accessible collection that leans into the fun of horror while taking its cultural impact and reciprocal relationship to the LGBTQ+ community seriously. Autorid: Joe Vallese, Bruce Owens Grimm, Kirsty Logan, Carmen Maria Machado, Samuel Autman, Jen Corrigan, Viet Dinh, Jude Ellison S. Doyle, Ryan Dzelzkalns, Sarah Fonesca

Shortlisted for the International Booker Prize and Dua Lipa's monthly read for Service95 Book Club In November 2021, an inflatable dinghy carrying migrants from France to the United Kingdom capsized in the Channel causing the death of 27 people on board. Despite receiving numerous calls for help, the French authorities wrongly told the migrants they were in British waters and had to call the British authorities for help. By the time rescue vessels arrived on the scene, all but two of the migrants had died. The narrator of Delecroixs fictional account of the events is the woman who took the calls. Accused of failing in her duty, she refuses to be held more responsible than others for this disaster. Why should she be more responsible than the sea, than the war, than the crises behind these tragedies? A shocking, moral tale of our times, Small Boat reminds us of the power of fiction to illuminate our darkest crimes. Autorid: Vincent Delecroix, Jeremy Harding, Helen Stevenson

5 September, 1972. 4.30 a.m. The Munich Olympic Village. Black September, a group of Palestinian terrorists, break into the Israeli team's apartments. It is the beginning of the most tragic event in Olympic history and, after twenty hours, the day will end in a massacre, with the deaths of eleven Israelis, five Palestinians and a German policeman.This is the story of the race-walker Shaul Ladany: a survivor. But more than just a member of the Israeli team from those terrible events in Munich, Ladany was a survivor of the darkest period in twentieth century history, having been interred as a child at the Nazi concentration camp at Bergen-Belsen, the camp where Anne Frank died. For the second time in his life, Ladany has survived history.Ladany, the world record holder in the fifty-mile walk and a professor of industrial engineering, is one of Israel’s most successful athletes, having won dozens of national championships and competed at both the 1968 and 1972 Olympics; he was a student at Columbia University in New York, a soldier in the Six Days War and the Yom Kippur War. From Eichmann to Sharon, from Bikila to All Blacks, from Nixon to Thatcher: they are all a part of Ladany’s walk through the twentieth century. Award-winning author and journalist Andrea Schiavon tells Ladany's extraordinary life and, walking with him, chronicles a whole century of events in this astonishing, touching and epic biography. Andrea Schiavon tells the extraordinary story of Israeli race-walker Shaul Ladany, who not only survived the Munich massace in 1972, but also the the darkest period in twentieth century history, having been interred as a child the Nazi concentration camp Bergen-Belsen. This is an astonishing, touching and epic biography. Autorid: Andrea Schiavon

Author of International Booker Finalist Not a River Two young men, Pájaro Tamai and Marciano Miranda, are dying in a deserted amusement park. The story begins almost at its end, just after the two main characters have faced off in a knife fight: the culmination of a rivalry that has pitted them against one another since childhood. The present in Brickmakers is a state of impending death, at moments marked by dream-like visions: Marciano is visited by the ghost of his father, who was murdered when he was a teenager, a father he had sworn to avenge, in a promise he could not keep. Pájaro is also visited, in a recurring nightmare, by his abusive father who disappeared years earlier. Narrated with fury and passion, reminiscent of William Faulkner or Katherine Anne Porter, Brickmakers is a rural tragedy in the great American tradition, a story of love, honour and violence where everything is at stake. Reprising the powerful imagery and the filmic landscape of The Wind That Lays Waste, and the threatening atmosphere of Dead Girls, Brickmakers is yet another proof of Almadas extraordinary talent. Autorid: Selva Almada, Annie McDermott

