University of Texas Press Gothic Sovereignty: Street Gangs and Statecraft in Honduras Uus! GTIN: 9781477324165 Raamatud "Using an ethnographic approach, the book traces the evolution of Honduran gangs from small, neighborhood groups to members of violent cartels, with the gangs becoming communities that are at once criminal and political. The author attributes this development to imperialism and corruption, which, he argues, shaped this underworld and led its members to embrace new trades in the illicit economy"-- Contributes to current conversations about Central American security crises and immigration stemming from gang violence by tracing the evolution of Honduran gangs from small, neighborhood groups to members of violent cartels. Gang-related violence has forced thousands of Hondurans to flee their country, leaving behind everything as refugees and undocumented migrants abroad. To uncover how this happened, Jon Carter looks back to the mid-2000s, when neighborhood gangs were scrambling to survive state violence and mass incarceration, locating there a critique of neoliberal globalization and state corruption that foreshadows Hondurass current crises.Carter begins with the story of a thirteen-year-old gang member accused in the murder of an undercover DEA agent, asking how the nations seductive criminal underworld has transformed the lives of young people. He then widens the lens to describe a history of imperialism and corruption that shaped this underworldfrom Cold War counterinsurgency to the War on Drugs to the near-impunity of white-collar crimeas he follows local gangs who embrace new trades in the illicit economy. Carter describes the gangs transformation from neighborhood groups to sprawling criminal societies, even in the National Penitentiary, where they have become political as much as criminal communities. Gothic Sovereignty reveals not only how the revolutionary potential of gangs was lost when they merged with powerful cartels but also how close analysis of criminal communities enables profound reflection on the economic, legal, and existential discontents of globalization in late liberal nation-states. Gang-related violence has forced thousands of Hondurans to flee their country, leaving behind everything as refugees and undocumented migrants abroad. To uncover how this happened, Jon Carter looks back to the mid-2000s, when neighborhood gangs were scrambling to survive state violence and mass incarceration, locating there a critique of neoliberal globalization and state corruption that foreshadows Hondurass current crises.Carter begins with the story of a thirteen-year-old gang member accused in the murder of an undercover DEA agent, asking how the nations seductive criminal underworld has transformed the lives of young people. He then widens the lens to describe a history of imperialism and corruption that shaped this underworldfrom Cold War counterinsurgency to the War on Drugs to the near-impunity of white-collar crimeas he follows local gangs who embrace new trades in the illicit economy. Carter describes the gangs transformation from neighborhood groups to sprawling criminal societies, even in the National Penitentiary, where they have become political as much as criminal communities. Gothic Sovereignty reveals not only how the revolutionary potential of gangs was lost when they merged with powerful cartels but also how close analysis of criminal communities enables profound reflection on the economic, legal, and existential discontents of globalization in late-liberal nation-states. Autorid: Jon Horne Carter | 2 | 39,24 € | Vaata | ||
University of Texas Press Science Among the Ottomans: The Cultural Creation and Exchange of Knowledge Uus! GTIN: 9781477312216 Raamatud Scholars have long thought that, following the Muslim Golden Age of the medieval era, the Ottoman Empire grew culturally and technologically isolated, losing interest in innovation and placing the empire on a path toward stagnation and decline. Science among the Ottomans challenges this widely accepted Western image of the nineteenth- and early twentieth-century Ottomans as backward and impoverished.In the first book on this topic in English in over sixty years, Miri Shefer-Mossensohn contends that Ottoman society and culture created a fertile environment that fostered diverse scientific activity. She demonstrates that the Ottomans excelled in adapting the inventions of others to their own needs and improving them. For example, in 1877, the Ottoman Empire boasted the seventh-longest electric telegraph system in the world; indeed, the Ottomans were among the eras most advanced nations with regard to modern communication infrastructure. To substantiate her claims about science in the empire, Shefer-Mossensohn studies patterns of learning; state involvement in technological activities; and Turkish- and Arabic-speaking Ottomans who produced, consumed, and altered scientific practices. The results reveal Ottoman participation in science to have been a dynamic force that helped sustain the six-hundred-year empire. Autorid: Miri Shefer-Mossensohn | 2 | 31,14 € | Vaata | ||
University of Texas Press Borícua Muslims: Everyday Cosmopolitanism Among Puerto Rican Converts to Islam Uus! GTIN: 9781477332443 Raamatud The stories and struggles of Puerto Rican Muslims in modern day America. Among Puerto Rican converts to Islam, marginalization is a fact of daily life. Their authenticity is questioned by other Muslims and by fellow BorÍcua on the island and in the United States. At the same time, they exist under the shadow of US colonization and as Muslims in the context of American empire. To be a Puerto Rican Muslim, then, is to negotiate identity at numerous intersections of diversity and difference. Drawing on years of ethnographic research and more than a hundred interviews conducted in Puerto Rico, New York, Florida, Texas, New Jersey, and online, Ken Chitwood tells the story of Puerto Rican Muslims as they construct a shared sense of peoplehood through everyday practices. BorÍcua Muslims thus provides a study of cosmopolitanism not as a political ideal but as a mundane social reality-a reality that complicates scholarly and public conversations about race, ethnicity, and religion in the Americas. Expanding the geography of global Islam and recasting the relationship between religion and Puerto Rican culture, BorÍcua Muslims is an insightful reckoning with the manifold entanglements of identity amid late-modern globalization. Autorid: Ken Chitwood | 1 | 40,59 € | Vaata | ||
University of Texas Press Mothership Connected: The Women of Parliament-Funkadelic Uus! GTIN: 9781477332672 Raamatud An oral history with the women of Parliament-Funkadelic, from forming the band to landing the mothership. Parliament-Funkadelic is perhaps the greatest funk band ever assembled. Yet at the time of the groups induction into the Rock & Roll Hall of Fame, none of the women who helped create the sound and performed in P-Funk were invited to the ceremony and their contributions have been largely overlooked. Mothership Connected tells the story of Mallia Franklin, Lynn Mabry, Dawn Silva, Debbie Wright, and Shirley Hayden, all of whom were instrumental in making Parliament-Funkadelic, as well as the spin-off groups Parlet and the Brides of Funkenstein, into the legends they are today. Assembled by Seth Neblett, son of the Queen of Funk Mallia Franklin, and filled with the voices of funk icons like George Clinton, Sly Stone, Bootsy Collins, and the women themselves, this oral history makes clear why these architects at the core of P-Funk were both essentialand erased. From Franklin introducing Bootsy Collins to Clinton, to the Brides top-10 hit Disco to Go, to the drugs that helped destroy the group, this book reveals the hidden lives and uncomfortable truths of life in P-Funk. More than sex, drugs, and rock and roll, Mothership Connected is about Black women navigating a tumultuous era and industry to become musical pioneers. Now, after decades in the shadows, these genre-defining women are finally telling their story. An oral history with the women of Parliament-Funkadelic, from forming the band to landing the mothership. Autorid: Seth Neblett | 1 | 39,50 € | Vaata | ||
University of Texas Press Anchor in the Sea of Time: Essays Uus! GTIN: 9781477333051 Raamatud ""Books of essays," Stephen Harrigan writes in a short introduction to this collection, "tend to be assembled more than planned." An Anchor in the Sea of Time is more planned than assembled, as Harrigan's seniority has allowed him to pick and choose his topics in the later stages of his career. While each essay stands on its own (most have already been published in Texas Monthly or the Alcalde), there is a steady focus on memory, identity, and history--both individual and collective. Harrigan's writing became more personal, and more focused on the topics that anchor this collection, with the publication of "Off Course," a 2016 piece about his father, who was killed in a plane crash before he was born. Subsequent pieces like "The Voice in the Tree," abouta crisis of identity he had as a child, or "A Family Painting," about art that hung in his grandparents house and "whose subject matter and colors became part of my consciousness," continue that exploration of remembering his youth. Other pieces are bothpersonal and generational, such as an essay about a group trip to Vietnam that stirs up feelings of class privilege in those who fought in the war and those (like Harrigan) who did their best not to"-- Provided by publisher. A new collection of essays grappling with identity and memory, from a master of the form. The author of the New York Times bestselling novel The Gates of the Alamo, the sweeping Texas history Big Wonderful Thing, and decades of incisive journalism, Stephen Harrigan is an adept writer skilled in crafting memorable characters. From this singular voice now comes a collection of essays tackling the most personal, and yet most expansive, themes of all: identity, memory, and time itself. An Anchor in the Sea of Time unfolds individual stories but also a larger narrative about the development and distortions of history. In one essay, a painting on his grandparents wall is seared in Harrigans young mind. In another, a group trip to Vietnam stirs up a sobering confrontation with class privilege among Americans who fought there and others, like Harrigan, who did their best not to. The award-winning essay Off Course reflects on the father Harrigan never met. And Harrigans reporting about the Karankawas, an Indigenous group from the Texas coast once thought to be extinct, takes readers deep into the recesses of collective forgetting and offers glimpses of the possibility of recovery. A vivid encounter with lost selves, vanished worlds, and futures yet unrealized, An Anchor in the Sea of Time is perhaps the most personal book yet from this beloved writer. A new collection of essays grappling with identity and memory, from a master of the form. Autorid: Stephen Harrigan | 1 | 35,19 € | Vaata | ||
