Objektiivid

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:Muu; Objektiivi tüüp:Standard; Fookuskaugus:40; Kinnitus:Leica M; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.HD MK II IRND64 for blurring objects and visualizin motionThe HD Mk II IRND64 is perfect for performing motion control or blurring objects and is therefore used to render movement of moving objects such as water flow, wave motion or moving people. Without an ND filter and with standard camera settings the movement would appear "still" on the final image. A flowing effect can be achieved through reducing the aperture to f/16 or f/22, but this may cause diffraction that makes the resolution and overall depiction poor. Also, when shooting with fast prime lenses and cameras that have ISO200 as their lowest sensitivity, it might not be possible to reduce the exposure enough to achieve a shutter speed that causes the "water flowing" effect. However, by using the HD Mk II IRND64 filter, it is possible to shoot at a proper f/ value to avoid "diffraction", and it is possible to lower the exposure to a necessary shutter speed value that can express the movement as "flowing".IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:LAOWA; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:18; Kinnitus:MFT; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:SONY; Objektiivi tüüp:Lainurkobjektiiv; Fookuskaugus:28; Kinnitus:Sony FE; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

Kaamera bränd:SONY; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:15; Kinnitus:Sony FE; Garantii füüsilistele isikutele:2 aastat

Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filters mean precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters help immensely to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Create otherworldly images with HD MK II IRND1000The HD Mk II IRND1000 is perfect for shooting "imaginary landscapes" or "another world" style images. With a density of 1000 you can easily make a person "disappear" from a cityscape shot, shoot in very long exposure under daytime conditions, or take time lapse videos of moving objects or people to create a movie of fascinating fast streams of movement. Combining ND1000 with the ND64 gives a density of ND64000 that is suitable for directly shooting the sun, e.g., during a solar eclipse, without overexposure and solid colors, while keeping details such as black spots.IRND technology for even light reduction throughout the visible light spectrumHOYA applies its signature ACCU-ND technology to the HD Mk II IRND series, guaranteeing an even light reduction throughout the visible light spectrum and up into the higher IR spectrum. This means that there is no leak from the infrared band of the light spectrum, guaranteeing that the image does not undergo any negative affect from color shifts.ACCU-ND is a benchmark for IR ND technology and makes the HOYA HD Mk II IRND series a market leader for high quality ND filters.Digital water- and oil repellent anti-reflection multi-coatingThe HD MK II IRND series applies an anti-reflection multi-coating that reduces the chance of any reflections caused by the filter. The coating also comes with water- and oil repellent features which makes cleaning the filter easy and stress free.HD low-profile frameThe HD Mk II IRND series uses an ultra-thin lightweight, precisely crafted aluminum frame, reducing the chance of vignetting immensely when using the filter with wide-angle lenses. It is also very useful when stacking filters, which can be done thanks to the integrated front filter thread.

HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread

Canon RF 70-200mm f/2.8 L IS USM Z

Objektiiv Sigma 18-50mm F2.8 DC DN

Sigma 100-400mm F5-6.3 DG DN OS | Kaasaegne | FUJIFILM X-kinnitus

Sigma 10-18mm F2.8 DC DN | Kaasaegne | Sony E

Megadap Sony E to Nikon Z Autofocus Adapter PRO Plus – professionaalne autofookusega adapter Nikon Z hübriidkaameratele Megadap ETZ21 Pro+ adapter võimaldab sul kasutada Sony E-bajonetiga objektiive Nikon Z kaameratel, säilitades täiuslikult kõik olulised funktsioonid – autofookuse, ava juhtimise, pildistabilisaatori ja isegi objektiivi programmeeritavad funktsiooninupud. See on ideaalne lahendus fotograafidele, kes soovivad oma Sony objektiive kasutada Nikon Z süsteemis ilma kompromissideta. Täielik funktsionaalsus ja lai ühilduvus Megadap ETZ21 Pro+ töötab nii Sony originaalobjektiivide kui ka kolmandate tootjate (Sigma, Tamron, Zeiss, Voigtländer, Samyang) E-bajonetiga objektiividega. Adapter on ühilduv kõigi Nikon Z seeria hübriidkaameratega – sh ZR, Z5, Z5II, Z6, Z6 II, Z 6III, Z7, Z7 II, Z8, Z9, Z50, Zfc – ning isegi RED kaameratega, millel on Z-kinnitus. Adapter toetab järgmisi funktsioone: Uuendused versioonis Pro+ Uus Megadap ETZ21 Pro+ on tehnoloogiline hüpe varasemate põlvkondade ees – mehaaniliselt tugevam, elektrooniliselt stabiilsem ja vastupidavam. Tehnilised andmed Komplektis Miks valida Megadap ETZ21 Pro+? Kui soovid kasutada Sony E objektiive Nikon Z hübriidkaameral ilma funktsionaalsuse kaota, on Megadap ETZ21 Pro+ kõige täiuslikum lahendus. See adapter pakub professionaalset autofookuse jõudlust, täpset elektroonilist juhtimist ja kvaliteetset ilmastikukindlat disaini, mis sobib nii stuudiosse kui ka välistingimustesse. Megadap ETZ21 Pro+ – ühenda Sony optika ja Nikon loomingulisus.

