Otsing: 69125

From the bestselling coauthor of Wittgenstein’s Poker, a fascinating account of Peter Singer’s controversial “drowning child” thought experiment—and how it changed the way people think about charitable givingImagine this: You’re walking past a shallow pond and spot a toddler thrashing around in the water, in obvious danger of drowning. You look around for her parents, but nobody is there. You’re the only person who can save her and you must act immediately. But as you approach the pond you remember that you’re wearing your most expensive shoes. Wading into the water will ruin them—and might make you late for a meeting. Should you let the child drown? The philosopher Peter Singer published this thought experiment in 1972, arguing that allowing people in the developing world to die, when we could easily help them by giving money to charity, is as morally reprehensible as saving our shoes instead of the drowning child. Can this possibly be true? In Death in a Shallow Pond, David Edmonds tells the remarkable story of Singer and his controversial idea, tracing how it radically changed the way many think about poverty—but also how it has provoked scathing criticisms.Death in a Shallow Pond describes the experiences and world events that led Singer to make his radical case and how it moved some young philosophers to establish the Effective Altruism movement, which tries to optimize philanthropy. The book also explores the reactions of critics who argue that the Shallow Pond and Effective Altruism are unrealistic, misguided, and counterproductive, neglecting the causes of—and therefore perpetuating—poverty. Ultimately, however, Edmonds argues that the Shallow Pond retains the power to shape how we live in a world in which terrible and unnecessary suffering persists. Autorid: David Edmonds

How the science of evolution explains how everything came to be, from bacteria and blue whales to cell phones, cities, and artificial intelligenceEverything Evolves reveals how evolutionary dynamics shape the world as we know it and how we are harnessing the principles of evolution in pursuit of many goals, such as increasing the global food supply and creating artificial intelligence capable of evolving its own solutions to thorny problems.Taking readers on an astonishing journey, Mark Vellend describes how all observable phenomena in the universe can be understood through two sciences. The first is physics. The second is the science of evolvable systems. Vellend shows how this Second Science unifies biology and culture and how evolution gives rise to everything from viruses and giraffes to nation-states, technology, and us. He discusses how the idea of evolution had precedents in areas such as language and economics long before it was made famous by Darwin, and how only by freeing ourselves of the notion that the study of evolution must start with biology can we appreciate the true breadth of evolutionary processes.A sweeping tour of the natural and social sciences, Everything Evolves is an essential introduction to one of the two key pillars to the scientific enterprise and an indispensable guide to understanding some of the most difficult challenges of the Anthropocene. Autorid: Mark Vellend

This cable is designed to connect multiple fans to one PWM socket, e.g. on a Mainboard, to allow control and monitoring, Important: To allow precise monitoring and control of the fans, they must be identical respectively from the same series. Different fans can also be used, but the monitored speed values will not be accurate. Please note: Connecting multiple fans to one socket may exceed the power envelope of the socket, damaging the controller unit! Sleeving: This cable is not only practical, it is also optically appealing, The surrounding mesh, also called mesh, which is surrounding the cable itself offers the advantages that every Pro-modder is looking for: A completely unique look, even of the cables in the system! Special attention was paid to the combination of cable connectors, sleeve and heatshrink which were used to ensure great design and a unique as well as elegant look. The idea behind these cables: Phobya's goal is to make the work of professional and hobby modders a bit easier with these cables. Sleeving is a lot of work and requires much time. But with these cables by Phobya the whole system can be redesigned any way you like by simply adding these cables. Technical specifications: Length: 40cm - 20cm, 10cm and 10cm Color: Black sleeve Connectors: 1x 4-Pin PWM male 3x 4-Pin PWM female Extent of delivery: 1x Phobya 4-Pin PWM to 3x4-Pin PWM extension 40cm - black This product has been reviewed for you: Aquainfos Tech-Review Overclockingstation Please note the difference between a 4-Pin power connector (Molex) and a 4-Pin fan connector (PWM)

