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An authoritative economic history of Israel from its founding to the presentIn 1922, there were ninety thousand Jews in Palestine, a small country in a poor and volatile region. Today, Israel has a population of nine million and is one of the richest countries in the world. The Israeli Economy tells the story of this remarkable transformation, shedding critical new light on Israel's rapid economic growth.Joseph Zeira takes readers from those early days to today, describing how Israel's economic development occurred amid intense fighting with the Palestinians and neighboring Arab countries. He reveals how the new state's astonishing growth continued into the early 1970s, and traces this growth to public investment in education and to large foreign transfers. Zeira analyzes the costs of the Arab-Israeli conflict, demonstrating how economic output could be vastly greater with a comprehensive peace. He discusses how Israel went through intensive neoliberal economic policies in recent decades, and shows how these policies not only failed to enhance economic performance, but led to significant social inequality.Based on more than two decades of groundbreaking research, The Israeli Economy is an in-depth survey of a modern economy that has experienced rapid growth, wars, immigration waves, and other significant shocks. It thus offers important lessons for nations around the world. Autorid: Joseph Zeira

"An undergraduate/graduate level textbook on cognition/cognitive psychology"-- A comprehensive overview of what psychologists now know about the nature of cognitionPrinciples of Cognition provides students with an invaluable introduction to the modern science of cognition, blending invaluable insights from behavioral and neuroscientific studies of humans and other animals with unique examples, cutting-edge research summaries, and real-world applications. This accessible textbook builds on the legacy of psychologist William James by emphasizing not only the form cognition takes in laboratory research but also the functional dynamics of cognitive processes in everyday life and the ways they vary across individuals and species. Using an integrative approach that highlights the relevance of cognition across psychological disciplines, it engages students by showing how cognition emerges over time, how cognitive abilities can be improved, and how thinking can be upended by something as simple as falling in love.Discusses topics in cognition rarely covered by other textbooks, including perception of time and space, consciousness, animal cognition, mathematical and reading skills, emotions, intelligence, generalization, and social cognitionEmphasizes learning and its interactions with memory and cognitionFeatures practical applications from cognitive research in every chapterConnects topics across chapters to promote retention and critical thinkingDraws on the latest experimental, naturalistic, and applied researchIntegrates findings about animals and children with traditional studies of adults to develop a more neurally grounded framework for thinking about the mechanisms of cognitionAn ideal textbook for undergraduate and graduate classrooms Autorid: Eduardo Mercado

How an ingenious printmaking technique became a cross-cultural phenomenon in Enlightenment EuropeDriven by a growing interest in collecting and multiplying drawings, artists and amateurs in the eighteenth century sought a new technique capable of replicating the subtlety of ink, wash, and watercolor. They devised an innovative and versatile new medium—aquatint—which would spread in use across Europe within a few decades, its distinctive dark tones making possible a remarkable variety of ingenious imagery. In this illuminating book, Rena M. Hoisington traces how the aquatint technique flourished as a cross-cultural and cosmopolitan phenomenon that contributed to the rise of art publishing, connoisseurship, leisure travel, drawing instruction, and the popularity of neoclassicism. She offers new insights into sophisticated experiments by artists such as Francisco Goya, Maria Catharina Prestel, Paul Sandby, and Jean-Baptiste Le Prince. Marvelously illustrated with rare works from the National Gallery of Art’s collection of early aquatints, this engaging book provides a fresh look at how printmaking contributed to a vibrant exchange of information and ideas in Europe during the Enlightenment. Published in association with the National Gallery of Art, Washington, DCExhibition ScheduleNational Gallery of Art, Washington, DCOctober 24, 2021–February 21, 2022

From a devoted reader and lifelong bookseller, an eloquent and charming reflection on the singular importance of bookstoresDo we need bookstores in the twenty-first century? If so, what makes a good one? In this beautifully written book, Jeff Deutsch—the former director of Chicago’s Seminary Co-op Bookstores, one of the finest bookstores in the world—pays loving tribute to one of our most important and endangered civic institutions. He considers how qualities like space, time, abundance, and community find expression in a good bookstore. Along the way, he also predicts—perhaps audaciously—a future in which the bookstore not only endures, but realizes its highest aspirations.In exploring why good bookstores matter, Deutsch draws on his lifelong experience as a bookseller, but also his upbringing as an Orthodox Jew. This spiritual and cultural heritage instilled in him a reverence for reading, not as a means to a living, but as an essential part of a meaningful life. Central among Deutsch’s arguments for the necessity of bookstores is the incalculable value of browsing—since, when we are deep in the act of looking at the shelves, we move through space as though we are inside the mind itself, immersed in self-reflection.In the age of one-click shopping, this is no ordinary defense of bookstores, but rather an urgent account of why they are essential places of discovery, refuge, and fulfillment that enrich the communities that are lucky enough to have them.

