Kõik hinnakirjad

A comprehensive history of the Georgians, comparing past views of these exciting, turbulent, and controversial times with our attitudes today

This book is about J. G. Ballard. This book is also about death, love and time travel.In 2024, Nina Allan's husband, the novelist Christopher Priest died. He had been diagnosed with prostate cancer, which had metastasised into the bones, the same disease that killed the man whose biography he'd spent his last months working on - the cult author, J. G. Ballard.J. G. Ballard possessed one of the most astonishing imaginations of our age, and he had an intense and turbulent history: a childhood spent in the encroaching shadow of World War II, teenage internment in a Japanese prison camp - an experience famously fictionalised in Empire of the Sun. Ballard's novels are among the finest and most unusual fiction that has ever been published. Whether in the hyper-surrealism of High Rise or the erotic violence of Crash, he upended the morality and reality of our world.Christopher knew many of Ballard's friends and colleagues personally. As a young writer, it had been Ballard's stories, most of all, that had helped cement his passion for science fiction. With much of their early work published in the same magazines, Priest knew about Ballard's world from the inside. He set out to write a biography that would make people understand what he already knew: that J. G. Ballard wasn't just a cult writer - he was one of the greatest writers of the twentieth century.When Nina and Christopher first met, they bonded over their love for Ballard's writing, rereading his novels and stories together many times. When it became clear that Christopher would not have time to finish this biography, Nina promised him that she would complete it, patching together with her own voice the gaps that remained. If the book began as a tribute from Priest to Ballard, it is now also a love story written by Nina for Christopher. With access to never-before-seen material, The Illuminated Man explores the history and themes of Ballard's life and - with Ballardian strangeness - celebrates and mourns for those that are gone. This is the story of two deaths, three science fiction writers and one attempt to turn back time.

A passionate and imaginative exploration of wood - the material that shaped human history. As a material, wood has no equal in strength, resilience, adaptability and availability. It has been our partner in the cultural evolution from woodland foragers to engineers of our own destiny. Tracing that partnership through tools, devices, construction and artistic expression, Max Adams explores the role that wood has played in our own history as an imaginative, curious and resourceful species. Beginning with an investigation of the material properties of various species of wood, The Museum of the Wood Age investigates the influence of six basic devices - wedge, inclined plane, screw, lever, wheel, axle and pulley - and in so doing reveals the myriad ways in which wood has been worked throughout human history. From the simple bivouacs of hunter-gatherers to sophisticated wooden buildings such as stave churches; from the decorative arts to the humble woodworking of rustic furniture; Max Adams fashions a lattice of interconnected stories and objects that trace a path of human ingenuity across half a million years of history.

The Nobel Prize–winning author here adapts Dostoyevsky’s masterpiece for the stage—a rousing invective against nihilism that brings together two of the great literary minds of the last two centuriesWhen Albert Camus first read Dostoyevsky as a twenty-year-old philosophy student, it was a “soul-shaking experience.” The Possessed, in particular, had a profound effect on the young writer and thinker, who found in the novel an echo of his own disdain for the philosophy of nihilism and its potentially disastrous effects. “In many ways,” he writes in the foreword to the play, “I can claim that I grew up on it and took sustenance from it. For almost twenty years, in any event, I have visualized its characters on the stage.”To complete this labor of love, Camus drew on hundreds of pages from Dostoyevsky’s The Notebooks for The Possessed, which document the Russian master’s torturous writing process, taking care all the while to preserve the “thread of suffering and affection that makes Dostoyevsky’s universe so close to each of us.” As a result, he breathed new life into the enigmatic Stavrogin, the gentle Shatov, and the God-haunted Kirilov, bringing us face to face with Dostoyevsky’s creations.When it was finally performed, in 1959—with Camus himself directing—the play ran to four hours long and was an artistic and technical triumph, featuring thirty-three actors and seven sets. The last finished work before Camus’s death, The Possessed stands as an enduring literary statement about human existence in which the conscience of the twentieth century meets and defines in contemporary terms the conscience of the nineteenth century.

