Olibro

The Caldecott Honor-winning classic by bestselling picture-book creator David Shannon! In Spanish!When David Shannon was five years old, he wrote and illustrated his first book. On every page were these words: NO, DAVID! . . . and a picture of David doing things he was not supposed to do. Now David is all grown up. But some things never change. . . . NO, DAVID! remains a perennial household favorite, delighting children, parents, and teachers alike. David is a beloved character, whose unabashed good humor, mischievous smile, and laughter-inducing antics underline the love parents have for their children--even when they misbehave. Now available in Spanish!David Shannon escribió e ilustró su primer libro cuando tenía cinco años, y en cada página del libro aparecía la frase "¡No, David!" y alguna imagen de David haciendo algo indebido. Hoy en día, David es un adulto. Pero algunas cosas nunca cambian. Este libro en español deleitará a niños, padres y maestros.

During the Reformation of the sixteenth century, the status of prostitution evolved from being seen as a trade or a profession, however marginalized, into a source of malignant temptation; the prostitute ceased to be a sex worker who sought to alleviate her economic insecurity through commercial sex, and became a vain, selfish woman who desired wealth and opulence, and who led upstanding married men astray and thus threatened their souls and the moral and civic orders of a reformed society. Sex workers became the literal embodiment of the decadence and corruption that threatened to engulf the world as epitomized by the richly attired Whore of Babylon astride the seven-headed Beast. Yet, the study of late-medieval human trafficking makes clear that vanity, selfishness, and spiritual malignance had little to do with prostitution and the commercial sex industry. Instead, the commercial sex industry thrived upon poverty, limited employment opportunities for women, and attitudes of male entitlement, all of which led to vulnerability, and thus to victimization, as women and girls struggled to alleviate their economic duress.

Essay from the year 2014 in the subject Cultural Studies - Miscellaneous, grade: 75 (A), University of Strathclyde, language: English, abstract: When the American director John Hughes chose to open the credits of his 1985 film "The Breakfast Club" with following lyrics taken from David Bowie¿s 1971 single "Changes", his intention in doing so was to challenge the commonplace notions of youth plaguing 1980s teen-culture in America. "And these children that you spit on as they try to change their worlds, Are immune to your consultations ¿ they¿re quite aware of what they¿re going through¿" The film¿s troubled ¿teenage¿ protagonists, exaggerated caricatures of rebellious youth who spend an entire Saturday detention within a school library in atonement for their individual delinquencies, begin their journey defined ¿in the simplest terms and the most convenient definitions¿ lavished upon them by their adult authorities. Bowie¿s lyrics were applied to "The Breakfast Club" by Hughes in order to glamorize the notion of ¿us versus them¿ and youth isolation within the cultural landscape of 1980s America. However, these lyrics can also be aptly applied to the much-discussed issue of ¿youth culture¿ within the British post-war landscape. Although ¿Changes¿ was not released until the early 1970s, its lyrics effectively capture the tone of the previous two decades in Britain; decades in the throes of social and political change, with a newly formed ¿youth¿ group who were becoming increasingly aware of that fact. Following the arrival of rock n¿ roll in the late 1950s, British youths underwent a period of self-realisation in the 1960s as music, particularly rock n¿ roll, drove a wedge between teenagers and the ¿parent culture¿, effectively isolating them into their own unique cultural island. The primary ambition of this essay, therefore, will be to assess the change implemented by music during these post-war decades and whether it is possible to utilize music as a tool for effectively understanding youth culture and sub-cultures. Although each decade could be argued to embody its own distinct ¿mood¿, effectively captured and echoed in its musical output, this essay will hone its energies primarily towards studying the late 1950s and early 1960s, in which a ¿fizzy electrical storm¿ of a radiant post-war atmosphere was reflected and charged by its music. [...]

Seminar paper from the year 2012 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, University of Würzburg (Neuphilologisches Institut), course: American English: History, Variation, and Change, language: English, abstract: "In every living language, processes of change are as inevitable as rain." New dialects develop out of isolation as well as out of contact with other varieties. Thereby they are influenced by ongoing socio-cultural changes and, in turn, affect culture and way of speaking. This paper will summarize results of latest linguistic research on two ethnic dialects ¿ Chicano English, a Hispanic variety of American English and Türkendeutsch , a relatively new variety of German. First, both varieties will be presented with regard to their history, their structural features and sociolinguistic aspects, starting with Chicano English. After outlining characteristics of both individually, major similarities and differences will be highlighted. Finally, difficulties in the context of this paper will be discussed and future prospects will be given.

