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How the wisdom of Herodotus can fortify us against political falsehoods and violent extremism Nearly 2,500 years ago, the Greek writer Herodotus introduced the concept of objective truth derived from factual investigation and empirical deduction. Writing just before the start of the catastrophic Peloponnesian War (431–404 BCE), Herodotus addressed an increasingly polarized Greek world. His Histories demonstrates that the capacity for humane moral action depends on the ability to resist unthinking allegiance to authoritative fictions. Herodotus offers an indispensable, nonpartisan approach for countering poisonous ideologies and violent conflict emanating from all extremes of the political kaleidoscope. Interpreting some of Herodotus’s most compelling stories, Emily Katz Anhalt illuminates this ancient writer’s vital insights concerning sexual violence, deception, foreign ways, political equality, and more. The Histories urges us to value reality, restrain destructive passions, and acknowledge the essential humanity of every human being—crucial guidance for navigating our own divisive and volatile political climate. By inviting us to take responsibility for our own choices and their consequences, Herodotus exposes autocratic leadership and abuses of power as self-defeating. Herodotus guides readers in assembling and assessing information, distinguishing fact from fiction, and making compassionate moral evaluations. The ancient Greeks never achieved an egalitarian, just society. Herodotus equips us to do better. Autorid: Emily Katz Anhalt

A poignant consideration of the material aspect of sound and how it fundamentally shapes our experience of the world, both in its presence and absence From the joyous communal connections fostered through shared auditory experience to the devastating impact of noise pollution in the deep sea, musician and author Damon Krukowski urges readers to reconsider the significance of sound and its role in both our personal and collective well-being. He looks despairingly at how the multipronged efforts of urban dwellers to mitigate city noise have led to increased isolation, loss of community, and a sense of physical detachment from one’s surroundings. He considers the consequences of the commodification of sound in the digital era. And he looks at what’s at stake in trying to preserve the world’s dwindling quiet places. Interspersed with personal reflections from years of working in the music business, this book investigates sound’s role in the environment, its value as a material, its relationship to labor, and how it affects our interactions with one another. Krukowski invites you to hear the world anew and renew your relationship with one of our most precious natural resources. So listen up! Autorid: Damon Krukowski

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person. Autorid: Marie-Laure Bernadac, Lauren Elkin

A fresh, concise roadmap for U.S. grand strategy in a multipolar world A fresh, concise roadmap for U.S. grand strategy in a multipolar world For the past thirty years, post–Cold War triumphalism and a desire to reshape the world have defined U.S. foreign policy. But the failures of the global war on terror, the return of conflict to Europe, and growing tensions with China all suggest that this approach to the world is flawed. For America—the country that has ruled the international system largely alone since 1991—this moment is particularly perilous. Can policymakers adapt U.S. foreign policy to better fit the twenty-first century, and in doing so, avoid the pitfalls and excesses of the last three decades? In this book, Emma Ashford proposes a return to a more pragmatic, realist set of strategic principles, ones better suited for the emerging multipolar world, and which would pursue narrower U.S. interests, cultivate the capabilities of friendly states, and emphasize room for maneuver over rigid alliances. In so doing, she provides a valuable counterpart to liberal internationalist works published to date and fills a key gap in existing foreign policy literature. Autorid: Emma Ashford

A chronological illustrated analysis of 58 years of the collective’s work. Art & Language is an artists' collective that was founded in 1965 by a group of British and American artists. The name Art & Language is derived from the journal Art-Language (first published in Coventry in May 1969) which had its origins in the work of Terry Atkinson and Michael Baldwin (from 1966) in association with Harold Hurrell and David Bainbridge who were its original editors. Art & Language was used subsequently to identify the joint and several artistic works of these four to reflect the conversational basis of their activity which, by late 1969, already included contributions from New York by Joseph Kosuth, Ian Burn, and Mel Ramsden. Art & Language is not only focused on creating artworks but also develops its art theory and is of crucial importance in the understanding and theoretical underpinning of conceptual art in the 70s and 80s. By 1976 the genealogical thread of this artistic work had been taken into the hands of Michael Baldwin and Mel Ramsden, with whom it remains. Autorid: Catherine Millet, Michael Baldwin, Mel Ramsden

The 2024 winner of the Yale Drama Series “In a time of immense political and social upheaval when it feels as though hopelessness is a cloud that hangs heavy over all our interactions, this dry spell hit me like a cleansing rain.”—Jeremy O. Harris After one night together in the desert, Grace uproots their life to chase after Brahm, a person who is slowly becoming a cactus. Not known for having a green thumb, Grace tends to Brahm and the seeds of their own doubt. Can the desert be a place for love to grow, or are they both just waiting for rain? This deeply personal play aims to provide nourishment to those hiding in the shadows and create a space of recognition and magic for all. this dry spell is the seventeenth winner of the Yale Drama Series prize and the second winner chosen by Tony-nominated playwright Jeremy O. Harris. Autorid: keegon schuett, Jeremy O Harris

An exploration of the role of graphic work in the career of one of the nineteenth century’s most influential architects Viollet-le-Duc (1814–1879) was nineteenth-century France’s most prominent architect and restorer. This groundbreaking study examines how he used drawing and printmaking as a mode of seeing and thinking and as a means to intensify relationships by capturing the vitality of historical worlds and hidden analogies between human culture and the natural realm. Making sense of Viollet-le-Duc’s vast graphic production, scholars consider his imaginative recreations of the most minute aspects of medieval warfare; his approach to the practical tasks of restoring very complex medieval monuments; his experiments in new means of publicly diffusing architectural ideas in the yearly Parisian salons, in didactic manuals, and in children’s books; and even a fantastic project to restitute the original structure of the formidable massif of Mont Blanc. The gamut of techniques employed by Viollet-le-Duc stretches from large painted tableaux to lithographs, steel engravings, woodcuts, gouaches, tracings, and full-scale details. This generously illustrated volume offers an unparalleled window into the architect’s working process and explores how his mastery of the graphic arts helped him harness the power of the press to disseminate architectural knowledge and spread ideologies based on antagonism, most notably nationalism and racism. Distributed for Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York (January 28–May 24, 2026) Autorid: Barry Bergdoll, Martin Bressani