Appearing for the first time in English, Deceit is the debut novel by Yuri Felsen, a leading modernist writer of the interwar Russian diaspora. Known by his contemporaries as the Russian Proust, Felsen died in the gas chambers at Auschwitz, his life and legacy destroyed by the Nazis. Written in the form of diary, Deceit is a psychological self-portrait of an unnamed narrator, a neurasthenic and aspiring author, whose often-thwarted pursuits of his love interest and muse provide the grounds for his beautifully wrought extemporizations on love, art and human nature. Modulating between the paroxysms of his tormented romance and his quest for an aesthetic mode befitting of the novel he intends to write, Deceit is a remarkable work of introspective depth and psychoanalytic inquiry. Like voyeurs, party to his most intimate thoughts, we accompany the diarist as he goes about Paris, making enraptured preparations for the materialisation of his fantasy, observing not only his eagerness, dreaminess and poetic inclinations, but also his compulsive desire to analyse his surroundings and self. Yet amid these ravishing flights of scrutiny we discern hints of his monomaniacal tendencies, which blind him from the true nature of his circumstances. Thus begins an exquisite game arranged by the author, wherein it falls to the reader to second-guess the essence of what really lies behind his narrative. Autorid: Yuri Felsen, Bryan Karetnyk

It's fall (or autumn) 2018. The Trump administration wants to fortify the United States-Mexico border, Robert 'Beto' O'Rourke is running for Senate, and British grifter Nicki Smith has just secured a "low-paid glamour job" at the University of Texas' Jacques Lacan Foundation. In between sleeping with the air-conditioning repair guy (or man) and watching Kate Moss make-up commercials (or advertisements) Nicki completes the first ever American-English translation of Lacan's newly discovered and highly controversial notebook - without knowing any French. An Anglo-American comedy of manners about identity and class The Jacques Lacan Foundation reveals-and revels in-the numerous pretentions that surround academia and authorship, and the institutions that foster them. Autorid: Susan Finlay

The author of the acclaimed novel Scarborough weaves an unforgettable and timely dystopian tale about a near-future, where a queer Black performer and his allies join forces to rise up when an oppressive regime gathers those deemed "Other" into concentration camps. Set in a terrifyingly familiar near-future, with massive floods leading to rampant homelessness and devastation, a government-sanctioned regime called The Boots seizes on the opportunity to round up communities of color, the disabled, and the LGBTQ+ into labour camps. In the shadows, a new hero emerges. After he loses his livelihood as a drag queen and the love of his life, Kay joins the resistance alongside Bahadur, a transmasculine refugee, and Firuzeh, a headstrong social worker. Guiding them in the use of weapons and close-quarters combat is Beck, a rogue army officer, who helps them plan an uprising at a major televised international event. With her signature "raw yet beautiful, disturbing yet hopeful" (Booklist) prose, Catherine Hernandez creates a vision of the future that is all the more frightening because it is very possible. A cautionary tale filled with fierce and vibrant characters, Crosshairs explores the universal desire to thrive, love, and be loved for being your true self. Autorid: Catherine Hernandez

A wide-ranging collection of interviews, anecdotes, essays, and ephemera concerning one of the most enigmatic bands to emerge from the 1960s hippy scene."Encyclopaedic in scope, passionate in tone, this book is a minotaur's labyrinth of information about one of the most remarkable groups in 20th century music. Be glad, for everything you need to know is here." (Rob Young, The Wire)First published in 2003 and long out of print, Be Glad For The Song Has No Ending: An Incredible String Band Compendium is the definitive book about the ISB. Containing a wealth of interviews, essays, and ephemera from the band's brief but tangled history, this new revised and expanded edition includes two new pieces by ISB member Rose Simpson on Witchseason Productions’ idiosyncratic offices and on recording with the ISB in the Sound Techniques studio, as well as interviews with Neil Tennant of Pet Shop Boys, folk musician Alasdair Roberts, and Ossian Brown of Coil and Cyclobe.Contributors include Rowan Williamson (former Archbishop of Canterbury), ISB manager and producer Joe Boyd, Andy Roberts, Billy Connolly, and Raymond Greenoaken. Autorid: Adrian Whittaker