Chapter 1: Permanent Counterrevolution, Technocracy, and World War III.- Chapter 2: Shock and Stress.- Chapter 3: Trauma-Based Mind Control.- Chapter 4: Fear and Thread.- Chapter 5: Cognitive Attack.- Chapter 6: Weaponised Deception.- Chapter 7: Mass Paranoia and Hysteria: Turning Society against itself.- Chapter 8: The coming Unrest.<BR>

The volume collects a series of lectures given by the renowned French thinker Michel Foucault late in his career. The book is composed of two parts: a talk, "Parresia," delivered at the University of Grenoble in 1982, and a series of lectures entitled "Discourse and Truth," given at the University of California, Berkeley in 1983, which appears here for the first time in its full and correct form. Together, they provide an unprecedented account of Foucault's reading of the Greek concept of parresia, often translated as "truth-telling" or "frank speech." In typically Foucauldian style, the lectures trace the transformation of this concept across Greek, Roman, and early Christian thought, from its origins in pre-Socratic Greece to its role as a central element of the relationship between teacher and student. In mapping the concept's history, Foucault's concern is not to advocate for free speech; rather, his aim is to explore the moral and political position one must occupy in order to take the risk to speak truthfully. In his analysis of parresia, Foucault both advances his project of a history of the present and paves the way for a genealogy of the critical attitude in modern and contemporary societies. These essays--carefully edited and including notes and introductory material to fully illuminate Foucault's insights--are a major addition to Foucault's English-language corpus that no scholar of ancient or modern philosophy will want to miss.

Ein Leben zwischen Musik, Geschichte und der Suche nach Zugehörigkeit.David Geringas ist sechs Jahre alt, als Stalin stirbt. Er wächst in Vilnius in einer jüdischen Familie auf, beginnt beinahe zufällig mit dem Cellospiel und gelangt schließlich nach Moskau, wo er bei Mstislaw Rostropowitsch studiert. Von dort führt ihn sein Weg auf die internationalen Konzertbühnen - als Cellist, Dirigent und Lehrer.In "Don't tell anybody" erzählt Geringas offen und mit feinem Humor von seiner Kindheit im sowjetischen Litauen, vom Musikleben hinter dem Eisernen Vorhang, seiner Emigration in den Westen und den Begegnungen mit Künstlern wie György Ligeti, Krzysztof Penderecki, Alfred Schnittke und Sofia Gubaidulina.Seine Erinnerungen sind weit mehr als die Geschichte einer außergewöhnlichen Musikerkarriere. Sie erzählen von Familie und Verlust, Freundschaft und künstlerischer Freiheit, von Heimat, Neuanfang und einem Leben, das über alle politischen und kulturellen Grenzen hinweg von der Musik getragen wird.

Introduction: Kidnapping Europe in the Twenty-first Century 1. Belarus after 2022: The Logic of War and the Limits of Liminality 2. Continuous Czech Geopolitical Vacillation: A New Perspective 3. Estonia: Back to Eastern Europe? 4. Hungary's Politics of Weakness: The Nuisance Potential and the Limits of a (Geo) Political Countermodel in the EU and NATO in Times of War 5. Between European, Northern, Eastern and the Baltic Understanding of the Self: The Case of Latvia 6. Lithuania's Turn to Democracy Promotion: Redefining Fundamental Interests in the Face of Authoritarian Onslaught 7. Between a Rock and a Hard Place: Macedonian Geopolitical Considerations Between Pan-Slavic Euroscepticism and European Integration 8. EU Security Community in Moldova: The Tug-of-War Between East and West 9. The Jagiellonian Moment and Beyond: Identities and Geopolitics in Poland after 2022 10. Waiting for the Order to Change: How the Russo-Ukrainian War Affected the Mixture of Serbian Geopolitical Traditions 11. Slovakia's post-2022 Ontological liminality in the Context of the Russo-Ukrainian War: Moving toward Permanent Liminality? 12. How Slovenians became Zahodnjaki: Slovenia's Changing Notions of Central Europeanness Following Russia's Full-scale Invasion of Ukraine 13. Türkiye and the 2022 Russo-Ukrainian War: Civilizational Identity and the "Hero" Character 14. Away from the East: Ukraine's Politics of Belonging During the War Conclusions: Redefining Imaginaries in the Wake of Russia's War in Ukraine: Shifting Identities and Narratives in Europe Index

The erbB2 (also known as HER2 or neu) belongs to the epidermal growth factor receptor (EGFR) family. ErbB2 is a receptor tyrosine kinase with intrinsic tyrosine kinase activity. The mammalian EGFR family comprises four receptors (EGFR, ErbB2, ErbB3, and ErbB4).. The erbB2 gene is amplified or overexpressed in approximately 30% of human breast cancers. Patients with ErbB2-overexpressing breast cancer have lower overall survival rates and overexpression of ErbB2 leads to increased breast cancer metastasis. Thus, understanding the effect and mechanisms of ErbB2 signaling is critical to the success of treatment of breast cancers.