'An absolute delight . Funny, moving, filthy and original . A frontrunner for historical fiction book of the year' The Times'Funny and devastating. I'm having a fantastic time reading it' Yael van der Wouden________________________________________Kill the pretender. Do not let it be known that there was a pretender to kill.The year is 1483 and England is in peril. The much-despised Richard III is not long for the throne, and the man who will become Henry VII stands poised to snatch the crown for himself. But for twelve-year-old John Collan, living in a remote village with his widowed father, these matters seem far away.But history has other plans for John.Stolen from his family, exiled - first to Oxford, then to Burgundy, and then Ireland - and apprenticed to a series of unscrupulous political operators, he finds himself groomed for power; not as John Collan, but as Edward Plantagenet, 17th Earl of Warwick - and rightful heir to the throne.Far from home at the Irish court, preparing for a war that will see him become king or die trying, John has just his wits - and the slippery counsel of his host's daughter, the unconventional Joan - to navigate the choppy waters ahead.

A country both admired and feared, Germany has been the epicenter of world events time and again: the Reformation, both World Wars, the fall of the Berlin Wall. It did not emerge as a modern nation until 1871-yet today, Germany is the world's fourth-largest economy and a standard-bearer of liberal democracy. "There's no point studying the past unless it sheds some light on the present," writes James Hawes in this brilliantly concise history that has already captivated hundreds of thousands of readers. "It is time, now more than ever, for us all to understand the real history of Germany."

Britain faces invasion and conquest - from Napoleon and from the undead - in this supplement for The Silver Bayonet, featuring a competitive campaign and a horde of new monsters.

'There are things in that wallpaper that nobody knows about but me, or ever will.' Hailed as one of the most distinctive and compelling literary voices of her era, Charlotte Perkins Gilman is praised today for her ground-breaking, feminist writing. Collected here, both The Yellow Wallpaper and Herland scrutinise the patriarchal norms of turn-of-the-century America. In The Yellow Wallpaper a woman frantically paces the empty nursery at the top of a secluded mansion. Her husband John, a physician, is of no comfort and she can't bear to sit with the new baby as his crying makes her much too nervous. And then there's the putrid, yellow wallpaper which seems to shift and creep around the room before her very eyes... Herland, first published in 1915, follows a group of three men as they arrive in a female-only society. Peace and tranquillity thrive in this utopian land, forcing the explorers to question how their own corrupted, male-dominated world can survive.

Just because he couldn't kill her doesn't mean his enemy won't.Cole and Mara's relationship has grown to consume them both. Cole, sculptor and killer, finds himself adrift in a depth of feeling he's never known, while Mara, unafraid of his darkness, is blossoming into a successful artist, shaking off the trauma of her youth to finally chase success.For the first time in both their lives, they might actually be...happy.But the past has a long shadow.Alastor Shaw is the Beast of the Bay, a frenzy-killer who once hoped to share his hunting ground with Cole. They never chased the same prey...until the night they both laid eyes on Mara Eldritch. And now, when Shaw realizes the cold-hearted Cole has fallen in love with the girl they once targeted, he plans to destroy him, using Mara as his weapon and pawn.Cole will do anything to protect Mara, including making her strong enough to protect herself. And soon, he finds himself tempting her deeper and deeper into the depths of violence she never thought she'd commit.Shaw's hunt won't stop. Neither will Cole's love.When the time comes for Mara to act, will she be ready to do what needs to be done?

The greatest motivational book of all time! Napoleon Hill's thirteen step programme will set you on the path to wealth and success. Think and Grow Rich reveals the money-making secrets of hundreds of America's most affluent people. By thinking like them, you can become like them. This powerful 1937 classic, with analysis from self-development authority Tom Butler-Bowdon, will continue to be read through the decades of economic boom and bust, proving that the magic formula for making money never changes.