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Edgar Allan Poe, the father of American horror fiction, first published his macabre short story "The Black Cat" in the August 19, 1843 edition of The Saturday Evening Post. The frightening tale of a murderer tormented by guilt over his terrible deeds is a classic. The narrator's admission that much of his bad behavior and deranged thinking is the result of demon alcohol is possibly autobiographical, as Poe himself struggled with alcoholism throughout his life.This short work is part of Applewood's American Roots series, tactile mementos of American passions by some of America's most famous writers and thinkers.

“This may be the most anticipated poetry book of the last decade...expect it to haunt you.”—NPR.orgIn reviewing Richard Siken's first book, Crush, the New York Times wrote that "his territory is [where] passion and eloquence collide and fuse." In this long-awaited follow-up to Crush, Siken turns toward the problems of making and representation, in an unrelenting interrogation of our world of doublings. In this restless, swerving book simple questions—such as, Why paint a bird?—are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its—and our own—invention.* "Slippery, magnetic riffs on the arbitrary divisions made by the human mind in light of the mathematical abstractions that delete them; poetry lovers will want to read."—Library Journal, starred review"[P]oems of passion, examining what it means to love, to be, and to create."—Vanity Fair"Siken’s stark, startling collection focuses tightly on both the futility and the importance of creating art."—Booklist“Poems primarily about painting and representation give way to images that become central characters in a sequence of fable-like pieces. Animals, landscapes, objects, and an array of characters serve as sites for big, human questions to play out in distilled form. Siken’s sense of line has become more uniform, this steadiness punctuated by moments of cinematic urgency.”—Publishers Weekly"War of the Foxes builds upon the lush and frantic magic of Richard Siken’s first book, Crush. In this second book, Siken takes breathtaking control of the rich, varied material he has chosen...Siken paints and erases—the metaphor of painting with words allows him to leave those traces that mostly go unseen. He is the Trickster. If paint/then no paint. He does this with astonishing candor and passion."—The RumpusThe MuseumTwo lovers went to the museum and wandered the rooms.He saw a painting and stood in front of itfor too long. It was a few minutes before sherealized he had gotten stuck. He was stuck lookingat a painting. She stood next to him, looking at hisface and then the face in the painting. What do yousee? she asked. I don't know, he said. He didn'tknow. She was disappointed, then bored. He waslooking at a face and she was looking at her watch.This is where everything changed . . .Richard Siken is a poet, painter, and filmmaker. His first book, Crush, won the Yale Younger Poets' prize. He lives in Tucson, Arizona.

60-osaline söögiriistakomplekt 12 inimesele – täielik varustus teie söögilauale.Kõrgekvaliteediline materjal Cromargan® 18/10 – roostevaba teras, mis on vastupidav kriimustustele ja korrosioonile.Elegantne „Silk“ sari peenete joonte ja siidselt mati pinnaga – ajatu disain.Noad valmistatud ühest terasetükist (monoblokk) hammastatud teraga, mis tagab püsiva teravuse.Sobivad nõudepesumasinasse – lihtne ja kiire hooldus.Stiilne pakend – ideaalne kingituseks või esinduslikuks lauakatmiseks.