Wie werden Geschlechterrollen in Musik gestaltet? Welche Vorstellungen von Weiblichkeit, Männlichkeit und Sexualität vermittelt sie - und wie verbinden sich diese mit politischen Anliegen? "Gendere die Welt, sie braucht es" eröffnet neue Perspektiven auf Hanns Eislers Werk und dessen gesellschaftliche Zusammenhänge.Die Beiträge untersuchen Arbeitermütter und Männerbilder, die Darstellung von Homosexualität, Frauen in Eislers Arbeitsumfeld sowie Geschlechterrollen in Lied, Theater- und Filmmusik. Dabei treten auch Spannungen zwischen emanzipatorischem Anspruch und überlieferten Rollenbildern hervor. An Werken wie Die Mutter, den Vier Wiegenliedern für Arbeitermütter und der Ballade zum § 218 wird deutlich, wie eng Geschlecht, soziale Klasse und politische Handlungsfähigkeit miteinander verbunden sind.Musikalische Analysen, historische und biografische Untersuchungen sowie Überlegungen zur Aufführungspraxis erschließen unterschiedliche Dimensionen dieser Beziehungen. Auch die Frage, welchen Anteil Frauen an Eislers künstlerischer Arbeit hatten und wie Stimme und Interpretation Geschlechterbilder prägen, erhält besondere Aufmerksamkeit.Herausgegeben von Peter Schweinhardt und Diego Alonso, verbindet der siebte Band der Eisler-Studien musikwissenschaftliche Forschung mit Gender Studies und politischer Kulturgeschichte. Die deutsch- und englischsprachigen Beiträge richten sich an ein wissenschaftliches Publikum sowie an Leser:innen mit vertieftem Interesse an Eisler, Brecht und den gesellschaftlichen Funktionen von Musik.

The relationship between a child and their father is meant to be a cornerstone of love and security. But for countless adult children, this bond has become a deep well of enduring pain, rooted in experiences of toxicity, emotional neglect, and abuse.This book is a direct, empathetic response to the profound and long-lasting psychological and emotional effects of damaging paternal relationships. It is a focused journey toward validation, understanding, and profound self-reclamation for those who have navigated the crippling confusion, simmering anger, and intense isolation caused by a harmful father.This is not a process of assigning blame, but a roadmap for courage.

Ever since his first appearance in New York City in 1932, Art Tatum has been regarded as the most important pianist in the history of jazz. His technique took the breath away even from concert pianists of the calibre of Horowitz, his touch was of unparalleled lightness and elegance, and his improvisations across the entire harmonic spectrum put him decades ahead of his time. For the first time this book in detail reconstructs the often blurred traces of the life of the Afro American piano virtuoso from Toledo, Ohio. Based on the stories of many contemporaries and fellow musicians and on countless reports in the daily press and jazz journals, a fascinating portrait emerges of a unique artist and the pulsating world of jazz of his time."The late Fats Waller, no mean keyboard genius himself, halted a show at the Greenwich Village Inn in New York one night to announce dramatically in the presence of his friend: 'I play the piano, but God is in the house.'" (Pittsburgh Post-Gazette, 1947)"Art Tatum showed what it is like to live in a world where all doors are open." (Tom Piazza, 1996)

This book aims to deconstruct the public perceptions of the "Gypsy" and is a manifesto for reclaiming Romani memories and for recognition. A particular focus lies on Hungary. First, a critical examination of existing academic national and international knowledge production is undertaken. Then, the paths of 150 Romani intellectuals from three generations are traced. Their emancipatory narratives and agencies are analyzed from the perspective of the concept of resilience. Along with an in-depth literature review, this study is based on a mixed research methodology that includes both qualitative and quantitative comparative analyses of personal accounts from the 1920s to the 2020s.

The intent of this book is to provide a brief but comprehensive introduction to the subject of how you can be a Law Maker. No man is allowed to be a judge in his own cause because his interest would certainly bias his judgment and not improbably, corrupt his integrity, with equal, nay with great reason, a body of men are unfit to be both judges and parties at the same time, yet what are many of the most important acts of legislation, but so many judicial determinations, not concerning the rights of single persons, but concerning the rights of large bodies of citizens who vote? That is why you now have in your hands this book ¿Honorable Minds¿ the Art of Being a Parliamentarian, which is the only reader on the market that fundamentally challenges the political and economic status quo in Zambia as you seek to be part of good governance of our great Nation. This book is the result of having an interest in developing a comprehensive resource for People like you with the rights and life skills to participate in the governance of your country.

