Tänu 10x suurendusele, Schott HT™-klaasist optikale ja erakordsele detailsusele sobib binokkel Leica Noctivid 10x42 hästi nõudlikuks välitingimustes vaatlemiseks.
Binokkel Leica Noctivid 8x42 (roheline) on kasutatud Schott HT™-klaasi, tänu millele pakub seade erakordset heledust ja kontrasti nõudlikuks välitingimustes vaatlemiseks.
10x suurendusega binoklis Leica Noctivid 10x42 on kasutatud Schott HT™-klaasi. Seade pakub erakordset kontrasti, sobides ka väga nõudlikele vaatlejatele.
Binoklis Leica Noctivid 8x42 on kasutatud Schott HT™-klaasi, tänu millele pakub seade erakordset kontrasti ja loomulikku värviedastust. Loodud nõudlikele vaatlejatele.
Leica Geovid Pro 10x42 AB+ on Applied Ballistics® Elite’i ja Shot Probability Analysise tehnoloogiaga binokkel, mis pakub täiustatud täpsust pikamaalaskmiseks.
Oliivrohelises binoklis Leica Geovid Pro 10x32 on koos Applied Ballistics®-i tarkvara ja kuni 2300 m ulatusega täpne laserkaugusmõõtja. See on kompaktne ja kvaliteetse optikaga binokkel nõudlikele jahimeestele.
Ekraan: Alati sisselülitatud LTPO3 OLED Retina Kiip: S10 Aku: Akukestvust kuni 18 tundi Muu: L1 GPS Kompass Alati sisselülitatud kõrgusmõõtur Vere hapniku¬sisalduse andur (rakendus Blood Oxygen) Elektriline südameandur (EKG-rakendus) Kolmanda põlvkonna optiline pulsiandur Rahvus¬vahelised hädaabikõned Hädaolukorra SOS Güroskoop Ümbritseva valguse andur Kõlar Mikrofon Apple Pay GymKit
Ekraan: Alati sisselülitatud LTPO OLED Retina 45mm 396 korda 484 pikslit 41mm 352 korda 430 pikslit Kiip: S8 ja W3 ja U1 Aku: Akukestvust kuni 18 tundi Muu: L1 GPS, GLONASS, Galileo, QZSS ja BeiDou Kompass Alati sisselülitatud kõrgusmõõtur Vere hapniku¬sisalduse andur (rakendus Blood Oxygen) Elektriline südameandur (EKG-rakendus) Kolmanda põlvkonna optiline pulsiandur Rahvus¬vahelised hädaabikõned Hädaolukorra SOS Güroskoop Ümbritseva valguse andur Kõlar Mikrofon Apple Pay GymKit
When the main character, a successful writer, experiences writers block, he withdraws from his malign fate to Berghof, a Swiss clinic. A number of famous names in world literature are already receiving treatment there, from Martin Amis, Graham Greene and Saul Bellow to J. M. Coetzee. But is Berghof really what it purports to be? And what role does the ever-silent figure of Scheherazade play in the novel? 'My Kingdom is Dying' is not just a hybrid of the genres of confession - detective story, memoir and fictional biography - but also a unique combination of fiction and metafiction, literature and meta-literary reflection. Readers follow a gripping story in which unusual events unobtrusively mingle with meaningful reflection and deep insights. Autorid: Evald Flisar
To truly understand things, we need to know them. We need to taste them.This is a story of how food connects us all not only at the table, but to each other's cultures and histories. Durkhanai Ayubi was born in Afghanistan in the 1980s, and her and her family became refugees when she was a small child. She's grown to see her ancestral lands be misunderstood as a desolate warzone of helpless people, with no history or culture worthy of mention, when the reality is in fact steeped in rich, complex, histories of incredible cultural significance. Growing up in Australia, Durkhanai's only tangible connection to the histories of her homeland was through food, first through cooking with her family, and then as an owner of her much-loved, award-winning Adelaide family restaurant, Parwana. Years on, and following Afghanistan's systemic collapse in 2021, Durkhanai realised that it was time to revisit those histories, and to tell the untold stories that can help shape a more optimistic future.She Who Tastes, Knows is an expansive history of Durkhanai's homeland and a vivid, moving story what it truly means to understand another's culture. Through stories of food, family, belonging and migration, the book traverses cultural boundaries, weaving a tapestry of dignity, empathy and understanding. Each chapter of the book draws on a particular ingredient of importance to Durkhanai's cultural identity, explores their life cycles to uncover unseen histories of Afghan culture, the complexities of migrant and refugee experience, and how we as a society might work towards unifying our disparate cultures and ways of seeing the world. In our modern world that can feel so disjointed, this book shows us with timeless prescience how new possibilities for connection are just under the surface, waiting to bloom. Autorid: Durkhanai Ayubi
The red star and the roundel are the symbols of organisations that share a century of existence, characterised by conflict as well as harmony. The Russian red star has maintained its impact in the hundred years since the October Revolution; the RAFs red, white, and blue roundel has seen action in the air across the globe during the same period. Of the authors forty years of RAF service, the final three and a half were in Russia, enabling him to examine the dynamics of the RussiaRAF relationship, sometimes as allies, sometimes as adversaries. Red Star and Roundel draws on the authors personal reminiscences, the recollections of surviving veterans of RAF service in Russia during the Second World War, and official records from throughout this shared century. The volume explores topics ranging from brutal combat in the early years to language difficulties later on, from innocent misunderstandings to deliberate deception, and from cultural contrasts to aesthetic links. Autorid: Philip Wilkinson