Voigtländer APO-Skopar 75mm f/2.8 VM must | Leica M bajonett | APO Optika | 191g | 44mm | 10 lamelli | Metallist päikesevari kaasas APO-Skopar – kaks pärandi nime ühes objektiivis APO-Skopar ühendab kaks Voigtländeri optikatraditsiooni ühte nimesse: Skopar on Voigtländeri üks vanimaid objektiiviperekondi – nimi pärineb 20. sajandi algusest ja tähistab kompaktse suurusega optiliselt tasakaalustatud objektiivi. Skopar on Voigtländeri keeles “tasakaalustatud kompaktsus”. APO tähistab apokromaatset (apochromatic) optilist konstruktsiooni – kromaatilise aberratsiooni korrektsioon kolmel lainepikkusel (punane, roheline, sinine), mis on kõrgeim standardne optilise korrektsiooni tase. APO-Skopar 75mm f/2.8 VM on seega tõlkes: apokromaatne täiskaadri teleobjektiiv Leica M bajonetiga, kompaktse Skopar-perekonna traditsioonis. Apokromaatne konstruktsioon erilise klaasiga – mida see tähendab praktikas? APO-Skopar 75mm f/2.8 kasutab erilise anomaalse dispersiooniga klaasi (special anomalous dispersion glass elements): Tavaline optikaklaas Anomaalse dispersiooniga klaas Eri lainepikkused fokuseeruvad eri tasanditele → kromaatiline aberratsioon Lainepikkuste fookustasandid viiakse ühele tasandile → kromaatiline aberratsioon elimineeritud Värvivead kontrastsetes servades nähtavad Servad puhtad – ilma sinaka/punaka “halo” efektita Kahel lainepikkusel korrigeeritud (akromaatne) Kolmel lainepikkusel korrigeeritud (apokromaatne / APO) Praktikas tähendab see: APO korrektsioon on eriti märgatav kõrge resolutsiooniga sensoritega (Leica M11 47MP, Sony A7R V 61MP) – mida rohkem pikslit, seda rohkem tuleb kromaatiline aberratsioon nähtavale, ning APO optika hoiab selle kontrolli all. 75mm – portree- ja reisiteleobjektiiv täiskaadril 75mm fookuskaugus täiskaadril (Leica M süsteem on alati täiskaader) avab järgmised kasutusalad: Kasutusala Miks 75mm sobib Portreefotograafia Meeldiv perspektiiv näo kujutamiseks – ei lame (nagu lainurk) ega moonuta nina/lõuga (nagu väga pikk tele) Reisifotograafia Komprimeerib stseeni – tänavad, arhitektuur, inimesed eraldatuna taustast Diskreetne tänavafotograafia 75mm võimaldab pildistada mõningase distantsiga – subjekt ei taju kaamerat niivõrd lähedal Detailifotograafia 0,7m lähifookus + 75mm = subjektile lähenemine, tausta hägustus Leica M süsteemis on 75mm kaadriaknaga nähtav – rangefinderi kaadriaknas kuvatakse 75mm kaader. See on rangefinder-kogemuse piirpiir (pikemaid fookuskaugusi on raskem täpselt fokuseerida rangefinderiga), kuid 75mm töötab veel hästi. 44mm pikkus ja 191g – mida see tähendab Leica M süsteemis? 44mm pikkus ja 191g on erakordsed mõõtmed 75mm teleobjektiivist: Võrdlus Pikkus Kaal APO-Skopar 75mm f/2.8 VM 44mm 191g Nokton Classic 35mm f/1.4 VM II 28,5mm 189g Tüüpiline 75mm f/1.8 autofookus teleobjektiiv 70–90mm 400–600g APO-Skopar 75mm on peaaegu sama kerge kui Nokton Classic 35mm f/1.4 – 2g erinevus. 44mm pikkusega on see lühem kui paljud 35mm objektiivid teistest süsteemidest. Leica M kaameraga (M10, M11) kombineerituna on APO-Skopar 75mm taskus kantav teleobjektiiv – see on kombinatsioon, mis teiste süsteemidega on füüsiliselt võimatu. 10 lamelli – mida see bokeh jaoks tähendab? 10 lamelli (aperture blades) on kõrge lamellarv: Lamellarv Ava kuju Bokeh 5–6 lamelli Viie-/kuusnurkne ava Lambitulede bokeh on viis-/kuusnurksed “tähed” 7–8 lamelli Peaaegu ümmargune Hea bokeh – enamiku kasutajate jaoks piisav 9–10 lamelli Peaaegu täiuslik ring Bokeh ringid on ümmargused – loomulik, pehme hägustus 10 lamelli tähendab, et APO-Skopar 75mm f/2.8 puhul on tausta hägustus maksimaalselt ümmargune – lambi- ja valgusallika bokeh on ringid, mitte mitmekandilised kujundid. See on eriti oluline portree- ja tänavafotograafias, kus bokeh kvaliteet mõjutab pildi esteetikat. Mehaaniline rangefinder-ühendus – ilma elektroonikuta APO-Skopar 75mm f/2.8 VM on ilma elektrooniliste kontaktideta – see on teadlik disainiotsus: Lihtsus ja töökindlus: elektroonika puudumine tähendab, et objektiivis ei ole midagi, mis elektrooniliselt rikneda saaks. Mehaaniline rangefinder-ühendus: objektiiv ühendub Leica M kaamera rangefinderiga mehaaniliselt, mitte elektrooniliselt. Fookusrõnga pööramine liigutab rangefinderi mehaanikat – täpne fokuseerimine ilma elektroonikasõltuvuseta. Universaalne ühilduvus: ilma elektrooniliste kontaktideta töötab objektiiv kõikidel Leica M bajonettiga kaameratel – nii analoog- (M6, M7, MP, MA) kui digitaalkaamerate (M10, M11, M240 jt) puhul. Metallist päikesevari komplektis – miks see oluline on? APO-Skopar 75mm f/2.8 VM komplektis on metallist päikesevari, mis on disainitud spetsiaalselt selle objektiivi jaoks: Paljud objektiivid müüvad päikesevari eraldi – APO-Skopar 75mm f/2.8 VM komplektis on see kaasas. Kellele on Voigtländer APO-Skopar 75mm f/2.8 VM mõeldud? Leica M fotograafid, kes otsivad teravusetippu APO konstruktsioon + anomaalse dispersiooniga klaas + 10 lamelli = objektiiv, mis on optimeeritud optilise täpsuse maksimeerimiseks. Leica M11 47MP sensoriga on APO-Skopar 75mm f/2.8 kombinatsioon, mis avab sensori täieliku resolutsiooni. Portreefotograafid kompaktse süsteemiga 75mm portreekaugus + 191g + 44mm pikkus on kombinatsioon, mida teistest süsteemidest leida on keeruline. Portreefotograaf, kes reisib palju ja hindab kompaktsust, leiab APO-Skopar 75mm huvitava alternatiivi suurte teleobjektiivide kõrval. Reisifotograafid Leica M süsteemiga Leica M kaamera + Nokton Classic 35mm + APO-Skopar 75mm = kahe objektiiviga täiskaadri süsteem, mis kaalub kokku alla 600g ja mahub kompaktsesse kotti. Komplektis sisaldub