An exploration of the rich creative influence of Italian Renaissance art on the designs of contemporary Italian fashion houses Successful Italian fashion houses such as Armani, Dolce & Gabbana and Versace are among the most high-profile and cutting-edge on the global fashion scene. Many of the innovative designs created by these and other major Italian houses draw on imagery from Italy’s rich cultural and artistic past. Weaving together insightful texts and vivid illustrations, this book explores the creative, cultural and social dialogues between contemporary Italian fashion houses and the enduring legacy of Renaissance Italy. During the Renaissance, the Italian peninsula was dominated by powerful aristocratic families or “houses,” such as the Medici in Florence and the Sforza in Milan, whose members used fashion and art to communicate their power. Through essays by scholars and fashion industry professionals, including Luca Missoni of the House of Missoni and Stefania Ricci, director of the Ferragamo Museum, this book provides an insider look at the creative connections between Italian Renaissance “houses” and contemporary Italian fashion houses, and the design innovations that celebrate the vital legacy of Italian Renaissance imagery. Art directed by Luca Stoppini, former Vogue Italia creative director, this book features an inventive, oversize design reminiscent of Vogue magazine’s storied annual “September Issue,” conveying a gripping story about contemporary Italian fashion and enlivened with runway and art images, as well as original photography inspired by nostalgic glossy editorials. Distributed for the Cleveland Museum of Art Exhibition Schedule: Cleveland Museum of Art (November 9, 2025–February 1, 2026) Autorid: Darnell-Jamal Lisby, Luca Stoppini, Matteo Augello, Alessandra Arezzi Boza, Massimiliano Capella, Luke Meagher, Stefania Ricci

An expansive consideration of the creative output of a unique twentieth-century master that brings a fresh perspective to his enigmatic and enduring work M. C. Escher (1898–1972) was born in the Netherlands and is known internationally for his self-described “mental images” that connect to mathematics and various branches of science. Considered a one-man art movement, he remained outside of the art establishment and is treasured today for his mind-bending works. His imagery explores the relationships between art and science, order and disorder, and logic and irrationality, and presents complex orchestrations of multidimensional alternate realities. Drawing from the Michael S. Sachs collection—the most extensive Escher holdings in the world—this overview of the artist’s work features more than five hundred objects, including prints, drawings, watercolors, printed fabrics, constructed objects, wood and linoleum blocks, lithographic stones, sketchbooks, and the artist’s working tools. Offering new insights into Escher’s iconic and idiosyncratic work, scholarly essays discuss the artist’s background and creative practice, examine the mathematical underpinnings of his use of geometric models, and ponder the ways his meticulously crafted images are filled with the element of wonder. Distributed for the Museum of Fine Arts, Houston Autorid: Dena M. Woodall, Sal Iaquinta, Doris Schattschneider, David Steel

An invitation to look closely at artworks and explore the techniques artists use to draw viewers in and keep them interested Estimates of how much time museum visitors spend looking at works of art vary, but they rarely exceed half a minute. Throughout history, artists have recognized that they need to grab viewers’ attention and entice them to linger, often through deviations—subtle or overt—from reality. In this book, Marcia Hall guides readers through close looks at more than forty works of art by celebrated artists from Botticelli to Henri Matisse to Georgia O’Keeffe. Hall’s concise essays immerse us in the context in which these works were made and draw on the findings of recent conservation studies to reveal otherwise hidden aspects of artists’ processes. We discover how Artemisia Gentileschi’s depictions of female protagonists radically departed from tradition and how Edgar Degas used brushwork and composition to subvert expectations about perspective. Through focusing on how to experience works of art in depth, Hall reveals new layers of significance and encourages reflection on what they mean to us today. The book concludes with an afterword by painter Lisa Yuskavage, who describes how she captured the lingering look of viewers in her own work. An invitation to look closely at artworks and explore the techniques artists use to draw viewers in and keep them interested Autorid: Marcia B. Hall, Lisa Yuskavage

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked in her cornfield. The courts ruled that Ascencio died of natural causes. When journalists investigated, they discovered numerous village girls, as young as twelve, who also had been raped by soldiers. The reports sparked outrage throughout Latin America over gender-based violence, oppression of Indigenous communities, and military impunity. Stolen Flower is Irma Pinedas powerful sequence of poems memorializing these events and their ramifications. The poems, which appear here in the original Didxazá (Isthmus Zapotec), Spanish, and English, are a chorus of fictionalized voices: Ascencio herself, the land, and the community grapple with the terror. It is a lament and a call to action, refashioning the testimonio into a tribute to Mexicos Indigenous peoples and their lands, cultures, and languages. Autorid: Irma Pineda, Wendy Call

Why did Catholicism attract so many unlikely converts in Britain during the twentieth century? Why did Catholicism attract so many unlikely converts in Britain during the twentieth century? The twentieth century is understood as an era of growing, inexorable secularism, yet in Britain between the 1890s and the 1960s there was a marked turn to Rome. In the first half of the century, Catholicism became an intellectual and spiritual fashion attracting more than half a million converts, including fascinating artists, writers, and thinkers. What drew these men and women to join the church, and what difference did conversion make to them? Melanie McDonagh examines the lives of these notable converts from the perspective of their faith. For the Decadent circle of Aubrey Beardsley and Oscar Wilde—who converted on his deathbed—to artists such as Gwen John and David Jones, the philosopher Elizabeth Anscombe, and novelists including G. K. Chesterton, Graham Greene, Evelyn Waugh, and Muriel Spark, Catholicism offered stability in increasingly febrile times. McDonagh explores their lives and influences, the reaction to their conversions, and the priests who initiated them into their faith. Autorid: Melanie McDonagh