University of Texas Press Dad Rock That Made Me a Woman Uus! GTIN: 9781477331484 Raamatud A memoir-in-essays on transness, dad rock, and the music that saves us. A memoir-in-essays on transness, dad rock, and the music that saves us. When Wilcos 2007 album Sky Blue Sky was infamously criticized as dad rock, Niko Stratis was a twenty-five-year-old closeted trans woman working in her dads glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rocks emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward. In taut, searing essays rendered in propulsive and unguarded prose, Stratis delves into the emotional core of bands like Wilco and The National, telling her story through the dad rock that accompanied her along the way. She found footing in Michael Stipes allusions to queer longing, Radioheads embrace of unknowability, and Bruce Springsteens very trans desire to change my clothes my hair my faceand she found in artists like Neko Case and Sharon Van Etten that the label transcends gender. A love letter to the music that saves us and a tribute to dads like Stratiss own who embody the tenderness at the genres heart, The Dad Rock That Made Me a Woman rejoices in music unafraid to bare its soul. Autorid: Niko Stratis | 2 | 27,51 € | Vaata | ||
University of Texas Press Siraaj: An Arab Tale Uus! GTIN: 9780292717527 Raamatud A novella by a popular Egyptian writer that explores the struggle against tyrannical oppression, set in the rich cultures of Sub-Saharan Africa. Set in the late nineteenth century on a mythical island off the coast of Yemen, Radwa Ashour's Siraaj: An Arab Tale tells the poignant story of a mother and son as they are drawn inextricably into a revolt against their island's despotic sultan.Amina, a baker in the sultan's palace, anxiously awaits her son's return from a long voyage at sea, fearful that the sea has claimed Saïd just as it did his father and grandfather. Saïd, left behind in Alexandria by his ship as the British navy begins an attack on the city, slowly begins to make his way home, witnessing British colonial oppression along the way.Saïd's return brings Amina only a short-lived peace. The lessons he learned from the Egyptians' struggle against the British have radicalized him. When Saïd learns the island's slave population is planning a revolt against the sultan's tyrannical rule, both he and Amina are soon drawn in.Beautifully rendered from Arabic into English by Barbara Romaine, Radwa Ashour's novella speaks of the unity that develops among varied peoples as they struggle against a common oppressor and illuminates the rich cultures of both the Arab and African inhabitants of the island. Sub-Saharan African culture is a subject addressed by few Arabic novelists, and Radwa Ashour's novella does much to fill that void. Autorid: Radwa Ashour, Barbara Romaine | 2 | 20,34 € | Vaata | ||
University of Texas Press Conspiracy Theory in America Uus! GTIN: 9780292757691 Raamatud Ever since the Warren Commission concluded that a lone gunman assassinated President John F. Kennedy, people who doubt that finding have been widely dismissed as conspiracy theorists, despite credible evidence that right-wing elements in the CIA, FBI, and Secret Serviceand possibly even senior government officialswere also involved. Why has suspicion of criminal wrongdoing at the highest levels of government been rejected out-of-hand as paranoid thinking akin to superstition?Conspiracy Theory in America investigates how the Founders hard-nosed realism about the likelihood of elite political misconductarticulated in the Declaration of Independencehas been replaced by todays blanket condemnation of conspiracy beliefs as ludicrous by definition. Lance deHaven-Smith reveals that the term conspiracy theory entered the American lexicon of political speech to deflect criticism of the Warren Commission and traces it back to a CIA propaganda campaign to discredit doubters of the commissions report. He asks tough questions and connects the dots among five decades worth of suspicious events, including the assassinations of John and Robert Kennedy, the attempted assassinations of George Wallace and Ronald Reagan, the crimes of Watergate, the Iran-Contra arms-for-hostages deal, the disputed presidential elections of 2000 and 2004, the major defense failure of 9/11, and the subsequent anthrax letter attacks.Sure to spark intense debate about the truthfulness and trustworthiness of our government,Conspiracy Theory in America offers a powerful reminder that a suspicious, even radically suspicious, attitude toward government is crucial to maintaining our democracy. Autorid: Lance deHaven-Smith | 2 | 17,80 € | Vaata | ||
University of Texas Press Narcomedia: Latinidad, Popular Culture, and America's War on Drugs Uus! GTIN: 9781477328194 Raamatud Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in Americas long and ineffectual War on Drugs. Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in Americas long and ineffectual War on Drugs. If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs. Even as the focus of drug anxiety has shifted over the years from cocaine to crack and from methamphetamines to opioids, and even as significant strides have been made in representational politics in many areas of pop culture, Latinx people remain an unshakeable fixture in stories narrating the production, distribution, and sale of narcotics. Narcomedia argues that such representations of Latinx people, regardless of the intentions of their creators, are best understood as a cultural front in the War on Drugs. Latinos and Latin Americans are not actually Americas drug problem, yet many Americans think otherwiseand that is in no small part because popular culture has largely refused to imagine the drug trade any other way. Autorid: Jason Ruiz | 1 | 33,84 € | Vaata | ||
University of Texas Press Chican@ Artivistas: Music, Community, and Transborder Tactics in East Los Angeles Uus! GTIN: 9781477321133 Raamatud "Gonzalez's manuscript uses the theoretical underpinnings of Chicana and African-American feminist intellectual history and epistemology to create a new understanding of the work done by Chicana artists and activists (or artivistas) from East Los Angelesfrom 1995 to the present. Gonzalez is a well-known musician from this community herself and, with this background, is especially focused on the ways the arts, particularly music, have created community engagement. Gonzalez blends her own story as a Mexican immigrant's daughter in California who went on to become a Grammy Award-winning musician (as part of the band Quetzal) into her work as an activist and her career as a scholar"-- As the lead singer of the Grammy Award–winning rock band Quetzal and a scholar of Chicana/o and Latina/o studies, Martha Gonzalez is uniquely positioned to articulate the ways in which creative expression can serve the dual roles of political commentary and community building. Drawing on postcolonial, Chicana, black feminist, and performance theories, Chican@ Artivistas explores the visual, musical, and performance art produced in East Los Angeles since the inception of NAFTA and the subsequent anti-immigration rhetoric of the 1990s.Showcasing the social impact made by key artist-activists on their communities and on the mainstream art world and music industry, Gonzalez charts the evolution of a now-canonical body of work that took its inspiration from the Zapatista movement, particularly its masked indigenous participants, and that responded to efforts to impose systems of labor exploitation and social subjugation. Incorporating Gonzalez’s memories of the Mexican nationalist music of her childhood and her band’s journey to Chiapas, the book captures the mobilizing music, poetry, dance, and art that emerged in pre-gentrification corners of downtown Los Angeles and that went on to inspire flourishing networks of bold, innovative artivistas. Autorid: Martha Gonzalez | 1 | 35,19 € | Vaata | ||
University of Texas Press Wrangling Pelicans: Military Life in Texas Presidios Uus! GTIN: 9781477332801 Raamatud A richly detailed history of daily life for colonial Spanish soldiers surviving on the eighteenth-century Texas Gulf Coast. In 1775, Spanish King Carlos III ordered the capture of American pelicans for his wildlife park in Madrid. The command went to the only Spanish fort on the Texas coast-Presidio Nuestra SeÑora de Loreto de la BahÍa in present-day Goliad. But the overworked soldiers stationed at the fort had little interest indulging a king an ocean away. Their days were consumed with guarding their community against powerful Indigenous peoples and managing the demands of frontier life. The royal order went ignored. Wrangling Pelicans brings to life the world of Presidio La BahÍas Hispano soldiers, whose duties ranged from heated warfare to high-stakes diplomacy, while their leisure pursuits included courtship, card playing, and cockfighting. It highlights the lives of presidio women and reveals the ways the Spanish legal system was used by and against the soldiers as they continually negotiated their roles within the empire and their community. Although they were agents of the Spanish crown, soldiers at times defied their king and even their captain as they found ways to assert their autonomy. Offering a fresh perspective on colonial Texas, Wrangling Pelicans recreates the complexities of life at the empires edge, where survival mattered more than royal decrees. Autorid: Tim Seiter | 1 | 54,10 € | Vaata | ||