Alfred Groff gives us practical ways and exercises that help us become more completely who we are, not only as individuals but collectively as whole societies. Today, the global nature of the many problems that confront us highlight the inadequacies of our present culture and its institutions. This demands from us, both deeper levels of introspection, and an outer transformation of our society and economy, locally and globally. Groff points the way to both, giving us the personal tools to act inside ourselves and the political tools to act outside in wider society. (John Bunzl) Revised and extended edition of the book 134 - Integral Threefolding of the Fourth Way (2014)

Essay from the year 2010 in the subject History of Europe - Newer History, European Unification, grade: A-, University CEU San Pablo Madrid, language: English, abstract: At first glance, the historical Jews do not seem to have been a group that was determining the architectural, visual and spatial outlook of cities ¿ in Europe or overseas alike. In fact, as Rudolf Klein put it, ¿the Jews were seldom in a position ¿ save in ancient and modern Israel ¿ to impose architecture on others¿; partially because they ¿moved so many times in history that they lacked the preconditions for a continuous architectural evolution¿. Moreover, architecture has always been considered a Jewish 'specialty' much less then, say, literature, medicine or business. However, I will show that a closer look at the connections between the Jews and the urban space is an important and promising enterprise that tells us a lot about the Jews, the city ¿ and also about Gentiles. The focus of this paper is on the fin-de-siècle period (late 19th ¿ early 20th centuries) and on the two capital cities of Vienna and St. Petersburg ¿ and for some reasons. Both cities were capitals of the empires (Austria-Hungary and the Russian Empire, respectively), that were powerful enough to be a major military and financial competitors, but still technologically and economically backward. The transition to modernity in both capitals was late and problematic, and the Jewish communities have faced a long and persistent anti-Semitism. In both contexts, however, the Jews were especially successful and over-represented in the most modern professions ¿ and also more visible in the rapidly changing modern urban space. Thus, this paper also compliments to the perspective that analyzes ¿Jewish space¿ in fin-de-siècle capitals ¿ and brings a comparative element into the picture. Accordingly, in this paper I will look at the Jewish experiences in turn-of-the-century Vienna and St. Petersburg to compare the visions, images and representations of the ¿Jewish space¿ in the two imperial capitals that were struggling through modernity. I am particularly interested in residential, occupational and religious aspects of the ¿Jewish space¿ as these were the factors that determined the everyday life cycle of particular Jews. Additionally, I want to trace the potential influence that the Jewish patterns of space organization may have exercised upon Gentile ones around turn of the century.

From 1884 on, Germany established a colonial empire in the Pacific islands. By 1914 it stretched over a vast area, covering a myriad of islands in Melanesia, Micronesia and Polynesia. While the number of Germans was relatively small, many Germans arrived being equipped with the most recent technology of the time. Usually, this included a camera. It is surprising, how many photographs were taken by government officials, missionaries and private individuals such as planters and businesspeople. This book presents Kainkain Piksa taken during the German colonial period. While some of them depict various aspects of German colonial rule, this book is more than pictorial evidence of the German colonial period in the Pacific islands. It is an important photographic source of Pacific Islanders and how they lived more than a hundred years ago - in what today are the Federated States of Micronesia, the Marshall Islands, the Northern Marianas, Nauru, Palau, Papua New Guinea, Samoa and the Solomons. Kainkain Piksa shows ordinary people as well as local and Pacific celebrities of the time, whose names and deeds are still known, albeit just to their ethnic group or family. Not a few Pacific Islanders will find portraits of men and women who are actually their ancestors. Further photographs demonstrate the ancient state of places which have been transformed so much that they are hardly recognizable anymore. Kainkain Piksa is a collection of the most interesting photographs Hermann J. Hiery discovered during his many years of research in numerous government, mission, and private archives. Many are published here for the first time.

With this volume, over one hundred and fifty internationally renowned colleagues pay tribute to the "Grand Dame" of the art of drawing-Simonetta Prosperi Valenti Rodinò.Her wide-ranging interests in the fields of Old Master Drawings and the history of collecting-as well as her ability to present her vast knowledge to fellow enthusiasts of drawing through fundamental and groundbreaking publications-are reflected in the extensive catalogue section contributed by the authors. In this section, unpublished works selected by the contributors are subjected to in-depth scholarly analysis and comprehensive discussion. Numerous comparative illustrations complement the color-illustrated essays.