A piercing meditation on love and music, and the silence and inscrutability which underpins the performance of each. Luc has lived a long time as a soloist. She has not seen Billy for many years. A visit to a major show of his sculptures sends her arrowing back to a younger version of herself: to a time when she had to make room to love him when she'd felt no room within herself. To a time when she was forced to make a choice between being one thing or another. To a time when he was a sculptor, but she was not yet a cellist. In exquisite and crystalline prose, The Cellist explores how you might make room for beauty and mastery for yourself, and still leave space for someone else. It asks what love and companionship costs: what happens when you are forced to cast yourself in the distorting light of another person's needs? Autorid: Jennifer Atkins

Fashion Reimagined features 50 outstanding examples of fashionable dress drawn entirely from the outstanding collection of the Mint Museum, Charlotte, NC, including men's and women's fashions from 1760 to 2022. The book is divided into three sections that reflect three aspects of historicism: Minimalism, Pattern and Decoration, and The Body Reimagined. Each catalogue entry addresses a theme and provides information and insights about the individual designers, fabric and construction details, and globalization that is embedded in both the textiles and fashions 1760 to the present. Ranging from court suits to street wear, highlights include an English 18th-century sack back dress, two English men's court suits, early 19th-century printed cotton dresses, wedding dresses from the mid and last quarter of the 19th century, as well as a rare 1920s wedding ensemble by Roman fashion artist Maria Monaci Gallenga, a very rare early 20th-century Ispahan mantle by Paul Poiret, an unusual mid twentieth century Black Narcissus dress by American designer James Galanos, several examples of 1960s and 70s mod and hippie chic style, and innovative contemporary fashions by Giorgio Armani, Romeo Gigli, Zandra Rhodes, Anna Sui, Yoji Yamamoto, Wale Oyejide for Ikire Jones, Anamika Khanna, and Iris van Herpen, among others. Autorid: Annie Carlano, Ellen C Walker Show, Lauren Whitley, Anna Sui

All organizations are becoming service organizations. But most weren’t built to deliver services successfully end-to-end, and the human, operational and financial impacts are abundantly clear. In the digital era the stakes are even higher, given how rapidly services change. Yet default working practices (governance, planning, funding, leadership, reporting, programme and team structures) inside large organizations haven't changed. Rather than modernize just one service at a time, it's the underlying organizational conditions that need to be transformed — anything less is futile.The Service Organization is the result of years of research and consulting, as well as dozens of interviews with executives. It explores significant challenges that leaders will recognize, and turns them into solvable puzzles by providing practical advice and tools that reimagine what the organization does from the perspective of its customers — and it organizes the activity needed to deliver the best outcomes. This book is for everyone involved, from designers to technologists and from operational staff to policymakers and leaders. It includes surprisingly simple and doable, but non-obvious, steps that don’t depend on seniority or pay band and that are typically overlooked by even the most progressive professions, teams and companies.Kate Tarling sets a bold, ambitious and practical agenda for all service organizations. Her book is full of behind-the-scenes examples from the global companies, public sector bodies and non-profits that are now delivering and leading successful services. It shows how to reinvent organizations so they rely not just on ‘transforming technology’ but on putting the success of their services at the heart of how they operate. Autorid: Kate Tarling

In September 1933, the Peruvian Rubber Company delivers nineteen indigenous people from the Amazon to businessman Amado Dam, intended for Argentina's first Ethnographic Theme Park. Unexpected among the human cargo is an artefact harbouring a sloth with a fascinating yet terrifying secret: the ability to create erotically explosive telepathic connections between people. What ensues is a raucous satire of mens fear of womens bodies, of the illusion of logic in the structures of so-called civilisation, and the way class and race obscure identities when the observer is a man with power. In The National Telepathy , Roque Larraquy, one of the most original voices in contemporary Argentinian literature, brings us a literary high-wire act, an over-the-top comic grotesque about atrocity. This shocking, bizarre, funny, imaginative novel lays all-too-bare the secret longings and not-so-secret machinations of a social class that will stop at nothing in order to stay on top. Autorid: Roque Larraquy, Frank Wynne