From an esteemed military historian, a sweeping history of the revolutions in war-fighting that have shaped the modern world Heraclitus wrote that “war is the father of all,” and it has formed much of the modern world. Although the fundamental nature of war has not altered over the centuries, constant change, innovation, and adaptation have repeatedly reshaped how wars are fought in the West. Revolutions in military practice cannot be separated from larger social developments in areas like logistics, finance and economics, and the culture of military organizations. In The Dark Path, Williamson Murray argues that the history of warfare in the West hinged on five revolutions, which both reflected the social, political, and economic conditions that produced them and in turn influenced how those conditions evolved. These five key turning points are the advent of the modern state, which formed bureaucracies and professional militaries; the Industrial Revolution, which produced the financial and industrial means to sustain and equip large armies; the French Revolution, which provided the ideological basis needed to sustain armies through continent-sized wars; the merging of the Industrial and French Revolutions in the U.S. Civil War; and the accelerating integration of technological advancement, financial capacity, ideology, and government that unleashed the modern capacity for total warfare. An ambitious work of synthesis, this book shows how the world continually re-creates war—and how war, in turn, continually re-creates the world. Autorid: Williamson Murray

The tragic story of ancient Greece’s last democratic leader and his doomed fight to save Athens from Macedonian domination In the spring of 340 BCE, news arrived that Philip of Macedon had seized a town in central Greece, a base from which he could march on Athens. In the fierce debates about how to respond to the rising threat in the North, Demosthenes, the greatest orator of his day, goaded the Athenian Assembly into confronting Philip on the field of battle. Though that effort failed and Athens fell into the grip of Alexander the Great, Philip’s son and successor, Demosthenes had established himself as one of history’s most eloquent defenders of democracy. In this thrilling biography of the man who led the charge for Greek freedom, James Romm follows Demosthenes from his early career as a legal speech writer through his rise in politics, his fall from grace in a corruption scandal, and his desperate flight to the island of Calauria—where he took his own life rather than submit to Macedonian forces. As he brings to life the bare-knuckle, insult-filled verbal brawls of Athenian orators, Romm not only explores the mind of the man who took on the challenge of saving Greek freedom but also shows how democracies can be destroyed by infighting and internal division. Autorid: James Romm

Jane Eisner traces the professional accomplishments and personal challenges of pop icon Carole King, exploring her unique contribution to American music An eagle-eyed telling of how King (born Carol Joan Klein) emerged from the Midwood neighborhood of Brooklyn to achieve decades of songwriting success.Karen Iris Tucker, Washington Post Carole Kings extraordinary career has defined American popular music for more than half a century. Born in New York City in 1942, she shaped the soundtrack of 1960s teen culture with such songs as Will You Love Me Tomorrow, one of many Brill Building classics she wrote with her first husband, Gerry Goffin. She was a leading figure in the singer-songwriter movement of the 1970s, with dozens of Billboard Hot 100 hits and music awardsher 1971 album Tapestry won a record four Grammys. Yet she struggled to reconcile her fame with her roles as a wife and mother and retreated to the backwoods of Idaho, only to emerge in recent years as a political activist and the subject of the Tony-winning Broadway show Beautiful: The Carole King Musical. Journalist and author Jane Eisner places Kings life in historical and cultural context, revealing details of her humble beginnings in Jewish Brooklyn, the roots of her musical genius, her four marriages, and her anguish about public life. Drawing on numerous interviews as well as historical and contemporary sources, this book brings to life Kings professional accomplishments, her personal challenges, and her lasting contributions to the great American songbook. Autorid: Jane Eisner

The definitive story of cannabis, from its evolution and biological quirks to its role in human history In this entertaining natural history, Rob DeSalle provides a glimpse into the biological world through the lens of the marijuana plant. A close relative of hops with a surprising place in the botanical tree of life, cannabis has a unique life cycle, has evolved pathways for over four hundred compounds, and makes one thousand or so different chemicals that are stored in its tissues—some of which are the basis of its famed psychoactive properties. With his scientist’s perspective on this well-known and controversial plant, DeSalle considers taxonomy, systematics, evolution, human physiology and neurobiology, and cultural issues. He discusses the plant’s complicated reproductive strategies; considers ancient arthropod-cannabis associations from South Asia; and offers a nuanced cultural history that extends from the first evidence of smoking cannabis more than two thousand years ago to the current debates over legalization. Engaging and extensively researched, with illustrations by Patricia J. Wynne, this is a vital resource for cannabis enthusiasts and anyone curious about the science behind this infamous “weed.” Autorid: Rob DeSalle, Patricia J. Wynne

The first published account of the German-Jewish magnates who won an international reputation as the leading art collectors of Edwardian Britain The small but conspicuous group of German-Jewish magnates who settled in fin-de-siècle Britain filled their homes with the finest paintings, tapestries and decorative artworks that money could buy. Their high-profile acts of philanthropy and cultural patronage earned them public honours and popular esteem, establishing them within the most exalted ranks of Edwardian society. Yet their loyalties were called into question during the dark days of the First World War and their collections dispersed after their deaths, so that their presence has been largely written out of art history. Magnates and Masterpieces is the first publication to explore the contribution made by German-Jewish collectors to the art scene in Edwardian Britain and beyond. As well as reconstructing their spectacular collections, the book uncovers the ideals and aspirations that the collectors brought with them from their New Humanist upbringing in Germany, most notably a belief in the power of art to enrich the soul. Lavishly illustrated and drawing on previously unseen archives, Magnates and Masterpieces restores the German-Jewish collectors of Edwardian Britain to their rightful place in twentieth-century cultural history. Autorid: John Hilary