Seminar paper from the year 2009 in the subject Health - Miscellaneous, grade: 1.00, University of Vienna (Institut der Kultur- und Sozialanthropologie an der Universität Wien), language: English, abstract: It was the 1st of december 2008 at 9 öclock p.m. when I turned on my television and switched to ARTE, to watch a documentary I had read about. It was called ¿Memory Books ¿ Damit du mich nie vergisst¿. I wanted to give it a try although I expected another depressing representation of ¿Africä suffering from and dying of HIV/AIDS, as it has been almost common on the World AIDS Day. It didn¿t fulfill my expectations, in no way. I was touched, I was inspired and I wanted to know more about the situation of especially women and children affected by HIV/AIDS and the ¿Memory Project¿ of Uganda. On the basis of this experience, in this paper I will have a closer look at Uganda, at the situation of parents, in particular of women living with HIV/AIDS on the one hand, and on the other hand at the situation of the children affected by the disease and who are left behind after the death of their parents. First I will start with an overview of HIV/AIDS in Uganda. Then I will provide an insight into the situation of women in Uganda in association with the epidemic, also concerning the law on domenstic and gender-based violence as on of the main reason for new and disproportionate infections of females, and the impact on children. Furthermore I will introduce the ¿Memory Project¿ and its core, the ¿Memory Books¿, which was started in Uganda through the national NGO NACWOLA (National Community of Women Living with HIV/AIDS), and point out the importance for both of them, parents and children. The aim of my paper will be to reflect the situation of women and children considering HIV/AIDS, and to provide an insight into NACWOLAs ¿Memory Project¿ and its ¿Memory Books¿. I want to overview the structure and to give a review on the goals of this program, as well as on its offered possibilities and maybe inherent difficulties.

'An empowering guide'<BR>Laura Bates<BR><BR>'A great, thought-provoking read'<BR>Stephanie Yeboah<BR><BR>A practical, inspiring roadmap for changing the conversation on social justice issues.<BR><BR>'Not all men'<BR>'I don't see colour'<BR>'To play devil's advocate...'<BR>'Climate change is coming'<BR><BR>From the persistent to the insidious, too often, antagonistic responses threaten to distract and derail the most urgent conversations.<BR><BR>Tackling twenty of the most enduring conversation-stoppers, No Offence, But... equips readers with the knowledge, tools and context to respond with confidence. Alongside other trailblazing writers, educators and advocates, acclaimed campaigner Gina Martin helps us to unpick these phrases, understand why they are harmful and feel empowered enough to change the conversation.<BR><BR>Featuring chapters from Aja Barber, Ben Hurst, Cathy Reay, Charlie Craggs, Daze Aghaji, Ione Gamble, Koa Beck, Mariam Kemple Hardy and Azadeh Hosseini, Nova Reid and Salma El-Wardany.

Forced Entertainment: Kaum eine andere Gruppe stand in den letzten Jahren so sehr im Mittelpunkt der internationalen experimentellen Theater- und Performanceszene wie die legendäre Kompanie aus Sheffield, die 2004 ihr 20jähriges Bestehen feiert. Besonders in Deutschland und Großbritannien ist ihr Einfluß groß und auch das Interesse an ihrer unverwechselbaren, sehr spielerischen und zugleich sehr reflektierten Formensprache, an einer Ästhetik, die manches zuläßt, was auf der Bühne sonst tabu ist. Einflüsse postmoderner, strukturalistischer und medientheoretischer Diskurse sind ebenso sichtbar wie das britische Boulevard, angelsächsischer Slapstick und die wuchtige Tradition Shakespearescher Königsdramen und Kostümschlachten. Die Arbeiten von Forced Entertainment halten sich dabei nicht an enge Gattungsgrenzen: Zweistündige, kompakte Stücke stehen neben durational performances von sechs, zwölf oder gar vierundzwanzig Stunden, Installationen, interaktiven CD-Roms, Filmen und den Prosa- und Essaybüchern des Autors und Regisseurs Tim Etchells.Das Buch: Erstmals erscheint ein ausführlich bebildertes Buch mit Essays, Hintergrundinformationen, Textpassagen und Beiträgen renommierter Wissenschaftler, Journalisten und Künstler aus verschiedenen Ländern: ein anregender Band als Einführung, Vertiefung oder Kompendium für Fans und Fachleute mit Fotografien von Hugo Glendinning, der die Gruppe seit ihren Anfängen kongenial begleitet.