University of Texas Press Urbanism and Empire in Roman Sicily Uus! GTIN: 9781477333631 Raamatud Sicily has been the fulcrum of the Mediterranean throughout history. The islands central geographical position and its status as ancient Romes first overseas province make it key to understanding the development of the Roman Empire. Yet Sicilys crucial role in the empire has been largely overlooked by scholars of classical antiquity, apart from a small number of specialists in its archaeology and material culture.Urbanism and Empire in Roman Sicily offers the first comprehensive English-language overview of the history and archaeology of Roman Sicily since R. J. A. Wilsons Sicily under the Roman Empire (1990). Laura Pfuntner traces the development of cities and settlement networks in Sicily in order to understand the islands political, economic, social, and cultural role in Romes evolving Mediterranean hegemony. She identifies and examines three main processes traceable in the archaeological record of settlement in Roman Sicily: urban disintegration, urban adaptation, and the development of alternatives to urban settlement. By expanding the scope of research on Roman Sicily beyond the bounds of the island itself, through comparative analysis of the settlement landscapes of Greece and southern Italy, and by utilizing exciting evidence from recent excavations and surveys, Pfuntner establishes a new empirical foundation for research on Roman Sicily and demonstrates the necessity of including Sicily in broader historical and archaeological studies of the Roman Empire. Examining patterns of urban settlement and abandonment across several centuries, this book offers the first comprehensive overview of Sicilys strategic importance to ancient Rome and broader Mediterranean-wide networks. Autorid: Laura Pfuntner | 1 | 44,65 € | Vaata | ||
University of Texas Press Miraculous Celebrity: The Christ of Ixmiquilpan and Colonial Piety in Mexico City Uus! GTIN: 9781477332313 Raamatud A study of the Christ of Ixmiquilpan, a historically beloved religious icon from sixteenth-century Mexico, and its evolving cultural importance. The life-sized crucifix known as the Christ of Ixmiquilpan (also the SeÑor de Santa Teresa) was one of the most important artworks in colonial Mexico. The statue began as an ordinary devotional image, but in 1621 devotees witnessed it undergo a miraculous renovation that gave it a supernatural beauty. Over the next two and half centuries, its perceived power increased until it was surpassed in importance only by the Virgin of Guadalupe. Despite its historical significance, the Christ of Ixmiquilpans history has yet to be fully told. Derek Burdette brings the miraculous crucifix out of the shadows and explores its instrumental role in shaping the devotional culture of New Spain. Following the arc of the statues life, he chronicles the story of the statues creation, miraculous renovation, and subsequent veneration at the heart of Mexico City. He also reveals how colonial politics were woven into the statues life from the very start. Reconstructing the history of a key artwork, Miraculous Celebrity sheds new light on the intersection of art, faith, and politics in the Spanish colonial world. Autorid: Derek S. Burdette | 1 | 64,90 € | Vaata | ||
University of Texas Press Radiophonic Feminisms: Latina Voices in the Digital Age of Broadcasting Uus! GTIN: 9781477331736 Raamatud How Latina voices in commercial radio and podcasting subvert cultural norms and bring feminism to the fore of their work. What does Latina feminism sound like in popular culture? Drawing on case studies of commercial radio programs and podcasts hosted by Latinas and oriented toward Latinx listenership, Esther DÍaz MartÍn explores how Latina voices create female-specific aural spaces that interrupt the misogynist status quo in US mainstream media. Radiophonic Feminisms focuses on radio/podcasting as a medium in which women find methods for resisting oppressive gendered cultural imaginaries. Through their specific articulations-that is, the quality of their voices-their music choices, and the soundscapes they construct, Latina hosts since the early 1990s have offered feminist responses to a cultural moment marked by the demographic changes brought on by the political economy of migration and the social changes wrought by media in the digital age. Drawing attention to the invisible antisexist work of creating sound, and to its reception, DÍaz MartÍn bridges the epistemic insights of Chicana feminist theory and sound studies, enriching and further decolonizing our thinking about auditory meaning making. Autorid: Esther Díaz Martín | 1 | 40,59 € | Vaata | ||
University of Texas Press Eating Grasshoppers: Chapulines and the Women Who Sell Them Uus! GTIN: 9781477332283 Raamatud An approachable ethnography of how grasshoppers are harvested, sold, and consumed in Oaxaca. Chapulines (toasted grasshoppers) are not a delicacy in Oaxaca. They are just foodgood foodand a protein-rich seasonal snack that is the product of a long-standing industry based overwhelmingly on the labor of women. Jeffrey Cohen has interviewed dozens of these chapulineras, who harvest insects from corn and alfalfa fields, prepare them, and sell them in urban and rural marketplaces. An accessible ethnography, Eating Grasshoppers tells their story alongside the broader history of chapulines. For tourists, chapulines are an experiencea gateway to the real Oaxaca. For locals, they are ordinary fare, but also a reminder of Indigenous stability and rural survival. In a sense, eating chapulines is a declaration of independence from a government that has condemned eating insects as backward. Yet, while chapulines are a generations-old favorite, eating them is not an act of preservation. Cohen shows that the business of this traditional food is thoroughly modern and ever evolving, with entrepreneurial chapulineras responding nimbly to complex and dynamic markets. From alfalfa fields to online markets, Eating Grasshoppers takes readers inside one of the worlds most fascinating food cultures. An approachable ethnography of how grasshoppers are harvested, sold, and consumed in Oaxaca. Autorid: Jeffrey H. Cohen | 1 | 35,19 € | Vaata | ||
University of Texas Press How Writing Came About Uus! GTIN: 9780292777040 Raamatud In 1992, the University of Texas Press published Before Writing, Volume I: From Counting to Cuneiform and Before Writing, Volume II: A Catalog of Near Eastern Tokens. In these two volumes, Denise Schmandt-Besserat set forth her groundbreaking theory that the cuneiform script invented in the Near East in the late fourth millennium B.C. - the world's oldest known system of writing - derived from anarchaic counting device.How Writing Came About draws material from both volumes to present Schmandt-Besserat's theory for a wide public and classroom audience. Based on the analysis and interpretation of a selection of 8,000 tokens or counters from 116 sites in Iran, Iraq, the Levant, and Turkey, it documents the immediate precursor of the cuneiform script. Draws on the author's earlier works, Before Writing, Volume I: From Counting to Cuneiform and Before Writing, Volume II: A Catalog of Near Eastern Tokens to present her theory that the world's oldest system of writing derived from a counting device. Analyzes and interprets evidence of tokens and counters from the Near and Middle East, examining uses of the tokens, the evolution of symbols, and counting and the emergence of writing. Includes drawings of the tokens, and a glossary. For students. Annotation c. by Book News, Inc., Portland, Or. In 1992, the University of Texas Press published Before Writing, Volume I: From Counting to Cuneiformand Before Writing, Volume II: A Catalog of Near Eastern Tokens. In these two volumes, Denise Schmandt-Besserat set forth her groundbreaking theory that the cuneiform script invented in the Near East in the late fourth millennium B.C.the world's oldest known system of writingderived from an archaic counting device.How Writing Came About draws material from both volumes to present Schmandt-Besserat's theory for a wide public and classroom audience. Based on the analysis and interpretation of a selection of 8,000 tokens or counters from 116 sites in Iran, Iraq, the Levant, and Turkey, it documents the immediate precursor of the cuneiform script. Autorid: Denise Schmandt-Besserat | 1 | 35,19 € | Vaata | ||
University of Texas Press Tarab: Music, Ecstasy, Emotion, and Performance Uus! GTIN: 9781477331439 Raamatud "Often described as "ecstasy" or "rapture" brought on by listening to and producing music, tarab is a central concept within Arab music traditions. With A.J. Racy's Making Music in the Arab World: The Culture and Artistry of Tarab (Cambridge, 2004) came the first book-length examination of the phenomenon in English-language scholarship. Tarab: Music, Ecstasy, Emotion, and Performance in the Middle East is a follow-up to Racy's pivotal work, combining an assortment of geographic and disciplinary focuses to expand beyond the Arab world and into the present day. The volume asserts that the transnational character of tarab and its spread is critical to understanding the concept's historical, geographic, and sociological impact"-- In Arab culture, at the ineffable point where music meets emotion, lies ?arab. Often glossed as the ecstasy experienced and expressed when performing or listening to singing, instrumental works, and recitations of poetry, ?arab is both a practice and an orienting concept central to musical aesthetics and spirituality characteristic of Middle Eastern cultures. Gathering fifteen essays by scholars of music, affect, literature, religion, and education, ?arab extends the study of ?arab historically, geographically, and sociologically. Historical essays explore ?arabs role in the medieval Middle East and the Ottoman Empire. Turning to the modern era, authors examine ?arab and related concepts in Egypt, Albania, and Iraq, and among Turkish Roma and Lebanese Maronite Christians. The contributors also address contemporary practitioners and the intersections of ?arab and maqam, belly dancing, music streaming, and university music ensembles. Situating this unique cultural concept in a global context, these studies enrich the story of ?arab and provide new insight into musics powerful emotional appeal. How the concept of ?arab has impacted music and culture across the Islamic world. Autorid: Michael Frishkopf, Scott Marcus, Dwight Reynolds | 1 | 70,30 € | Vaata | ||
