SD Pro Ultimate Memory Card Optimized for creativity Incredible performance to optimize your creative workflow. The Samsung PRO Ultimate UHS-I SD Card delivers exceptional stability, high performance and reliability to meet the demands of professional photographers and content creators. The art of speed Sequential read and write speeds of up to 200 and 130 MB/s free up more time for creativity. Combined with U3 and V30 performance that enables continuous shooting and UHD 4K video recording, the PRO Ultimate card is the perfect choice for professionals demanding the highest quality. A place for all your inspirations Storage you can count on. With capacities ranging from 64GB to 512GB, the PRO Ultimate Card has plenty of room to capture and store your work, so you can see your project through to completion, no matter how big or ambitious it is. The power of versatility Unlock your creative possibilities with the Samsung PRO Ultimate SD card. Designed to work seamlessly with DSLR cameras, mirrorless cameras, digital cameras, as well as desktop and laptop computers, this versatile memory card lets you create content with confidence and ease. Solid reliability Confidence and peace of mind when you need it most. The PRO Ultimate SD card is backed by comprehensive 7-factor protection and a 10-year limited warranty to ensure uninterrupted performance under intensive use in extreme conditions. The world's #1 flash memory Top performance and reliability from the world's best-selling flash memory brand since 2003* * Source: OMDIA data for 2003-2022: market shares of NAND memory suppliers
FBI agent John O'Hara receives a call from a man desperate for his help. His son and daughter-in-law have been found murdered on their honeymoon in the Caribbean. The grieving father wants justice, and will pay O'Hara handsomely to hunt down the killer. Federal agents aren't allowed to moonlight, but O'Hara is on suspension and battling some serious demons. He takes on the case, but as O'Hara delves deeper, a past he thought was dead and buried soon comes back to haunt him.
This book assembles a diverse, global set of scholars and practitioners who focus on securing election infrastructure as well as the overriding problem of managing misinformation, disinformation, and deep fakes. Our main areas of focus are the geopolitical front lines, namely Eastern Europe, the Middle East, and East Asia.
Why do good things cut the mustard? Who or what was the real Real McCoy? And why do we call false sentiment crocodile tears? Can crocodiles really cry? In What Made the Crocodile Cry?, Susie Dent draws on her popular television segment on the curiosities of English to tackle these and many other fascinating puzzles. Writing with her customary charm and erudition, Dent offers a wonderfully readable and endlessly entertaining exploration of language, answering 101 of the most intriguing questions about the English language, from word origins and spelling to grammar and usage. Dent ranges far and wide in her search for the oddities of language, pondering the ancient origin of the word "tragedy" (which originally meant "goat song" in Greek) as well as the modern meaning of the word "donk" in the Blackout Crew's song title "Put a Donk in It." And throughout, the book brims with fascinating tales. Readers learn, for instance, that the word "bankrupt" comes from the Italian "banca rotta" or " broken bench" and the word "broke" (meaning "out of funds") has the same origin. Dent explains that in the sixteenth century, money lenders conducted their business on benches outdoors and the usual Italian word for "bench" was "banca" (hence today's "bank"). The author also provides an entertaining account of the origin of the term "white elephant" (meaning "a useless, burdensome possession") that dates back to ancient Siam, where rare white elephants were always given to the king. But since by law white elephants couldn't be worked (and earn money) or even be ridden, the king often re-gifted these worthless burdens to courtiers whom he didn't like. Sparkling with insight and linguistic curiosity, this delightful compendium will be irresistible to anyone fascinated with language--the perfect gift for word lovers everywhere.
Written in her signature bawdy voice, and accompanied by personal anecdotes, a contributing editor at Bon Appetit helps readers to understand the ins and outs of wine culture. “Can I just be Marissa, please? I want to be hilarious and sexy and smart and insanely knowledgeable about wine.” —Mindy KalingA fresh, fun, and unpretentious guide to wine from Marissa A. Ross, official wine columnist for Bon Appétit.Does the thought of having to buy wine for a dinner party stress you out? Is your go-to strategy to pick the bottle with the coolest label? Are you tired of choosing pairings based on your wallet, rather than your palate? Fear not! Bon Appétit wine columnist and Wine. All The Time. blogger Marissa A. Ross is here to help.In this utterly accessible yet comprehensive guide to wine, Ross will help readers to understand the ins and outs of wine culture, from how to describe what they're drinking, to finding the best bottle for their budget, to picking the perfect red for a boyfriend's discerning parents. Told in her signature comedic voice, with personal anecdotes woven in among its lessons, Wine. All the Time. will teach readers to sip confidently, and make them laugh as they're doing it. Autorid: Marissa. A Ross
ODELIA, Ausmalblock Mixed Media, 20 Blatt A4 250g, Spiralbindung, Frauen Ob mit Buntstiften, Filzstiften, Farben oder Aquarellfarben - diese Ausmalblöcke sind für alle geeignet. Jeder Block enthält sechs wunderschöne Illustrationen, die jeweils dreimal wiederholt werden, so dass verschiedene Maltechniken und -stile erkundet werden können. Ein Blatt, das die verschiedenen möglichen Techniken vorstellt, ist ebenso enthalten wie ein Inspirationsblatt für Inspirationen und als Anleitung. Spiralblock A4+ mit 20 Blatt Paint'ON Mixed Media 250g/m2 (6 Illustrationen x 3 + 1 Blatt Maltechniken + 1 Blatt Inspirationen). Die Blätter sind mikroperforiert und abtrennbar (das abgetrennte Blatt hat das Format DIN A4). Einband aus gekörntem Papier mit Aufhänger. Die Illustrationen zum Ausmalen und auf dem Einband stammen von der französischen Illustratorin Emmanuelle Colin.
The book focuses on online platforms as the out-of-state regulators of social and economic issues. The analysis embraces regulatory schemes created by platforms and the interrelation between them and the state's supervision and enforcement. The volume consists of three parts: first, the foundational issues of private regulation in the entire platform economy or in its substantial parts; second, the cross-sectoral questions of platforms' private regulation, such as the enforcement of rules created by platforms under EU contract law, and the 'internal' vs. 'external' enforcement of platform regulatory frameworks; and third the judicial, doctrinal and policy discourses addressing the enforcement of the rules created by platforms in selected EU Member States. The authors seek to provide a broad outline of overlapping issues in the platforms' self-regulation and the various responses adopted in various jurisdictions.
Winner of the Selma Jeanne Cohen Prize in Dance Aesthetics (2014)For twenty-five years, Ann Cooper Albright has been exploring the intersection of cultural representation and somatic identity in dance. For Albright, dancing is a physical inquiry, a way of experiencing and participating in the world, and her writing reflects an interdisciplinary approach to seeing and thinking about dance. In her engagement as both a dancer and a scholar, Albright draws on her kinesthetic sensibilities as well as her intellectual knowledge to articulate how movement creates meaning. Throughout Engaging Bodies movement and ideas lean on one another to produce a critical theory anchored in the material reality of dancing bodies. This blend of cultural theory and personal circumstance will be useful and inspiring for emerging scholars and dancers looking for a model of writing about dance that thrives on the interconnectedness of watching and doing, gesture and thought.Hardcover is un-jacketed. Autorid: Ann Cooper Albright