TTArtisan 11mm f/2.8 Fisheye Objektiiv Nikon Z | 180° vaateväli | Täiskaadri | f/2.8 | Manuaalfookus | 17cm | Stepless Ava | 11/7 optiline ehitus | 491g Kogu maailm ühes kaadris TTArtisan 11mm f/2.8 on täiskaadri Nikon Z bajoneti fisheye objektiiv, mille 180° vaateväli hõlmab korraga täieliku poolsfääri ees seisvast maailmast. 11mm fookuspikkus ja f/2.8 maksimaalne ava kombineerituna teeb sellest ühe võimsamaid objekte, millega kaamera ees paindutada: Linnutee galaktika, ekstreemsed arhitektuurikaadrid, loova B-roll, või subjekt 17cm kaugusel läätse nina ees – kõik kuuluvad TTArtisani 11mm’i kasutusvaldkonda. Käsifookus, stepless avarõngas ja alumiiniumkest positsioneerivad selle objektiivi teadlikule fotograafiale, kes soovib täielikku kontrolli iga kaadri üle – ilma autofookuse kompromissideta. Fisheye vs rektilineaarne lainurk – mis vahe on? Kõik lainurk-objektiivid ei ole ühesugused. TTArtisan 11mm f/2.8 on fisheye (kalasilm) – see erineb fundamentaalselt rektilineaarsest lainurgast: Omadus Rektilineaarne lainurk Fisheye (TTArtisan 11mm) Sirged jooned Sirged ka kaadri servades Kõverjad – tünnmoonutus Perspektiiv Loomulik, sirge horisont Sfääriline, kumeraefekti Vaateväli (täiskaadril) 12–16mm: 90–110° 180° Kasutus Arhitektuur ilma moonutuseta Loovfoto, astro, tegevus, sport Iseloom Neutraalne lainurk Dramatiseeriv, immersive efekt Fisheye tünnmoonutus ei ole viga – see on omadus. Sirge horisondi asemel kumer horisondi lõim on TTArtisan 11mm’i visuaalne allkiri, mida otsitakse spetsiifiliselt selle efekti jaoks. 180° vaateväli – mida see praktikas tähendab? 180° on optilise perspektiivi absoluutne piir: selle läätse kaudu näed korraga kogu poolsfääri ees seisvast ruumist. Vaateväli Fookuspikkus (täiskaadril) Kasutusala ~115° 14mm (rektilineaarne) Loovarhitektuur, maastik ~94° 21mm Lai klassikaline lainurk ~75° 28mm Tänavafoto lainurk ~47° 50mm “Inimsilm” perspektiiv 180° 11mm fisheye Astrofoto, loovfoto, extreme sport 180° vaateväljaga on võimalik: f/2.8 – mida see ava tähendab lainurk-fisheye puhul? f/2.8 on selles formaadis väga hea valgusläbilaskvus. Fisheye objektiivid on traditsiooniliselt tavaliselt aeglasemad (f/3.5–f/5.6) just laia vaatevälja optikaehituse keerukuse tõttu. Kasutus f/2.8 tähendus Astrofotograafia Piisab Linnutee kaadristamiseks ISO 1600–6400 juures lühikese säriajaga Hämar siseruumis Töötab pidudel, kontsertidel, tänavaüritustel ilma välklambita Päevavalgus f/8–f/11 suletuna – maksimaalne teravus üle vaatevälja Video f/2.8 stepless avaga – siledad üleminekud ilma klõpsudeta Kombinatsioon 11mm + f/2.8 + 180° teeb TTArtisani üheks soodsaimaks astrofotograafia objektiiviks täiskaadri Nikon Z süsteemis. 17cm lähifookus – lainurga-makro efekt 17cm on erakordne lähifookuskaugus fisheye objektiivis. Võrdluseks: Objektiiv Lähifookus Tüüpiline 50mm portreeobjektiiv 40–50cm Tüüpiline 28mm lainurk 25–30cm TTArtisan 11mm f/2.8 17cm 17cm lähifookus tähendab, et subjekt (lill, putukas, ese, inimese käsi) saab asetada peaaegu vastu läätse – ja fisheye moonutus dramatiseerib selle perspektiivi veelgi. Lähisplaan koos kumerefektiga on eriti efektiivne loodusfotol, makrofotol ja kontseptsioonifotol. Käsifookus ja stepless avarõngas – miks see on eelis? TTArtisan 11mm f/2.8 on täielikult manuaalne: nii fookus kui ava seatakse käsitsi. Käsifookus Kasutusala Käsifookuse eelis Astrofotograafia AF ei suuda öisel taevasel fookusesse tõmmata – käsifookus lõpmatusele on kindel Loovfoto Täpne fookuspunkt vastavalt kunstilisele visioonile, mitte AF-algoritmi otsusele Video Sujuv “focus pull” ilma AF-i otsimishüpeteta Fisheye kasutus f/8 juures on peaaegu kogu 180° ulatus terav – fookust harva vaja muuta Stepless (astmeta) avarõngas Stepless avarõngas tähendab, et ava muutub sujuvalt ilma klõpsvahepeatusteta (nagu “klikiga” objektiividel). See on video jaoks oluline: kaadri sees sujuv päevavalgusega kokkusobimine on võimalik ilma nähtavate hüpeteta eksponeerimisel. Fotograafidele, kes soovivad ekspositsiooni EXIF-andmetes täpset ava väärtust – manuaalne täpsus sõltub rõnga asendist, kaameral ava väärtus võib kuvada ligikaudsena. 