The world's top experts take readers to the very frontiers of brain scienceIncludes a chapter by 2014 Nobel laureates May-Britt Moser and Edvard MoserAn unprecedented look at the quest to unravel the mysteries of the human brain, The Future of the Brain takes readers to the absolute frontiers of science. Original essays by leading researchers such as Christof Koch, George Church, Olaf Sporns, and May-Britt and Edvard Moser describe the spectacular technological advances that will enable us to map the more than eighty-five billion neurons in the brain, as well as the challenges that lie ahead in understanding the anticipated deluge of data and the prospects for building working simulations of the human brain. A must-read for anyone trying to understand ambitious new research programs such as the Obama administration's BRAIN Initiative and the European Union's Human Brain Project, The Future of the Brain sheds light on the breathtaking implications of brain science for medicine, psychiatry, and even human consciousness itself.Contributors include: Misha Ahrens, Ned Block, Matteo Carandini, George Church, John Donoghue, Chris Eliasmith, Simon Fisher, Mike Hawrylycz, Sean Hill, Christof Koch, Leah Krubitzer, Michel Maharbiz, Kevin Mitchell, Edvard Moser, May-Britt Moser, David Poeppel, Krishna Shenoy, Olaf Sporns, Anthony Zador. Autorid: Gary Marcus, Jeremy Freeman, Mackenzie W. Mathis

How ordinary forms of writing—including manuals, petitions, almanacs, and magazines—shaped the way colonial subjects understood their place in empire In Required Reading, Priyasha Mukhopadhyay offers a new and provocative history of reading that centers archives of everyday writing from the British empire. Mukhopadhyay rummages in the drawers of bureaucratic offices and the cupboards of publishers in search of how historical readers in colonial South Asia responded to texts ranging from licenses to manuals, how they made sense of them, and what this can tell us about their experiences living in the shadow of a vast imperial power. Taking these engagements seriously, she argues, is the first step to challenging conventional notions of what it means to read.Mukhopadhyay’s account is populated by a cast of characters that spans the ranks of colonial society, from bored soldiers to frustrated bureaucrats. These readers formed close, even intimate relationships with everyday texts. She presents four case studies: a soldier’s manual, a cache of bureaucratic documents, a collection of astrological almanacs, and a women’s literary magazine. Tracking moments in which readers refused to read, were unable to read, and read in part, she uncovers the dizzying array of material, textual, and aural practices these texts elicited. Even selectively read almanacs and impenetrable account books, she finds, were springboards for personal, world-shaping readerly relationships.Untethered from the constraints of conventional literacy, Required Reading reimagines how texts work in the world and how we understand the very idea of reading. Autorid: Priyasha Mukhopadhyay

An accessible guide to understanding statistics using simulations, with examples from a range of scientific disciplinesReal-world challenges such as small sample sizes, skewed distributions of data, biased sampling designs, and more predictors than data points are pushing the limits of classical statistical analysis. This textbook provides a new tool for the statistical toolkit: data simulations. It shows that using simulation and data-generating models is an excellent way to validate statistical reasoning and to augment study design and statistical analysis with planning and visualization. Although data simulations are not new to professional statisticians, Statistics by Simulation makes the approach accessible to a broader audience, with examples from many fields. It introduces the reasoning behind data simulation and then shows how to apply it in planning experiments or observational studies, developing analytical workflows, deploying model diagnostics, and developing new indices and statistical methods.• Covers all steps of statistical practice, from planning projects to post-hoc analysis and model checking• Provides examples from disciplines including sociology, psychology, ecology, economics, physics, and medicine• Includes R code for all examples, with data and code freely available online• Offers bullet-point outlines and summaries of each chapter• Minimizes the use of jargon and requires only basic statistical background and skills Autorid: Carsten F. Dormann, Aaron M. Ellison

This book is an introduction to the ideas of the Swiss psychologist and psychoanalyst, C. G. Jung. The first chapter describes his early home life whilst subsequent chapters are devoted to his work in various sectors. This started in psychiatry at Burghölzli Hospital in Zürich, where Eugen Bleuler was the Director, a significant figure in Jungs life for many years. The book goes on to describe at some length the professional relationship between Freud and Jung, and the disastrous impact of their subsequent acrimonious split in 1913 on themselves but, more importantly, on the profession of psychoanalysis itself, both at that time and subsequently. Several chapters elaborate Jungs main concepts, including an extensive investigation of his all-important work on psychological alchemy, which includes 10 black and white illustrations from the alchemical text The Rosarium Philosophorum and 10 black and white ox-herding pictures of Kuo-an from the twelfth-century Buddhist tradition. The rest of the book depicts some of the significant women and men who contributed to analytical psychology, which is the term Jung chose to designate his psychoanalytic discipline. This is used interchangeably with the term psychoanalysis as many Jungians designate themselves psychoanalysts, including the author, as a New York State licensed psychoanalyst. This is also an account of some of the scientific, philosophical, and psychological influences on Jungs thinking. The book concludes with an entry on China, where the author has spent the last few years analysing, lecturing, supervising, and teaching analytical psychology to Chinese psychotherapists, counsellors, and students in Beijing and Shanghai. This comprehensive work is essential reading for all those with an interest in C. G. Jung and his work. Autorid: Ann Casement

