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Take control of your happiness, learn to love yourself, and get the life of your dreams . . . all with your next cup of coffee! Do you want to live an inspired life of sparkling adventure and achieve goals you never thought possible? Start with Coffee Self-Talk. This accessible, powerful routine will show you how to start every day with positivity and energy. By taking just five minutes each morning to practise the art of self-talk, you can reframe the way you think about yourself and prime your mind for happiness, success and self-love. With included self-talk scripts, guidance on how to personalise them for your own goals, and blank pages for journaling and creating your own affirmations, this book will help you: · Learn to love yourself · Unlock happiness, resilience, and confidence · Change your bad habits · Attract wealth, success, and prosperity No matter your circumstances, now is the time to become your best, most magical self - faster than it takes to finish your first cup of coffee! With Coffee Self-Talk you can take control of your life, increase your confidence, and manifest the life of your dreams. Autorid: Kristen Helmstetter

New title in the Flame Tree Notebook collection, combining beautiful art with high-quality production, with lined pages, a pocket at the back, two ribbon bookmarks and a solid magnetic flap. Perfect as a gift, or personal choice for notetakers and journal users of all kinds.A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production and FSC-certified paper with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red endpapers, all FSC-certified. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy.THE ARTIST. The Royal Pavilion, Brighton, was constructed as the seaside pleasure palace of King George IV. The Long Gallery was used for guests to promenade and socialize. Its wallpaper depicts a bamboo grove with garden ornaments in light blue against sunset pink. The room also features imitation bamboo staircases made from cast iron with mahogany handrails.THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful." Autorid: Flame Tree Studio

Rare treasury of floor plans, elevations, perspective drawings for houses and cottages in Queen Anne, Eastlake, Elizabethan, Colonial, and other styles. Large engraved plates also contain scaled drawings of nearly 700 architectural details. Rare treasury of floor plans, elevations, perspective drawings for houses and cottages in Queen Anne, Eastlake, Elizabethan, Colonial, and other styles. Large engraved plates also contain scaled drawings of nearly 700 architectural details. Invaluable resource for restorers, preservationists, students, etc. 734 black-and-white illustrations. Preface. Autorid: William T. Comstock

Implement advanced and agentic AI with confidence, control and strategic foresight. Safer Agentic AI is a guide for senior technology and business professionals who must deploy the most advanced AI systems in ways that accelerate innovation while preventing critical business, ethical and societal risks. Written by AI ethics and safety experts Nell Watson and Ali Hessami, this book shows senior professionals how to harness agentic and autonomous AI responsibly, ensuring systems remain aligned with organizational values, strategic objectives and human oversight. Combining technical insight with practical governance, it equips leaders to assess capability, anticipate emerging risks and design controls that enable safe adoption at scale. You'll learn how to: - Align agentic AI systems with business goals, values and long-term strategy - Strengthen transparency, governance and oversight across increasingly autonomous workflows - Maintain meaningful human control over high-impact systems and decisions - Apply practical frameworks for risk management, value alignment and ethical safeguards With clear explanations and actionable tools, Safer Agentic AI helps senior leaders deploy advanced AI that enhances productivity, protects organizational integrity and positions the business to innovate confidently and responsibly. Themes include: AI governance, agentic AI, risk management, value alignment, transparency, ethical AI, organizational resilience, advanced AI Autorid: Nell Watson, Ali Hessami

Why, surrounded by screens and smart devices, we feel a deep connection to the analog—vinyl records, fountain pens, Kodak film, and other nondigital tools.We’re surrounded by screens; our music comes in the form of digital files; we tap words into a notes app. Why do we still crave the “realness” of analog, seeking out vinyl records, fountain pens, cameras with film? In this volume in the MIT Press Essential Knowledge series, Robert Hassan explores our deep connection to analog technology. Our analog urge, he explains, is about what we’ve lost from our technological past, something that’s not there in our digital present. We’re nostalgic for what we remember indistinctly as somehow more real, more human. Surveying some of the major developments of analog technology, Hassan shows us what’s been lost with the digital. Along the way, he discusses the appeal of the 2011 silent, black-and-white Oscar-winning film The Artist; the revival of the non-e-book book; the early mechanical clocks that enforced prayer and worship times; and the programmable loom. He describes the effect of the typewriter on Nietzsche’s productivity, the pivotal invention of the telegraph, and the popularity of the first televisions despite their iffy picture quality.The transition to digital is marked by the downgrading of human participation in the human-technology relationship. We have unwittingly unmoored ourselves, Hassan warns, from the anchors of analog technology and the natural world. Our analog nostalgia is for those ancient aspects of who and what we are. Autorid: Robert Hassan

Examining the work of contemporary Black artists who are dismantling the white gaze and demanding that we see--and see Blackness in particular--anew.In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work--from Deana Lawson's disarmingly intimate portraits to Arthur Jafa's videos of the everyday beauty and grit of the Black experience, from Kahlil Joseph's films and Dawoud Bey's photographs to the embodied and multimedia artistic practice of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson--requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity. Campt shows that this new way of seeing shifts viewers from the passive optics of looking at to the active struggle of looking with, through, and alongside the suffering--and joy--of Black life in the present. The artists whose work Campt explores challenge the fundamental disparity that defines the dominant viewing practice: the notion that Blackness is the elsewhere (or nowhere) of whiteness. These artists create images that flow, that resuscitate and revalue the historical and contemporary archive of Black life in radical ways. Writing with rigor and passion, Campt describes the creativity, ingenuity, cunning, and courage that is the modus operandi of a Black gaze. Autorid: Tina M. Campt

An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century.In Formulations, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects.            Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design.             Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.  Autorid: Andrew Witt

How to write mathematical proofs, shown in fully-worked out examples.This is a companion volume Joel Hamkins's Proof and the Art of Mathematics, providing fully worked-out solutions to all of the odd-numbered exercises as well as a few of the even-numbered exercises. In many cases, the solutions go beyond the exercise question itself to the natural extensions of the ideas, helping readers learn how to approach a mathematical investigation. As Hamkins asks, "Once you have solved a problem, why not push the ideas harder to see what further you can prove with them?" These solutions offer readers examples of how to write a mathematical proofs.     The mathematical development of this text follows the main book, with the same chapter topics in the same order, and all theorem and exercise numbers in this text refer to the corresponding statements of the main text. Autorid: Joel David Hamkins