11 elementi 7 grupis – optiline ehitus 11 elementi 7 grupis on fisheye objektiivi jaoks hästi optimeeritud konstruktsioon: Parameeter Andmed Optilised elemendid 11 Grupid 7 Ava lamellid 7 (bokeh efekti jaoks) Ava vahemik f/2.8 – f/16 7 avarõnga lamellt annavad bokeh mullide iseloomu – 7-lamelliline ava annab ligikaudu ringikujulise (mitte seitsmenurkse) bokeh. Fisheye objektiividel ei ole bokeh tavaliselt prioriteet (sügav sügavusteravus f/5.6+ juures), kuid f/2.8 juures on eraldatust siiski näha. Alumiiniumkest – mida see tähendab ehituskvaliteedi seisukohast? Alumiiniumkest on metallipõhine ehitus, mis erineb plastkerest: Ehitus Alumiinium (TTArtisan) Kaal Raskem kui plastikust, kergem kui roostevabast terasest Temperatuuritaluvus Stabiilne külmas (oluline talvises astrofotograafias) Mehaaniline vastupidavus Vastupidavam löökidele kui plastikust kerest Tunne Premium metalline tunne käes 491g on käsitletav kaal – kergem kui paljud täiskaadri teleobjektiivid. 86 × 67mm (pikkus × läbimõõt) on kompaktne fisheye profiiliga. Nikon Z ühilduvus Nikon Z bajonet on Nikoni hübriidfoto kaamerasüsteemi liides. TTArtisan 11mm f/2.8 Nikon Z versioon ühildub kõikide Nikon Z kaamerate kehaga: Kaamera Sensor TTArtisan 11mm (ekv. FOV) Nikon Z6 III Täiskaadri 180° (nagu kirjeldatud) Nikon Z7 II Täiskaadri 180° Nikon Z8 Täiskaadri 180° Nikon Z9 Täiskaadri 180° Nikon Zf Täiskaadri 180° Nikon Zfc APS-C (1.5×) ~120° ekv. (11mm × 1.5 = ~16.5mm ekv.) Nikon Z50 / Z30 APS-C (1.5×) ~120° ekv. Märkus: APS-C Nikon Z kaameratel (Zfc, Z50, Z30) annab 1.5× crop-faktor 11mm’ist ligikaudu 16.5mm täiskaadri ekvivalendi – see on laialainurk, kuid enam mitte 180° fisheye efektiga. Täielik 180° kasutus eeldab täiskaadri Nikon Z kaamerat. Autofookus ei toimi – EXIF andmeid (objektiivi ID, ava väärtus kaamera kuvamisel) edastamine sõltub kaamera mudelit ja objektiivi elektroonilisest ühilduvusest. Soovitame kontrollida TTArtisani tooteleheküljelt täpse Nikon Z ühilduvuse osas. Kellele on TTArtisan 11mm f/2.8 Nikon Z mõeldud? Astrofotograafid 180° vaateväli + f/2.8 on astrofotograafia jaoks optimaalne kombinatsioon: Linnutee kaar, meteorisajud ja Aurora Borealis mahuvad ühte kaadri. Käsifookus lõpmatusele on öötaevapildistuse standard. Metallist kest talub talviseid temperatuure. Loov- ja kontseptsioonifotograafid Fisheye moonutus on kunstiline tööriist: kumer perspektiiv, 17cm lähedal subjekt koos laienevat taustaga, arhitektuursed sfäärilised vaated. Need, kes soovivad visuaalselt ebatavalisi tulemusi, leiavad 11mm fisheye’is lõputult materjali. Tegevus- ja ekstreemspordi videograafid 180° vaateväli ühildub “GoPro stiilis” kaadrilaadi – kuid täiskaadri sensori pildikvaliteediga. Skate, surf, snowboard, BMX – subjekt ja keskkond korraga. Arhitektuuri- ja interjöörifotograafid (loomingulistel eesmärkidel) Dokumendi-täpsuse asemel efekti jaoks: kumerduv ruum, sfääriline laeplaan, kogu koridor ühes kaadris. Mitte rektillineaarne täpsus, vaid immersive kogemus. Manuaalse pildistamise entusiastid TTArtisan kui bränd on suunatud fotograafidele, kes eelistavad täielikku käsitsi kontrolli autofookuse asemel. Alumiiniumkest ja stepless avarõngas on osa “käsitöö fotograafia” kogemusest.