"How ideas and experiences of beauty informed human relationships with the divine in ancient GreeceBeginning with the earliest Greek literature, the epics of Homer and Hesiod, beauty was seen as having a special connection with the divine. The gods of ancient Greece were defined by their exceptional beauty; even today, 'to look like a Greek god' is proverbial for human beauty. In Beauty and the Gods, Hugo Shakeshaft explores the relationship between the beautiful and divine in ancient Greece, principallyin the Archaic period (ca. 750-480 BCE). Analysing evidence that ranges from poetry, art, and philosophical texts to architecture and the natural landscape, Shakeshaft shows how ideas and experiences of beauty shaped Greek relations with the divine.With a powerful call for the place of beauty and aesthetics in the writing of history, Shakeshaft uncovers the cultural dialogue between beauty and the gods in a variety of contexts in the Archaic Greek world: in forms of divine worship; in poetry, music, and dance; in attitudes to the natural environment; and in architecture and art. This early chapter of Greek history, he argues, holds an unrecognised key to understanding some long-running threads in the histories of religion, art, and aesthetics, from Plato's aesthetic theories to beauty's status in contemporary discourse. Beauty's deep past and divine connection in ancient Greece can help us see beauty now in sharper focus"-- "A history of the origins of the classical ideal of beauty in archaic Greece. 'To look like a Greek god' is proverbial for beauty today just as it was for Homer nearly three thousand years ago. In this book, Hugo Shakeshaft tells the untold story of beauty's inextricable link with the divine in this formative era of ancient Greek history (c.750-480 BCE). Through in-depth analysis of a wide array of ancient sources, the book offers a panoramic view of the Archaic Greek world in arguing that ideas of beauty were fundamental to how Greeks thought about and worshipped their gods. Surveying everything from Homeric epic, lyric poetry, and votive inscriptions to vase-paintings, sculpture, and the architecture of Greek temples, Shakeshaft reveals how ideas and experiences of beauty structured human relations with the divine in Archaic Greece. Comparisons are made throughout the book with the literature, art, and architecture of the diverse cultures of the ancient Near East to clarify its insights into Archaic Greece. These comparisons highlight that the association of beauty and the divine has been at the heart of many societies throughout human history, despite its oversight in the lively debate about beauty in academia and the art world in the twenty-first century. With a novel contribution to this debate and the history of aesthetics, the book uncovers an aspect of ancient Greek history with an enduring legacy, showing how we still live with the cultural dialogue which originated in this period"-- How ideas and experiences of beauty informed human relationships with the divine in ancient GreeceBeginning with the earliest Greek literature, the epics of Homer and Hesiod, beauty was seen as having a special connection with the divine. The gods of ancient Greece were defined by their exceptional beauty; even today, ‘to look like a Greek god’ is proverbial for human beauty. In Beauty and the Gods, Hugo Shakeshaft explores the relationship between the beautiful and divine in ancient Greece, principally in the Archaic period (ca. 750–480 BCE). Analysing evidence that ranges from poetry, art, and philosophical texts to architecture and the natural landscape, Shakeshaft shows how ideas and experiences of beauty shaped Greek relations with the divine.With a powerful call for the place of beauty and aesthetics in the writing of history, Shakeshaft uncovers the cultural dialogue between beauty and the gods in a variety of contexts in the Archaic Greek world: in forms of divine worship; in poetry, music, and dance; in attitudes to the natural environment; and in architecture and art. This early chapter of Greek history, he argues, holds an unrecognised key to understanding some long-running threads in the histories of religion, art, and aesthetics, from Plato’s aesthetic theories to beauty’s status in contemporary discourse. Beauty’s deep past and divine connection in ancient Greece can help us see beauty now in sharper focus. Autorid: Hugo Shakeshaft