A beautifully illustrated exploration of Arts and Crafts buildings across the United States, showcasing the movement’s wide reach and regional variations After the Arts and Crafts movement coalesced in Britain at the end of the nineteenth century, it made its way quickly to the United States. Architects and artisans embraced its values, advocating for handicraft in building design while promoting a respect for nature, simplicity, native materials, and regional culture. Taking the reader on a journey from coast to coast, this book presents buildings that reflect Arts and Crafts ideals in distinctive ways and connects them to the movement’s major themes. Beautifully illustrated with 150 images, Arts and Crafts Architecture across America features buildings from Boston to San Diego, highlighting iconic examples by Ralph Adams Cram, Irving J. Gill, Greene and Greene, and Frank Lloyd Wright. The book also brings to the fore many lesser-known figures, including women architects such as Marion Mahony and Cora Cadwallader Tuttle and Black architects such as William A. Hazel and Paul R. Williams. In approachable prose, author Maureen Meister distills key elements of Arts and Crafts architecture, and her broad national perspective reveals new insights, including the close relationships among the movement’s leaders. Sharing an Arts and Crafts philosophy, they worked in multiple building styles to suit a vast yet united country. Autorid: Maureen Meister

An award-winning astrophysicist looks at how the understanding of uncertainty and randomness has led to breakthroughs in our knowledge of the cosmos All of us understand the world around us by constructing models, comparing them to observations, and drawing conclusions. Scientists create, test, and replace these models by applying the twinned concepts of probability and randomness. Exploring how this process has refined our knowledge of quantum mechanics and the birth of the universe, Andrew H. Jaffe offers a unique synthesis of the philosophy of epistemology, the mathematics of probability, and the science of cosmology. As Jaffe puts Enlightenment thinkers like David Hume in conversation with contemporary philosophers such as Karl Popper and Imre Lakatos and engages with scientists ranging from Isaac Newton and Galileo to Albert Einstein and Arthur Eddington, he uses Thomas Bayes’s seminal studies of statistics and probability to make sense of conflicting currents of thought. This is a deep look into how we have learned to account for uncertainty in our search for knowledge—and a reminder that science is not about facts and data as such but about creating models that correctly account for those facts and data. Autorid: Andrew H. Jaffe

A revelatory new history of Britain’s industrial revolution and the exploitation that enabled it Was Britain’s industrial revolution the result of its machines, which produced goods with miraculous efficiency? Was it the country’s natural abundance, which provided coal for its engines, ores for its furnaces and food for its labourers? Or was it Britain’s colonies, where a brutalized enslaved workforce produced cotton for its factories? Acclaimed historian Edmond Smith shows how the world’s first industrial nation was founded on the ruthless exploitation of technology, people and the planet. This economic system linked the plantations of the Caribbean with the colossal cotton mills of northern England, applied the innovations of science and agriculture to colonial exploration, and formalised financial markets in self-serving ways. At the heart of these processes were Britons themselves, early capitalists who spun webs of expertise and investment to connect exploitative practices across the globe.Ruthless offers an eye-opening account of Britain’s economic transformation—and the scale and breadth of brutality that it depended upon. A revelatory new history of Britain’s industrial revolution and the exploitation that enabled it Autorid: Edmond Smith

A new look at the origins of humanitarian intervention We are encouraged to empathize with the suffering of distant strangers every day, from ads for UNICEF to the outcry over Russia’s invasion of Ukraine. But where did this type of politics come from? Historian and practicing barrister Catherine Arnold locates the religious origins of humanitarian politics in early eighteenth-century Britain and Europe. In the late seventeenth century, British politicians argued for “confessional intervention”—in other words, for interventions to protect Britain’s fellow Protestants in continental Europe. By the 1740s, however, a cadre of high-ranking British officials was advocating instead for a new form of “humanitarian intervention,” using natural law–inflected language to justify its claims. Between 1690 and 1745, British officials intervened diplomatically to protect not only Protestants in France, northwestern Italy, and the Holy Roman Empire, but also Jewish fugitives from Portugal, Catholic dissidents in France, and Jewish refugees in Bohemia. Arnold shows that this new type of intervention was intended to stop states from torturing, imprisoning, or expelling their subjects and was justified with humanitarian arguments. British officials contended that state persecution—that is, using state authority to punish a subject only because of her religious beliefs—violated natural law. They asserted that Britain had a duty to prevent states from violating natural law and an ethical obligation to aid sufferers of all religious faiths out of common humanity. Autorid: Catherine Arnold

The British Isles hold a unique position in the history of art, a place where local traditions fuse with international ideas in extraordinary ways. At once isolated by coastal boundaries, yet also part of larger networks of diverse peoples, these islands have always benefited from a dual perspective. This is crucial to understanding why Hans Holbein the Younger and Artemisia Gentileschi worked in Britain, or why the Scottish Colourists and early Irish abstract artists were so inspired by their European neighbours. Artistic creativity in the British Isles stretches back to Ice Age engravings of reindeer, horses, and birds. International networks were already shaping prehistoric art, and by 1,000 CE artists working in Britain and Ireland were using lapis lazuli from Afghanistan, walrus tusks from Greenland, garnets from India, and elephant ivory from Africa. The Romans, Anglo-Saxons, Vikings, and Normans introduced new styles from overseas, as did later European artists, attracted by the wealth of royal courts. Art was traded and looted across the British empire by colonial explorers, merchants, and the military. In the course of the twentieth century these islands have been a refuge, but also a place where migrants have faced persecution. Sculptures by Jewish immigrants fleeing Nazi death camps, paintings by postwar Caribbean artists, and protest murals sparked by The Troubles in Northern Ireland all express artists’ complex relationships with the idea of home. Artists today such as Grayson Perry, Lubaina Himid, Yinka Shonibare, Rachel Whiteread, and Edmund de Waal consciously reflect on this long history in their work, exploring concepts of identity and belonging. Fresh, pacy and surprising, The Art Isles tells the story of why art in Britain and Ireland is so rich and dynamic—and why it has always extended far beyond its geographical borders. Autorid: Charlotte Mullins