EF 24mm F1.4 L II USM on uus fikseeritud fookuskaugusega lainurkobjektiiv, mis mõeldud spetsiaalselt kõige nõudlikumal professionaalile. Objektiivis on 13 elementi 10-s grupis, 2 GMo asfäärilist läätse ning kaks UD-läätseelementi.

Selle objektiivi tähtsaimad omadused on tema väike kaal ja mõõtmed. Tagumine fokusseerimissüsteem tagab terava, selge pildi ka maksimaalse ava juures. Kiiret, vaikset ja täpset teravustamist võimaldab USM mootor. Ringikujulise USM mootori kasutamine ...

Professionaalne ühekordse fookuskaugusega lainurkobjektiiv kiire f/1.4 avaga. Mõeldud kasutamiseks Nikoni FX-formaadis peegelkaameratega. Objektiivil on Nikoni teise põlvkonna vibratsioonivähenduse süsteem ja nanokristallkate, mis annab eriti ...

Professionaalne keskmine telefoto objektiiv kiire f/1,4 avaga kasutamiseks Nikoni FX-formaadis ühe objektiiviga peegelkaameratega. Uuendatud legendaarne NIKKOR pakub ümberkujundatud optilise konstruktsiooniga suurepärast talitlust. Nikoni ...

Universaalne, tolmu- ja ilmastikukindel suumobjektiiv. Sobib nii portreede kui ka maastikuvaadete jäädvustamiseks. Esiläätsel mustust hülgav PENTAX SP vääristus.

Tunnustatud makroobjektiiv filmi- ja digipeegelkaameratel.; 1:1 makroobjektiivil on Di (Digitally Integrated) disain, mis on optimeeritud digipeeglitega kasutamiseks. Objektiivil on kasutusel sisene teravustamismehhanism, tänu millele jääb objektiivi ...

See zoomobjektiiv sobib suurepäraselt kõikjal kaasas kandmiseks. See on väike, kerge ja mitmekülgne. See sobib nii portreede jäädvustamiseks kui ka kaugemate objektide pildistamiseks, ning kasutamiseks nii siseruumides kui ka välitingimustes. See ...

Kiire keskmine telefoto objektiiv kasutamiseks FX- ja DX-formaadis ühe objektiiviga peegelkaameratega. Ideaalne kaamera portreede jäädvustamiseks, mis ühendab endas klassikalise fookuskauguse ja ava kiiruse. 85 mm fookuskaugus võimaldab teha ...