" Chun Yew has undertaken a remarkable piece of research which will be of immense value to anyone seeking to pursue further the Belt and Road Initiative. It provides an excellent introduction to the geographical complexity of the region covered by the BRI through his description of the intricate network of rail and road transportation. I trust he will follow it up with an equally compelling research on the political and economic backdrop of this vast and promising region. " -- LIM Chee Onn Senior Advisor, Ascendas-Singbridge Group

Klimawandel und Artensterben sind seit Jahrzehnten bekannt, doch viele scheuen weiterhin die Konsequenzen notwendiger Veränderungen. Theater, Drama und Theatertext spielen traditionell eine gewichtige Rolle in gesellschaftspolitischen Reflexionsprozessen. Der Band versammelt Beiträge führender Wissenschaftler:innen, Dramatiker:innen und Dramaturg:innen, die sich mit der Frage auseinandersetzen, wie die Krise nicht nur als abstrakte Bedrohung, sondern als konkrete Realität dargestellt werden kann, welche neuen Ästhetiken und Dramaturgien geeignet sind, nichtmenschliche Akteur:innen einzubeziehen und den anthropozentrischen Blickwinkel aufzubrechen. Dabei soll nicht nur wirksam reagiert, sondern auch zum Handeln motiviert werden.

Let go of the struggle and obsess less. With this unique guide, you'll find the tools you need to get unstuck from obsessive thoughts, overcome fears, feel more grounded, and live a life that truly reflects your values.Pure obsessional obsessive-compulsive disorder, or "Pure O" OCD, is a subtype of OCD that is characterized by intrusive thoughts, images, or urges without any visible symptoms. These "hidden compulsions" can include constant reassurance seeking, obsessive regret or worry, and may involve avoidance, excessive preparation, and thought rituals. They can also cloud your judgement, causing you to make decisions based on fears and compulsions instead of your values. But trying to stop or change these fearful thoughts only leads to more anxiety and fear. So, how do you break this obsessive cycle?Grounded in acceptance and commitment therapy (ACT), and written by a renowned ACT and anxiety expert, "Pure O" OCD explains the cognitive fusion underlying your obsessive thoughts, and how it can lead to social anxiety, not feeling good enough, panics and phobias, and even other disorders-all of which then reinforce the fusion in an unhelpful, positive feedback loop. Using the five skills in this book-labeling, letting go, mindfulness, purpose, and acceptance-you'll learn how to finally break free of the struggle, worrying, and avoidance that keep you stuck.With practice, you'll find that you can counter your anxiety and obsessive thoughts with your own, values-based narrative, and learn how to better accept your thoughts and feelings, so that you can proceed freely and purposefully toward a life that reflects what matters most to you.

Essay from the year 2019 in the subject Business economics - Miscellaneous, grade: A, ( Atlantic International University ) (School of Business and Economic), course: PhD Program, language: English, abstract: This piece of work clearly puts together a report on Ervin Laszlös scientific research and explanation in a framework and his sense of ¿oneness.¿ As a philosopher of science, Laszlo uses quantum physics to present a holistic perspective of the as it were ¿the emerging new world.¿ He presents people as change agents anchoring his argument on the effects of peoples activities on nature. In his change and shift discourse, Laszlo presents two approaches: That of ¿Business as usual¿ and that of ¿Timely Transformation¿. In his critical reasoning of what he has described as ¿macroshift¿ Laszlo presents four phases of the shift process: The Trigger Phase, The Transformation Phase, The critical / chaotic phase where he lays emphasis on the three Cs (Communication, consciousness and connections) and the breakdown phase .

Richard P. Feynman, winner of the Nobel Prize in physics, thrived on outrageous adventures. In this lively work that "can shatter the stereotype of the stuffy scientist" (Detroit Free Press), Feynman recounts his experiences trading ideas on atomic physics with Einstein and cracking the uncrackable safes guarding the most deeply held nuclear secrets-and much more of an eyebrow-raising nature. In his stories, Feynman's life shines through in all its eccentric glory-a combustible mixture of high intelligence, unlimited curiosity, and raging chutzpah.Included for this edition is a new introduction by Bill Gates.