A revelatory history of the women who brought Victorian criminals to account—and how they became a cultural sensationShortlisted for The Wolfson History Prize 2025 From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realise that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine who got the better of love rats, burglars, and murderers alike. How did the morally ambiguous work of real women detectives, sometimes paid to betray their fellow women, compare with the exploits of their fictional counterparts, who always save the day? Lodge’s book takes us into the murky underworld of Victorian society on both sides of the Atlantic, revealing the female detective as both an unacknowledged labourer and a feminist icon. Autorid: Sara Lodge

An enchanting history of the otherworld of elves and fairies, from the nature spirits of Iceland and Ireland to Avalon and Middle Earth Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien’s warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In this engaging cultural history, Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur’s round table and in Shakespeare’s A Midsummer Night’s Dream, in the terrible era of the witch trials, in magic’s peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. Autorid: Matthias Egeler

A thoughtful analysis of how major powers can obtain UN Security Council approval for military intervention Powerful states often seek UN Security Council approval for their military interventions to enhance legitimacy, but how can they secure this approval when veto-wielding permanent members have grave misgivings? In this groundbreaking study of UNSC diplomacy, Stefano Recchia tackles this question by drawing on hundreds of declassified documents and interviews that he conducted with top diplomats from multiple countries. Recchia demonstrates that since the early 1990s, powerful states facing significant opposition at the UNSC have not been able to rely solely on economic and political leverage to obtain a resolution of approval. Instead, they have had to combine exertions of leverage with credible signals that they would act with restraint and in line with core international norms. This often required that they agree to incorporate costly limitations on the use of force, such as time limits and multilateral oversight, into the requested resolution. Recchia argues that for better or worse accepting such constraints will be critical in the future if powerful countries, including the United States, are to secure UN approval in an increasingly competitive international environment. Autorid: Stefano Recchia

The first thorough account of a formative and little understood chapter in Chinese history “A superb history of China’s transition into and out of the Cultural Revolution. . . . Chen and Westad—two of the best archival historians of Communist China writing today—coolly but vividly recount the extraordinary drama of this metamorphosis.”—Julia Lovell, Financial Times Odd Arne Westad and Chen Jian chronicle how an impoverished and terrorized China experienced radical political changes in the long 1970s and how ordinary people broke free from the beliefs that had shaped their lives during Mao’s Cultural Revolution. These changes, and the unprecedented and sustained economic growth that followed, transformed China and the world. In this rigorous account, Westad and Chen construct a panorama of catastrophe and progress in China. They chronicle China’s gradual opening to the world—the interplay of power in an era of aged and ailing leadership, the people’s rebellion against the earlier government system, and the roles of unlikely characters: overseas Chinese capitalists, American engineers, Japanese professors, and German designers. This is a story of revolutionary change that neither foreigners nor the Chinese themselves could have predicted. Autorid: Odd Arne Chen Jian

A trove of insights into and images of an important, little-known Frank Lloyd Wright building The house that Frank Lloyd Wright designed for Frederick C. and Katherine G. Bogk in Milwaukee, Wisconsin, in 1916 occupies a unique position in Wright’s career: it is the only fully realized house designed in the teens that demonstrates his fascination with Primitivism, the use of non-Western sources as an inspiration for modern design. This book traces Wright’s exploration alongside the stories of an immigrant family’s rise and Milwaukee’s emergence as a vibrant city. It also documents the interiors, relatively unchanged for over a century, that represent Wright’s approach to total design. Written by two eminent architectural historians and Wright scholars, Anthony Alofsin and Richard L. Cleary, this book offers new insight into the evolution of Wright’s design process during the least understood decade of his career. The book draws on a fascinating cache of unpublished letters, photographs, drawings, and documents in the private archive of the Elsner family, who owned the house from 1955 to 2023. The book also features new photography of the Bogk House by Alexander Vertikoff, renowned for his use of natural light. Distributed for Frank Lloyd Wright’s Burnham Block, Inc. Autorid: Anthony Alofsin, Richard L. Cleary

A survey of Robert Rauschenberg’s innovative use of cloth in the 1970s and its significance in the artist’s oeuvre Centering on a period of Robert Rauschenberg’s career that has not received much attention, this book focuses on three series by the artist that feature fabric: the idiosyncratic Venetians, 1972–73; the gauzy Hoarfrosts, 1974–76; and the large, simple Jammers, 1975–76. Fascinated by the expressive potential of textiles, including silks, gauze, cheesecloth, and drop cloths, Rauschenberg experimented with the ability of woven materials to capture color and light, hold printed images, and move in the air. Essays contextualize Rauschenberg’s work with cloth in the history of 1970s late modernism and Postminimalism, as well as his career-long interest in the intersection of art and the body through his work in scenography and costumes for dance. Michelle White provides an in-depth overview of the three series and related works, while Branden Joseph explores how they connect with the era’s cultural and economic precarity. Nick Mauss examines how the artist used fabric to create a sense of intimacy and revisit past practices, relationships, and dynamics of collaboration. And Joseph N. Newland discusses Rauschenberg’s costumes and scenic designs for the dance companies of Merce Cunningham and Trisha Brown. Distributed for the Menil Collection Exhibition Schedule: The Menil Collection, Houston, TX (September 19, 2025–March 1, 2026) Autorid: Michelle White, Branden W. Joseph, Nick Mauss, Joseph N. Newland