University of Texas Press Culinary Mestizaje: Racial Mixing and Foodways Across the United States Uus! GTIN: 9781477332566 Raamatud How cross-racial and ethnic communities have created new culinary traditions and food cultures in the United States. How cross-racial and ethnic communities have created new culinary traditions and food cultures in the United States.Culinary Mestizaje is about food, cooking, and community, but its also about how immigrant labor and racial mixing are transforming established US food cultures from Hawaii to the coast of Maine, South Philadelphia to the Pacific Northwest. This collection of essays asks what it means that Chamorro cooking is now considered a regional specialty of the Bay Area, and that a fusion like brisket tacos registers as native to Houston, while pupusas are the pride of Atlanta. Combining community scholarly insights, cooking tips, and recipes, the pieces assembled here are interested in how the blending of culinary traditions enables marginalized people to thrive in places fraught with racial tension, anti-immigrant sentiment, and the threat of gentrification. Chefs and entrepreneurs matter in these stories, but so do dishwashers, farm laborers, and immigrants doing the best they can with the ingredients they have. Their best, it turns out, is often delicious and creative, sparking culinary evolutions while maintaining ancestral connections. The result is that cooking under the weight of colonial rule and white supremacy has, in revealing ways, created American food. Autorid: Felipe Hinojosa, Rudy P. Guevarra | 1 | 40,59 € | Vaata | ||
University of Texas Press Decolonial Environmentalisms: Climate Justice and Speculative Futures in Latinx Cultural Production Uus! GTIN: 9781477331903 Raamatud A critical examination of the environmental movement and the Latinx voices that are shifting how to think about a future shaped by climate change. In Decolonial Environmentalisms, David VÁzquez argues that the mainstream environmental movement is implicated in racial capitalism, not least through its ignorance of environmental justice as it pertains to Latinx people. Through close readings of eco-minded novels, films, visual art, and short stories by Chicanx, Puerto Rican, Dominican, Cuban American, Peruvian, and Central American culture makers, VÁzquez surfaces diverse Latinx visions for an equitable and sustainable humanity. In the creations of Helena MarÍa Viramontes, Ester HernÁndez, Salvador Plascencia, the printmaking collective Dominican York Proyecto GRAFICA, and others, VÁzquez locates a bracing critique of racist elisions and assumptions in hegemonic environmentalist thought. At the same time, he shows that the roles of Latinx people in the exploitation of the US West and the ruin of Indigenous communities are ripe for self-examination, in hopes of sparking reform. Indeed, Decolonial Environmentalisms is a work of guarded optimism, finding glimmers of possibility even in dystopic science fiction. The overlooked experiences of Latinx people, VÁzquez suggests, can inspire environmental movements capable of transformative advocacy. Autorid: David J. Vázquez | 1 | 40,59 € | Vaata | ||
University of Texas Press Dos X: Disability and Racial Dysphoria in Latinx and Filipinx Culture Uus! GTIN: 9781477331378 Raamatud An examination of the interconnectedness of brown-racialized people across multiple identities, told through case studies of television, literature, and writing. As a Filipinx immigrant to the United States, Sony CorÁÑez Bolton has frequently been mistaken as Mexican. Dos X theorizes such misrecognition. What does it mean to exist in this liminal state, which CorÁÑez Bolton dubs the racial uncanny? What generative possibilities emerge from the presumed interchangeability of Latinx and Filipinx bodies-and from the in-betweenness of brownness as such? Dos X tracks misrecognition through cultural products like the TV series Undone, Brian Ascalon Roleys American Son, and the nonfiction work of Jose Antonio Vargas. Misrecognition, CorÁÑez Bolton argues, produces moments of uncanniness in which subjects experience dysphoric attachments to identities that arent supposed to be theirs. In the context of racial capitalism, racial dysphoria is a disability because it undermines certainty about what ones body is and therefore what role one is meant to play as a laborer. But racial dysphoria can also be revealing. CorÁÑez Bolton identifies vast potential in this supposed disability, which compels its sufferers to confront their shared position within the social, political, and economic organization of capitals empire, opening new avenues for liberatory solidarity. Autorid: Sony Coráñez Bolton | 1 | 40,59 € | Vaata | ||
University of Texas Press Architecture of the Playing Field: Shaping Space in Sport Uus! GTIN: 9781477331293 Raamatud "The author argues that sports and architecture share many concerns, as both center "the interplay of settings and bodies in motion." He sets out to study their conceptual and physical intersection, and to show what the aesthetics and spatial relationships of playing fields can tell us about sports and the cultures that create them. Cleary's scholarly background and personal experience as a fencer and soccer referee led him to the questions that drive this project. In this relatively brief meditation on physical space in sports, he argues convincingly "that related inquiries in one domain can inspire new readings in others while respecting the unique qualities of each. The Sports Center fan, the architecture enthusiast, and the balletomane have more to discuss than they may think." The subjects of Cleary's intriguing "new readings" range widely, from the translucent courts of the 2019 Women's World Squash Championships, to the introduction of the three-point line in basketball, to the similarities between Dutch architects' and Dutch soccer's emphasis on flexibility and multivalence"-- A novel exploration of playing fields as aesthetic and architectural spaces that frame athletes creativity and spectators evolving experiences of sport. A novel exploration of playing fields as aesthetic and architectural spaces that frame athletes creativity and spectators evolving experiences of sport. The playing field is more than an arena for sporting rivalry. It is a laboratory of invention, where athletes and coaches create new uses for the human body in response to the constraints and affordances of space. Indeed, Richard Cleary argues that, from translucent squash courts to the NBA three-point line to the city streets used by skateboarders, all sports have embedded spatial relationships that are also charged with social significance. The Architecture of the Playing Field explores the aesthetic and physical experiences of the grounds on which we compete. Cleary digs into the perspectives of spectators, athletes, coaches, and umpiresperspectives that have changed along with the shifting configuration and mediation of the field, from early live sports coverage to todays TV broadcasts overlaid with high-tech graphics and observed from every angle. Cleary shows how rules governing the size, shape, and divisions of the field reflect sports entwinement with societies at large, in particular the politics of race and gender. Mindful as well that some sports resist containment, he analyzes the disruptive use of space by snowboarders and parkour athletes. The Architecture of the Playing Field sensitizes us to the interplay of settings and bodies in motion fundamental to the power of sport. Autorid: Richard L. Cleary | 1 | 41,94 € | Vaata | ||
University of Texas Press Platero and I Uus! GTIN: 9780292764798 Raamatud This lyric portrait of life-and the little donkey, Platero-in a remote Andalusian village is the masterpiece of Juan RamÓn JimÉnez, the Spanish poet awarded the 1956 Nobel Prize for Literature. Autorid: Juan Ramón Jiménez, Eloïse Roach | 1 | 27,09 € | Vaata | ||
University of Texas Press Portuguese: A Reference Manual Uus! GTIN: 9780292726734 Raamatud An essential, comprehensive guide for all who are interested in learning the Portuguese language and mastering its complexities, Portuguese: A Reference Manual supplements the phonetic and grammatical explanations offered in basic textbooks. While the Manual focuses on Brazilian Portuguese, it incorporates European Portuguese variants and thus provides a more complete description of the language. Accessible to non-linguists and novice language learners, as well as informative for instructors of Portuguese and specialists in other languages, this guide incorporates the Orthographic Accord (in effect since 2009-2010), which attempts to standardize Portuguese orthography.The Manual reflects the language as it is currently taught at both the undergraduate and graduate levels by providing detailed explanations of the sound and writing systems and the grammar of the principal Portuguese dialects. A reference guide rather than a textbook, the Manual also provides extensive verb charts, as well as comparisons of Portuguese with English and Spanish. Autorid: Sheila R. Ackerlind, Rebecca Jones-Kellogg | 1 | 46,00 € | Vaata | ||