"Avian vagrancy--the appearance of birds outside of their expected habitat--is a phenomenon that has fascinated natural historians for centuries, from Victorian collectors willing to spend fortunes on a rare specimen to today's bird-chasing "twitchers." Yet despite the obsessions of countless ornithologists, what do we actually know about the enigma of vagrancy? In Vagrancy in Birds, Alexander Lees and James Gilroy explore the causes, patterns, and processes behind the occurrences of these unique birds. Lees and Gilroy draw on recent research to answer fundamental questions: What causes avian vagrancy? Why do some places attract so many vagrant birds? Why are some species more predisposed to long-range vagrancy than others? The authors present readers with everything known about the subject, and bring together different lines of evidence to make the case for vagrancy as a biological phenomenon with important implications for avian ecology and evolution. Filled with a wealth of photographs, Vagrancy in Birds will fascinate avian enthusiasts everywhere."--Amazon.ca.

Clemens Krauss restlessly shuttles across history; his vehicles are painting, video art, sculpture, and performance. Yet Krauss is not "just" an artist, he is also a psychoanalyst and physician. As such, he has first-hand experience of time as the defining factor of existence, daring him to play with it. The bosom of painting is where he feels safest after his hazardous excursions back into his youth and forward into death. Executed in thick paints, his work is physical, material, which is also to say, it exists in time: everything passes away, even the picture. Evanescent, more than anything, are encounters of the sort Krauss stages as part of his psychoanalytical practice; all that remains is the indelible impression they leave. To be indelible, to recall the past, while also "letting happen what has never happened," as he puts it, these are the ambitions he pursues in his art. Preserved between the covers of the present catalogue and reproduced in thousands of copies, his works now fan out in an instant to circulate for an indeterminate period of time among countless hands, whence they will effortlessly penetrate the barriers of our inner lives to bring us one step closer to transcendence.

Life for the most part consists of banalities. What to make of it? Katharina Arndt has decided to dip thick brushes into luminous bold acrylic paints, which she applies expansively without regard for the ostensible gray areas of life. Every stroke is valid, there's no remorse or trepidation, everything is foreground, all elements of a picture are equipollent. The people in Arndt's paintings from 2022-23 gathered in this catalog are simply there, for the moment, gaping into their cell phones, stuffing themselves with burgers. Nothing more. That makes her works distorted depictions of our hedonistic society with its craving for sensuality, even as we always have one eye riveted on the virtual. The harder, then, to face up to physical reality; with all photo filters off, its imperfections are unmistakable. And so, although we clearly delight in these gaudy colors, the pictures contain intimations of melancholy and death, too. Knowing that the hour of farewell is near, Arndt's figures stimulate their senses. They kill time down to the very end with jarring trivia, agitated Sisyphuses wallowing in their glittering inadequacy.

Tim Eitel initiates an exchange between recollection and painting. The work on his pictures, he says, is "a conversation about reality and memory" in which he engages the canvas. In the course of this dialogue, Eitel reflects on personal experiences, creating a standalone figural-abstract reality that needs to be internally consistent-the canvas has a strong will of its own. That makes the scenes depicted in his paintings analogues or afterimages of a situation rather than renditions of it. They are characterized by a certain openness that enables the beholders to inject their own recollections into the pictorial space as well. The dialogue between canvas and artist thus gives way to a colloquy between audience and finished work. Not by coincidence, many of the paintings by Eitel gathered in this catalog show people in museums: these scenes facilitate the leap into the pictorial space. The beholders have experienced a situation like the one shown in the pictures in the past or are experiencing it right now, and so they are already at the heart of the works; they become part of the painting, and the picture becomes a particle of their recollection.