Television and video’s influence on drawing practices and the ways they inspired new modes of graphic expression in the twentieth century From the late 1950s to the 1980s, a period known as the network era, television reached its apex as a cultural force in the home, and portable video cameras became widely available. Examining how this new technology spurred artistic experimentation, this study considers the relationship between drawing and art made for the small screen of the domestic television set and early video cameras. These electronic screens entered artists’ studios for the first time and became a new source of imagery and a device that could be manipulated to generate entirely new kinds of drawing. An essay by Anna Lovatt looks at the ways in which early television and video images—captured, transmitted, and displayed through raster lines—inspired new possibilities for abstraction and expressing concepts of self-reflection and surveillance, while Kelly Montana explores artworks made by women who used the immediacy and familiarity of drawing to disrupt objectifying media representations of their gender by recording themselves drawing, often on their own bodies. This copiously illustrated volume features drawings, film stills, videos, and multimedia installations by more than twenty artists both well-known and heretofore obscure, and includes discussions of the televisual imagery that permeates works on paper by Walter de Maria, the ways artists such as Anna Bella Geiger and Dennis Oppenheim used video to capture performative acts of drawing, and how Nam June Paik and Howardena Pindell treated the screen as a site of inscription. Distributed for the Menil Collection Exhibition Schedule: The Menil Collection, Houston, TX (October 4, 2025–February 8, 2026) Autorid: Anna Lovatt, Kelly Montana

This third and final volume in the Black Artists in America series features work from the transitional moment of the late 1970s to the dawn of the twenty-first century In the 1980s and 1990s, Black artists in the United States who came of age during the civil rights activity of the preceding decades began experimenting with new media and innovative approaches to artmaking, often as a way of questioning long-held inequities in the art world and in American society. Artists such as Jean-Michel Basquiat, Romare Bearden, Elizabeth Catlett, Sam Gilliam, Glenn Ligon, Faith Ringgold, Kara Walker, Carrie Mae Weems, and many others created works that celebrated their racial identity and fought exclusion and prejudices in the establishment. This book considers the ways that the artists of this generation challenged cultural, environmental, political, racial, and social issues of the last decades of the twentieth century. Black Artists in America: From the Bicentennial to September 11 is the final volume in the three-volume series that traces how Black artists have responded to the social issues of their time. Beautifully illustrated with 150 paintings, sculptures, and works on paper, this volume completes the story of a century of artmaking. Published in association with the Dixon Gallery and Gardens Exhibition Schedule: Crocker Art Museum, Sacramento, CA (October 5, 2025–January 11, 2026) Dixon Gallery and Gardens, Memphis, TN (January 25–March 29, 2026) Autorid: Ellen Daugherty, Earnestine Lovelle Jenkins, Julie L. McGee, Kevin Sharp

The first full biography of Catalina Micaela, infanta of Spain and duchess of Savoy Catalina Micaela was the younger daughter of Philip II and granddaughter of Catherine de Medici. Aged just seventeen, Catalina married Carlo I, duke of Savoy, and moved from the royal court in Madrid to Turin to begin a new life as a duchess. Overlooked by historians and little known today, Catalina was nonetheless a key figure in sixteenth-century Europe. A woman of intelligence, forceful personality, and strong feeling, she energetically and effectively governed her husbands dukedom during his long absences from Turin on military campaigns. In this widely researched account, Magdalena Sánchez traces Catalinas life from her childhood to her early death shortly after giving birth to her tenth child. Drawing on thousands of letters Catalina exchanged with her husband, Sánchez paints an intimate portrait of a young Spanish woman adapting to a new husband, a new land, and the demands of governance. Autorid: Magdalena S. Sánchez

This collection of 100 writings by Robert Rauschenberg reveals the artist’s gift for prose and the importance of his relationship to language The American artist Robert Rauschenberg (1925–2008) won acclaim and awards for his diverse oeuvre that spanned six decades and included paintings, sculpture, prints, photography, and performance. Less well known is the role that writing played in his creative process. Rauschenberg self-identified as dyslexic and did not publish extensively, leading to the widely held assumption that he was not an artist who wrote. This book corrects the record, showcasing 100 passages, many published here for the first time, from Rauschenberg’s robust body of written work. Comprising correspondence, artist notes, testimony, speeches, and more, this collection brings to light the artist’s love of language and reveals that writing was, in fact, central to Rauschenberg’s practice. The writings, illustrated with reproductions in the artist’s distinctive hand, are infused with visual and intellectual lyricism, humor, and insight, and span topics from the freedom of artistic expression to environmental concerns. This beautiful volume, which also features an essay by artist Martha Tuttle (b. 1989) about why artists’ writings matter, adds new depth to our understanding of Rauschenberg’s life and work. Published in association with the Robert Rauschenberg Foundation Autorid: Robert Rauschenberg, Francine Snyder

An intimate exploration of an artistic friendship at the heart of the Impressionist movement Édouard Manet (18321883) was a pioneer of modern painting, and Berthe Morisot (18411895) was the sole female founding member of the Impressionist group. To each other, they were colleagues, friends, andfollowing Morisots marriage to Manets brotherfamily. Unfolding over a period of fifteen years, theirs was arguably the closest relationship between any two members of the Impressionist circle. Through collaboration, competition, and mutual collecting, each influenced the others work and, in the process, changed the course of modern art. The story of this relationship has most often been told through Manets magnificent portraits of Morisot, but the two artists connection was more than one between painter and muse. Exploring pairs and groups of related works, Manet and Morisot reveals that, while Morisot looked to Manet for inspiration during her early career, as Morisots work became more daring and garnered widespread acclaim, Manet began to follow her example, emulating her choice of subjects, her high-keyed colors, even her rapid, fluttering brushstrokes. Illustrated essays and entries challenge gendered perspectives in the Manet literature, while correspondence and a technical study invite readers into the two artists shared social circle and contrasting studio practices. Published in association with the Fine Arts Museums of San Francisco Exhibition Schedule: Legion of Honor, Fine Arts Museums of San Francisco (October 11, 2025March 1, 2026) Cleveland Museum of Art (March 29July 5, 2026) Autorid: Emily A. Beeny, Heather Lemonedes Brown, Anne Higonnet, Kimberly A. Jones, Nicole R Myers, Sylvie Patry, Isolde Pludermacher, Samuel Rodary