University of Texas Press Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan Uus! GTIN: 9781477324998 Raamatud "Steely Dan was a somewhat unusual band that still inspires unusually strong devotion in its fans. Formed in the late '60s in New York, they released seven albums between 1971 and 1981, two of which were nominated for a Grammy. Part of what's unusual about them is that each of those albums was made by a different group of musicians--founding members Walter Becker and Donald Fagen had no issues swapping players from record to record in order to get the sound they wanted. The band stopped touring in 1974, so the recording studio was the only place they needed their collaborators. Those recordings are legendary, especially among vinyl enthusiasts, for their exquisite production. The precision was necessary, in part, because Steely Dan played with form more than most bands, mixing elements of other genres--especially jazz--with pop and rock. And the lyrics are also distinctive. As the authors put it in their proposal, Steely Dan's songs are "exercises in fictional world-building. Each song features its own cast of rogues and heroes and creeps and schmucks, lovers and dreamers and cold-blooded operators, all tempest-tossed by the ill winds of the '70s." This book consists of sixty-some essays, each devoted to one character, and each essay is accompanied by a painting of the particular character that serves as a jumping-off point for the piece, with additional spot illustrations scattered throughout"-- A literary and visual exploration of the songs of Steely Dan. A literary and visual exploration of the songs of Steely Dan. Steely Dans songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operatorsor imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they dont talk about, delusions and desires and memories they cant shake. From Rikki to Dr. Wu, Hoops McCann to Kid Charlemagne, Franny from NYU to the Woolly Man without a Face, every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and ever-growing cult fandom. Quantum Criminals presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademass explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters themselves, making for a musical companion unlike any other. Funny, discerning, and visually stunning, Quantum Criminals is a singular celebration of Steely Dans musical cosmos. Autorid: Alex Pappademas, Joan LeMay | 1 | 41,94 € | Vaata | ||
University of Texas Press Book of Dede Korkut: A Turkish Epic Uus! GTIN: 9780292707870 Raamatud One of the oldest surviving pieces of Turkish literature, The Book of Dede Korkut can be traced to tenth-century origins. Now considered the national epic of Turkey, it is the heritage of the ancient Oghuz Turks and was composed as they migrated westward from their homeland in Central Asia to the Middle East, eventually to settle in Anatolia. Who its primary creator was no one knows, the titular bard, Dede Korkut, being more a symbol of Turkish minstrelsy than a verifiable author. The songs and tales of countless minstrels lay behind The Book of Dede Korkut, and in its oral form the epic was undoubtedly subject to frequent improvisation by individual performers. Partly in prose, partly in verse, these legends were sung or chanted in the courts and camps of political and military leaders. Even after they had been recorded in written form, they remained part of an oral tradition. The present edition is the first complete text in English. The translators provide an excellent introduction to the language and background of the legends as well as a history of Dede Korkut scholarship. These outstanding tales will be of interest to all students of world mythology and folklore. Autorid: Faruk Sümer, Ahmet E. Uysal, Warren S. Walker | 2 | 28,44 € | Vaata | ||
University of Texas Press Don't Suck, Don't Die: Giving Up Vic Chesnutt Uus! GTIN: 9781477311363 Raamatud Friend, asshole, angel, mutant, singer-songwriter Vic Chesnutt came along and made us gross and broken people seem . . . I dunno, cooler, I guess. A quadriplegic who could play only simple chords on his guitar, Chesnutt recorded seventeen critically acclaimed albums before his death in 2009, including About to Choke, North Star Deserter, and At the Cut. In 2006, NPR placed him in the top five of the ten best living songwriters, along with Bob Dylan, Tom Waits, Paul McCartney, and Bruce Springsteen. Chesnutts songs have also been covered by many prominent artists, including Madonna, the Smashing Pumpkins, R.E.M., Sparklehorse, Fugazi, and Neutral Milk Hotel.Kristin Hersh toured with Chesnutt for nearly a decade and they became close friends, bonding over a love of songwriting and mutual struggles with mental health. In Dont Suck, Dont Die, she describes many seemingly small moments they shared, their free-ranging conversations, and his tragic death. More memoir than biography, Hershs book plumbs the sources of Chesnutts pain and creativity more deeply than any conventional account of his life and recordings ever could. Chesnutt was difficult to understand and frequently difficult to be with, but, as Hersh reveals him, he was also wickedly funny and painfully perceptive. This intimate memoir is essential reading for anyone interested in the music or the artist. A haunting ode to a lost friend, this memoir by the acclaimed author of Rat Girl offers the most personal, empathetic look at the creative genius and often-tormented life of singer-songwriter Vic Chesnutt that is ever likely to be written. Autorid: Kristin Hersh, Amanda Petrusich | 1 | 18,99 € | Vaata | ||
University of Texas Press Bed for the King's Daughter Uus! GTIN: 9781477322284 Raamatud A groundbreaking collection of experimental short fiction by award-winning Syrian author and Booker International Prize for Arabic Fiction nominee Shahla Ujayli, A Bed for the Kings Daughter uses surrealism and irony to examine such themes as womens agency, the decline of collective life and imagination under modernity, and the effects of social and political corruption on daily life. In The Memoir of Cinderellas Shoes, Cinderella uses her famous glass slipper as a weapon in order to take justice into her own hands. In Tell Me About Surrealism, an art history professors writing assignment reveals the slipperiness of storytelling, and in Merry Christmas, the realities of apartheid interfere with one familys celebration. Through twenty-two short stories, Ujayli animateswith brevity and inventivenessthemes relevant to both the particularities of life in the Arab world and life outside it. Autorid: Shahla Ujayli, Sawad Hussain | 1 | 20,34 € | Vaata | ||
University of Texas Press Speech Genres and Other Late Essays Uus! GTIN: 9780292775602 Raamatud Speech Genres and Other Late Essays presents six short works from Bakhtin's Esthetics of Creative Discourse, published in Moscow in 1979. This is the last of Bakhtin's extant manuscripts published in the Soviet Union. All but one of these essays (the one on the Bildungsroman) were written in Bakhtin's later years and thus they bear the stamp of a thinker who has accumulated a huge storehouse of factual material, to which he has devoted a lifetime of analysis, reflection, and reconsideration. Autorid: M. M. Bakhtin, Vern W. McGee, Caryl Emerson, Michael Holquist | 2 | 29,79 € | Vaata | ||
University of Texas Press Family Ties Uus! GTIN: 9780292724488 Raamatud The silent rage that seizes a matriarch whose family is feting her eighty-ninth year.The tangle of emotions felt by a sophisticated young woman toward her elderly mother. An adolescent girl's obsessive fear of being looked at. The "giddying sense of compassion" that a blind man introduces into a young housewife's settled existence. Of such is made the world of Clarice Lispector, the Brazilian writer whose finest work is acknowledged to be her exquisitely crafted short stories. Here, in these thirteen of Lispector's most brilliantly conceived stories, mysterious and unexpected moments of crisis propel characters to self-discovery or keenly felt intuitions about the human condition. Her characters mirror states of mind. Alienated by their unsettling sense of life's absurdity, they seem at times absorbed in their interior lives and in the passions that dominate and usually defeat them. Giovanni Pontiero's translation has been lauded by Gregory Rabassa as "magnificent." Autorid: Clarice Lispector, Giovanni Pontiero | 2 | 27,09 € | Vaata | ||
University of Texas Press Poetic Justice: An Anthology of Contemporary Moroccan Poetry Uus! GTIN: 9781477318492 Raamatud Poetic Justice is the first anthology of contemporary Moroccan poetry in English. The work is primarily composed of poets who began writing after Moroccan independence in 1956 and includes work written in Moroccan Arabic (darija), classical Arabic, French, and Tamazight.Why Poetic Justice? Moroccan poetry (and especially zajal, oral poetry now written in Moroccan Arabic) is often published in newspapers and journals and is thus a vibrant form of social commentary; what’s more, there is a law, a justice, in the aesthetic act that speaks back to the law of the land. Poetic Justice because literature has the power to shape the cultural and moral imagination in profound and just ways.Reading this oeuvre from independence until the new millennium and beyond, it is clear that what poet Driss Mesnaoui calls the “letters of time” have long been in the hands of Moroccan poets, as they write their ethics, their aesthetics, as well as their gendered and political lives into poetic being. Autorid: Deborah Kapchan | 2 | 35,19 € | Vaata | ||
University of Texas Press Where No Black Woman Has Gone Before: Subversive Portrayals in Speculative Film and TV Uus! GTIN: 9781477315231 Raamatud When Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e., science fiction, fantasy, and horror) film and television—a troubling omission, given that these genres offer significant opportunities for reinventing social constructs such as race, gender, and class. Challenging cinema’s history of stereotyping or erasing black women on-screen, Where No Black Woman Has Gone Before showcases twenty-first-century examples that portray them as central figures of action and agency.Writing for fans as well as scholars, Diana Adesola Mafe looks at representations of black womanhood and girlhood in American and British speculative film and television, including 28 Days Later, AVP: Alien vs. Predator, Children of Men, Beasts of the Southern Wild, Firefly, and Doctor Who: Series 3. Each of these has a subversive black female character in its main cast, and Mafe draws on critical race, postcolonial, and gender theories to explore each film and show, placing the black female characters at the center of the analysis and demonstrating their agency. The first full study of black female characters in speculative film and television, Where No Black Woman Has Gone Before shows why heroines such as Lex in AVP and Zoë in Firefly are inspiring a generation of fans, just as Uhura did. Autorid: Diana Adesola Mafe | 2 | 32,49 € | Vaata | ||