In 1875, Arnold Janssen founded the Society of the Divine Word (SVD), a missionary order which, in addition to philosophical and theological education, also cultivated an interest in the positive sciences, in particular the study of non-European cultures. The ethnological journal "Anthropos" (1906) and the sinological journal "Monumenta Serica" (1935) emerged from this tradition of the society. This volume contains a selection of articles published in these journals over the last 100 years, which the editors consider to be most representative of one of the Society's current organizational goals, namely intercultural and interreligious dialogue in a globalized world.With contributions byHenri Bernard S.J. | Irene Eber | Martin Gusinde | Matthias Hermanns | Jia Jinhua | Anna Meiser | Jean Michaud | Darius J. Piwowarczyk | P. P. Schebesta, S.V.D. | Wilhelm Schmidt | Henry Serruys, C.I.C.M. | Harrie Vanderstappen | Zbigniew Wesolowski | Henryk Zimon

Seminar paper from the year 2023 in the subject American Studies - Literature, grade: 1,7, http://www.uni-jena.de/ (Anglisitik/Amerikanistik), course: Theorie und Praxis des Englischunterrichts: African-American, Indigenous and Diaspora Literature, language: English, abstract: Term paper about the teaching potential of African American Literature in the English as a Foreign Language (EFL) Classroom. The paper is based on the book "The Hate You Give" by Angie Thomas. Within the paper, it is explained why this book is relevant and well-suited for the classroom. For the novel, an example of a teaching unit is analyzed and described. One lesson is looked at in detail.

"The Kingdom of God is at Hand" - Adventist Interpretations of Biblical Apocalypticism offers nineteen papers presented at the 4th International Symposium of the Institute of Adventist Studies at Friedensau Adventist University, Germany, April 26-29, 2021. The contributions represent current Adventist scholarship from four continents: Europe, North America, Africa, and Australia. Well versed in their fields and knowledgeable about their subjects, the authors are dealing with Christian apocalypticism from biblical, historical, theological, and practical perspectives. Originating from the 19th-century Millerite movement, Seventh-day Adventism is deeply affected by apocalyptic thinking. By looking at the Adventist faith tradition from a scholarly point of view, this volume hopes to contribute to an apt assessment of apocalyptic eschatology.

In einer weitgehend in Vergessenheit geratenen Intervention kehrte der Kurator und Ethnologe Julius Lips den kolonialen Blick auf die "Anderen" um. 1937 im Exil publiziert, versammelt sein Buch "The Savage Hits Back or the White Man through Native Eyes" Artefakte aus kolonialen Kontaktzonen, die den Europäer als exotischen oder barbarischen Fremden zeigen. Die Autoren des vorliegenden Bandes werfen einen neuen Blick auf Werk und Biografien von Julius und Eva Lips und befassen sich mit Ethnologie, Kunstwissenschaft und musealen Praktiken vor dem Zweiten Weltkrieg. Dabei erkunden sie die Spuren einer Inversion des Blicks in der globalen Kunst und die Möglichkeiten einer symmetrischen Kunstgeschichte und Anthropologie. - Mit einem Bestandskatalog der "Sammlung Lips" im Rautenstrauch-Joest-Museum, Köln.

The reception history of Genesis 12:5 within the rabbinical tradition is long and winding; dealing with core issues of Jewish identity and the essence of Jewishness. Yuval Katz-Wilfing attempts to follow this path, understanding the context of the steps taken in the understanding and use of Genesis 12:5 and their trajectory. His work touches upon many epochs: starting with the origin in both the biblical context and the context of the ancient near east, continuing with the reception in second temple time and early Midrashim, going on with the readings in Midrash and Talmud and reception in Halacha and geonitic Midrash, exegesis, shu"t and theological writing of the middle ages and lastly kabbalah literature and Zohar. The book employs Critical Analysis of source material in its historical context as well as, thematically inter-contextual methods.

The essential little book that students love for demystifying academic writing, reading, and researchMillions of students love "They Say / I Say" because it offers lively and practical advice they can use throughout their college career (and beyond). Now, students can learn how to connect their "I Say" to broader public conversations through a new chapter "In My Experience," and they will engage more deeply with their assigned readings thanks to new co-author Laura Davies's work on both a dynamic Norton Illumine Ebook and an energetic revision of the version with readings-making the Sixth Edition an even more useful tool for students throughout their college experience.

How should divine vengeance in the New Testament be understood ? Arjan van den Os offers a comprehensive analysis of its literary, theological, and historical contexts - uncovering its role as a retributive, eschatological response that was used both as warning and as consolation for early Christian communities.

How do US-American and British TV show hosts of talk shows differ in terms of compliment use? In what part of the show, how often, on what topic and in which context do they use compliments? This paper aims at answering these questions with a focus on late-night talk shows, exemplarily shown with one episode in each case. The US-American late-night talk show that was chosen to take data from is The Tonight Show Starring Jimmy Fallon, the British counterpart that was picked for this compliment research is The Jonathan Ross Show, concentrating on the compliments of the hosts, namely Jimmy Fallon and Jonathan Ross. First there will be an overview of previous research on compliments on the one hand and talk shows on the other, coming to the method that has been chosen to gather the data, the structure of talk shows in general and in the case of the late-night talk shows this paper deals with, ending with presenting the results of this research on compliments.

