Otsing: 691176 (arhiveeritud tooted)

LGA 1155, B75 MATX

"Approved by the North American Butterfly Association"--Cover.

Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition.

A bold reevaluation of Spinoza that reveals his powerful, inclusive vision of religion for the modern ageSpinoza is widely regarded as either a God-forsaking atheist or a God-intoxicated pantheist, but Clare Carlisle says that he was neither. In Spinoza’s Religion, she sets out a bold interpretation of Spinoza through a lucid new reading of his masterpiece, the Ethics. Putting the question of religion centre-stage but refusing to convert Spinozism to Christianity, Carlisle reveals that “being in God” unites Spinoza’s metaphysics and ethics. Spinoza’s Religion unfolds a powerful, inclusive philosophical vision for the modern age—one that is grounded in a profound questioning of how to live a joyful, fully human life.Like Spinoza himself, the Ethics doesn’t fit into any ready-made religious category. But Carlisle shows how it wrestles with the question of religion in strikingly original ways, responding both critically and constructively to the diverse, broadly Christian context in which Spinoza lived and worked. Philosophy itself, as Spinoza practiced it, became a spiritual endeavor that expressed his devotion to a truthful, virtuous way of life. Offering startling new insights into Spinoza’s famously enigmatic ideas about eternal life and the intellectual love of God, Carlisle uncovers a Spinozist religion that integrates self-knowledge, desire, practice, and embodied ethical life to reach toward our “highest happiness”—to rest in God.Seen through Carlisle’s eyes, the Ethics prompts us to rethink not only Spinoza but also religion itself. Autorid: Clare Carlisle

An ambitious history of how medieval writers came to terms with paganismFrom the turn of the fifth century to the beginning of the eighteenth, Christian writers were fascinated and troubled by the "Problem of Paganism," which this book ide

Boolean algebra, also called Boolean logic, is at the heart of the electronic circuitry in everything we use--from our computers and cars, to home appliances. How did a system of mathematics established in the Victorian era become the basis for such incredible technological achievements a century later? In The Logician and the Engineer, Paul Nahin combines engaging problems and a colorful historical narrative to tell the remarkable story of how two men in different eras--mathematician and philosopher George Boole and electrical engineer and pioneering information theorist Claude Shannon--advanced Boolean logic and became founding fathers of the electronic communications age. Nahin takes readers from fundamental concepts to a deeper and more sophisticated understanding of modern digital machines, in order to explore computing and its possible limitations in the twenty-first century and beyond.

Diivan Novogratz Skylar, kreemjas