Otsing: 955655

The essay is one of the richest of literary forms. Its most obvious characteristics are freedom, informality, and the personal touch - though it can also find room for poetry, satire, fantasy, and sustained argument. All these qualities, and many others, are on display in The Oxford Book of Essays. The most wide-ranging collection of its kind to appear for many years, it includes 140 essays by 120 writers: classics, curiosities, meditations, diversions, old favourites, recent examples that deserve to be better known. A particularly welcome feature is the amount of space allotted to American essayists, from Benjamin Franklin to John Updike and beyond. This is an anthology that opens with wise words about the nature of truth, and closes with a consideration of the novels of Judith Krantz. Some of the other topics discussed in its pages are anger, pleasure, Gandhi, Beau Brummell, wasps, party-going, gangsters, plumbers, Beethoven, potato crisps, the importance of being the right size, and the demolition of Westminster Abbey. It contains some of the most eloquent writing in English, and some of the most entertaining.

Three skeletons are found in a Montreal basement. The building is old, and the homicide detective in charge dismisses the remains as historic. Not his case. Not his concern. Forensic anthropologist Dr Temperance Brennan is not so sure. Something about the bones of these three young women suggests a different message: murder. Soon she finds herself drawn ever deeper into a web of evil from which there may be no escape. Three women have disappeared, never to return. Will Tempe be next?

Objects generate time; time does not generate or change objects. That is the central thesis of this book by the philosopher Graham Harman and the archaeologist Christopher Witmore, who defend radical positions in their respective fields.Against a current and pervasive conviction that reality consists of an unceasing flux, a view associated in philosophy with New Materialism, Object-Oriented Ontology asserts that objects of all varieties are the bedrock of reality from which time emerges. And against the narrative convictions of time as the course of historical events, the objects and encounters associated with archaeology push back against the very temporal delimitations which defined the field and its objects ever since its professionalization in the nineteenth century.In a study ranging from the ruins of ancient Corinth, Mycenae, and Troy to debates over time from Aristotle and al-Ash‘ari through Henri Bergson and Alfred North Whitehead, the authors draw on alternative conceptions of time as retroactive, percolating, topological, cyclical, and generational, as consisting of countercurrents or of a surface tension between objects and their own qualities. Objects Untimely invites us to reconsider the modern notion of objects as inert matter serving as a receptacle for human categories. Autorid: Graham Harman, Christopher Witmore

Canada's most renowned artists, the Group of Seven and Tom Thomson, celebrated the country's wild beauty. They saw in the untamed land a reflection of the national spirit, and called themselves "adventurers in paint". For decades, their work has been instantly familiar to Canadians. But in the early part of the 20th century, these artists were engaged in a struggle for acceptance, mocked by critics and the public alike. In The Group of Seven and Tom Thomson, author Anne Newlands explores the ambitions and visions of the artists, capturing the cultural and historical realities of their time and bringing to life their artistic response to the Canadian wilderness. The book is illustrated with 40 colour works of landscapes, portraits and urban scenes, as well as black and white archival photographs. Readers are introduced to the artists as well as their locations - turn-of-the-century Toronto, Ontario's wilderness, the Rocky Mountains and the Arctic. Writing with insight and enthusiasm, Anne Newlands offers an informative introduction to the lives, the work and the times of these important artists. Autorid: Anne Newlands