Introduction<BR>1. In 1-D: Dr. Demento and Weird Al's Funny Music Forebears<BR>2. In 2-D: Weird Al's Early Years<BR>3. In 2.5-D: A Few Quick Thoughts<BR>4. In 3-D: The Parodies<BR>5. In 3-D: The Polka Medley<BR>6. In 3-D: The Originals<BR>7. The Videos I Want to Watch: AL-TV and Music Videos<BR>8. Beyond the Third Dimension

Der Jude von Berlin - so wurde der jüdische Philosoph Moses Mendelssohn (1729 - 1786) von Verehrern in ganz Europa genannt. Dieser Band erzählt von den Wirkungen und der Karriere des diskriminierten Selfmade-Intellektuellen im Preußen von Friedrich dem Großen. Viele seiner Lebensthemen bestimmen auch die Gegenwart des 21. Jahrhunderts: Fake News contra Wahrheitssuche, Steuerung durch Kopf oder Bauch, Bürgerrechte, Menschenbilder, Identitätskonflikte. Das hier erstmals versammelte kontrastreiche Spektrum der zu Lebzeiten entstandenen Mendelssohn-Portraits veranschaulicht seine Bedeutung bis heute und ist eine Ikonen-Galerie eines Emanzipationspioniers, des - bis zum Auftritt Albert Einsteins - am häufigsten abgebildeten Juden.

"You've Got Michael" tells the inside story of the high-stakes battle to save Michael Jackson's career and market his 1995 greatest hits album, HIStory, as documented by a record executive who worked closely with him.In 1991, Dan Beck -- a senior marketing executive at Epic Records in New York -- became Michael Jackson's product manager, with direct responsibility for the artist's record packaging, publicity, videos, retail strategy and contact with the label. The story he tells here is of the five years in that role, dealing with Jackson's unchecked ambition, surprising need for reassurance and increasing challenges to his career, many of them self-induced. Beck recounts his often surprising (if sometimes dismaying) experiences with clear-eyed objectivity, seeing Jackson as both a superstar and a real person.While detailing the inner workings of the music business at its mega-platinum peak, “You've Got Michael” is also a gripping drama about helping a global talent survive the most difficult time in his career.

An apparently contradictory yet radically urgent collection of texts tracing the genealogy of a controversial current in contemporary philosophy.Accelerationism is the name of a contemporary political heresy: the insistence that the only radical political response to capitalism is not to protest, disrupt, critique, or détourne it, but to accelerate and exacerbate its uprooting, alienating, decoding, abstractive tendencies.#Accelerate presents a genealogy of accelerationism, tracking the impulse through 90s UK darkside cyberculture and the theory-fictions of Nick Land, Sadie Plant, Iain Grant, and CCRU, across the cultural underground of the 80s (rave, acid house, SF cinema) and back to its sources in delirious post-68 ferment, in texts whose searing nihilistic jouissance would later be disavowed by their authors and the marxist and academic establishment alike.On either side of this central sequence, the book includes texts by Marx that call attention to his own “Prometheanism,” and key works from recent years document the recent extraordinary emergence of new accelerationisms steeled against the onslaughts of neoliberal capitalist realism, and retooled for the twenty-first century.At the forefront of the energetic contemporary debate around this disputed, problematic term, #Accelerate activates a historical conversation about futurality, technology, politics, enjoyment, and capital. This is a legacy shot through with contradictions, yet urgently galvanized today by the poverty of “reasonable” contemporary political alternatives.

Dracula meets manga in this surreally beautiful and chilling retelling of Bram Stoker’s quintessential horror classic.<BR><BR>In this beautiful, evocative, and often surreal retelling of Dracula, a fearsome enemy comes from the east, bringing with it horrors the likes of which have never been seen in the British Empire. Standing opposed are Wilhelmina “Mina” Murray and her stalwart companions, united in a cabal that eclipses gender, nationality, and station until the day that they can achieve victory.<BR><BR>With Lucy’s life hanging in the balance, tempers flare and tensions rise as Arthur, Quincey, Joe, and Mina struggle to decide who is best suited to offer aid to their precious friend. However, the sudden appearance of Count Dracula may render all their efforts for naught. Will centuries of humanity’s collected knowledge be enough to hold back the count’s advance, or will wisdom and logic falter in the face of the undead king’s maddening presence?