A collection of private correspondence from one of the Harlem Renaissance’s brightest and most radical voices The Jamaican-born, queer author Claude McKay (1890–1948) was a central figure of the Harlem Renaissance. His 1919 poem “If We Must Die” expressed a revolutionary vision for militant Black protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay’s never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris’s Lost Generation, immerses himself in the Marseille dockers’ noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day. Autorid: Claude McKay, Brooks E. Hefner, Gary Edward Holcomb

A major new history of the two most important British secret service networks in the First and Second World Wars Intelligence gathering was essential to both sides in the First and Second World Wars. At the heart of MI6’s efforts were two key networks in Belgium. Agents in The White Lady acted as couriers, radio operators and spies to facilitate the end of German control. And, when war broke out again two decades later, the leaders of the network regrouped and established a successor: The Clarence Service. Helen Fry charts the history of these pivotal intelligence networks for the first time. Drawing on recently declassified information, Fry examines who the agents were, how they were recruited, and how the intelligence they gathered directly impacted the outcome of both wars. Operators in the field sent over eight hundred radio messages to London and delivered more than a thousand reports, including groundbreaking information on Hitler’s secret weapon the V-1. This is a compelling account of the agents who risked their lives and found ingenious ways to smuggle intelligence out of occupied Belgium. Autorid: Helen Fry

From a widely celebrated artist, this dazzling book takes readers on a profound journey into the heart of creativity When Makoto Fujimura painted as a child, he felt a mysterious electrical charge pass through him. Over decades of art making, writing, and reflecting in his studio, he has come to understand this charge as his Creator—a source he connects with most profoundly when making art. To be human is to be creative, Fujimura believes, and art making is a discipline of awareness, prayer, and praise by which we journey back to our original light. In this book, Fujimura takes readers along on his meandering journey as an artist. We witness him making his “process-driven slow art”—using pulverized minerals, gold, or pigments made from oyster shell—as he considers the plants and wildlife on the land where he lives. He draws on Japanese aesthetics, modernist art, Christian theology, sado (art of tea), literature, ecology, and personal narrative, with inspiration ranging from William Blake’s poetry to the art of Mark Rothko and Josef Albers, and from the wisdom of Scripture and Japanese tea master Sen no Rikyu to the traditional Japanese painting technique called Nihonga. Bringing together the author’s written reflections and his paintings, drawings, and photographs, Art Is invites us to see the world in prismatic and diverse lights, helping us navigate the fractured, divisive times we live in. Autorid: Makoto Fujimura

A timely account of empathy, politics, and leadership, showing how greater understanding and connection can foster trust, community, and innovation Empathy has become a cliché of contemporary politics, often espoused but rarely understood. Yet the capacity to understand other worldviews is neither easy nor comfortable. Seeing through others eyes requires strength, courage, integrity, and an ability to reason across the harshest political dividesand, in a time of heightened marginalization, disconnection, and polarization, empathy in our leaders and across society is vitally important. Claire Yorke offers the first account of empathy in politics and leadership, drawing on examples from across the world. Including model leaders like Nelson Mandela and Jacinda Ardern, as well as figures on the right such as Donald Trump who mobilize different forms of empathy, Yorke asks what distinguishes empathetic leaders from the rest, and examines why empathy is essential for a more human-centred politics. Demonstrating empathys radical potential and disputing its connotations of weakness, this book shows how we can build a political ecosystem that fosters belonging and engagementand cultivate the necessary dialogue to find common ground. Autorid: Claire Yorke

A vibrant presentation of Stanley Tigerman’s imaginative architectural drawings and working methods A vibrant presentation of Stanley Tigerman’s imaginative architectural drawings and working methods This retrospective paints a new portrait of the legendary architect Stanley Tigerman (1930–2019) through his drawings, collages, and sketches. The book showcases a variety of creative documents and drawing styles, representative of the wide array of Tigerman’s projects and interests: master plans, urban designs, civic infrastructures such as museums and low-income housing, private residences, exhibition designs, furniture, and tableware, as well as architectural cartoons—his so-called Architoons. From the pragmatic and technical to the symbolic and narrative-driven, the drawings bring us into Tigerman’s creative process and capture his unique blend of intellect, wit, and humanistic sensibility. Featuring previously unpublished drawings from projects including the Illinois Holocaust Museum, the Commonwealth Edison Energy Museum, the Anti-Cruelty Society in Chicago, the Kalamazoo City Plan, and homeware for Swid Powell, this generously illustrated volume highlights the skillful and explorative process behind each project’s final outputs. In addition to providing a stunning example of postmodern hand-drawn architectural representations, this visual journey offers readers a deeper understanding of the working process and significance of drawing in Tigerman’s office, as well as his enduring contribution to the field of architecture. Distributed for the Yale School of Architecture Autorid: George Papamattheakis, Deborah Berke, Patrick Burke, Deborah Doyle, Margaret McCurry, Emmanuel J. Petit, Rene Stratton, Surjan, Melany Telleen, Stanley Tigerman