University of Texas Press Conservative Frontier: Texas and the Origins of the New Right Uus! GTIN: 9781477332641 Raamatud How West Texas business and culture molded the rise of conservatism in the United States. How West Texas business and culture molded the rise of conservatism in the United States. Much of what we understand as modern American political conservatism was born in West Texas, where today it predominates. How did the people of such a vast regionlarger than New England and encompassing big cities like Lubbock and Amarillo, as well as tiny towns from Anson to Dalhartdevelop such a uniform political culture? And why and how did it go national? Jeff Roche finds answers in the history of what he calls cowboy conservatism. Political power players matter in this story, but so do football coaches, newspaper editors, and a breakfast cereal tycoon who founded a capitalist utopia. The Conservative Frontier follows these and other figures as they promoted an ideology grounded in the entrepreneurial and proto-libertarian attitudes of nineteenth-century Texas ranchers, including a fierce devotion to both individualism and small-town notions of community responsibility. This political sensibility was in turn popularized by its association with the mythology and iconography of the cowboy as imagined in twentieth-century mass media. By the 1970s and the rise of Ronald Reagan, Roche shows, it was clear that the cowboy conservatism of West Texas had set the stage for the emergence of the New Rightthe more professionalized and tech-savvy operation that dominated national conservative politics for the next quarter century. Autorid: Jeff Roche | 1 | 39,50 € | Vaata | ||
University of Texas Press Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal Uus! GTIN: 9781477332832 Raamatud An examination of male screen sex appeal and the ways that race, ethnicity, and national origin combine with performance tools and film and television style to aid or inhibit actors circulation on an increasingly global stage. Sex appeal is complicated, especially for screen actors. Looking good is not enough. Charisma and charm have to register when the camera rolls. And sexiness has to travel. Todays heartthrobs are expected to raise temperatures all around the world. Cosmosexuals theorizes male sex appeal as a form of capital in an age of international stardom. Screen scholar Mark Gallagher assembles a diverse castIdris Elba, Pedro Pascal, Simu Liu, Ryan Gosling, and moreanalyzing how each actor uses his appearance, voice, and movement to perform in ways that viewers across cultural divides register as sexually appealing. Cosmosexuals also explores the intersection of global sex appeal and exoticism in historical and contemporary contextsfrom the malleable racial identities of Omar Sharif and Conrad Veidt to Mads Mikkelsens accented whitenessand assesses the barriers that confine nonwhite actors, in spite of their talent or celebrity. Far more than handsome faces and chiseled abs, male sex symbols emerge as laborers subject to disciplinary regimes steeped in patriarchy, racism, and structural inequity. As such, they have much to tell us about the economies of taste at work in the construction of screen masculinity and the terms of human desire. An examination of male screen sex appeal and the ways that race, ethnicity, and national origin combine with performance tools and film and television style to aid or inhibit actors circulation on an increasingly global stage. Autorid: Mark Gallagher | 1 | 64,90 € | Vaata | ||
University of Texas Press Egyptian Labor Corps: Race, Space, and Place in the First World War Uus! GTIN: 9781477333624 Raamatud This history sheds new light on Egypts involvement in World War I by telling the story of the Egyptian Labor Corps and how the treatment of these primarily rural workers influenced the 1919 Egyptian Revolution. During World War I, the British Empire enlisted half a million young men, predominantly from the countryside of Egypt, in the Egyptian Labor Corps (ELC) and put them to work handling military logistics in Europe and the Middle East. British authorities reneged on their promise not to draw Egyptians into the war, and, as Kyle Anderson shows, the ELC was seen by many in Egypt as a form of slavery. The Egyptian Labor Corps tells the forgotten story of these young men, culminating in the essential part they came to play in the 1919 Egyptian Revolution.Combining sources from archives in four countries, Anderson explores Britains role in Egypt during this period and how the ELC came to be, as well as the experiences and hardships these men endured. As he examines the ways they copedthrough music, theater, drugs, religion, strikes, and mutinyhe illustrates how Egyptian nationalists, seeing their countrymen in a state akin to slavery, began to grasp that they had been racialized as people of color. Documenting the history of the ELC and its work during the First World War, The Egyptian Labor Corps also provides a fascinating reinterpretation of the 1919 revolution through the lens of critical race theory. Autorid: Kyle J. Anderson | 1 | 46,00 € | Vaata | ||
University of Texas Press Homer in Performance: Rhapsodes, Narrators, and Characters Uus! GTIN: 9781477333617 Raamatud Taking a holistic approach to performances of the Iliad and the Odyssey, this multidisciplinary volume examines both the rhapsodes who performed the poems and the narrators and characters within them. Before they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the poems at festivals, often competing against each other. As they recited the epics, the rhapsodes spoke as both the narrator and the characters. These different actsperforming the poem and narrating and speaking in character within itare seldom studied in tandem. Homer in Performance breaks new ground by bringing together all of the speakers involved in the performance of Homeric poetry: rhapsodes, narrators, and characters.The first part of the book presents a detailed history of the rhapsodic performance of Homeric epic from the Archaic to the Roman Imperial periods and explores how performers might have shaped the poems. The second part investigates the Homeric narrators and characters as speakers and illuminates their interactions. The contributors include scholars versed in epigraphy, the history of art, linguistics, and performance studies, as well as those capable of working with sources from the ancient Near East and from modern Russia. This interdisciplinary approach makes the volume useful to a spectrum of readers, from undergraduates to veteran professors, in disciplines ranging from classical studies to folklore. Autorid: Jonathan L. Ready, Christos C. Tsagalis | 1 | 46,00 € | Vaata | ||
University of Texas Press Stranger from Omaha: Travel Narratives in the Cinema of Alexander Payne Uus! GTIN: 9781477332573 Raamatud "Alexander Payne's directorial career began with the satiric hit Citizen Ruth and continued with other successes, such as Election, About Schmidt, The Descendants, Nebraska, and most recently The Holdovers. Jason Sperb here provides the first monographicstudy on Payne's career and auteurship, focusing on the theme of travel through his films. Drawing on theories of tourism, whiteness, masculinity, nostalgia, and class, Sperb structures his book using typical filmic plot points, moving from Payne's backstory to the status quo his characters find themselves in before a catalyst spurs them to begin a journey that leads to a crisis and then of course resolution. He uses each point to explore various of Payne's films, such as exploring how the characters' status quo in About Schmidt, The Descendants, and Downsizing lead them to a "white savior" mentality to help others with less privilege. Through the characters' journeys, Sperb is able to focus on the "Midwesternness" of Payne's films, even those that are located elsewhere, based on Payne's roots in Omaha and his love of Westerns. He concludes by examining the ways in which Payne's characters finish their journeys, not necessarily by addressing past crises or having a moment of growth, but with fleeting moments of emotional release or experiencing moments of grace from others"-- The first in-depth analysis of the films of Alexander Payne through the lenses of authorship, tourism, and leisure. With the films Election, About Schmidt, Sideways, Nebraska, and The Holdovers, Alexander Payne has carved out an unusual role in American cinema as a bankable auteur. There is something about Paynes neurotics and searchers, his working stiffs and disillusioned idealistssomething funny, moving, and filled with insight. Jason Sperb dissects Paynes oeuvre, focusing on the directors penchant for travel narratives. Paynes films usually center on male protagonists discontent with the emotional and material realities of the day-to-day and seeking satisfaction in some literal or metaphorical elsewhere. But their attempts to escape wind up perpetuating, rather than alleviating, the imbalance between labor and leisure that structures modern life. In this sense, Sperb argues, Paynes characters are akin to tourists, searching for fleeting glimpses of the fulfillment they dream about. Examining themes of masculinity, nostalgia, whiteness, and class, The Stranger from Omaha is the first auteur study devoted to Paynes delicately balanced cinematic world. An outsider even in his own heartland, Payne proves to be an artist working at a clarifying removea witness to the American condition, observing from just enough distance. The first in-depth analysis of the films of Alexander Payne through the lenses of authorship, tourism, and leisure. Autorid: Jason Sperb | 1 | 64,90 € | Vaata | ||