Makroobjektiiv Sony NEX kaameratele. 1:1 suurendusega objektiiv lubab sul jäädvustada kauneid fotosid ja videot väikestest objektidest.• konstruktsioon: 7 elementi 6 grupis (kolm asfäärilist pinda)• lähim teravustamiskaugus: 9,5 cm• minimaalne ava: f/22• diafragma labade arv: 7• filtrikeere: 49 mm• autofookus videorežiimis• manuaalne otseteravustamine• fookuskaugus: 45 mm (35mm kaamera ekvivalendina)• komplektis objektiivikorgid ja varjuk ALC-SH113• mõõdud: 62 × 55,5 mm• kaal: 138 g.

Selle preemiumobjektiivi tööomadusi hindab iga portreevõtteid tegev või siseruumides pildistav kasutaja. Seda objektiivi iseloomustab kõrge kontrastsus, servast servani ulatuv teravus, kõrgresolutsioon ja madal aberratsioon ning see tagab kompromissitu pildikvaliteedi isegi kasutades ülisuurt 1:1.8 ava. Lisaks on see 75mm (150mm*) preemiumobjektiiv ülitäpne - alates montaaži- ja poleerimistehnoloogiatest kuni optiliste omaduste ja piltide ning videote detailideni.

Canon objektiiviadapter EF-EOS M võimaldab kasutada EF ja EF-S seeria objektiive Canon EOS M hübriidkaamera küljes. Täiesti sobilik ja töötav koos kõikide objektiivi funktsioonidega kaasa arvatud pildistabilisaator ja automaatne ...

Uhkustades kompaktse disainiga võimaldab see kergekaaluline ja mitmekesine 18 mm XF F2 objektiiv (135 ekvivalent: 27 mm) pildistada täiustatud eraldusvõimega kogu pildi ulatuses.

Carl Zeissi Vario-Tessar T* 16-70mm F4 on sobiv suumobjektiiv igapäevaseks kasutamiseks alates maastike pildistamisest portreedeni välja. Suumiulatus antud objektiivil on 4x ning fookuskaugus 35mm ekvivalendina 24-105mm. Suumi T* ...

Esimene G-seeria klassi kuuluv E-bajonetiga objektiiv, Maksimaalne ava 4, mis jääb suumimisel muutmatuks, Koostöös OSS pildistabilisaatori ning suumi elektroonikaga on 18-105 tehtud ahvatlevaks eriti videosõpradele. Objektiivi ...

50mm objektiiv on võrdlemisi universaalne, kuna sellega pildistades on perspektiiv sama, nagu inimene oma silmadega maailma näeb. Seetõttu on selle objektiiviga tehtud pildid loomutruud. Samas tänu suurele ning ümarale avale saab ...

Erakordne FX-formaadis põhiobjektiiv suure, f/1,4 ava ja 58 mm fookuskaugusega., See objektiiv on mõeldud andma parimaid tulemusi suurima avaga, avardades pildikvaliteedi piire., See on tõesti klass omaette! 58 mm fookuskaugus on ...

Nikon objektiiv AF-S DX 18-300mm F3.5-6.3G ED VR

Päikesevarjuki peamine eesmärk on hoida objektiivi esiläätsest eemal pildikvaliteeti vähendav külgvalgus. Samuti kaitseb varjuk esiläätse mingil määral ka kahjustuste eest (näiteks kukkumisel või löögi korral)., Sobib: Canon ...

Kvaliteetse viimistlusega metallkorpuses objektiivi optilises süsteemis on lisaks muudele läätsedele kasutatud asfäärilist läätse ning Super EBC vääristust.

Kiire FX-formaadis põhiobjektiiv ülilaia fookuskaugusega 20 mm ja ereda suurima avaga f/1,8. See on põnev aparaat loomingulistele fotograafidele, kes soovivad perspektiivi võimendada., Tipptasemel optika ja kompaktse kerge ...

Parim pildikvaliteet, Mugavalt kaasaskantav, ZERO (Zuiko Extra-low Reflection Optical) vääristus peegelduste vähendamiseks, Telesuum, mis tagab kõrgeima pildikvaliteedi, Supersonic Wave Drive autofookuse mootor, ...