A definitive two-volume catalogue raisonné, offering a full reconsideration of Walter Cranes oeuvre, achievement, and legacy Born in 1845, Walter Crane was the first professional illustrator to proudly apply himself to commercial arts in the rising age of mechanical reproduction. He reformed the way his contemporaries perceived books, transforming them into influential, political, and powerful objects to be pondered with intent and produced with art. Cheap as they were, they could still shape society, instil ideas, and conjure worlds of possibility. His picture books served as a tool of popular education, helping to emancipate less well-to-do children and form their taste and personalities. They were of such artistic quality that they entered the homes of intellectuals such as Oscar Wilde and Dame Ellen Terry. This publication catalogues almost 450 titles illustrated by the artist, 274 of which have been newly discovered by Francesca Tancini, including unpublished illustrators diaries and account books and printers and publishers ledgers and archives. This catalogue offers a completely new picture of Crane and the publishing and artistic world in which he operated and excelled. Autorid: Francesca Tancini

A revelatory look at midcentury American artistic responses to the Holocaust, and the role of the Jewish experience in the development of modern art The profound effects of the Holocaust and the Jewish experience of World War II left an indelible mark on artists of the time. This insightful book delves into the impact of these events on American art and seeks answers to the questions that confronted artists as the mass deportation and murder of Europe’s Jews came to light. Through paintings, sculpture, photography, drawings, prints, and designs for memorials by Louise Nevelson, Mark Rothko, Ben Shahn, Frank Stella, and many others, this volume highlights the intersection of Jewish experience and modern art, a subject that has been largely neglected in art historical studies. Jennifer McComas draws on the Jewish theological concepts of destruction, exile, memory, and repair to trace artistic responses and show how they helped define a transformative era of American art. Essays also explore how Jewish Americans memorialized the victims in the immediate aftermath of the Holocaust and how artists in the final decades of the twentieth century continued to confront its legacy. A timeline of events pertaining to World War II and Jewish communal life in the United States provides additional context for the choices made by artists as they addressed an unprecedented catastrophe in their work. Published in association with the Sidney and Lois Eskenazi Museum of Art, Indiana University Exhibition Schedule: Sidney and Lois Eskenazi Museum of Art, Indiana University (September 4–December 15, 2025) Autorid: Jennifer McComas, Samantha Baskind, Hasia R. Diner

A vital account of the state of the Arctic today—emphasising the twin dangers of climate change and geopolitical competition Nowhere is the dual threat of climate change and geopolitical contest felt more strongly than in the Arctic. Sea ice is declining rapidly, wildfires are burning, and permafrost is thawing. All the while, global interest is gathering apace as the region transforms from being a frozen desert into an international waterway. Mia Bennett and Klaus Dodds examine the state of the Arctic today, showing how the region is becoming a space of experimentation for everything from Indigenous governance to subsea technologies. Growing geopolitical competition is accompanying environmental disruption. Countries including Russia, China, and the United States are investing in the Arctic and consolidating their interests in strategic access, resource exploitation, and alliance-building. The consequences of this emerging Arctic Anthropocene are truly global—from rising sea levels due to melting glaciers to tensions between great powers determined to protect their territory and resources, and the well-being of Indigenous Peoples who have fought for centuries for rights and recognition. Autorid: Mia Bennett, Klaus Dodds

"A fascinating look at how American artists of the 1960s created a unique brand of surrealism to reconnect art to an increasingly untethered reality and create new horizons for subject matter and form that continue to reverberate in American art today"--Provided by publisher. "Challenging what we think we know about art of the 1960s, this volume moves beyond the established movements of pop art, minimalism, and conceptualism to shine a light on how American artists created a unique type of surrealism, making works suffused with eroticism, dread, wonder, violence, and liberation. A series of essays reveals how this new surrealism enabled artists to reconnect art to an increasingly untethered reality following the period of rapid postwar transformation and to imagine new worldsand models for art rooted in political and social change. Presenting a new framework to understand the work of artists such as Lee Bontecou, Franklin Williams, Nancy Grossman, Mel Casas, Yayoi Kusama, Jim Nutt, John Outterbridge, Ralph Arnold, H. C. Westermann, Romare Bearden, Louise Bourgeois, Christina Ramberg, and Robert Arneson, this study features an expansive chronology that highlights how a broad group of artists across the United States connected to each other through exhibitions, galleries, and collectives, offering a fresh perspective on how artists in the 1960s harnessed psychoanalysis, wordplay, and assemblage, among other strategies, to create new horizons for subject matter and form that continue to reverberate in American art today"-- Provided by publisher. A reevaluation of American art of the 1960s that foregrounds the role of surrealism during a period of social and political upheaval Challenging what we think we know about art of the 1960s, this volume moves beyond the established movements of pop art, minimalism, and conceptualism to shine a light on how American artists created a unique type of surrealism, making works suffused with eroticism, dread, wonder, violence, and liberation. A series of essays reveals how this new surrealism enabled artists to reconnect art to an increasingly untethered reality following the period of rapid postwar transformation and to imagine new worlds and models for art rooted in political and social change. Presenting a new framework to understand the work of artists such as Lee Bontecou, Franklin Williams, Nancy Grossman, Mel Casas, Yayoi Kusama, Jim Nutt, John Outterbridge, Ralph Arnold, H. C. Westermann, Romare Bearden, Louise Bourgeois, Christina Ramberg, and Robert Arneson, this study features an expansive chronology that highlights how a broad group of artists across the United States connected to each other through exhibitions, galleries, and collectives, offering a fresh perspective on how artists in the 1960s harnessed psychoanalysis, wordplay, and assemblage, among other strategies, to create new horizons for subject matter and form that continue to reverberate in American art today. Distributed for the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art, New York (September 24, 2025–January 29, 2026) Autorid: Dan Nadel, Ed Halter, Laura Phipps, Scott Rothkopf, Elisabeth Sussman, Jo Applin, Sampada Aranke, Lucy Bradnock, Ruben Cordova, David J. Getsy