University of Texas Press Inside Abstraction: Interpreting Inka Visual Culture Uus! GTIN: 9781477331965 Raamatud Illuminating the abstract art of the Inka, what it conveys about Inka values, and its relationship to those who view it. Inka visual culture is unusual in its tendency toward abstraction. Public stonework, vessels used at state feasts, garments worn by the imperial elitethese objects announcing status and power are adorned with geometric designs that refuse figuration. After searching in vain for hidden referents, many scholars have resigned themselves to the unsatisfying conclusion that the designs are merely decorative. Inside Abstraction develops a novel interpretation. Eminent art historian Carolyn Dean proposes that Inka geometries are neither ornamental nor coded depictions of other objects. Rather, Dean shows that in the Andean world, the designs were functionally self-aware, possessing perspectives of their own, quite literally looking back at and addressing viewers directly. Further, Dean contends that these agent-abstractions were teachers, conveying particular messages concerning social hierarchy: the relations among geometries and colors instructed viewers as to their own proper social relations. Inka designs thereby served imperial aims by wordlessly communicating the states values and demands for submission. Extensively illustrated and rigorously argued, Inside Abstraction is a dramatic step forward in our understanding of Inka art and political order. Illuminating the abstract art of the Inka, what it conveys about Inka values, and its relationship to those who view it. Autorid: Carolyn Dean | 1 | 70,30 € | Vaata | ||
University of Texas Press They Die Strangers Uus! GTIN: 9780292705081 Raamatud They Die Strangers, a novella and thirteen short stories, is the first full-length work of the distinguished Yemeni writer Mohammad Abdul-Wali to appear in English. Abdul-Wali died tragically in an aviation accident, and his stories were collected after his death by the translators Abubaker Bagader and Deborah Akers. Abdul-Wali was born in Ethiopia of Arab Yemeni parents. His stories, filled with nostalgia and the bitterness of exile, deal with the common experiences of Yemenis like himself who are caught between cultures by the displacements of civil war or labor migration. His characters include women left behind, children raised without fathers, and men returning home after years of absence. He explores the human condition through the eyes of the oppressed and disenfranchised and is particularly sympathetic to the plight of women. Autorid: Mohammad Abdul-Wali, Abubaker Bagader, Deborah Akers | 1 | 20,34 € | Vaata | ||
University of Texas Press Mountain Embodied: Head Shaping and Personhood in the Ancient Andes Uus! GTIN: 9781477331514 Raamatud "The ancient Andean practice of head-shaping--literally binding and reshaping an infant's head--has long served as a convenient marker of ethnic identity. What is less understood is what it meant within the cultures that practiced it. Head shaping was entangled with the politics of gender, kinship, and status at the local level, leading to different life experiences even among those with similar head shape. The approach strikes me as a kind of ancient intersectionalism; the author suggests we can think of head shape as we sometimes do skin color--it creates different conditions for different individuals based on many factors. Velasco is drawing on both ethnohistory and the actual bones to understand how head shaping functioned in the making of personhoodfor the people of Peru's Colca Valley. By situating cranial modification in both a local cultural history and in the individual life histories written in bone, he argues for a more dynamic understanding of what it meant to be modified--one that takes seriously the Indigenous worldviews and practices that animated relations between mountains and the heads shaped to resemble them"-- A study of the ancient practice of Andean head shaping and its cultural connotations. In the late sixteenth century, Spanish conquerors in Perus Colca Valley encountered the Collaguas and Cavanas, Indigenous people who undertook a striking form of body modification: Collaguas bound the heads of infants and children so that their skulls grew narrow and elongated, and Cavanas so that their skulls became wide and squat. Head shaping resulted in craniums that resembled two specific mountains associated with the groups. For Europeans, shaped skulls immediately and durably became a marker of territorialized ethnic difference. The Mountain Embodied offers a more nuanced story. Having studied hundreds of samples of human remains, bioarchaeologist Matthew Velasco argues that reducing head shape to a mere ethnic marker is a colonial invention. Instead, the social significance of head shaping was protean and intersected with other structures of difference, such as gender, kinship, and status, influencing experience within the community. Head shaping, then, was one factor in the construction of a locally embedded kind of subjectivity. An outsider could deduce group identity from head shape, but for practitioners, head shaping reflected something else: nothing less than personhood itself. A study of the ancient practice of Andean head shaping and its cultural connotations. Autorid: Matthew C. Velasco | 1 | 70,30 € | Vaata | ||
University of Texas Press Exile and the Nation: The Parsi Community of India and the Making of Modern Iran Uus! GTIN: 9781477320808 Raamatud Connecting oft-disparate fields, this book explores the Zoroastrian diaspora living in India and its role in using antiquity to bolster twentieth-century Iranian nationalism. Honorable Mention, Hamid Naficy Iranian Studies Book Award from the Association of Iranian Studies In the aftermath of the seventh-century Islamic conquest of Iran, Zoroastrians departed for India. Known as the Parsis, they slowly lost contact with their ancestral land until the nineteenth century, when steam-powered sea travel, the increased circulation of Zoroastrian-themed books, and the philanthropic efforts of Parsi benefactors sparked a new era of interaction between the two groups. Tracing the cultural and intellectual exchange between Iranian nationalists and the Parsi community during the late nineteenth and early twentieth centuries, Exile and the Nation shows how this interchange led to the collective reimagining of Parsi and Iranian national identityand the influence of antiquity on modern Iranian nationalism, which previously rested solely on European forms of thought. Iranian nationalism, Afshin Marashi argues, was also the byproduct of the complex history resulting from the demise of the early modern Persianate cultural system, as well as one of the many cultural heterodoxies produced within the Indian Ocean world. Crossing the boundaries of numerous fields of study, this book reframes Iranian nationalism within the context of the connected, transnational, and global history of the modern era. Autorid: Afshin Marashi | 1 | 40,59 € | Vaata | ||
University of Texas Press Out of the Gutters: Obscenity, Censorship, and Transgression in American Comics Uus! GTIN: 9781477331804 Raamatud Comics have long been a subject of moral panics, no doubt thanks to their in-your-face illustrations and their association with young readers. Indeed, the politicians and parents behind todays book-banning campaigns reserve special ire for graphic novels. What makes todays controversies different is the content of the alleged obscenity. Instead of targeting sex as such, censors now focus on affirmations of nonheteronormative identity, as in Maia Kobabes Gender Queer. And while violence is a constant in comics, stories that acknowledge nationalist oppression and violence, such as Art Spiegelmans Maus, are also being blacklisted. Out of the Gutters assembles scholars from diverse disciplines to examine US comics, graphic novels, and cartooning that have been challenged as obscene or transgressive. Covering well-known underground figures like Robert Crumb and Charles Burns, newcomers such as C. Spike Trotman and Emil Ferris, and mainstream creators including Chris Claremont and Archie Goodwin, the collection explores the market economics of transgression, historical representations of graphic violence, the ever-changing meaning of pornography, sex-positive comics by BIPOC authors, and queerness in pop-culture mega-properties like X-Men and The Walking Dead. How comics and graphic novels use obscenity and other taboos to shed light on important issues. Autorid: Jorge J. Santos, Patrick Lawrence | 1 | 64,90 € | Vaata | ||
University of Texas Press Making Levantine Cuisine: Modern Foodways of the Eastern Mediterranean Uus! GTIN: 9781477331880 Raamatud Melding the rural and the urban with the local, regional, and global, Levantine cuisine is a mÉlange of ingredients, recipes, and modes of consumption rooted in the Eastern Mediterranean. Making Levantine Cuisine provides much-needed scholarly attention to the regions culinary cultures while teasing apart the tangled histories and knotted migrations of food. Akin to the region itself, the culinary repertoires that constitute Levantine cuisine endure and transform-are unified but not uniform. This book delves into the production and circulation of sugar, olive oil, and pistachios; examines the social origins of kibbe, Adana kebab, shakshuka, falafel, and shawarma; and offers a sprinkling of family recipes along the way. The histories of these ingredients and dishes, now so emblematic of the Levant, reveal the processes that codified them as national foods, the faulty binaries of Arab or Jewish and traditional or modern, and the global nature of foodways. Making Levantine Cuisine draws from personal archives and public memory to illustrate the diverse past and persistent cultural unity of a politically divided region. Autorid: Anny Gaul, Graham Auman Pitts, Vicki Valosik | 1 | 40,59 € | Vaata | ||
University of Texas Press Texas Takes Shape: A History in Maps from the General Land Office Uus! GTIN: 9781477330920 Raamatud A comprehensive volume on historical mapping in Texas. A comprehensive volume on historical mapping in Texas. The Texas General Land Offices map collection contains over 45,000 maps, some dating from the sixteenth century, making it one of the most important cartographic archives in Texas. As products and agents of history drawn by cartographers with motives and means as diverse as the places they document, maps provide a unique perspective on geopolitical, cultural, and economic processes. The maps of the GLO offer key insights into Texass sprawling history. They speak to issues of changing borders, social and political upheaval, and questions of sovereignty and power. Texas Takes Shape offers an illuminating selection from the GLO archive: over one hundred maps that telland sometimes obscurethe stories of European colonization, Spanish and Mexican rule, the Republic of Texas, and the modern US state. There are maps here of every scale, from the hemispheric visions of European explorers to individual survey plats. Accompanying essays offer fascinating lessons on topics ranging from Indigenous cartography to military and railroad mapmaking and frontier surveys. Artful and informative, Texas Takes Shape examines a unique place through the eyes and imaginations of those who sought to govern it, profit from it, understand it, and call it home. Autorid: Mark Lambert, James Harkins, Brian A. Stauffer, Patrick Walsh | 1 | 54,10 € | Vaata | ||