Now available in a compact edition, the worlds best drummers are showcased in this book of magnificent photographs and fascinating interviews by renowned photographer Deirdre OCallaghan. The drummer is usually the least well-known member of any band. Yet behind every lead singer is the person keeping the beat, and often acting as the musics driving force. In these incredible portraits, Deirdre OCallaghan places drummers squarely in the spotlight. Photographing her subjects in their private rehearsal spaces and residencesfrom studios, bedrooms, and basements to garages and gardensallows her to capture the true essence of their personalities and lifestyles. She has photographed almost 100 celebrated musicians for the book, including Tony Allen, Ginger Baker, Travis Barker, Cindy Blackman, Patrick Carney, Terri Lyne Carrington, Chris Dave, Jack DeJohnette, Bryan Devendorf, Sly Dunbar, Steve Gadd, James Gadson, Dave Grohl, Mark Guiliana, Steve Jordan, Jim Keltner, Airto Moreira, Larry Mullen Jr., Neil Peart, Questlove, Jim Sclavunos, Ringo Starr, Lars Ulrich, Joey Waronker, and Jack White. Each image is accompanied by excerpts from OCallaghans personal conversations with the drummers. The result is a fascinating look at a truly diverse world made up of people from every walk of life, united by a single, emphatic passion. Autorid: Deirdre O'Callaghan
This elegant collaboration pairs Michael Kennas luminous black-and-white landscapes with Pico Iyers contemplative prose, tracing the parallels of two lives lived in motion. Though they didnt meet until they were both in their sixties, photographer Michael Kenna and writer Pico Iyer had been unknowingly following similar paths for decades. Both were born in England, studied near Oxford in the 1970s, moved to the U.S. West Coast, and fell in love with Japan. This book brings their work together in a profoundly personal collaboration: more than sixty of Kennas prints, each accompanied by an essay both from Iyer and Kenna himself. Kennas workminimalist, often made in long exposurecaptures fleeting moments of calm and clarity: a fog-bound canal in Venice, a deserted jetty in Mallorca, a line of trees dissolving into snow in Hokkaido. Spanning fifty years and five continents, these photographs offer meditations shaped by light, shadow, and quiet transformation. In prose that mirrors the restraint and depth of the images, Iyer writes about travel, childhood, coincidence, and the invisible threads that connect us. Beautifully printed and designed for slow reading and close looking, Same Sun Same Moon is a book for art lovers, writers, travelers, and anyone drawn to the subtle interplay of image and word, solitude and connection. Autorid: Michael Kenna, Pico Iyer
This illuminating study of Japans storied tattoo tradition explores a visual language where meaning, mastery, and myth converge. Japanese tattoos are among the worlds most powerful forms of body artvisually bold, spiritually resonant, and deeply rooted in cultural tradition. In this richly illustrated and deeply informed study, author and journalist Manami Okazaki offers rare access to the countrys tattoo masters, exploring their philosophies, apprenticeships, and creative processes. Each design centers on mythological, religious, or folkloric figures that are embellished with seasonal motifs such as cherry blossoms, plus include dramatic backgrounds like waves that reflect balance, symbolism, and emotional depth. For many artists, the psychological and spiritual dimensions are as vital as the technique itself. Through interviews, new photography, and archival images, Okazaki traces the evolution of Japanese tattooingfrom Edo-period society to contemporary underworld communitieswhile capturing its enduring connection to downtown Tokyos fire brigades, festivals, and working-class pride. In addition to its cultural insight, the book is a superb visual reference, featuring high-quality images ideal for tattoo artists and collectors seeking to study and emulate the Japanese style. Drawing on close relationships with multigenerational tattoo families, Okazaki offers an unprecedented portrait of a private, resilient art form perfect for anyone captivated by the aesthetic and symbolism of Japanese ink. Autorid: Manami Okazaki
In this elegant follow-up to the bestselling Brutalist Japan, Paul Tulett brings his distinctive eye to South Koreas post-war architecture, capturing the austere beauty of concrete across cities and decades. Brutalist Korea features more than 220 full-color images of buildings from Seoul to Busan, Daegu to Daejeon. These include government complexes, university campuses, cultural institutions, and public housingstructures shaped by a period of rapid industrialization and national rebuilding, rendered here with clarity and nuance. Korean Brutalism emerged in the 1960s and 70s, informed by modernist ideals and adapted to local conditions. Architects such as Kim Swoo-geun, Lee Jong- sup, Choi Maeng-gi, and Seung H-Sang designed buildings that combined geometric severity with regional sensitivity. Their work reflects a desire for permanence and purpose, and for an architectural identity rooted in both function and expression. Tuletts photographs reveal not only the formal qualities of these buildingsmodular repetition, raw surfaces, monumental scalebut also their relationship to the landscape, their weathering over time, and their place in Koreas evolving visual culture. With informed, understated commentary, Brutalist Korea offers a rare visual journey through a style often misunderstood and increasingly at risk. Autorid: Paul Tulett