University of Texas Press Woman Walk the Line: How the Women in Country Music Changed Our Lives Uus! GTIN: 9781477322581 Raamatud Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift&;these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it&;s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it&;s the humanity beneath the music that resonates.Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly&;s Madison Vain considers Loretta Lynn&;s girl-power anthem &;The Pill&;; and rocker Grace Potter embraces Linda Ronstadt&;s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it.Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America&;s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection&;and ultimately how music transforms not just the person making it, but also the listener. In this collection of personal essays, a diverse group of women music writers pay tribute to the female country artists who have inspired them, including Brenda Lee, June Carter Cash, Dolly Parton, Emmylou Harris, Lucinda Williams, and Taylor Swift. Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swiftthese artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether its Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, its the humanity beneath the music that resonates.Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weeklys Madison Vain considers Loretta Lynns girl-power anthem The Pill; and rocker Grace Potter embraces Linda Ronstadts unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it.Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of Americas most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfectionand ultimately how music transforms not just the person making it, but also the listener. Autorid: Holly Gleason | 1 | 23,04 € | Vaata | ||
University of Texas Press Mobile Image: Prints and the Shaping of Devotional Networks from Lima to the Andes and Beyond Uus! GTIN: 9781477331125 Raamatud A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Limas prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures. Autorid: Emily C. Floyd | 1 | 64,90 € | Vaata | ||
University of Texas Press I'd Just As Soon Kiss a Wookiee: Uncovering Racialized Desire in the Star Wars Galaxy Uus! GTIN: 9781477331590 Raamatud How the Star Wars trilogies and their fandoms have engaged with and mirrored American beliefs about race and gender. The Star Wars saga takes place in a galaxy far, far away, but its social structuresin particular its racial realitiesare thoroughly American. So argues Greg Carter in this thought-provoking analysis, which blends historical and theoretical treatments of science fiction cinema and Star Wars fandom to explore the subtle mirroring between fantasy and the communities that create and consume it. Id Just as Soon Kiss a Wookiee draws on insights from prominent scholars to examine fictional relationships between groups perceived to be biologically different. Three areas of commonality between the United States and Star Wars arise: stiff regulation of racial mixture; racialized servitude, with nonhumans placed in positions of bondage; and the presumption of white male supremacy. None of these are functions of the of the Star Wars story; rather, they index the expectations of US society. But expectations have also shifted since Star Wars launched in 1977, and the franchise with it. Carter gauges minority and mainstream fan reactions, finding that, while science fiction enthusiasts have a reputation for progressiveness, the truth turns out to be as complicated as US racism itself. How the Star Wars trilogies and their fandoms have engaged with and mirrored American beliefs about race and gender. Autorid: Greg Carter | 1 | 40,59 € | Vaata | ||
University of Texas Press Intimacy of Images: Saints, Death, and Devotion to La Santa Muerte in Oaxaca Uus! GTIN: 9781477330029 Raamatud La Santa Muerte becomes a lens for understanding how Oaxacans relate to saints, loved ones, and other special dead. La Santa Muerte becomes a lens for understanding how Oaxacans relate to saints, loved ones, and other special dead. In Oaxaca, images of saints and loved ones, as well as of victims of political or criminal violence, are seemingly everywhere. While Oaxacans relate to all sorts of special dead, they are particularly devoted to La Santa Muerte (Saint Death), a female reaper-like figure whose popularity has risen in tandem with violence throughout Mexico. The Intimacy of Images recontextualizes Oaxacans relationships with their special dead through the lens of La Santa Muerte, examining how devotees closely interact with what Lamrani terms intimate images: not only devotional effigies but also photographs, films, tattoos, and murals, and even dreams and visions. Though Mexicans have a well-known cultural familiarity with death, Lamrani argues that devotion to La Santa Muerte builds upon this intimacy even as it also participates in the production of terror and reflects political and criminal violence. Ultimately, Lamrani finds that these human-image interactions represent more than Catholic devotion; they reveal the secrets of Oaxacan political, religious, and social life, embody changing relationships to mortality and violence, and even offer insight into the practice of anthropology itself. Autorid: Myriam Lamrani | 1 | 40,59 € | Vaata | ||
University of Texas Press Social Life of Indianism: Politics and Indigeneity in Twenty-First-Century Bolivia Uus! GTIN: 9781477331194 Raamatud A sophisticated analysis of an influential Indigenous political ideology. A sophisticated analysis of an influential Indigenous political ideology. When the political ideology known as Indianism developed in Bolivia in the 1960s, it was premised on a rejection of Bolivian nationalism. Over the ensuing decades, however, it underwent several mutations as it moved out of a close circle of intellectuals to grip the urban masses that brought Evo Moralesthe first Indigenous presidentto power in 2006. The Social Life of Indianism offers a fresh perspective by examining Bolivian Indigenous politics through the lens of political ideology. Through an ethnographic study of Indianism in the city of El Alto, Tathagatan Ravindran shows how canonical Indianismthe original ideology that rejects Bolivia as enslaver of the Indian nationprovided philosophical ballast for exponents of a more popular folk Indianism that accommodates the Bolivian state and pursues Indigenous empowerment within it. Synthesizing approaches from several disciplines, Ravindran demonstrates how canonical Indianism was not refuted or supplanted; it refracted, in the broader public, into a new common sense. A sophisticated analysis of a complex political landscape, The Social Life of Indianism brings much-needed nuance to one of the most prominent forms of Indigenous ideology and offers a unique framework for analyzing political ideologies across the contemporary world. Autorid: Tathagatan Ravindran | 1 | 120,25 € | Vaata | ||
University of Texas Press Fear in the Middle of a Vast Field and Other Stories Uus! GTIN: 9781477331835 Raamatud Short stories by a celebrated playwright bare the horrors of the Syrian civil war. A selection of stories by Syrian author and playwright Mustafa Taj Aldeen Almosa about characters enduring the horrors of the Syrian civil war. With exquisite wit and lightness of touch, Almosa portrays the internal world of characters facing great physical violence or psychological pressures. Using both realism and fantastic elements, Almosa weaves short stories that are strange, violent, and delicate at the same time. This collection is an invaluable attempt to denounce war, to exist, to love life in all its manifestations and to learn how to cope with loss and disappointment. It is a cry against fear and death as much as it is an ode and a homage to life and love in times of both war and peace. Short stories by a celebrated playwright bare the horrors of the Syrian civil war. Autorid: Mustafa Taj Aldeen Almosa, Maisaa Tanjour, Alice Holttum | 1 | 21,69 € | Vaata | ||
University of Texas Press Bridging Sonic Borders: Popular Music in Contemporary Dominican/Dominicanyork Literature Uus! GTIN: 9781477331552 Raamatud How music depicted in literature shapes Dominican and Dominican New Yorkers identities and links the homeland to the diaspora. Music has played a large role in recent Dominican literature, whether of the island or the diaspora. Bridging Sonic Borders explores this sonic connection linking the homeland and far-flung locales-especially New York, the center of Dominican cultural production in the United States. Sharina MaÍllo-Pozo argues that literary representations of popular music delineate a shared aesthetic territory for US and Caribbean Dominicans, fostering an inclusive and transnational Dominicanidad. Examining works written in Spanish, English, and Dominicanish, MaÍllo-Pozo focuses on Dominican/Dominicanyork writings that have nurtured a borderless aesthetics through their shared investment in hip-hop, jazz, blues, pop, rock, and merengue. For Dominican writers, popular music has become a way of exploring memory and nostalgia and a means of centering people rejected from hegemonic identity formation-the working class, those of African descent, rural and queer people. For example, many works focused on the life of rocker Luis Terror DÍas have emphasized the in-between identity of being both Dominican and a New Yorker. Collectively, these writings have created a space in which boundaries of nation and diaspora are revealed for their fundamental porosity. Autorid: Sharina Maíllo-Pozo | 1 | 40,59 € | Vaata | ||


















































